Sugarland Sugarland
NOVEMBER 2010 ISSUE MMUSICMAG.COM ’80s pop culture like John Hughes’ fi lms and U2’s cinematic sound during that era. “We were teenagers then, and a lot of the pop culture was about archetypes of what it was like to be that age,” Bush says. “And that’s what really inspired us to become musicians. A lot of the songs came from conversations about that.” While the powerful, anthemic sound of The Incredible Machine won’t surprise anyone who knows its origins, it might shock country fans used to more down-home sounds. But reinvention is almost as much part of Sugarland’s identity as any one genre. The group grew out of the Atlanta singer-songwriter scene but found immediate success in mainstream country music with its 2004 multiplatinum debut, Twice the Speed of Life. “We’ve turned over a whole lot of new leaves since starting this Stewart Volland band,” says Bush. The trio became a duo when founding member Kristen Hall abruptly Jennifer Nettles, Kristian Bush quit while Sugarland was still riding high on the first album’s success, and some wondered if the shift would upset the group’s unique chemistry.chemistry. But SUGARLANDSUGARLAND NeNettlesttles and Bush made the transitiontransition The country duo turns over another new leaf seamlessly,l l andd subsequent b albumslb haveh proved so successful that they’re now with its new album’s arena-rocking sound headlining arena tours—which comes with its own challenges. IF SUGARLAND’S NEW ALBUM, The result, “Wide Open,” appeared “Our touring and writing cycles have to The Incredible Machine, sounds grand on AT&T’s digitally released Team USA happen at the same time, and that changes and full of ambition, that’s because its Soundtrack, and served as the jumping-off the process a little,” Bush says.
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