Rebel Citizens and Filmmakers an Interview with Haskell Wexler and Pamela Yates by Maria Garcia
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Samoan Submission Machines
Samoan Submission Machines: Grappling with Representations of Samoan Identity in Professional Wrestling Theo Plothe1 Savannah State University [email protected] Amongst the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. The discussion of Samoan identity in the context of sport has examined Maori identity and masculinity in New Zealand, among other topics, but there has yet to be work which considers Samoans within professional wrestling. This research investigates Samoan identity through a content analysis of televised wrestling matches. This research identifies six primary stereotypes under which Samoan identity is portrayed. These portrayals of Samoan characters, I argue, flatten the representation of this ethnic group within wrestling and culture at large. Keywords: Samoans, identity, representation, gimmicks Introduction Among the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. This research investigates the identity of Samoans within professional wrestling, and the different ways they are constructed and presented to audiences. “Gimmicks,” characters portrayed by a wrestler “resulting in the sum of fictional elements, attire and wrestling ability” (Oliva and Calleja 3) utilized by Samoans have run the gamut from the wild uncivilized savage, to the sumo (both in villainous Japanese and comically absurd iterations), to the ultra-cool mogul who wears silk shirts and fancy shoes. Their ability to cut promos, an important facet of the modern gimmick allowing wrestlers to address their opponents and storylines, varies widely as well, but all lie within their Samoan identity. -
Working Weight Pull Dog Titles 2017-0119
Working Weight Pull Dog issued number registeredname owners regnum sire sireregnum dam damregnum 1 Shadak’s Sastan Taka Keith & Lynne Hurrell WC786190 Lobito's Caballero of Kiska WC257803 Shadak's Shukeenyuk WB579440 2 Shadak’s Artic Sonrise Keith & Lynne Hurrell WB650563 Pak N Pulls Kingak WA764822 Pak N Pulls Arctic Shadow WA524342 3 Willowcreek’s Sage Of White Becky Whittenburg WD400564 Snokimo's Chief Illini WC318063 Malesa's Smokey Haven WC024437 Mountain 4 Gnulak Polar Paw Rick & Beverly Pfeiffer WD189743 5 Artic Knight Of Winter Star Jim & Connie Meurett WD889095 6 Tara Of Winter Star Jim & Connie Meurett WD889093 7 Winter Star’s Icelandic Lady Jim & Connie Meurett WD889092 Snocre's Koyuk of Winter Star WC348284 Winter Star's Amanda WB951140 8 Snocre’s Koyuk Of Winter Star Jim & Connie Meurett WC348284 Snocre's Mr Moose WB873465 Timberlane's Tuktu of Snocre WB051212 9 Calaban’s Honky-Tonk Angel Kit Lohn WD137068 Silver Frost Savage's Kingmik WC315104 Oonanik's-Eskimo-Kiss WC162783 10 Nordra’s Forgone Conclusion Norm & Sandy Hughes WD670199 Norora's Lobo of Polar-Pak WD150111 Kinapak's Ikkuma WB983386 11 Arken’s Nakina Cheryll Arkins 12 Hokie-Hi’s Rusty Bear Virginia & Dick Grefe WB815004 Eldor's Smo-Kee Bear WA945699 Sharavin's Sheeniek WA506864 13 Hi-Acres Misty Shadow Jackai & Alice Szuhai WC462987 Tara Shinook WB901509 Traxler's Nokemo of Clairville WC113668 14 Lored’s Brutus Jackai & Alice Szuhai WC725585 15 Nicole Ohtahyon Jackai & Alice Szuhai WC010823 Athabascan King WB386373 Nicole of Athabasca WB495979 16 Winterhawk’s Furry Flurry Bruce & Sandy Kasson WD649766 Snopaw's Snoqualmie WB508876 Maluk's Topaz WD132374 17 Sno-Pak Token Of Snokimo Dr. -
Giving Report 2019-2020
Giving Report F I R M FOUNDATIONS 2019-2020 TABLE OF CONTENTS Our Mission 3 Letter from the President The mission of Bishop Kelley High School is to carry on the teaching ministry of Jesus Christ by providing a Catholic, Lasallian Board of Directors & education that develops individuals whose hearts and minds are prepared for a purposeful life. 4 PhilanthropyTeam 5 Letter from Bishop Konderla Our Core Values 6 Gifts to Believe in Kelley Faith in the Presence of God 9 National Merit & AP Scholars We call each other into a deeper awareness of our saving relationship with a caring and loving God through Jesus Christ. Let us remember we are in the Holy Presence of God. A Firm Foundation: 10 Celebrating Br. Alfred Concern for the Poor and Social Justice 11 Lasallian Founders Awards We call each other to an awareness to the poor and victims of injustice and respond through community service and advocacy. Enter to Learn, Leave to Serve. 12 Consecutive Years of Giving 15 Trivia Night Respect for All Persons We acknowledge each other’s dignity and identity as children of God. 16 Financial Profile Live Jesus in our hearts... forever. 18 Legacy Society Quality Education 20 Angelo Prassa Golf Tournament We provide an education that prepares students not only for college, career and vocation, but also for life through the Lasallian ideal. Teaching Minds and Touching Hearts. 20 BK Adds 7 Acres 21 Gifts to Athletics Inclusive Community 22 RCIA We are a Catholic community where diverse strengths and limitations are recognized and accepted. The Lasallian Family 22 Miscellaneous Funds 23 GO for Catholic Schools Our Vision Form Disciples | Educate for Life | Leave to Serve Speech and Debate 24 Goes to Nationals Bishop Kelley High School forms disciples of Jesus Christ in the tradition of the Roman Catholic Church. -
Rawrs Camera Wows
rawr21s camera wows British cameraman Ousama Rawi worked on the film Coup d'Etat in Toronto and shares with Mark Irwin some of his thoughts and techniques about lighting. by Mark Irwin Ousama Rawi checks a shot 22/ Cinema Canada / managed to meet Ousama Rawi two going to need a lot of light; it's going When Ossie Morris was shooting days before he began shooting Coup to be a very warm set. Equus here last year, he very openly d'Etat for Magnum Films. I had fol expressed his lack of confidence in lowed his work after seeing Pulp Canadian labs and their work. Have Your lighting style has managed to be (a Michael Caine comedy/thriller) you experienced any such horrors? a directional soft light. How have you in 1972. Since then I'd seen Black achieved that? Windmill, Gold and Sky Riders, all Well, Medallion is doing all our Some bounce, some diffuse. It de of them incredibly well photographed work. I spent a day with them and they pends on two factors: one, the location and I was very honored to finally meet were terrific. We're printing 5381 and we're shooting in, the height of the the man himself. not Gevaert because I think that final ceiling, the color of the ceiling, etc., ly 5247 and 5381 have now matured. I Born in Bagdad, and educated in and then two, the style of the director. was very disappointed when I first Scotland, he began shooting news for If he wants to pan through 270 degrees used 5247 before the modification Border Television in 1965. -
Production Designer Jack Fisk to Be the Focus of a Fifteen-Film ‘See It Big!’ Retrospective
FOR IMMEDIATE RELEASE PRODUCTION DESIGNER JACK FISK TO BE THE FOCUS OF A FIFTEEN-FILM ‘SEE IT BIG!’ RETROSPECTIVE Series will include Fisk’s collaborations with Terrence Malick, Brian De Palma, Paul Thomas Anderson, and more March 11–April 1, 2016 at Museum of the Moving Image Astoria, Queens, New York, March 1, 2016—Since the early 1970s, Jack Fisk has been a secret weapon for some of America’s most celebrated auteurs, having served as production designer (and earlier, as art director) on all of Terrence Malick’s films, and with memorable collaborations with David Lynch, Paul Thomas Anderson, and Brian De Palma. Nominated for a second Academy Award for The Revenant, and with the release of Malick’s new film Knight of Cups, Museum of the Moving Image will celebrate the artistry of Jack Fisk, master of the immersive 360-degree set, with a fifteen-film retrospective. The screening series See It Big! Jack Fisk runs March 11 through April 1, 2016, and includes all of Fisk’s films with the directors mentioned above: all of Malick’s features, Lynch’s Mulholland Drive and The Straight Story, De Palma’s Carrie and Phantom of the Paradise, and Anderson’s There Will Be Blood. The Museum will also show early B- movie fantasias Messiah of Evil and Darktown Strutters, Stanley Donen’s arch- affectionate retro musical Movie Movie, and Fisk’s directorial debut, Raggedy Man (starring Sissy Spacek, Fisk’s partner since they met on the set of Badlands in 1973). Most titles will be shown in 35mm. See below for schedule and descriptions. -
Storms Named After People
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2018 Storms Named After People Sarah E. Ballard University of Central Florida Part of the Film and Media Studies Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Ballard, Sarah E., "Storms Named After People" (2018). Honors Undergraduate Theses. 338. https://stars.library.ucf.edu/honorstheses/338 STORMS NAMED AFTER PEOPLE by SARAH BALLARD A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Film Production in the College of Arts and Humanities and in the Burnett Honors College at the University of Central Florida Orlando, FL Spring Term, 2018 Thesis Chair: Elizabeth Danker, M.F.A, M.A. ABSTRACT Storms Named After People is a coming-of-age film about loneliness, Florida’s disposition during holidays, freedom within abandonment, and how one translates time and space when alone. I intend for this film to capture a unique and authentic representation of young women that I find difficult to come by in mainstream cinema. Some other things I plan to accomplish with Storms Named After people include subverting the audience’s expectations, challenging tired stereotypes of women and various relationships among them, capturing loneliness from an optimistic point of view and embracing availability within a micro-budget filmmaking process. -
Publication Review Report Thru 06-10-19 Selection: Complex Disposition: Excluded, Complex Disposition: Excluded
Publication Review Report thru 06-10-19 Selection: Complex Disposition: Excluded, Complex Disposition: Excluded, Publication Title Publisher Publication Publication Publication Publication Publication Complex Complex OPR OPR Type Date Volume Number ISBN Disposition Disposition Disposition Disposition Date Date Adult Cinema Review 37653 Excluded Excluded 3/3/2004 Adult DVD Empire.com ADE0901 Excluded Excluded 3/23/2009 Adventures From the Technology 2006 ISBN: 1-4000- Excluded Excluded 9/10/2010 Underground 5082-0 Aftermath, Inc. – Cleaning Up After 2007 978-1-592-40364-6 Excluded Excluded 7/15/2011 CSI Goes Home AG Super Erotic Manga Anthology 39448 Excluded Excluded 3/5/2009 Against Her Will 1995 ISBN: 0-7860- Excluded Excluded 3/11/2011 1388-5 Ages of Gold & Silver by John G. 1990 0-910309-6 Excluded Excluded 11/16/2009 Jackson Aikido Complete 1969 ISBN 0-8065- Excluded Excluded 2/10/2006 0417-X Air Conditioning and Refrigeration 2006 ISBN: 0-07- Excluded Excluded 6/10/2010 146788-2 AL Qaeda - Brotherhood of Terror 2002 ISBN: 0-02- Excluded Excluded 3/10/2008 864352-6 Alberto 1979 V12 Excluded Excluded 8/6/2010 Algiers Tomorrow 1993 1-56201-211-8 Excluded Excluded 6/30/2011 All Flesh Must be Eaten, Revised 2009 1-891153-31-5 Excluded Excluded 6/3/2011 Edition All In - The World's Leading Poker 39083 Excluded Excluded 12/7/2006 Magazine All the Best Rubbish – The Classic 2009 978-0-06-180989-7 Excluded Excluded 8/19/2011 Ode to Collecting All The Way 38808 V20/N4 Excluded Excluded 2 September/Oct Excluded Excluded 9/15/2005 ober 2002 101 Things Every Man Should 2008 ISBN: 978-1- Excluded Excluded 5/6/2011 Know How to Do 935003-04-5 101 Things You Should Know How 2005 978-1-4024-6308-3 Excluded Excluded 5/15/2009 To Do 18 Year Old Baby Girl, The.txt Excluded Excluded 1/8/2010 2,286 Traditional Stencil Designs by 1991 IBSN 0-486- Excluded Excluded 1/6/2009 H. -
British Cinematographer048
– 062 British Cinematographer – 061 Covering International Cinematography – 060 www.britishcinematographer.co.uk – 059 Issue 048 ––– November 2011 – 058 – 057 – 056 – 055 – 054 – 053 – 052 – 051 – 050 – 049 – 048 – 047 – 046 – 045 – 044 – 043 – 042 British – 041 – 040 048 – 039 – 038 – 037 Cinematographer – 036 – 035 – 034 Covering International Cinematography ROBERT RICHARDSON ASC ON T H E 1 9 3 0 ’ S LOOK AND 3 D STEREO S H O O T I N G OF MARTIN SCORSESE’S FANTASY HOW CHRISTIAN BERGER SET ABOUT LENSING ROYAL GERMAN DRAMA LUDWIG II ––– PLUS CAMERIMAGE 2011 PREVIEW: INCLUDING TRIBUTE TO LIFETIME AWARD WINNER JOHN SEALE ACS ASC STEPHEN GOLDBLATT BSC ASC on THE HELP ––– LARRY FONG ASC on SUPER 8 ––– SLAWOMIR IDZIAK on BATTLE OF WARSAW 1920 IN 3D ––– BSC, IMAGO, GBCT & PRODUCTION NEWS ––– WHO’S SHOOTING WHAT? DARIUSZ KUC PSC ––– REVIEW OF THE LATEST FILMMAKING GEAR AT IBC 2011 ––– JUSTIN BROWN ––– THE LATEST NEWS FROM TINSEL TOWN ––– GILBERT TAYLOR BSC British Cinematographer British Cinematographer Covering International Cinematography Covering International Cinematography www.britishcinematographer.co.uk www.britishcinematographer.co.uk Issue 048 ––– November 2011 22 Issue 048 ––– November 2011 23 For his camera work on The White Ribbon, Berger On the Job received many international awards, including Cinematographer Of The Year/Los Angeles 2009, –––DP Christian Berger AAC the ASC’s 2010 Outstanding Achievement in Cinematography Award, plus nominations from the Ludwig II Academy, and also the BSC. The list of domestic wins also includes German Film Award, the Lola 2010, the Austrian Romy 2010, as well as Diagonale Kamerapreis 2010 from the Austrian Association of Cinematographers. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Camera Operator of the Year Award
BEST CINEMATOGRAPHY | CLAUDIO MIRANDA LAUDIO MIRANDA LAUDIO C | CINEMATOGRAPHY BEST “And everybody asked me would I try again...? I never did. As a matter of fact, I have never done anything with my life after that....” “A visual triumph that advances the art of screen storytelling leaps and bounds ahead of everything that has come before.....” – Pete Hammond, Hollywood.com US $7.00 AWARDS ISSUE 2009 Display Until April 2009 2009 Special Awards Issue THE OPERATING CAMERAMAN: TRANSITIONS 1 © 2009 Paramount Pictures. All Rights Reserved. PARAMOUNTGUILDS.COM WWW.SOC.ORG CAMERACAMERA OPERATOROPERATOR VOLUME 18, NUMBER 1 SPECIAL AWARDS ISSUE 2009 Filming Law & Order: Criminal Intent out east on the north shore of Long Island. Courtesy of Al Cerullo. Features: SOC Lifetime Achievement Awards Celebration Meet the people who are being honored this Cover: year for Lifetime Achievement as a Camera Operator, Camera Technician, Mobile Platform Camera Operator, and Still Photographer, for the President’s Award, for Outstanding Achievement in Technology, for Distinguished 6 Service, and for the 2nd annual Camera Operator of the Year Award. Filming a Heist Cover photo of by Dan Kneece SOC 53 Sean Penn from An Operator’s personal diary description of Milk. © 2008 Focus shooting the feature film Maiden Heist for Features. DP Ueli Steiger ASC. Departments: 2 President’s Letter 61 Transitions by Dan Kneece SOC 63 Last Take; Ad Index 4 News & Notes SOC donation to Childrens Hospital Vision 64 Roster of the SOC Center; Holiday Screening. as of 1/9/09 Camera Operator Letter from the President Special Awards Issue 2009 elcome to the 2009 Past recipients have felt that Editor . -
Angry Aryans Bound for Glory in a Racial Holy War: Productions of White Identity in Contemporary Hatecore Lyrics
Angry Aryans Bound for Glory in a Racial Holy War: Productions of White Identity in Contemporary Hatecore Lyrics Thesis Presented in Partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Roberto Fernandez Morales, B.A. Graduate Program in Sociology The Ohio State University 2017 Thesis Committee: Vincent Roscigno, Advisor Hollie Nyseth Brehm Eric Schoon Copyright by Roberto Fernandez Morales 2017 Abstract The Southern Poverty Law Center reports that, over the last 20 years, there has been a steady rise in hate groups. These groups range from alternative right, Neo Confederates, White Supremacist to Odinist prison gangs and anti-Muslim groups. These White Power groups have a particular race-based ideology that can be understood relative to their music—a tool that provides central recruitment and cohesive mechanisms. White supremacist rock, called Hatecore, presents the contemporary version of the legacy of racist music such as Oi! and Rock Against Communism. Through the years, this genre produces an idealized model of white supremacist, while also speaking out against the perceived threats, goals, and attitudes within white supremacist spaces. In this thesis, I use content analysis techniques to attempt to answer two main questions. The first is: What is the ideal type of white supremacist that is explicitly produced in Hatecore music? Secondly, what are the concerns of these bands as they try to frame these within white supremacist spaces? Results show that white supremacist men are lauded as violent and racist, while women must be servile to them. Finally, white supremacist concerns are similar to previous research, but highlight growing hatred toward Islam and Asians. -
Hard Justice Free
FREE HARD JUSTICE PDF Lori Foster | 384 pages | 21 Mar 2017 | Harlequin Books | 9780373799329 | English | United States Hard Justice | Halo Machinima | Fandom Its promotional trailer was released Hard Justice YouTube on September 20, Hard Justice Bernard Brown is the starring character, an ex-cop Hard Justice resigns from the Hard Justice department of Regent City after deciding Hard Justice doesn't want to be a part of or contribute to the fact that Regent City is slowly becoming a fascist police state. Unfortunately for him, Esoteria is not much of a difference. After Hard Justice to get a Hard Justice, Bernard finds a job at E. Despite having a dark theme, Hard Justice still contains plenty Hard Justice DigitalPh33r's trademark humor. Max tells Eddie to steel himself for the coming task. Eddie decides to open the door, but Max tells him "Don't split hairs with me. Why go around something when you can go through it", and blasts open the door with his rocket launcher. Entering the house, Max discovers that the occupant of the house has downloaded three tracks of music, causing Eddie to puke violently. Just then, the occupant of the Hard Justice returns, and he is placed under arrest by Max, who tells him that downloading three tracks is equivalent to killing three Hard Justice. Eddie then fires at the "offender", who flees. Max blows up his car. After failing to catch him, they taser him twice and restrain him. In the Hard Justice, Bernard arrives at Esoteria airport, and after clearing the numerous security checkpoints, getting stopped at each of them Hard Justice being nervous.