I Successfully Used Iannotate PDF on House, and I Am Now Using It on Banshee, Alan Ball’S [True Blood] New Show.” Greg Said

Total Page：16

File Type：pdf, Size：1020Kb

I Successfully Used Iannotate PDF on House, and I Am Now Using It on Banshee, Alan Ball’S [True Blood] New Show.” Greg Said

VIEW IN iANNOTATE PDF FOR EXCLUSIVE CONTENT #01 Emmy-winning director of House M.D., Lost, and the upcoming Cinemax series, Banshee Greg Yaitanes is a powerful force in Hollywood, directing some of television's finest series, such as House M.D., Lost, Heroes, Prison Break, and Grey’s Anatomy. His commit- “I successfully used ment to creating engaging television recently earned him iAnnotate PDF on House, an Emmy Award, but directing is only one of his passions. and I am now using it on Greg is also a tech enthusiast. An early investor in Twitter, Banshee, Alan Ball’s [True Foursquare, and Pinterest, he’s always on the lookout for the next big thing. “I am constantly experimenting with Blood] new show.” cutting-edge digital technologies to streamline production costs, which is why iAnnotate PDF immediately caught my attention,” Greg told us recently. “It enables me to go paperless with scripts.” “I successfully used iAnnotate PDF on House, and I am now using it on Banshee, Alan Ball’s [True Blood] new show.” Greg said. Banshee, set to air on Cinemax, revolves around Lucas Hood, a master thief posing as a small-town sheriff in Banshee, PA. Banshee is currently filming in North Carolina, with the production team in L.A. Coordinating scripts between two cities is typically an immense effort, but Greg quickly put iAnnotate PDF to use. Greg adds directions and notes to his scripts while filming, and then can “seamlessly swap PDF files with [the] production team”. Greg continues, “I cannot Greg directs Hugh Laurie on the set of House M.D. think of a better combination than the iPad and iAnnotate PDF when it comes to reading, annotat- “I cannot think of a better ing, sharing and archiving scripts.” combination than the iPad and Greg was one of the first users to work with us to improve the app. “It's been a privilege to be involved iAnnotate PDF when it comes with [Branchfire] since the product’s early develop- to reading, annotating, sharing ment, helping to tailor it to the film and television industry,” Greg says. The privilege was ours, Mr. and archiving scripts." Yaitanes, and we look forward to your continued success with Banshee and beyond. TELL US HOW YOU USE IANNOTATE PDF FOR A CHANCE TO BE FEATURED! VISIT BRANCHFIRE.COM FOR MORE INFORMATION AND TO SUBSCRIBE TO OUR NEWSLETTER.

Copy Link

Recommended publications

SUE BLAINEY, ACE Editor
SUE BLAINEY, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS POWER BOOK III: RAISING KANAN Various Directors STARZ / LIONSGATE TV Season 1 Tim Christenson, Bart Wenrich Shana Stein, Courtney Kemp, Sascha Penn THE WALKING DEAD: WORLD BEYOND Michael Cudlitz AMC Season 1, Episode 7 Jonathan Starch, Matt Negrete THE GOOD LORD BIRD Albert Hughes SHOWTIME / BLUMHOUSE Limited Series O’Shea Read, Olga Hamlet STRANGE ANGEL David Lowery SCOTT FREE / CBS Pilot & Season 1 - 2 David Zucker, Mark Heyman WHAT IF Various Directors WARNER BROS. / NETFLIX Series Mike Kelley 13 REASONS WHY Various Directors PARAMOUNT TV / NETFLIX Season 2 Kim Cybulski, Brian Yorkey ANIMAL KINGDOM Various Directors WARNER BROS. / TNT Season 1 Terri Murphy, Lou Wells 11/22/63 Kevin MacDonald BAD ROBOT / HULU Series Jill Risk, Bridget Carpenter THE MAGICIANS Mike Cahill SYFY / Desiree Cadena, John McNamara Pilot Michael London MOZART IN THE JUNGLE Paul Weitz AMAZON Season 1 Caroline Baron, Roman Coppola Jason Schwartzman, Paul Weitz UN-REAL Roger Kumble LIFETIME Pilot Sarah Shapiro, Marti Noxon IN PLAIN SIGHT Various Directors NBC Season 3 Dan Lerner, John McNamara Consulting Producer Karen Moore HAPPY TOWN Darnell Martin ABC Season 1 Mick Garris Paul Rabwin, Josh Appelbaum John Polson André Nemec EASY VIRTUE Stephan Elliott EALING STUDIOS Toronto Film Festival Barnaby Thompson, Alexandra Ferguson THE HILLS HAVE EYES 2 Martin Weisz FOX / ATOMIC Co-Editor Wes Craven, Marianne Maddalena SIX DEGREES David Semel BAD ROBOT / ABC Series Wendey Stanzler J.J. Abrams, Jane Raab, Bryan Burke LOST Jack Bender ABC Season 2 Finale J.J. Abrams, Ra’uf Glasgow, Bryan Burke Nomination, Best Editing – ACE Eddie Awards Nomination, Best Editing – Emmy Awards HOUSE Greg Yaitanes FOX Series Keith Gordon Katie Jacobs, David Shore SIX FEET UNDER Kathy Bates HBO Series Migel Arteta Alan Ball, Alan Poul Lisa Cholodenko THE ADVENTURES OF PRISCILLA Stephan Elliott POLYGRAM QUEEN OF THE DESERT Al Clark, Michael Hamlyn Cannes Film Festival INNOVATIVE-PRODUCTION.COM | 310.656.5151 .
[Show full text]
NY Resume Take 3 Talent
JAMES WILCOX SAG-AFTRA / AEA AGENT: Eddie Rabon Height: 6'0" 1406 Broadway, 8th Floor Hair: Salt & Pepper / Short / Bald | Eyes: Blue New York, NY 10036 [email protected] | 646.289.3915 FILM The Equalizer Suppor0ng Lead (Pederson) Sony/Columbia PiCtures / Dir: Antoine Fuqua Bleed for This Featured PrinCipal Mar0n SCorsese / Chad Verdi ProduC0ons Sex Tape Featured PrinCipal (Charlie) Sony/Columbia PiCtures / Dir: Jake Kasdan Being Dead Suppor0ng Lix Films / Dir: John Meyers Child Eater (Feature) Suppor0ng Lead (Connolly) Wheelhouse Crea0ve/Dir: Erlingur Thoroddsen Frank the Bastard Suppor0ng Lead (Jinx) Big Indie PiCtures / Dir: Brad Coley TV FBI Co-Star CBS Wolf Films / Dir: Carl Seaton Castle Rock Co-Star Hulu Originals/J.J. Abrams / Dir: Greg Yaitanes Bull Co-Star CBS Studios / Dir: Alex Pillai Nos4a2 Co-Star AMC / Dir: John Shiban The Village (NBC Pilot) Co-Star NBC Universal / Dir: Minke Spiro Mr. Robot Co-Star USA Networks / Dir: Sam Esmail The Blacklist Co-Star NBC Universal / Dir: Andrew McCarthy House of Cards Co-Star Ne^lix Originals / Dir: James Foley Last Week Tonight w/ John Oliver Co-Star HBO / Par0ally Important ProduC0ons For Jus`ce (CBS Pilot) Co-Star CBS/Eye ProduC0ons / Dir: Ava DuVernay NEW YORK THEATRE Inappropriate Relaònship Marty Sanborn (Lead) NY Winterfest / Dir: Joan Kane Driving Herd Cowboy (Lead) Take Ten Playfest / Roy Arias Studios Andromache Peleus Apoloniad ProduC0ons REGIONAL THEATRE Seneca’s Oedipus Oedipus Salem Theatre Company The Crucible John ProCtor Salem Theater Company Hamlet Hora0o Vokes Theater, Boston Macbeth Banquo Vokes Theater, Boston Book of Days Len HoCh Salem Theater Company Safe Luke Boston Center for the Arts TRAINING Barrow School, Winter Workshop Seth Barrish Barrow SChool New York Audiòn Psych 101 MiChael Kostroff Kostroff Audi0on Workshop Audiòn Psych Comedic Intensive MiChael Kostroff Kostroff Comedy/Improv Workshop Private Training/Coaching Rob SedgwiCk SedgwiCk-Russell AC0ng Studio Private Training/Coaching Dossy Peabody AC0ng Coach EDUCATION: New York Film ACademy, 2003; B.A.
[Show full text]
Television Academy
Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series.
[Show full text]
AMY FLEMING Editor
AMY FLEMING Editor PROJECTS DIRECTORS PRODUCERS/STUDIOS ORANGE IS THE NEW BLACK Various Directors Mark Burley, Jenji Kohan Seasons 5 - 7 Lionsgate / Netflix AMERICAN PRINCESS Various Directors Mark Burley, Jenji Kohan Pilot & Series Arturo Guzman, Aimee Roth A+E Studios, Lifetime ALTERED CARBON Various Directors John Lenic / Skydance Prods Season 1 Netflix SURVIVOR’S REMORSE Various Directors Paul Marks, Mike O’Malley, Seasons 2 & 3 LeBron James / Starz QUEEN OF THE SOUTH Various Directors Tom Flores, Scott Rosenbaum Series Josh Miller, Mark Fortin Fox 21 TV / USA MAD DOGS Charles McDougall Nick Bradley, Shawn Ryan, Pilot Cris Cole / Sony / Amazon BANSHEE Greg Yaitanes, Allen Marshall Palmer Seasons 2 - 4 OC Madsen, Greg Yaitanes / HBO / Cinemax Babak Najafi, Loni Peristere & Various Directors BLACK BOX Tricia Brock Janace Tashjian, Series & Various Directors Amy Holden Jones, Ilene Chaiken / Bold Films / ABC THE BLACKLIST Various Directors Kat Goodson, John Eisendrath Series Jon Bokenkamp Sony Television / NBC BEVERLY HILLS COP Barry Sonnenfeld Shawn Ryan, Nick Bradley Pilot Sony / CBS LAST RESORT Leslie Linka Glatter, Shawn Ryan, Karl Gajdusek Series Christopher Misiano, Nick Bradley, Alex Espinoza & Paris Barclay Sony / ABC HOUSE M.D. Miguel Sapochnik, David Shore, Katie Jacobs, Seasons 6 - 8 Sanford Bookstaver, Greg Yaitanes, David Straiton, Allen Marshall Palmer Matt Shakman, NBC Universal / Fox & Various Directors THE JESUS LIZARD: LAST Tony Ciarrocchi Hardeye Films Live Concert DISTURBED: LIVE AT THE RIV Michael LaBellarte Outsider Inc / MTV2 Live Concert .
[Show full text]
Green Tweets
twitter_praise_page Page i Thursday, March 12, 2009 12:35 PM Praise for Twitter API: Up and Running “Twitter API: Up and Running is a friendly, accessible introduction to the Twitter API. Even beginning web developers can have a working Twitter project before they know it. Sit down with this book for a weekend and you’re on your way to Twitter API mastery.” — Alex Payne, Twitter API lead “This book rocks! I would have loved to have had this kind of support when I initially created TwitDir.” — Laurent Pantanacce, creator of TwitDir “Twitter API: Up and Running is a very comprehensive and useful resource—any developer will feel the urge to code a Twitter-related application right after finishing the book!” — The Lollicode team, creators of Twitscoop “A truly comprehensive resource for anyone who wants to get started with developing applications around the Twitter platform.” — David Troy, developer of Twittervision “An exceptionally detailed look at Twitter from the developer’s perspective, including useful and functional sample code!” — Damon Cortesi, creator of TweetStats, TweepSearch, and TweetSum “This book is more than just a great technical resource for the Twitter API. It also provides a ton of insight into the Twitter culture and the current landscape of apps. It’s perfect for anyone looking to start building web applications that integrate with Twitter.” — Matt Gillooly, lead developer of Twalala “A wonderful account of the rich ecosystem surrounding Twitter’s API. This book gives you the insight and techniques needed to craft your own tools for this rapidly expanding social network.” — Craig Hockenberry, developer of Twitterrific twitter_praise_page Page ii Thursday, March 12, 2009 12:35 PM Twitter API: Up and Running Twitter API: Up and Running Kevin Makice Beijing • Cambridge • Farnham • Köln • Sebastopol • Taipei • Tokyo Twitter API: Up and Running by Kevin Makice Copyright © 2009 Kevin Makice.
[Show full text]
Creative Rights Handbook Is to Help Raise TABLE of CONTENTS Awareness of Your Rights, Which Span All Phases of Production
DIRECTORS GUILD OF AMERICA CREATIVE 2 RIGHTS 2 HANDBOOK 0 2014 - 2017 10 41 7 Dear Colleague, The purpose of this Creative Rights Handbook is to help raise TABLE OF CONTENTS awareness of your rights, which span all phases of production. Whether you are a veteran director or new to the guild, we encourage you to take a few moments and acquaint yourself CREATIVE RIGHTS CHECKLISTS with these provisions, several of which have changed since the previous publication of this handbook. Checklists of DGA Directors’ creative rights, codified in this handbook .…...........….…….…….…….…….….6 We achieved a number of significant improvements in Creative Rights in the last round of negotiations, both in features and in television. SUMMARY OF CREATIVE RIGHTS In features, we secured much needed updates to the pseudonym A summary of a Director’s creative rights under the Directors process (8-211) and negotiated a new procedure that applies Guild of America Basic Agreement of 2014 for feature film, when an Employer want to replace an editor (7-209). In long-form television and television series .....................11 addition, we enhanced the notice provisions and your right to request a label indicating the running time or aspect ratio of a theatrical motion picture has been changed for any domestic ancillary exploitation of the film. BASIC AGREEMENT, ARTICLE 7 Directors’ minimum conditions, preparation, production In television, we engaged in serious discussions with the studios and post-production for feature film, long-form television regarding the Director’s participation in casting, which resulted in a commitment from the studios to encourage “in-person” and television series ..................….......…......….....…..27 casting sessions with the talent.
[Show full text]
Resumes.Actorsaccess.Com/Stephanienash
Stephanie Nash SAG / AFTRA / AEA 5’5” dark blonde blue-green eyes contact: 310-994-9039 COMEDY in BLUE FILM: SISTER (Best Actress - Bev. Hills Festival) Lead Dir: Bret Zausmer FASTER Supporting Dir: George Tillman, Jr. LOVE’S UNENDING LEGACY Supporting Dir: Mark Griffiths CIGAR ON THE BEACH Supporting Dir: Stephen Keep Mills BRUCE ALMIGHTY Supporting Dir: Tom Shadyac LUCY'S ROOM Lead Dir: Brian Lindstrom PRISON OF SECRETS Supporting Dir: Fred Gerber TELEVISION : INTELLIGENCE GUEST STAR Dir: Ken Biller CRIMINAL MINDS GUEST STAR Dir: Larry Teng BLOODLINE (pilot) WILL RECUR Dir: Peter Berg CASTLE GUEST STAR Dir: Rob Bowman PARENTHOOD GUEST STAR Dir: Michael Weaver THE CLOSER GUEST STAR Dir: Greg Yaitanes GHOST WHISPERER GUEST STAR Dir: Ian Sander MARVIN MARVIN CO-STAR Dir: Rob Schiller WEEDS CO-STAR Dir: Brian Dannelly THE BOLD & THE BEAUTIFUL GUEST STAR Dir: Cynthia J. Popp PASSIONS GUEST STAR CBS, Los Angeles STRONG MEDICINE GUEST STAR Dir: Tony Cowley NYPD BLUE GUEST-STAR Dir: Mark Tinker NIGHTSHIFT GUEST STAR Soapnet, Los Angeles 7th HEAVEN GUEST STAR Dir: Joel J. Feigenbaum HEAD CASES GUEST STAR Dir: Craig ZIsk CARNIVALE CO-STAR Dir: Jeremy Podeswa ANGEL CO-STAR Dir: Skip Schoolnik DRAGNET GUEST STAR Dir: Kevin Hooks BOSTON PUBLIC GUEST STAR Dir: David Semel GENERAL HOSPITAL GUEST STAR ABC-TV, Los Angeles JUDGING AMY CO-STAR Dir: Kristoffer Tabori FRASIER CO-STAR Dir: Pamela Fryman THEATRE – NEW YORK & REGIONAL + COMEDY:(partial list) BARNUM (several roles) Broadway/Nat’l Tour/dir: Joe Layton WHEN ANTONELA DANCED/TANGO (lead) Off-Broadway & E.S.T., NYC AH WILDERNESS (understudy) Yale Rep.
[Show full text]
It Reveals Who I Really Am”: New Metaphors, Symbols, and Motifs in Representations of Autism Spectrum Disorders in Popular Culture
“IT REVEALS WHO I REALLY AM”: NEW METAPHORS, SYMBOLS, AND MOTIFS IN REPRESENTATIONS OF AUTISM SPECTRUM DISORDERS IN POPULAR CULTURE By Summer Joy O’Neal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University 2013 Dissertation Committee: Dr. Angela Hague, Chair Dr. David Lavery Dr. Robert Petersen Copyright © 2013 Summer Joy O’Neal ii ACKNOWLEDGEMENTS There simply is not enough thanks to thank my family, my faithful parents, T. Brian and Pamela O’Neal, and my understanding sisters, Auburn and Taffeta, for their lifelong support; without their love, belief in my strengths, patience with my struggles, and encouragement, I would not be in this position today. I am forever grateful to my wonderful director, Dr. Angela Hague, whose commitment to this project went above and beyond what I deserved to expect. To the rest of my committee, Dr. David Lavery and Dr. Robert Petersen, for their seasoned advice and willingness to participate, I am also indebted. Beyond these, I would like to recognize some “unofficial” members of my committee, including Dr. Elyce Helford, Dr. Alicia Broderick, Ari Ne’eman, Chris Foss, and Melanie Yergau, who graciously offered me necessary guidance and insightful advice for this project, particularly in the field of Disability Studies. Yet most of all, Ephesians 3.20-21. iii ABSTRACT Autism has been sensationalized by the media because of the disorder’s purported prevalence: Diagnoses of this condition that was traditionally considered to be quite rare have radically increased in recent years, and an analogous fascination with autism has emerged in the field of popular culture.
[Show full text]
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game.
[Show full text]
Newsletter 07/11 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 07/11 DIGITAL EDITION Nr. 290 - April 2011 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 07/11 (Nr. 290) April 2011 editorial Hallo Laserdisc- und DVD-Fans, jetzt weitere Details bekannt. In liebe Filmfreunde! einem amerikanischen Branchen- Haben uns die schönen, warmen blatt berichtete ein Journalist jüngst Ostertage eben erst ein paar Tage über seine Erfahrungen mit legalen purer Erholung geschenkt, so geht Film-Downloads. Mit erschrecken- es gleich wieder in eine voll ge- dem Ergebnis. Denn die Qualität packte Woche bei der Laser der geprüften Filme entsprach ge- Hotline. Nicht nur gilt es diesen rade einmal VHS-Niveau! Da darf Newsletter zu stemmen, vielmehr man sich natürlich schon die Frage erwarten wir in dieser Woche auch stellen, wer im Zeitalter hochauflö- noch eine Delegation aus “Good senden Fernsehens und hochauflö- Old” England. Die etwa 40köpfige sender Blu-ray Discs einen Quan- Mannschaft der “Cinema Theatre tensprung zurück in die Steinzeit Association” will sich Kinos in und der Qualität machen möchte! Auch um Stuttgart herum anschauen, be- ist zu beobachten, dass in den USA vor sie schließlich weiter nach bereits einige Studios dazu über- München fährt. Bei der Suche nach gegangen sind, ihre Filme für Low mentan eigentlich nur noch einen einer kompetenten Kinoführung im Budget Labels zu lizenzieren. Diese sehr pessimistischen Blick in die Stuttgarter Raum sind die Organi- Low Budget Labels bieten die Fil- Zukunft des Home Entertainments satoren der Reise an uns herange- me dann zwar auf DVD und Blu- zu.
[Show full text]
Outstanding Animated Program (For Programming Less Than One Hour)
Keith Crofford, Executive Producer Outstanding Animated Program (For Corey Campodonico, Producer Programming Less Than One Hour) Alex Bulkley, Producer Douglas Goldstein, Head Writer Creature Comforts America • Don’t Choke To Death, Tom Root, Head Writer Please • CBS • Aardman Animations production in association with The Gotham Group Jordan Allen-Dutton, Writer Mike Fasolo, Writer Kit Boss, Executive Producer Charles Horn, Writer Miles Bullough, Executive Producer Breckin Meyer, Writer Ellen Goldsmith-Vein, Executive Producer Hugh Sterbakov, Writer Peter Lord, Executive Producer Erik Weiner, Writer Nick Park, Executive Producer Mark Caballero, Animation Director David Sproxton, Executive Producer Peter McHugh, Co-Executive Producer The Simpsons • Eternal Moonshine of the Simpson Mind • Jacqueline White, Supervising Producer FOX • Gracie Films in association with 20th Century Fox Kenny Micka, Producer James L. Brooks, Executive Producer Gareth Owen, Producer Matt Groening, Executive Producer Merlin Crossingham, Director Al Jean, Executive Producer Dave Osmand, Director Ian Maxtone-Graham, Executive Producer Richard Goleszowski, Supervising Director Matt Selman, Executive Producer Tim Long, Executive Producer King Of The Hill • Death Picks Cotton • FOX • 20th Century Fox Television in association with 3 Arts John Frink, Co-Executive Producer Entertainment, Deedle-Dee Productions & Judgemental Kevin Curran, Co-Executive Producer Films Michael Price, Co-Executive Producer Bill Odenkirk, Co-Executive Producer Mike Judge, Executive Producer Marc Wilmore, Co-Executive Producer Greg Daniels, Executive Producer Joel H. Cohen, Co-Executive Producer John Altschuler, Executive Producer/Writer Ron Hauge, Co-Executive Producer Dave Krinsky, Executive Producer Rob Lazebnik, Co-Executive Producer Jim Dauterive, Executive Producer Laurie Biernacki, Animation Producer Garland Testa, Executive Producer Rick Polizzi, Animation Producer Tony Gama-Lobo, Supervising Producer J.
[Show full text]
Jim Klock SAG/AFTRA Hair: Brown Eyes: Blue Height: 6’3” Weight: 205
Jim Klock SAG/AFTRA Hair: Brown Eyes: Blue Height: 6’3” Weight: 205 TELEVISION AMERICAN WOMAN Co-Star TV LAND I’M DYING UP HERE Co Star SHOWTIME SCREAM QUEENS Recurring Guest Star FOX TRUE DETECTIVE (Season 1) Recurring Guest Star CARY FUKUNAGA/HBO THE ASTRONAUT WIVES CLUB Recurring Guest Star ABC NCIS: NEW ORLEANS Guest Star ALRICK RILEY/CBS REAL ROB Guest Star ROB SCHNEIDER TREME Guest Star ROB BAILEY/HBO 24 Recurring Guest Star BRAD TURNER/MILAN CHEYLOV/FOX NASHVILLE Co-Star JOANNA KERNS/ABC QUARRY Co-Star GREG YAITANES/HBO JUSTIFIED Co-Star FX UNREAL Co-Star LIFETIME AWAKE (PILOT) Co-Star DAVID SLADE/FOX THE WIRE Co-Star ALEX ZAKRZEWSKI/HBO PRISON BREAK Co-Star KEVIN HOOKS/FOX CRIMINAL MINDS Co-Star FELIX ENRIQUEZ ALCANA/CBS DESPERATE HOUSEWIVES Co-Star LARRY SHAW/ABC FILM THE WHOLE TRUTH Lead Dir. COURTNEY HUNT THE LONG NIGHT Supporting Dir. PETER BERG THE FREE STATE OF JONES Supporting Dir. GARY ROSS THE STANFORD PRISON EXPERIMENT Supporting Dir. KYLE PATRICK ALVAREZ MASSACRE ON AISLE 12 Lead Dir. W. MARK MCCULLOUGH MURDER ELEVEN Lead Dir. JIM KLOCK THE TRIALS OF CATE MCCALL Supporting Dir. KAREN MONCRIEFF RIVER GUARD Supporting Dir. JIM KLOCK WHEN THE GAME STANDS TALL Supporting Dir. THOMAS CARTER WHAT WE LIVE BY Lead Dir. DARRELL MARTINELLI CHICAGO 8 Supporting Dir. PINCHAS PERRY BITCH SLAP Supporting Dir. RICK JACOBSON BURIAL AT SEA Lead Dir. ROBERT STERRITT WHISPERS Lead Dir. SAM BEST SWAY Lead Dir. SEAN IRELAND MY TURN Suppporting Dir. NEIL McCAY TRAINING ACTING FOR FILM – JASON ALEXANDER ACTING FOR FILM – LOU DIAMOND PHILLIPS BRIAN REISE ACTING STUDIO – BRIAN REISE ACTING FOR FILM/TV – JACK PLOTNICK SITCOM/IMPROV TRAINING – BRAD GARRETT ACTING FOR FILM – BILL HOWEY SPECIAL SKILLS 13 YEAR VETERAN POLICE OFFICER WASHINGTON D.C.
[Show full text]