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Choosing the Arranged One, Arranging the Chosen One – Imagining an Indian Modernity: Reconciling Love, Marriage and Family on and Off the Screen
Choosing the Arranged One, Arranging the Chosen One – Imagining an Indian Modernity: Reconciling Love, Marriage and Family On and Off the Screen Riikka Koutaniemi Faculty of Social Sciences Social and Cultural Anthropology Master´s Thesis May 2011 Tiedekunta/Osasto – Fakultet/Sektion – Faculty Laitos – Institution – Department Faculty of Social Sciences Department of Sociology Tekijä – Författare – Author Riikka Koutaniemi Työn nimi – Arbetets titel – Title Choosing the Arranged One, Arranging the Chosen One – Imagining an Indian Modernity: Reconciling Love, Marriage and Family On and Off the Screen Oppiaine – Läroämne – Subject Social and Cultural Anthropology Työn laji – Arbetets art – Level Aika – Datum – Month and year Sivumäärä – Sidoantal – Number of pages Master´s Thesis May 2011 112 Tiivistelmä – Referat – Abstract This is a study on the changing practices of kinship in Northern India. The change in kinship arrangements, and particularly in intermarriage processes, is traced by analysing the reception of Hindi popular cinema. Films and their role and meaning in people´s lives in India was the object of my research. Films also provided me with a methodology for approaching my other subject-matters: family, marriage and love. Through my discussion of cultural change, the persistence of family as a core value and locus of identity, and the movie discourses depicting this dialogue, I have looked for a possibility of compromise and reconciliation in an Indian context. As the primary form of Indian public culture, cinema has the ability to take part in discourses about Indian identity and cultural change, and alleviate the conflicts that emerge within these discourses. Hindi popular films do this, I argue, by incorporating different familiar cultural narratives in a resourceful way, thus creating something new out of the old elements.
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NO. SONG TITLE MOVIE/ALBUM VERSION HINDI 1509 SONG NO. SONG TITLE MOVIE/ALBUM VERSION 03900 AA AA BHI JA TEESRI KASAM LATA MANGESHKAR JIS DESH MEIN 03901 AA AB LAUT CHALE GANGA BEHTI HAI MUKESH, LATA MANGESHKAR DOOR GAGAN KI 03002 AA CHAL KE TUJHE CHHAON MEIN KISHORE KUMAR 03902 AA DIL SE DIL MILA LE NAVRANG ASHA BHOSLE 03903 AA GALE LAG JA APRIL FOOL MOHD. RAFI 03904 AA JAANEJAAN INTEQAM LATA MANGESHKAR 03905 AA JAO TADAPTE HAI AAWAARA LATA MANGESHKAR 03906 AA MERE HUMJOLI AA JEENE KI RAAH LATA, MOHD. RAFI 03907 AA MERI JAAN CHANDNI LATA MANGESHKAR 03908 AADAMI ZINDAGI VISHWATMA MOHD. AZIZ 03005 AADHA HAI CHANDRAMA NAVRANG MAHENDRA, ASHA BHOSLE 03909 AADMI MUSAFIR HAI APNAPAN LATA, MOHD. RAFI 03910 AAGE BHI JAANE NA TU WAQT ASHA BHOSLE 03007 AAH KO CHAHIYE MIRZA GAALIB JAGJEET SINGH 03911 AAHA AYEE MILAN KI BELA AYEE MILAN KI BELA ASHA, MOHD. RAFI 03912 AAI AAI YA SOOKU SOOKU JUNGLEE MOHD. RAFI 03913 AAINA BATA KAISE MOHABBAT SONU NIGAM, VINOD 03914 AAJ HAI DO OCTOBER KA DIN PARIVAR LATA MANGESHKAR 03009 AAJ KAL PAANV ZAMEEN PAR GHAR LATA MANGESHKAR 03915 AAJ KI RAAT PIYA BAAZI GEETA DUTT 03916 AAJ KI SHAAM TAWAIF ASHA BHOSLE AAJ MADAHOSH HUA JAAYE RE LATA MANGESHKAR, 03917 SHARMILEE KISHORE KUMAR 03918 AAJ MAIN JAWAAN HO GAYI HOON MAIN SUNDAR HOON LATA MANGESHKAR 03012 AAJ MAUSAM BADA BEIMAAN HAI LOAFER MOHD. RAFI 03013 AAJ MERE MAAN MAIN SAKHI AAN LATA MANGESHKAR 03014 AAJ MERE YAAR KI SHAADI HAI AADMI SADAK KA MOHD. RAFI 03919 AAJ NA CHHODENGE KATI PATANG KISHORE KUMAR, LATA A HINDI 1509 SONGS | 01 VER.100 NO.
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AceKaraoke.com ET-19KH Song List No. SONG TITLE MOVIE/ALBUM SINGER 20001 AA AA BHI JA TEESRI KASAM LATA MANGESHKAR 20002 AA AB LAUT CHALE JIS DESH MEIN GANGA BEHTI HAI MUKESH, LATA 20003 AA CHAL KE TUJHE DOOR GAGAN KI CHHAON MEIN KISHOE KUMAR 20004 AA DIL SE DIL MILA LE NAVRANG ASHA BHOSLE 20005 AA GALE LAG JA APRIL FOOL MOHD. RAFI 20006 AA JAANEJAAN INTEQAM LATA MANGESHKAR 20007 AA JAO TADAPTE HAI AAWAARA LATA MANGESHKAR 20008 AA MERE HUMJOLI AA JEENE KI RAAH LATA, MOHD. RAFI 20009 AA MERI JAAN CHANDNI LATA MANGESHKAR 20010 AADAMI ZINDAGI VISHWATMA MOHD. AZIZ 20011 AADHA HAI CHANDRAMA NAVRANG MAHENDRA & ASHA BHOSLE 20012 AADMI MUSAFIR HAI APNAPAN LATA, MOHD. RAFI 20013 AAGE BHI JAANE NA TU WAQT ASHA BHOSLE 20014 AAH KO CHAHIYE MIRZA GAALIB JAGJEET SINGH 20015 AAHA AYEE MILAN KI BELA AYEE MILAN KI BELA ASHA, MOHD. RAFI 20016 AAI AAI YA SOOKU SOOKU JUNGLEE MOHD. RAFI 20017 AAINA BATA KAISE MOHABBAT SONU NIGAM, VINOD 20018 AAJ HAI DO OCTOBER KA DIN PARIVAR LATA MANGESHKAR 20019 AAJ KAL PAANV ZAMEEN PAR GHAR LATA MANGESHKAR 20020 AAJ KI RAAT PIYA BAAZI GEETA DUTT 20021 AAJ KI SHAAM TAWAIF ASHA BHOSLE 20022 AAJ MADAHOSH HUA JAAYE RE SHARMILEE LATA, KISHORE 20023 AAJ MAIN JAWAAN HO GAYI HOON MAIN SUNDAR HOON LATA MANGESHKAR 20024 AAJ MAUSAM BADA BEIMAAN HAI LOAFER MOHD. RAFI 20025 AAJ MERE MAAN MAIN SAKHI AAN LATA MANGESHKAR 20026 AAJ MERE YAAR KI SHAADI HAI AADMI SADAK KA MOHD.RAFI 20027 AAJ NA CHHODENGE KATI PATANG KISHORE KUMAR, LATA 20028 AAJ PHIR JEENE KI GUIDE LATA MANGESHKAR 20029 AAJ PURANI RAAHON SE AADMI MOHD.
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B.A. (HONS.) Mass Communication VI Semester Subject – Film Journalism SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I The birth of cinema Lumier brother’s package The Grand father of Indian cinema: Dada Saheb Phalke The silent era (1896-1930) The talkie era and decade wise trend up to 1990 The new trends in Indian cinema (1991-2007) UNIT – II The brief study and analysis of trend setter film directors V ShantaramSohrab ModiMehboob KhanVijay BhattWadia brothersRaj KapoorGuruduttBimal RoySatyajit RayB. R. Chopra Yash ChopraHrishikesh Mukherjee Chetan Anand Basu Chaterjee Sai ParanjapeGuljarBasu BhattacharyaMahesh Bhatt Ramesh SippyShyam BenegalKetan MehtaGovind Nihlani Suraj BarjatyaVidhu Vinod ChopraJ P DuttaSanjay Leela Bhansali Ramgopal VermaKaran JojarAditya Chopra Raj kumar santoshi Rakesh Mehra Rj kumar Hirani UNIT – III Film as an art Film and painting Film and theatre Film and literature Film and music UNIT – IV Film language and grammar (A)Shot, scene & cut, (B)Camera Distance, (C) Camera Angles, (D)Camera movements (E) Lighting (F) Sound in films (G) Film Editing devices Film institutions in India Film festivals (National and International) Film awards Film censorships 45, Anurag Nagar, Behind Press Complex, Indore (M.P.) Ph.: 4262100, www.rccmindore.com 1 B.A. (HONS.) Mass Communication VI Semester Subject – Film Journalism UNIT I THE BIRTH OF CINEMA The Lumiere brothers were born in Besancon, France, in 1862 and 1864, and moved to Lyon in 1870. This is where they spent most of their lives and where their father ran a photographic firm. The brothers worked there starting at a young age but never started experimenting with moving film until after their father had died in 1892.The brothers worked on their new film projects for years, Auguste making the first experiments.
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An Overview of Baghakole Village The village Baghakole was founded in the early thirteenth century when Bakhtiyar Khilji was the ruler of Bihar. It is located in the Bikram block of Patna district at a distance of about 55 km from Patna city. This village had a poor road connectivity earlier but now has a fairly good road connectivity with the construction of a pucca Bihta-Patna-Mahabalipur road. The total population of Baghakole is around 3000, comprising around 500 households. This village is rich in educational infrastructure with one high school, one middle school, two primary schools and one Urdu school. About 25 girls of this village are receiving higher education in a college at Bikram. The literacy level (64%) of this village is higher than the state literacy rate. In Baghakole, a majority of households belong to the Hindu community with only seven per cent Muslim households. But, there is complete communal harmony in this village, so much so that a temple and a mosque are located side-by-side in this village. Across social castes, other backward castes constitute around 50 per cent of households with 30 per cent households of scheduled castes and 20 per cent of forward castes. The majority of forward caste households belong to Bhumihars, whereas Kahars dominate in the OBC category and Chamars and Dusadhs are in majority in the scheduled caste category. The dowry system and village feast system (shradh) are still prevalent in the village, though these adversely affect the economic situation of most of the households. An interesting feature about out-migration from Baghakole is that it is high for salaried jobs and education, showing a higher level of general awareness and education in Baghakole.
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Romance Smallest PDF Copy
ROMANCE 17. Aayega Aanewala Artiste: Lata Mangeshkar 01. Dekha Ek Khwab Film: Mahal Artistes: Lata Mangeshkar, 18. Na Tum Hamen Jano Kishore Kumar & Amitabh Bachchan Artiste: Hemant Kumar Film: Silsila Film: Baat Ek Raat Ki 02. Chura Liya Hai Tumne Jo Dil Ko 19. Achha Ji Main Haari Chalo Artistes: Asha Bhosle & Artistes: Asha Bhosle & Mohammed Rafi Mohammed Rafi Film: Yaadon Ki Baaraat Film: Kala Pani 03. Oh Hansini 20. Kabhi Kabhi Mere Dil Mein Artiste: Kishore Kumar Artiste: Mukesh Film: Zehreela Insaan Film: Kabhi Kabhie 04. Yaad Kiya Dil Ne 21. Goom Hai Kisi Ke Pyar Mein Artistes: Lata Mangeshkar & Artistes: Kishore Kumar & Hemant Kumar Lata Mangeshkar Film: Patita Film: Raampur Ka Lakshman 05. Tum Aa Gaye Ho Noor Aa Gaya 22. Roop Tera Mastana Artistes: Lata Mangeshkar & Artiste: Kishore Kumar Kishore Kumar Film: Aradhana Film: Aandhi 23. Bholi Si Surat* 06. Dil To Pagal Hai* Artistes: Lata Mangeshkar & Artistes: Lata Mangeshkar & Udit Narayan Udit Narayan Film: Dil To Pagal Hai Film: Dil To Pagal Hai 24. Pehla Nasha 07. Hamen Tumse Pyar Kitna Artistes: Udit Narayan & Artiste: Kishore Kumar Sadhana Sargam Film: Kudrat Film: Jo Jeeta Wohi Sikandar 08. Ek Ladki Bheegi Bhagi Si 25. Bade Achhe Lagte Hain Artiste: Kishore Kumar Artiste: Amit Kumar Film: Chalti Ka Nam Gaadi Film: Balika Badhu 09. Koi Mil Gaya^ 26. Suniye Kahiye Kahiye Artistes: Udit Narayan & Chitra Artistes: Kishore Kumar & Asha Bhosle Film: Koi Mil Gaya Film: Baton Baton Mein 10. Aawaz Do Humko 27. Chaudhvin Ka Chand Ho Artistes: Udit Narayan & Artiste: Mohammed Rafi Lata Mangeshkar Film: Chaudhvin Ka Chand Film: Dushman 28.
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Vivah in Hindi 720P
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Film Journalism UNIT
B.A. (HONS.) Mass Communication VI Semester Subject – Film Journalism SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I The birth of cinema Lumier brother’s package The Grand father of Indian cinema: Dada Saheb Phalke The silent era (1896-1930) The talkie era and decade wise trend up to 1990 The new trends in Indian cinema (1991-2007) UNIT – II The brief study and analysis of trend setter film directors V ShantaramSohrab ModiMehboob KhanVijay BhattWadia brothersRaj KapoorGuruduttBimal RoySatyajit RayB. R. Chopra Yash ChopraHrishikesh Mukherjee Chetan Anand Basu Chaterjee Sai ParanjapeGuljarBasu BhattacharyaMahesh Bhatt Ramesh SippyShyam BenegalKetan MehtaGovind Nihlani Suraj BarjatyaVidhu Vinod ChopraJ P DuttaSanjay Leela Bhansali Ramgopal VermaKaran JojarAditya Chopra Raj kumar santoshi Rakesh Mehra Rj kumar Hirani UNIT – III Film as an art Film and painting Film and theatre Film and literature Film and music UNIT – IV Film language and grammar (A)Shot, scene & cut, (B)Camera Distance, (C) Camera Angles, (D)Camera movements (E) Lighting (F) Sound in films (G) Film Editing devices Film institutions in India Film festivals (National and International) Film awards Film censorships 45, Anurag Nagar, Behind Press Complex, Indore (M.P.) Ph.: 4262100, www.rccmindore.com 1 B.A. (HONS.) Mass Communication VI Semester Subject – Film Journalism UNIT I THE BIRTH OF CINEMA The Lumiere brothers were born in Besancon, France, in 1862 and 1864, and moved to Lyon in 1870. This is where they spent most of their lives and where their father ran a photographic firm. The brothers worked there starting at a young age but never started experimenting with moving film until after their father had died in 1892.The brothers worked on their new film projects for years, Auguste making the first experiments.
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