Superwholock: the Face of the New Super-Fandom
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FBI Reportedly Investigates Saugus Cops Super
MONDAY, JANUARY 18, 2021 FBI reportedly investigates Saugus cops Super By Elyse Carmosino of President Donald J. Trump that Jan. 6 riots. Allegedly ITEM STAFF left six people — including a capitol Saugus Police Lieutenant Ronald grades police of cer — dead. Giorgetti, contacted by The Item SAUGUS — Neither Town Man- looking into CBS Boston — Channel 4 — re- Sunday morning, said that he did ager Scott Crabtree nor the Saugus not know anything about an inves- of cers’ role Police say they know anything about ported Friday night that, according in Lynn to its sources, investigators were tigation. Crabtree said Saturday he reports that the FBI is investigating was unaware of any such investiga- looking into whether of cers with in attack whether department personnel took tion, but that he and the department part in the Jan. 6 storming of the both the Saugus and Boston Police Committee on Capitol U.S. Capitol building by supporters Departments were involved in the FBI, A3 gives Tutwiler high marks Showtime on Lynn shore By Gayla Cawley ITEM STAFF LYNN — Superinten- dent Dr. Patrick Tutwiler received high marks from the Lynn School Commit- tee in his annual evalua- tion. The School Commit- tee commended Tutwil- er for the “extraordinary leadership skills” he showed during the pan- demic-shortened 2019-20 school year, which one member noted had to be one of the “most challeng- ing years on record” for the Lynn Public Schools. “His thoughtful, tireless leadership has shined through in the darkest of circumstances,” one mem- ber wrote in the commit- tee evaluation. While the school board had overwhelming praise for Tutwiler, both in the written evaluation and during their meeting last week when the document was discussed, members noted that the superin- tendent’s performance toward certain goals was hindered “substantially” by the COVID-19 pan- demic. -
Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 1986 Sexism in Space: The rF eudian Formula in "Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Deegan, Mary Jo, "Sexism in Space: The rF eudian Formula in "Star Trek"" (1986). Sociology Department, Faculty Publications. 368. http://digitalcommons.unl.edu/sociologyfacpub/368 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THIS FILE CONTAINS THE FOLLOWING MATERIALS: Deegan, Mary Jo. 1986. “Sexism in Space: The Freudian Formula in ‘Star Trek.’” Pp. 209-224 in Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film, edited by Donald Palumbo. (Contributions to the Study of Science Fiction and Fantasy, No. 21). New York: Greenwood Press. 17 Sexism in Space: The Freudian Formula in IIStar Trek" MARY JO DEEGAN Space, the final frontier. These are the voyages of the starship Enterprise, its five year mission to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before. These words, spoken at the beginning of each televised "Star Trek" episode, set the stage for the fan tastic future. -
Cons & Confusion
Cons & Confusion The almost accurate convention listing of the B.T.C.! We try to list every WHO event, and any SF event near Buffalo. updated: Sept 09, 2020 to add an SF/DW/Trek/Anime/etc. event; send information to: [email protected] PLEASE DOUBLECHECK ALL EVENTS, THINGS ARE STILL BE POSTPONED OR CANCELLED. SOMETIMES FACEBOOK WILL SAY CANCELLED YET WEBSITE STILL SHOWS REGULAR EVENT! JUNE 12-14 PA SCI-FI VALLEY CON 2020 POSTPONED TO JUNE 18-20, 2021 SF/Fantasy media https://www.scifivalleycon.com/ JUNE 12-14 Pitt THE LIVING DEAD WEEKEND POSTPONED TO NOV 6-8, 2020 Horror! http://www.thelivingdeadweekend.com/monroeville/ JUNE 12-14 NJ ANIME NEXT 2020 CANCELLED anime/manga/cosplay http://www.animenext.org/ JUNE 13-14 RI THE TERROR CON POSTPONED, no date set horror con https://www.theterrorcon.com/ JUNE 19-21 Phil WIZARD WORLD CANCELLED will return in 2021 media/comics/cosplay https://wizardworld.com/comiccon/philadelphia JUNE 19-21 T.O. INT'L FAN FESTIVAL TORONTO POSTPONED, no new date yet anime/gaming/comics https://toronto.ifanfes.com/ JUNE 19-21 Pitt MONSTER BASH CONFERENCE CANCELLED, see October event horror film/tv fans https://www.monsterbashnews.com/bash-June.html JUNE 20-21 Cinn SCI-CON 2020 CANCELLED will return in 2021 media/science/cosplay http://www.ctspromotions.com/currentshow/ JUNE 20-21 IN RAPTOR CON POSTPONED to Dec 12-13, 2020 anime/geek/media https://lind172.wixsite.com/rustyraptor/ JUNE 27-28 Buf LIL CON 7 POSTPONED, no new date announced yet http://lilconconvention.com/ JUNE 28 Buf PUNK ROCK FLEA MARKET & GEEK GARAGE -
Taylor Boulware a Dissertation Submitted in Partial Fulfillment of The
Fascination/Frustration: Slash Fandom, Genre, and Queer Uptake Taylor Boulware A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Thomas Foster, Chair Anis Bawarshi Katherine Cummings Program Authorized to Offer Degree: Department of English Fascination/Frustration: Slash Fandom, Genre, and Queer Uptake by Taylor Boulware The University of Washington, 2017 Under the Supervision of Professor Dr. Thomas Foster ABSTRACT This dissertation examines contemporary television slash fandom, in which fans write and circulate creative texts that dramatize non-canonical queer relationships between canonically heterosexual male characters. These texts contribute to the creation of global networks of affective and social relations, critique the specific corporate media texts from which they emerge, and undermine homophobic ideologies that prevent authentic queer representation in mainstream media. Intervening in dominant scholarly and popular arguments about slash fans, I maintain a rigorous distinction between the act of reading homoerotic subtexts in TV shows and writing fiction that makes that homoeroticism explicit, in every sense of the word.This emphasis on writing and the circulation of responsive, recursive texts can best be understood, I argue, through the framework of Rhetorical Genre Studies, which theorizes genres and the ways in which they are deployed, modified, and circulated as ideological and social action. I nuance the RGS concept of uptake, which names the generic dimensions of utterance and response, and define my concept of queer uptake, in which writers respond to a text in ways that refuse its generic boundaries and status, motivated by an ideological resistance to both genre and sexual normativity. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Outsiders' Music: Progressive Country, Reggae
CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s Chapter Outline I. The Outlaws: Progressive Country Music A. During the late 1960s and early 1970s, mainstream country music was dominated by: 1. the slick Nashville sound, 2. hardcore country (Merle Haggard), and 3. blends of country and pop promoted on AM radio. B. A new generation of country artists was embracing music and attitudes that grew out of the 1960s counterculture; this movement was called progressive country. 1. Inspired by honky-tonk and rockabilly mix of Bakersfield country music, singer-songwriters (Bob Dylan), and country rock (Gram Parsons) 2. Progressive country performers wrote songs that were more intellectual and liberal in outlook than their contemporaries’ songs. 3. Artists were more concerned with testing the limits of the country music tradition than with scoring hits. 4. The movement’s key artists included CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s a) Willie Nelson, b) Kris Kristopherson, c) Tom T. Hall, and d) Townes Van Zandt. 5. These artists were not polished singers by conventional standards, but they wrote distinctive, individualist songs and had compelling voices. 6. They developed a cult following, and progressive country began to inch its way into the mainstream (usually in the form of cover versions). a) “Harper Valley PTA” (1) Original by Tom T. Hall (2) Cover version by Jeannie C. Riley; Number One pop and country (1968) b) “Help Me Make It through the Night” (1) Original by Kris Kristofferson (2) Cover version by Sammi Smith (1971) C. -
Fine Italian Cuisine Nightly at Sapore Italiano in West Cape May • See Page 10 Stop in for Lunch Or Dinner Daily at the Red Br
FINE ITALIAN CUISINE NIGHTLY AT SAPORE ITALIANO STOP IN FOR LUNCH OR DINNER DAILY AT IN WEST CAPE MAY • SEE PAGE 10 THE RED BRICK ALE HOUSE • SEE PAGE 32 PAGE 2 PAGE 3 TV CHALLENGE SPORTS STUMPERS Indianapolis Colts By George Dickie 8) Who kicked a 32-yard field goal in the closing seconds that Questions: gave the Colts a 16-13 victory 1) In what year did the team over the Dallas Cowboys in Su- begin play in the NFL as the per Bowl V? Baltimore Colts? 9) In 1972, owner Carroll 2) In 1956, future Hall of Famer Rosenbloom “traded” the Colts Johnny Unitas joined the Colts and $3 million to Robert Irsay after being released by what NFL team? for what NFL franchise? 3) In the landmark 1958 NFL 10) In 1996, ‘98 and ‘99, the Championship Game, what Colts drafted three players in running back dove across the the first round who would be- goal line in the closing seconds come the cornerstones of the to give the Colts a 23-17 win team. Name them. over the New York Giants? 4) In 1965, what running back Answers: memorably filled in as emer- 1) 1953 gency quarterback when Unitas 2) Pittsburgh Steelers and backup Gary Cuozzo were 3) Alan Ameche lost to season-ending injuries? 4) Tom Matte 5) What future Hall of Famer 5) Don Shula was the Colts’ coach when 6) Art Schlichter they were upset by the New York Jets in Super Bowl III? 7) 1984 6) What Colts quarterback was 8) Jim O’Brien suspended for gambling in 9) The Los Angeles Rams 1983? 10) In chronological order, WR 7) In what year did the Colts Marvin Harrison, QB Peyton execute their infamous “mid- -
Hipster Black Metal?
Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists. -
Supernatural' Fandom As a Religion
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 The Winchester Gospel: The 'Supernatural' Fandom as a Religion Hannah Grobisen Claremont McKenna College Follow this and additional works at: https://scholarship.claremont.edu/cmc_theses Part of the Film and Media Studies Commons Recommended Citation Grobisen, Hannah, "The Winchester Gospel: The 'Supernatural' Fandom as a Religion" (2019). CMC Senior Theses. 2010. https://scholarship.claremont.edu/cmc_theses/2010 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College The Winchester Gospel The Supernatural Fandom as a Religion submitted to Professor Elizabeth Affuso and Professor Thomas Connelly by Hannah Grobisen for Senior Thesis Fall 2018 December 10, 2018 Table of Contents Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family………………………………………………………1 Saving People, Hunting Things. The Family Business: Messages, Values and Character Relationships that Foster a Community……………………………………………........9 There is No Singing in Supernatural: Fanfic, Fan Art and Fan Interpretation….......... 20 Gay Love Can Pierce Through the Veil of Death: The Importance of Slash Fiction….25 There’s Nothing More Dangerous than Some A-hole Who Thinks He’s on a Holy Mission: Toxic Misrepresentations of Fandom……………………………………......34 This is the End of All Things: Final Thoughts………………………………………...38 Works Cited……………………………………………………………………………39 Important Characters List……………………………………………………………...41 Popular Ships…………………………………………………………………………..44 1 Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family Supernatural (WB/CW Network, 2005-) is the longest running continuous science fiction television show in America. -
Cons & Confusion
Cons & Confusion The almost accurate convention listing of the B.T.C.! We try to list every WHO event, and any SF event near Buffalo. updated: Feb 26, 2020 to add an SF/DW/Trek/Anime/etc. event; send information to: [email protected] 2020 DATE local EVENT NAME WHERE TYPE WEBSITE LINK FEB 26 - MAR 7 Buf MY HERO ACADEMIA: HEROS RISING North Park Theatre, 1428 Hertel, Buffalo anime film https://www.northparktheatre.org/ Cosplay contests for the first two nights! The anime phenomenon hits the big screen for Round 2! Posters and Japanese snacks at the stand. FEB 27 - MARCH 1 Bost PAX 2020 EAST Boston Conv Ctr, Boston, MA gaming event https://www.facebook.com/events/719029521929224/ FEB 28-29 Buf HARRY POTTER FILM & CONCERT Shea's Buffalo, 646 Main St, Buffalo, NY https://www.sheas.org/performances/ This concert features the film Harry Potter and the Chamber of Secrets™, on a giant screen, while the Buffalo Philharmonic performs John Williams’ unforgettable score. FEB 28 - MARCH 1 Chic CHICAGO COMIC & ENTERTAINMENT EXPO McCormick Place, Chicago, IL media & comics https://www.c2e2.com/ MATT SMITH (Sat/Sun), William Shatner, George Takei, Walter Koenig, Cat Staggs, Mike Perkins, Rod Reis, Terry Moore, Colleen Clinkenbeard, Josh Grelle, Steven Amell, Karl Urban, Rainbow Rowell, Faith Erin Hicks, Joe Hill, Hafsah Faizal, Karen Schneemann, Kat Leyh, Lily Williams, Lucy Knisley, Tricia Levenseller, Brina Palencia, Robbie Daymond, Ray Chase, Max Mittleman, Jason David Frank, Jim Lee, Jimmy Palmiotti, Amanda Conner, Cat Staggs, Terry Brooks, FEB -
Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode. -
A Study and Survey of Fan Fiction Writers
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Spring 5-2004 The Hidden Authors: A Study and Survey of Fan Fiction Writers William Lewis Bolt University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Bolt, William Lewis, "The Hidden Authors: A Study and Survey of Fan Fiction Writers" (2004). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/715 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. UNIVERSITY HONORS PROGR-\J.'I SENIOR PROJECT - APPROVAL Name: _-L.w,:....!.-;\-!..1\i.::.:l~M~---!B~o \--!.f ________ _ College: Art5 ~ 5v,<e,ttL?S Department: PSI uk£> lo.j '1 FaculryMentor: Dr. no~j &II PROJECT TITLE: 1ht-- H:UeJ/\ Avt'&QCS ~ A 5.fuJ..7 (1\/\ J. LJc,'it.f5 I have revIewed this comoleted. senior honors thesis with thIS srudent and certify. that it is a projec~ commensur:lte with honors level undergraduate rese:1rch in chis tield. V RI'l. " I Signed: _~=.L.L..I.L~.L.L.4~~:w.:;...;.L~~~:....=.....,;;......-~~~ _________• Faculty Mentor Date: 5/5IoQ ) Comments (Optional): The Hidden Authors: A Study and Survey of Fan Fiction Writers William Bolt Senior Honors Project 5/6/04 2 What is Fan fiction? Despite being a modern literary form for almost forty years, fan fiction is still mainly unknown and unrecognized by the majority of Americans.