Making Crime TV: Producing Fictional Representations of Crime for Canadian Television
Making Crime TV: Producing Fictional Representations of Crime for Canadian Television by Anita Yuen-Fai Lam A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Criminology and Sociolegal Studies University of Toronto © Copyright by Anita Yuen-Fai Lam (2011) Making Crime TV: Producing Fictional Representations of Crime for Canadian Television Anita Yuen-Fai Lam Degree of Doctor of Philosophy Centre for Criminology and Sociolegal Studies University of Toronto 2011 Abstract Criminologists and sociolegal scholars have become increasingly interested in studying media representations of crime in popular culture. They have studied representations using content analyses, often examining their “accuracy” against academic research. Alternatively, these scholars have also studied media effects. In contrast to these studies, I focus on the television production process of making entertaining, dramatic representations of crime. In doing so, I empirically address the following research question: how do TV writers know about crime, and how do they transform that knowledge into fictional representations? I answer this question using a triangulation of methods to gather data – specifically, ethnography, archival research, and interviews with writers and producers – and through the juxtaposition of several case studies. My case studies include the following Canadian crime television programs: 1) the police drama The Bridge, 2) an original Canadian drama about insurance fraud, Cra$h and Burn, and 3) crime docudramas, such as F2: Forensic Factor and Exhibit A: Secrets of Forensic Science. Taking cues from Bruno Latour‟s actor-network theory, I focus on the site-specific, concrete, dynamic processes through which each television production makes fiction.
[Show full text]