DOCSLIB.ORG

Values Education a Handbook for Teachers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Values Education a Handbook for Teachers Values Education A Handbook for Teachers CENTRAL BOARD OF SECONDARY EDUCATION 2, Community Centre, Preet Vihar, Delhi - 110092 Values Education A Handbook for Teachers CENTRAL BOARD OF SECONDARY EDUCATION 2, Community Centre, Preet Vihar, Delhi - 110092 Values Education - A Handbook for Teachers - 2012 PRICE : ` FIRST EDITION : September 2012 © CBSE, India COPIES : 5,000 No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110092. DESIGN, LAYOUT & : Multi Graphics, 5745/81, Reghar Pura, Karol Bagh, New Delhi - 110005 ILLUSTRATIONS BY Phone : 25783846 PRINTED BY : (ii) THE CONSTITUTION OF INDIA PREAMBLE WE, THE PEOPLE OF INDIA, having solemnly resolved to constitute India into a1 SOVEREIGN SOCIALIST SECULAR DEMOCRATIC REPUBLIC and to secure to all its citizens : JUSTICE, social, economic and political; LIBERTY of thought, expression, belief, faith and worship; EQUALITY of status and of opportunity; and to promote among them all; FRATERNITY assuring the dignity of the individual and the 2 [unity and integrity of the Nation]; IN OUR CONSTITUENT ASSEMBLY this twenty-sixth day of November, 1949, do HEREBY ADOPT ENACT AND GIVE TO OURSELVES THIS CONSTITUTION. 1. Subs, by the Constitution (Forty-Second Amendment) Act. 1976, sec. 2, for "Sovereign Democratic Republic" (W.E.F. 3.1.1977) 2. Subs, by the Constitution (Forty-Second Amendment) Act. 1976, sec. 2, for "Unity of the Nation" (W.E.F. 3.1.1977) THE CONSTITUTION OF INDIA Chapter IV A Fundamental Duties ARTICLE 51A Fundamental Duties - It shall be the duty of every citizen of India- (a) to abide by the Constitution and respect its ideals and institutions, the National Flag and the National Anthem; (b) to cherish and follow the noble ideals which inspired our national struggle for freedom; (c) to uphold and protect the sovereignty, unity and integrity of India; (d) to defend the country and render national service when called upon to do so; (e) to promote harmony and the spirit of common brotherhood amongst all the people of India transcending religious, linguistic and regional or sectional diversities; to renounce practices derogatory to the dignity of women; (f) to value and preserve the rich heritage of our composite culture; (g) to protect and improve the natural environment including forests, lakes, rivers, wild life and to have compassion for living creatures; (h) to develop the scientific temper, humanism and the spirit of inquiry and reform; (i) to safeguard public property and to abjure violence; (j) to strive towards excellence in all spheres of individual and collective activity so that the nation constantly rises to higher levels of endeavour and achievement. (iii) Hkkjr dk lafo/ku mísf'kdk ge] Hkkjr ds yksx] Hkkjr dks ,d ^¹lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kkRed x.kjkT;º cukus ds fy,] rFkk mlds leLr ukxfjdksa dks% lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /eZ vkSj mikluk dh Lora=krk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj 2 ¹jk"Vª dh ,drk vkSj v[k.Mrkº lqfuf'pr djus okyh ca/qrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/ku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/ku dks vaxhÑr] vf/fu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/ku (c;kyhloka la'kks/u) vf/fu;e] 1976 dh /kjk 2 }kjk (3-1-1977) ls ¶izHkqRo&laiUu yksdra=kkRed x.kjkT;¸ ds LFkku ij izfrLFkkfirA 2- lafo/ku (c;kyhloka la'kks/u) vf/fu;e] 1976 dh /kjk 2 }kjk (3-1-1977 ls)] ¶jk"Vª dh ,drk¸ ds LFkku ij izfrLFkkfirA Hkkx 4 d ewy dÙkZO; 51 d- ewy dÙkZO; & Hkkjr ds izR;sd ukxfjd dk ;g dÙkZO; gksxk fd og & (d) lafo/ku dk ikyu djs vkSj mlds vkn'kksZa] laLFkkvksa] jk"Vªèot vkSj jk"Vªxku dk vknj djs_ ([k) Lora=krk ds fy, gekjs jk"Vªh; vkanksyu dks izsfjr djus okys mPp vkn'kksZa dks ân; esa latks, j[ks vkSj mudk ikyu djs_ (x) Hkkjr dh izHkqrk] ,drk vkSj v[kaMrk dh j{kk djs vkSj mls v{kq..k j[ks_ (?k) ns'k dh j{kk djs vkSj vkg~oku fd, tkus ij jk"Vª dh lsok djs_ (Ä) Hkkjr ds lHkh yksxksa esa lejlrk vkSj leku Hkzkr`Ro dh Hkkouk dk fuekZ.k djs tks /eZ] Hkk"kk vkSj izns'k ;k oxZ ij vk/kfjr lHkh HksnHkko ls ijs gksa] ,slh izFkkvksa dk R;kx djs tks fL=k;ksa ds lEeku ds fo#¼ gSa_ (p) gekjh lkekfld laLÑfr dh xkSjo'kkyh ijaijk dk egÙo le>s vkSj mldk ijh{k.k djs_ (N) izkÑfrd i;kZoj.k dh ftlds varxZr ou] >hy] unh] vkSj oU; tho gSa] j{kk djs vkSj mldk lao/Zu djs rFkk izkf.kek=k ds izfr n;kHkko j[ks_ (t) oSKkfud n`f"Vdks.k] ekuookn vkSj KkuktZu rFkk lq/kj dh Hkkouk dk fodkl djs_ (>) lkoZtfud laifÙk dks lqjf{kr j[ks vkSj fgalk ls nwj jgs_ (×k) O;fDrxr vkSj lkewfgd xfrfof/;ksa ds lHkh {ks=kksa esa mRd"kZ dh vksj c<+us dk lrr iz;kl djs ftlls jk"Vª fujarj c<+rs gq, iz;Ru vkSj miyfC/ dh ubZ mapkb;ksa dks Nw ysA (iv) Preface India is a land of diversity - social, cultural, religious, racial, linguistic and geographical. The main hallmark of this nation is unity which absorbs all the diversities. A common values system helps to create an identity that bonds people together. We have since time immemorial emphasized on traditional values like spirituality, strong family ties, deference to elders, recourse to nature, artistic expression, respecting even the tools of one's trade, joyousness, hospitality and peaceful co-existence epitomised in Vasudev Kutumbakam( a Sanskrit phrase that means that the whole world is one single family). This is probably what has come to be defined as a ‘Global Village’ today. Values such as harmony, peace, compassion and humility have for centuries been a part of the discourse of every religion in the world and their need and importance is universally accepted and felt, more so in the current social and political context. Respect for human dignity and human rights, as well as respect for the environment are core values that need to be practiced. Not only are they crucial to achieving peace, harmony and sustainable development, they are also indispensible if the full potential of the child, be it of body, mind or spirit, has to be harnessed. In the emerging contexts related to the work places, being successful would demand not merely possession of technical and professional competences but as much and even more, the possession of soft skills and life skills. Ability to work together in a team to quickly resolve conflict situations, to collaborate and cooperate with others in addition to soft skills creates synergetic alliances leading to higher levels of achievement. The myth, that competition is necessary for success in life, needs to be broken by providing an alternative model of higher achievement through cooperation and collaboration which are integral to Continuous and Comprehensive Evaluation (CCE). The Central Board of Secondary Education (CBSE) aims to reinforce Values Education. It has committed to make educational process inclusive of Values Education by inculcating attitude and values through Co-Scholastic areas of Life Skills, Sports and Games as well as Co-Curricular activities. Apart from various activities and publications in these areas, this is also evident from the emphasis laid on the holistic assessment of learners under the strengthening of CCE and School Based Assessment in 2009. The Teachers' Manual on Continuous and Comprehension Evaluation brought out by the CBSE in the year 2009 (revised in the year 2010) and the Performance Profiles circulated under CCE also reflect values internalized by the students. It has been widely felt that our existing educational ecosystem needs to be further strengthened to deliver values enshrined in our Constitution. The curricula cutting across all subjects need to (v) articulate values in explicit terms and the assessment schemes, at the same time, must reciprocate by assigning a weightage to value based items. The teachers, Principals, educators and various stakeholders are also expected to lay emphasis on acquiring knowledge, attitude and skills related to appreciation of cultural values, dignity of individuals, inclusion, environmental conservation and protection of heritage and national monuments, etc., through curricular and co-curricular means. The ‘Education for Values in Schools - A Framework’ brought out by the NCERT focuses on the environments in which the learners grow, live and also on future work environments by highlighting the interplay of different cultures. The framework intends to prepare students for living in a multi-lingual, multi-cultural and multi-religious country and to appreciate and respect diversity. Continuing with its efforts in the area of Values Education and in light of above framework, the Board has decided to bring out the ‘Values Education – A Handbook for Teachers’. This Handbook comes with a Value Education Kit that contains Value Cards and a CD of songs symbolising values of Peace, Solidarity and respect for Nature. Although Values Education would be inculcated in all students in age appropriate ways, the Board has issued specific guidelines to assess students for 3-5 marks in each subject at the Summative Assessment level in Classes IX and X through questions which will be integrated with the content of the subject and analysed on the basis of the values it reflects.
Load more

Recommended publications
  • Paper Teplate
    Volume-04 ISSN: 2455-3085 (Online) Issue-03 RESEARCH REVIEW International Journal of Multidisciplinary March-2019 www.rrjournals.com[UGC Listed Journal] Effect of Visuality of Indian Cinema on Society and Individual Psychology Anchal Dahiya M.A (English), D.U. ________________________________________________________________________________________________________ Visuality simply means the state or property of being Bollywood is the most important aspect of Indian cinema. visual. The word was coined by a Scottish historian Thomas Other branches include Tamil Cinema, Bhojpuri cinema, Carlyle. These days the term is much used in the field of visual Parallel cinema etc. For years Bollywood has been affecting culture which includes films, sculptures, paintings etc. Cinema the popular culture of India. From the coming out of the bobby is an immensely popular element of visual culture. colour after the film Bobby to Salman Khan‟s hairstyle in the film Tere Naam and Kareena Kapoor‟s size zero figure in the It embraces limitless possibilities for the expression and film Tashan, Bollywood has never failed to sway the audience representation of ideas, especially in a country like India with and act as a trendsetterfor fashion and music sense of the diverse languages, religions and cultures. Indian cinema binds nation. this diversity in one common thread. It is not only a major source of entertainment but if deployed wisely, it has enormous Let‟s have a look at some of the Bollywood films from the potential of bringing about social changes. last decade that helped in bringing about major cultural changes in India. Films like Girlfriend and Dostana brought Woodman Taylor in his essay, „Penetrating Gazes: Sight forward the gay culture to the popular discourse.
    [Show full text]
  • Khorana Peepli Live FINAL
    Peepli Live and No One Killed Jessica 66 Peepli Live and No One Killed Jessica: Remediating the “Bollywoodization” of Indian TV News Sukhmani Khorana Lecturer University of Wollongong Wollongong, Australia [email protected] Introduction: Evolution of “Bollywoodization” in Indian TV news In the third edition of her pioneering book on the Indian media business, Vanita Kohli-Khandekar makes the following observation: There are two media segments that define the contour, body and tastes of the Indian market. Television is one of them, the other being film. Both have a mesmerising hold over Indian audiences―and even over investors and advertisers.1 This article begins with this note because of the increasingly central place occupied by television in the Indian media sphere and the uniquely Indian context of the mutual interdependence of the television and film industries. While television has appropriated Hollywood film genres since its inception,2 in India, popular film culture is increasingly drawing on the pre-eminence of satellite television. A grasp of these facets of the subcontinent’s television story is essential before examining how TV news has taken on discursive and practice-based elements of the nation’s popular film culture, Bollywood. This will be undertaken through a close textual analysis of two recent Bollywood films, Peepli Live (2010) and No One Killed Jessica (2011). Both feature television journalism as an important narrative catalyst, or a remediator for the socio-political issues faced by the protagonist(s). In doing this, the films themselves turn into a remediation device for the Bollywoodization of news on Peepli Live and No One Killed Jessica 67 Indian television.
    [Show full text]
  • Research Paper Impact Factor
    Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s.
    [Show full text]
  • UTV Joins Hands with Ace Director Sundar C and Producer Khushbu Sundar to Produce Masala Café
    UTV joins hands with ace director Sundar C and Producer Khushbu Sundar to produce Masala Café Chennai, October 17th 2011: Continuing its alliance with some of the most prominent names in the South Film Industry, UTV Motion Pictures has now partnered with the popular director Sundar C for his film Masala Café in association with his wife - Khushbu Sundar’s production house Avni CineMax. With a slate of successful films like Ullathai Alli Tha, Mettukudi, Superstar Rajinikanth’s Arunachalam, Kamal Haasan’s Anbe Sivam, Winner, Giri, London, Rendu to his credit, Sundar C is back to writing and directing with his latest venture Masala Café. The film slated to be a comic entertainer stars the current young heroes Vimal, “Mirchi” Shiva, Anjali, Santhanam among others. Sundar C along with directing is also penning the story and screenplay while dialogues are being written by Badri and camera by U.K. Senthil Kumar. The music composer is Ebinizer, from the film Kanden fame.Targeted at the youth, Masala Café will be a summer 2012 release. The film will commence shooting in Kumbakonam and Chennai from November 2011. UTV Motion Pictures, post releasing the highly appreciated Deiva Thirumagal and Muran will also release Vettai, Vazhakku Enn 18/9 and Kumki produced in association with Lingusamy’s Thiruppathi Brothers and is currently in the process of commencing the shooting of Mysskin’s Mugamoodi, starring Jiiva, Narain, Pooja Hegde and others. About UTV Motion Pictures: The Motion Pictures division of UTV, established in 2004, is an integrated studio model in the Indian film industry as well as in the whole of South Asia region.
    [Show full text]
  • The Female Journalist in Bollywood Middle-Class Career Woman Or Problematic National Heroine?
    CRITICALviews CRITICALviews The Female Journalist in Bollywood MIDDLE-CLASS CAREER WOMAN OR PROBLEMATIC NATIONAL HEROINE? On the screen as in reality, female journalists in India have historically struggled to gain equality with their male peers. But a slew of recent Bollywood films depicting female reporters indicate that change may be afoot, as SUKHMANI KHORANA discusses. Growing up during India’s economic and communications ‘revolution’, my young mind revelled in the promise of a career in journalism that would serve both the aspirational self and the modernising nation. A role model emerged in Barkha Dutt, the LAKSHYA independent yet feminine reporter at the still-credible New Delhi Television (NDTV). I recall her fearless stint in the trenches during difficulty for career-minded women in the occasionally surface as updates on social India’s war with Pakistan in the mountains liberal West, subsequent internships at com- media, there still appears to be a plethora of Kargil (in the militancy-affected territory of mercial stations confirmed Schwartz’s views. of work opportunities in India, especially Kashmir). To my fifteen-year-old eyes, this Add to that the lack of visibility of ‘women vis-a-vis the media of the developed world. was not the beginning of embedded journal- of colour’ on Australian free-to-air televi- Moreover, as Hinglish (a mix of Hindi and ism in India. Rather, it was a milestone for sion news (barring SBS) and my journalism English) and vernacular language channels aspiring and working Indian female journal- dream was ready to shift gears and venture grow in number and importance, it is not just ists with a serious interest in hard news.
    [Show full text]
  • A STAR That Shines, Quite and Bright
    The Dirty Picture was the first movie that he released Pan India, and the movie eventually was a block buster paving the way for a line of super hits A star THat SHINES, to follow, like Lage Raho Munna Bhai, Rang de Basanti, Don, Taare Zameen QUITE AND BRIGHT Par, Jodhaa Akbar , Ghajini, My Name is Khan, No One Killed Jessica, Agneepath, Ashiqui-2, Student of the Year, Ek Villain , Bahubali, Raaes, Raazi and many more. Recently, Anil Anil Thadani, founder of AA films, the disliked them. Thadani’s AA Films had also teamed largest single owner film distribution He started his journey by distributing up with Dhanush’s Wunderbar Films company in India which has released films made under Yash Raj Films and Lyca Productions to release films across a range of languages banner, the first film he distributed Superstar Rajinikanth’s Kaala in North such as Hindi, English, Telugu, was “Yeh Dillagi” and soon after India. Marathi and Tamil. He was born and he distributed “Dilwale Dulhania After his marriage to Bollywood diva brought up in suburbs of Mumbai. He Le Jayenge” which rewrote history RaveenaTandon – ever since he has loves spending quality time with his as one of the biggest blockbuster been a doting father to four lovely kids wife, parents and kids. of Bollywood. Over the years since and of course the most caring and A completely filmy guy, who now 1993 he has won credibility and has loving husband. A disciplined family really enjoys watching every single single handedly made AA films, one man that Anil is – even with his busy movie but there was a time when of the largest and most trusted house professional commitments, he had movies used to disturb him and he of distribution and exhibition.
    [Show full text]
  • Patiala House Good No One Killed Jessica Very Good Phone Booth Very
    patiala house good no one killed jessica very good phone booth very good aviator stud,very good surrogates very good sci fi gattaca very ,very good sci fi mirch good swat good,action confession of a drama queen fine,lindsay lohan gone in sixty secind good,car racing life as we know it very good taxi french good cellular kim bashinger,jessca biel good,copied 2 hindi tron legacy good ace ventura :when nature calls good legion fine,lindsay lohan narnia 3 good sholin fine,lindsay lohan enchanted very very good gone with the wind very very good green hornet good lions for lambs very good kings speech very good tropic thunder very very good made of honor very good pareenita very good turning 30 fine mortal kombat 1 good mortal kombat 2 good pretty woman very good warriors way very good butterfly effect 3 very good up in the air very good national security very good harry potter & deathly hallows very good hard breakers fine legally blonde 1 very good legally blonde 2 very good losers very good tomorrow when war begins good tanu weds manu good gulliver travel fine jennifer's body good season of the witch good love and other drugs good american psyco fine aaf-in search of sex good ghost of girlfriend past very good constantine good tees maar khan bakwas prada to nada very good pearl harbour very very good the mechanic fine no string's attached good enemy at the gates very good butterfly effect 2 good the house bunny very good harold and kumar goes to white castle good heartbreakers 2001 good inside job very good miracle vg easy a very good zombiland
    [Show full text]
  • The Changing Role of Women in Hindi Cinema
    RESEARCH PAPER Social Science Volume : 4 | Issue : 7 | July 2014 | ISSN - 2249-555X The Changing Role of Women in Hindi Cinema KEYWORDS Pratima Mistry Indian society is very much obsessed with cinema. It is the and Mrs. Iyer) are no less than the revered classics of Ray or most appealing and far reaching medium. It can cut across Benegal. the class and caste boundaries and is accessible to all sec- tions of society. As an art form it embraces both elite and Women have played a number of roles in Hindi movies: the mass. It has a much wider catchment area than literature. mythical, the Sati-Savitri, the rebel, the victim and victimizer, There is no exaggeration in saying that the Indian Cinema the avant-garde and the contemporary. The new woman was has a deep impact on the changing scenario of our society in always portrayed as a rebel. There are some positive portray- such a way as no other medium could ever achieve. als of rebels in the Hindi movies like Mirch Masala, Damini, Pratighat, Zakhm, Zubeida, Mritudand and several others. Literature and cinema, the two art forms, one verbal in form The definition of an ideal Indian woman is changing in Hindi and the other visual, are not merely parallel but interactive, Cinema, and it has to change in order to suit into a changing resiprocative and interdependent. A number of literary clas- society. It has been a long hundred years since Dadasaheb sics have been made popular by the medium of cinema. Phalke had to settle for a man to play the heroine in India’s first feature film Raja Harishchandra (1913) and women in During its awesome journey of 100 years, the Indian Cinema Hindi cinema have come a long way since then.
    [Show full text]
  • UTV Announces Release Dates for Joker
    UTV announces release dates for Joker Shirish Kunder directed Akshay Kumar starrer to hit cinemas worldwide on August 30th 2012 Mumbai, 1 November 2011: UTV Motion Pictures today announced the release date for Joker as August 30, 2012. A madcap comedy directed by Shirish Kunder and featuring Akshay Kumar and Sonakshi Sinha, this film promises an out-of-this-world experience. Quite literally so! Akshay Kumar returns to his hometown, a place that's so remote and crazy that it’s not even on the map. And then what follows puts this forgotten little town not just on the country's map, but makes it the focus of the entire globe! Aliens! Is the town really the site of an alien invasion? Will Akshay manage to change the game - just like the joker does in a pack of cards? Get set for India's coolest (and first ever) comedy starring aliens! In 3D! About UTV Motion Pictures: The Motion Pictures division of UTV, established in 2004, is an integrated studio model in the Indian film industry as well as in the whole of South Asia region. The activities of the studio span across creative development, production, marketing, distribution, licensing, merchandising and syndication of films worldwide. UTV has a library of over 50 films including Hindi, Regional, Animation and International Productions. The last decade in Indian cinema has seen UTV delivering some of the most iconic films including Swades, Rang De Basanti, Jodhaa Akbar, A Wednesday, Dev D, Khosla Ka Ghosla, The Namesake, Life in a Metro, Oye Lucky! Lucky Oye!, Kaminey and more recently Raajneeti, Udaan and Peepli [Live].
    [Show full text]
  • Research Paper COMMUNICATION Emergence of Cinema As a Strong Tool of Social Change
    Volume : 3 | Issue : 4 | April 2014 • ISSN No 2277 - 8160 Research Paper COMMUNICATION Emergence of Cinema as a strong Tool of Social Change Tanushri Sr. Lecturer, Amity School of Communication, Amity University Rajasthan, Mukherjee Jaipur. ABSTRACT Gone are the days when the movies started with a dream woven by a teenage girl of a hero entering her life on a white horse fighting against all the so called “ villains” and the film finally ending with a common note, “Happily ever after” . Today cinema focuses on realistic issues and matters rather than depicting impractical and unrealistic stories and it plays a major role in portraying certain fundamental social and political issues which not only entertains the masses but also educates them on these issues and helps them develop an opinion thus acting as a strong tool behind Socio- Political Transformation and Mass Enlightenment. Movies have drastically transformed not only in technical terms but also in terms of story lines, nature of portrayal of characters, genders and issues. The paper tries to deal with the fact as to how Indian Cinema has changed in terms of its stories and issues and it makes a deeper analytical study to find out the opinion of the masses at large as to what is their opinion about Present Cinema and its impact on Society in the direction of acting as a strong tool of Social Awareness and Social Change. KEYWORDS: Social Issues, Contemporary cinema, Social change, Indian politics, Social taboos, Social Awareness Introduction everyday life or there are certain movies which are women centric and Change is the thumb rule of life and so have been Indian cinema.
    [Show full text]
  • Volunteering in India
    VOLUNTEERING IN INDIA Contexts, Perspectives and Discourses 1 Foreword Volunteerism has long been an integral part of the Indian society shaped by traditions and value systems rooted in the religion and cultural interactions. The volunteers from diverse backgrounds have gone about celebrating the spirit of volunteerism in the best manner they know – rendering selfless service to their fellow beings and the community at large. The observance of International Year of Volunteers (IYV) in 2001 underscores the importance of people-to-people relations as core values of volunteerism. The resolution adopted by the UN General Assembly to mark the Tenth Anniversary of the International Year of Volunteers (IYV+10) in 2011 rekindled the spirit of volunteerism and provided the opportunity to reflect on the status and growth of volunteerism worldwide. The role of volunteers in creation and development of social capital, civic engagement and social cohesion is now well documented. Against the backdrop of challenges, exciting new avenues for people to volunteer have opened up. It is also significant to note the role of technological revolution and its contribution to new forms of volunteering like micro-volunteering and online volunteering. These are going to be the key in future forms of volunteering discourses. It is notable that eighty-seven per cent of people aged 15 to 24 live in developing countries. They can play an important role to achieve the Millennium Development Goals adopting various ways to engage. Tenth International year of volunteers (IYV+10) offered the opportunity to the youth world over to further the volunteering agenda through their creativity, energy and commitment.
    [Show full text]
  • Disney Announces ABCD 2 Post the Success of India's First Ever 3D
    Disney announces ABCD 2 Post the success of India’s first ever 3D dance movie ABCD - Any Body Can Dance, a youthful and vibrant film which became a nation-wide phenomenon garnering critical acclaim and box office, Disney India’s studio business today announced its sequel ABCD 2, directed by Remo D’Souza. The second chapter of the movie promises to be even bigger in scale with the current heartthrobs Varun Dhawan and Shraddha Kapoor in the lead along with Prabhudeva. Inspired from the true story of an Indian dance troupe that participated in the world Hip Hop Championships, this movie is slated to be shot extensively in Las Vegas, with over 10 songs and extravagant dance sequences that will add grandeur to the exciting script The film will go on floors in July. About Disney India’s Studio division Bringing together the best of both worlds, The Walt Disney Studios and UTV Motion Pictures have formed one of the leading film studios in India. The studio’s activities span across creative development, production, marketing, distribution, licensing, merchandising and syndication of films in India and worldwide. UTV Motion Pictures as a dominant player in the Indian film industry has been in the forefront of bringing Indian films to a global audience and the last decade in Indian cinema has seen UTV delivering some of the most iconic films including Swades, Rang De Basanti, Jodhaa Akbar, A Wednesday, Dev D, Khosla Ka Ghosla, The Namesake, Life in a Metro, Oye Lucky! Lucky Oye!, Fashion, Kaminey, No One Killed Jessica, Raajneeti, Udaan, Peepli Live, Delhi Belly, Ek Main Aur Ekk Tu, Paan Singh Tomar, Rowdy Rathore, Barfi!, Heroine, Race 2, AnyBody Can Dance (ABCD), Kai Po Che!, Yeh Jawaani Hai Deewani and more recently Ship of Theseus ,Chennai Express, Satyagraha, The Lunchbox, Shahid, Highway and 2 States.
    [Show full text]