Juliet Polcsa Costume Designer

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Juliet Polcsa Costume Designer JULIET POLCSA COSTUME DESIGNER WWW.JULIETPOLSCA.NET FILM THE SEA OF TREES – DIR: GUS VAN SANT, LIONSGATE PROMISED LAND – DIR: GUS VAN SANT, FOCUS FEATURES ARTHUR – DIR: JASON WINER, WARNER BROTHERS COP OUT – DIR: KEVIN SMITH, WARNER BROTHERS PAPER MAN- DIR: MICHELE & KIERNAN MULRONEY, ARTFIRE FILMS BROOKLYN’S FINEST – DIR: ANTOINE FUQUA, MILLENIUM ENTERTAINMENT BROOKLYN RULES – DIR: MICHAEL CORRENTE, LIONSGATE JERSEY GIRL – DIR: KEVIN SMITH, MIRAMAX WELCOME TO COLLINWOOD – DIR: JOE & ANTHONY RUSSO, WARNER BROTHERS SUMMER CATCH – DIR: MICHAEL TOLLIN, WARNER BROTHERS 30 DAYS – DIR: AARON HARNICK, ARIELLE TEPPER/ ARACA GROUP JOE GOULD’S SECRET – DIR: STANLEY TUCCI, USA FILMS RETURN TO PARADISE – DIR: JOSEPH RUBEN, PROPAGANDA FILMS THE IMPOSTORS – DIR: STANLEY TUCCI, FOX SEARCHLIGHT JULIAN PO – DIR: ALAN WADE, CYPRESS FILMS/ MINDEL-SHAW PRODUCTIONS BIG NIGHT – DIR: STANLEY TUCCI & CAMPBELL SCOTT, RYSHER ENTERTAINMENT CAFÉ SOCIETY- DIR: RAYMOND DE FELITTA, SHOOTING GALLERY TELEVISION LAW & ORDER: SVU (season 14) - NBC PRODUCER: Warren Leight BOSS - (8 episodes)- Starz PERSON OF INTEREST (pilot) Warner Bros.TV/ Bad Robot/ CBS PRODUCERS: Farhad Safinia, Jonah Nolan RUBICON (pilot + 5 episodes) Warner Bros. TV/ AMC/ Horizon Scripted Television PRODUCER: Henry Bromell THE AMERICAN EXPERIENCE: THE TRIALS OF J. OPPENHEIMER- PBS DIRECTOR: David Grubin THE SOPRANOS (82 episodes) - HBO SHOWRUNNER: David Chase FOR ONE MORE DAY- Harpo Films/ ABC DIRECTOR: Lloyd Kramer THEATRE BAPTISM BY FIRE - Studio Dante Theatre DIR: Michael Imperioli THE ENGLISH TEACHER- MCC Theatre DIR: Robert Lupone RICKY JAY: ON THE STEM- Second Stage Theatre DIR: David Mamet METRO (musical from Poland)- Broadway DIR: Janusz Jozefowocz AWARDS EMMY NOMINATIONS 2000, 2001, 2004 & 2005 Best Costumes, Series The Sopranos COSTUME DESIGNERS GUILD AWARD 2002 Excellence in Costume Design for Television, Contemporary COSTUME DESIGNER GUILD AWARD NOMINATIONS 2003, 2004, 2005, 2007, 2008 NYWIFT “DESIGNING HOLLYWOOD” Honoree 2002 .
Recommended publications
  • Gus Van Sant Retrospective Carte B
    30.06 — 26.08.2018 English Exhibition An exhibition produced by Gus Van Sant 22.06 — 16.09.2018 Galleries A CONVERSATION LA TERRAZA D and E WITH GUS VAN SANT MAGNÉTICA CARTE BLANCHE PREVIEW OF For Gus Van Sant GUS VAN SANT’S LATEST FILM In the months of July and August, the Terrace of La Casa Encendida will once again transform into La Terraza Magnética. This year the programme will have an early start on Saturday, 30 June, with a double session to kick off the film cycle Carte Blanche for Gus Van Sant, a survey of the films that have most influenced the American director’s creative output, selected by Van Sant himself filmoteca espaÑola: for the exhibition. With this Carte Blanche, the director plunges us into his pecu- GUS VAN SANT liar world through his cinematographic and musical influences. The drowsy, sometimes melancholy, experimental and psychedelic atmospheres of his films will inspire an eclectic soundtrack RETROSPECTIVE that will fill with sound the sunsets at La Terraza Magnética. La Casa Encendida Opening hours facebook.com/lacasaencendida Ronda de Valencia, 2 Tuesday to Sunday twitter.com/lacasaencendida 28012 Madrid from 10 am to 10 pm. instagram.com/lacasaencendida T 902 430 322 The exhibition spaces youtube.com/lacasaencendida close at 9:45 pm vimeo.com/lacasaencendida blog.lacasaencendida.es lacasaencendida.es With the collaboration of Cervezas Alhambra “When I shoot my films, the tension between the story and abstraction is essential. Because I learned cinema through films made by painters. Through their way of reworking cinema and not sticking to the traditional rules that govern it.
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  • Media Alert: Flickers Partners with Roger Williams University to Present Spring Film/Speaker Series on the Jewish Experience Free Program Sponsored by the Edwin S
    For details, art or photos about FLICKERS media releases, contact Shawn Quirk, [email protected] ⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯ PHOTOS AVAILABLE UPON REQUEST: MEDIA ALERT: FLICKERS PARTNERS WITH ROGER WILLIAMS UNIVERSITY TO PRESENT SPRING FILM/SPEAKER SERIES ON THE JEWISH EXPERIENCE FREE PROGRAM SPONSORED BY THE EDWIN S. SOFORENKO FOUNDATION WHAT: The Jewish Experience Program at the 13th Annual Roving Eye International Film Festival WHEN: April 17, 19 & 22, 2018 WHERE: Feinstein College of Arts and Sciences, CAS 157 and Global Heritage Hall, Room 01, Roger Williams University, 1 Old Ferry Road, Bristol, RI WHO: Flickers’ Rhode Island International Film Festival (RIIFF) and Roger Williams University (RWU) HOW MUCH: This is a Free Event WHY: To Celebrate The Jewish Experience Through The Art of International Filmmaking. Roger Williams University (RWU) has partnered with the Flickers’ Rhode Island International Film Festival (RIIFF) to present its Spring-edition of the bi-annual Roving Eye International Film Festival. The popular and acclaimed Festival celebrating global cinema and artists, announces its 2018 Spring sidebar program on The Jewish Experience through short films, documentary, media and guest speakers. This year’s Jewish Experience theme is “ARTS AND CULTURE: Storytelling Through Time,” and is presented by a grant from the Edwin S. Soforenko Foundation. The event takes place April 17, 19 & 22nd. This year’s programming explores representations of the Jewish experience in Israel, across the globe and the Holocaust through 12 premiere films, including sneak peeks of films that will play the Rhode Island International Film Festival in August. The series is hosted by the Rev. Nancy Hamlin Soukup, University Multifaith Chaplain at RWU and includes a presentation by Holocaust survivor, Sami Steigmann; and a conversation with Chris Sparling filmmaker /screenwriter.
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  • The Dead Don't Die — They Rise from Their Graves and Savagely Attack and Feast on the Living, and the Citizens of the Town Must Battle for Their Survival
    THE DEAD DON’T DIE The Greatest Zombie Cast Ever Disassembled Bill Murray ~ Cliff Robertson Adam Driver ~ Ronnie Peterson Tilda Swinton ~ Zelda Wintson Chloë Sevigny ~ Mindy Morrison Steve Buscemi ~ Farmer Miller Danny Glover ~ Hank Thompson Caleb Landry Jones ~ Bobby Wiggins Rosie Perez ~ Posie Juarez Iggy Pop ~ Coffee Zombie Sara Driver ~ Coffee Zombie RZA ~ Dean Carol Kane ~ Mallory O’Brien Austin Butler ~ Jack Luka Sabbat ~ Zach Selena Gomez ~ Zoe and Tom Waits ~ Hermit Bob The Filmmakers Written and Directed by Jim Jarmusch Produced by Joshua Astrachan Carter Logan TABLE OF CONTENTS I. Synopsis . 4 II. “The Dead Don’t Die” Music and Lyrics by Sturgill Simpson 5 III. About the Production . 6 IV. Zombie Apocalypse Now . 8 V. State of the Nation . 11 VI. A Family Affair . 15 VII. Day For Night . 18 VIII. Bringing the Undead to Life . 20 IX. Anatomy of a Scene: Coffee! . 23 X. A Flurry of Zombies . 27 XI. Finding Centerville . 29 XII. Ghosts Inside a Dream . 31 XIII. About the Filmmaker – Jim Jarmusch . 33 XIV. About the Cast . 33 XV. About the Filmmakers . 49 XVI. Credits . 54 2 SYNOPSIS In the sleepy small town of Centerville, something is not quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are beginning to exhibit unusual behaviors. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon start plaguing Centerville: The Dead Don't Die — they rise from their graves and savagely attack and feast on the living, and the citizens of the town must battle for their survival.
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  • (Gus Van Sant, 1986). Int.: Tim Streeter, Doug Cooeyate, Ray Monge, Nyla Mccarthy
    Viernes 1 17:30 · Sala 1 · Gus Van Sant. Espíritus jóvenes bellos Mala noche (Gus Van Sant, 1986). Int.: Tim Streeter, Doug Cooeyate, Ray Monge, Nyla McCarthy. EEUU. 35 mm. VOSE. 78’ «Una explosión desvergonzadamente romántica del lirismo beatnik, filmado en un oscuro blanco y negro, y con una banda sonora de lánguidos acordes alt-country; Mala noche, sin embargo, mantiene una claridad nada sentimental cuando se trata de sus relaciones centrales. Walt, Johnny y Pepper forman un triángulo de deseo frustrado, un diagrama de mutua necesidad y explotación». (Dennis Lim) Segunda proyección día 13. 19:15 · Sala 1 · Centenario Todo Bergman. Exilio y crisis Descubriendo a Bergman (Trespassing Bergman, Jane Magnusson y Hynek Pallas, 2013). Suecia. B-R. VOSE. 107’ «Editado (con nuevos materiales) a partir de una serie documental, este film examina la carrera y películas de Ingmar Bergman a través de los ojos de numerosos directores y actores prestigiosos que se han sentido cautivados por el trabajo del maestro». (Stefan Hedmark) Presentación y coloquio a cargo de la directora, Jane Magnusson. 20:00 · Sala 2 · Las otras revueltas Prehistory of the Partisans (Paruchizan zenshi, Masao Tsusumi y Noriaki Tsuchimoto, 1969). Japón. 16 mm. VOSE*. 120’ 22:00 · Sala 1 · Cinéditos / Gus Van Sant. Espíritus jóvenes bellos El bosque de los sueños (The Sea of Trees, Gus Van Sant, 2015). Int.: Matthew McConaughey, Ken Watanabe, Naomi Watts. EEUU. B-R. VOSE. 110’ Habiendo encontrado el lugar perfecto para morir, Arthur Brennan conoce a Takumi Nakamura, un hombre japonés que también ha perdido su camino. Los dos comenzarán así un viaje de reflexión y supervivencia por Aokigahara, conocido como “el mar de árboles”.
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  • Outsiders No Cinema De Gus Van Sant (1985-1991)
    Universidade Federal de Ouro Preto – UFOP Instituto de Ciências Sociais Aplicadas - ICSA OUTSIDERS NO CINEMA DE GUS VAN SANT (1985-1991) DANIELA DE PAULA GOMES MARIANA - MG 2017 DANIELA DE PAULA GOMES OUTSIDERS NO CINEMA DE GUS VAN SANT (1985-1991) Dissertação apresentada à banca examinadora como requisito parcial para a obtenção do título de mestre em Comunicação. Orientador: Cláudio Rodrigues Coração Área de concentração: Comunicação e Temporalidades. Linha de pesquisa: Práticas comunicacionais e tempo social. MARIANA - MG 2017 A meu maior amor, Mia. AGRADECIMENTOS Difícil usar um espaço tão pequeno para agradecer a todos que contribuíram para esta trajetória tão gratificante e tão tortuosa ao mesmo tempo. Por ser esse turbilhão, agradeço inicialmente à minha mãe e ao meu irmão que me apoiaram do processo de seleção até nas desesperadoras madrugadas sem dormir. Ao meu orientador, Claudio Coração, pela paciência constante em todos os momentos de desespero. Por acreditar no potencial da pesquisa transformou meu olhar ao cinema e tornou a escrita ainda mais prazerosa. Agradeço à FAPEMIG pelo auxílio financeiro. Aos colegas de mestrado, eu agradeço a companhia e os parabenizo por nossa trajetória sempre em conjunto. Sabemos que a carga de pertencer à primeira turma de um programa de Pós-graduação pode parecer um fardo. Mas poder contar com todos vocês nesses dois anos aliviou muita tensão. Agradeço às maiores falsianes que vocês respeitam: Dayane, Flávio e Ana Luísa. Encontrar apoio em vocês é inexplicável. Meu trabalho não existiria sem a delicadeza do olhar da Day que praticamente co-orientou esta pesquisa e me ensinou que todo o processo poderia ser mais leve (e que eu também poderia ser.
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  • Cannes Film Festival French Incest ‘Fairytale’ Trashed by Critics
    lifestyle WEDNESDAY, MAY 20, 2015 Movies Cannes Film Festival French incest ‘fairytale’ trashed by critics French incest “fairytale” brought a orphans,” she said. “The film needed to be “Only in France,” it concluded. touch of scandal to the Cannes Film dealt with in that manner so we had the idea French newspaper L’Express admitted the AFestival yesterday but even the frisson of telling the fairytale to these young chil- film was likely to divide critics but hailed “the of illicit sex couldn’t save the movie from a dren.” uniqueness of (Donzelli’s) vision and tone- critical mauling. “Marguerite and Julien”, one Donzelli also weaves in anachronistic ele- never affected but ceaselessly inventive”. of five French movies among the 19 con- ments such as police helicopters, electronics Most of the French films in competition this tenders for the top prize at the world’s and blaring pop music-reminiscent of Sofia year have drawn only mixed reviews. biggest cinema showcase, tells the true story Coppola’s “Marie Antoinette”, which was also However the biggest competition flop at the of aristocratic siblings in 16th century France panned by Cannes critics when it opened the festival so far has been the US movie “The Sea whose deep love turns into physical passion festival in 2006. However the reaction to of Trees”, a far-fetched existential drama when they reach adolescence. “Marguerite and Julien” has proved far more directed by Gus Van Sant and starring French actress-turned-director Valerie vicious. Matthew McConaughey and Naomi Watts. It Donzelli said she was attracted to the was loudly booed at its press previews.
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  • Gus Van Sant (B. 1952, Louisville, Kentucky), Admired Internationally
    GUS VAN SANT Gus Van Sant (b. 1952, Louisville, Kentucky), admired internationally as a filmmaker, painter, photographer, and musician, received his BFA from the Rhode Island School of Design in Providence in 1975. Since that time his studio painting practice has moved in and out of the foreground of a multi-disciplinary career, becoming a priority again over recent years. Van Sant’s work in different mediums is united by a single overarching interest in portraying people on the fringes of society. Van Sant’s work has been the subject of solo exhibitions at the Musée de l’Elysée in Lausanne, Switzerland, Le Case d’Arte in Milan, Italy, and the Jordan Schnitzer Museum of Art at the University of Oregon in Eugene, among others. He has participated in numerous group exhibitions since the 1980s, presenting drawings, paintings, photographs, video works, and writing. Among Van Sant’s many internationally acclaimed feature films are Milk (2008); Elephant (2003); Good Will Hunting (1997); My Own Private Idaho (1991); and Drugstore Cowboy (1989). Van Sant lives and works in Los Angeles. GUS VAN SANT B. 1952, LOUISVILLE, KENTUCKY 1975 BFA, RHODE ISLAND SCHOOL OF DESIGN, PROVIDENCE, RI SELECTED SOLO EXHIBITIONS 2019 Gus Vant Sant: Recent Paintings, Hollywood Boulevard, Vito Schnabel Projects, New York, NY 2017 Gus Van Sant: Icônes, Musée de l’Elysée, Lausanne, Switzerland Not Sure, Le Case d’Arte, Milan, Italy Work in Progress 14 Settembre 2017, Le Case d’Arte, Milan, Italy 2010 One Step Big Shot, Fotografiska, Stockholm, Sweden One Step Big Shot:
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  • Relatório De Estágio |Novo Cinema Queer
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  • Complete List of DVD and Blu-Ray Movies
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  • The Sea of Trees
    THE SEA OF TREES Production Notes Running time: 110 min September 9th in theatres DISTRIBUTION SND GROUPE M6 89 Avenue Charles de Gaulle 92575 Neuilly sur Seine Cedex PRESS CONTACT PRESS CONTACT DDA Public Relations Delphine Olivier [email protected] [email protected] LA: +1 310-205-4868 04 42 59 19 15 Cannes: +33 (0)4 97 06 85 15 06 89 09 57 95 1 ARTHUR It’s always that moment that wakes us up, you know? Some big, life-changing event that reminds us what really matters. The problem is, the only time that moment comes is when that moment comes -- and sometimes it comes too late. Thick, single tears crawl down his cheek, cling to his clenched jaw. ARTHUR I... (hesitates) From Gus Van Sant’s The Sea of Trees, Screenplay by Chris Sparling Acclaimed director, Gus Van Sant’s THE SEA OF TREES is a deeply moving story about the destructive, redemptive and healing nature of love. It’s love and loss that lead Arthur Brennan (Matthew McConaughey), across the world to Japan’s Aokigahara, a mysterious dense forest known as The Sea of Trees lapping the foothills of Japan’s Mount Fuji – a place where people go to contemplate life and death. Numbed by grief, Arthur enters the depths of the forest and loses himself beyond the guiding ribbons threaded through the trees by many before him. Having found the perfect place to die, Arthur encounters Takumi Nakamura (Ken Watanabe), a Japanese man who also appears to have lost his way. Unable to leave Takumi behind, Arthur invests all of his remaining energy into saving Takumi and returning him to safety.
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  • Dossier De Presse
    Gus Van Sant 25.10.2017–7.01.2018 Dossier de presse Rétrospective à la Cinémathèque suisse Exposition au Musée de l’Elysée Une exposition conçue par La Cinémathèque française en coproduction avec le Museo Nazionale del Cinema (Turin), le Musée de l’Elysée (Lausanne) et la Cinémathèque suisse (Lausanne) Matt Dillon et Nicole Kidman dans To Die For de Gus Van Sant, 1995 (collection Cinémathèque suisse, droits réservés) 2017 Gus Van Sant Cinémathèque suisse Une exposition, une rétrospective de films 5 Musée Présentation de Gus Van Sant 7 L’exposition au Musée de l’Elysée 10 La rétrospective de films 14 à la Cinémathèque suisse Un livre aux éditions Actes Sud 20 de Présentation des institutions 21 Les moments forts en présence 23 de Gus Van Sant Contacts 24 l’Elysée Gus Van Sant 25.10.2017–7.01.2018 Une exposition, une rétrospective de films La Cinémathèque suisse, le Musée de l’Elysée, La Cinémathèque française et le Museo Nazionale del Cinema (Turin), organisent conjointement une exposition et une rétrospective de films autour de l’œuvre de Gus Van Sant. Les films de la rétrospective seront montrés à Lausanne et dans plusieurs villes suisses, dans les salles partenaires de la Cinémathèque suisse. L’exposition au Musée de l’Elysée se tiendra dès cet automne à Lausanne. Gus Van Sant sera présent pour l’ouverture de l’exposition et de la rétrospective. Il donnera également une masterclass à l’ECAL (Ecole cantonale d’art de Lausanne). 5 Concert des Hanson, série Hanson, circa 1998 © Gus Van Sant Alicia Miles et John Robinson dans Elephant de Gus Van Sant, 2003 © HBO Gus Van Sant 25.10.2017–7.01.2018 La Cinémathèque suisse et le Musée de l’Elysée sont heureux de s’associer à La Cinémathèque française pour présenter, au sein d’une importante rétrospective, le travail extrêmement riche, parfois inédit, de Gus Van Sant.
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