Voyage of the Boston Terrier – April 2016

          adN8-S_jarg_observe  16-04-30w FMS-11111 The 16-04-29v1 Expression is filled with terms that would make no sense to anyone but me. And it makes complete sense to me. I have created a kind of world with a lexicon that makes it easy to navigate conceptually.

          adPW-S___jarg_TOD adMJ-S_jarg_Sunday  16-04-30v FMS-11111 I can call my first round of TODs as legacy TODs. In some cases I will be defining a TOD term that I already defined as a legacy TOD because I think it is important enough. I may then recut it to become a SunJarg video. Or I may take a regular video and rebuild it into a SunJarg video. In either case I will be duplicating something I already defined.

          adJQ-S_Jargonocracy_terms  16-04-30u1 FMS-11111 Trumpaid = Trump + aid, i.e. he needs help. Trumpervention = Trump + intervention. Trumprehab = Donald Trump + rehab. This is more of a commentary than anything else that suggests Donald Trump doesn't need power, he needs help. He is dangerously narcissistic, oblivious to his own racism, nativism, sexism, and arrogance, let alone his assaholism. He is a psychological wrecking ball where if events fall just the wrong way he could become president and be a threat to civilization.  16-04-30u2 FMS-11111 I can say this, by the way, if only because a president who doesn't believe climate change is a threat endangers civilization.

          abOI-S_global_warming  16-04-30t1 FMS-11111 vvpvt I had a momentary vision of people taking climate change personally. It came in the context of .  16-04-30t2 FMS-11111 What if people saw themselves passing on a world devastated if not destroyed because of the climacaust?

          adNF-S_jarg_Saturday acIB-S_Orchepella abUJ-S_Gal_projects_  16-04-30s FMS-11111 Orchepella could be a Saturday Jargonocracy term. I could explain what I envision for it even if I never have time to explore it as a vision myself. I could note it is a Galatean invitation for someone else to participate in TL music collaborations. I could talk about variations such as adding effects to vocal instrumental lines.

          adRB-S_SOC_launch abF3-S_GR_FMS_helped_ abZV-S_ConVideo  16-04-30r1 FMS-11111 I could post a request for someone who finds my videos intriguing to open up a conversation with me using FaceTime or Skype. This could strike people as being needy. So be it. Who knows if it will be responded to, and if it is who knows if it will go well. But if it does, that could be a meaningful precedent.  16-04-30r2 FMS-11111 As for me being "needy" I am at the point where I don't care if I am. What I have come up with needs to be made available and responded to.

          vvpvt  16-04-30q FMS-11111 PRIVATE

          vvpvt  16-04-30p1 FMS-11111 PRIVATE  16-04-30p2 FMS-11111 PRIVATE

          vvpvt  16-04-30o FMS-11111 PRIVATE

          adRB-S_SOC_launch adRH-S_singing_1qtr_2016 adSE-S_plan_2016_04  16-04-30n1 FMS-11111 I was thinking of using Audacity or other software to change the key of a sequence of notes generated with the harmonica, to enable me to hit notes that the harmonica can't hit on its own, and combine them in the mix.  16-04-30n2 FMS-11111 This might be effective or it might be harebrained. It might enable me to generate accompaniments to my singing, or it might be a time sink I can ill-afford.  16-04-30n3 FMS-11111 What I am now thinking is that part of Stream of Creativity will be going public with this idea, even if I immediately discard it as an ill- conceived diversion of my time from what I should be doing.  16-04-30n4 FMS-11111 Being public will increase my accountability to not do stupid things. It may make me conservative and cautious, but it may also give me the courage to try something, flame out, try something else, and live my life boldly because that is a much more interesting process to follow.

          adRH-S_singing_1qtr_2016 adSE-S_plan_2016_04 acBG-S_process_is_product_  16-04-30m FMS-11111 Part of singing is about process as product. In particular I want to start articulating my thinking as I work out the interpretation of a song. This includes both my intentions and the reactions I have to something I have done.

          adN8-S_jarg_observe adSR-S_TOD_observations  16-04-30L FMS-11111 Part of what I may be doing with Jargonocracy is inventing terms that have an almost mechanical function, like "spoilert." At the same time it should be recognized that every word has a function of some sort, and any term that I expect to find its way into the language briefly or permanently has the function of identifying some reality or perceived reality that merits naming to facilitate communication.

          adJQ-S_Jargonocracy_terms  16-04-30k1 FMS-11111 Spoilert = spoiler alert. The term "spoilert" comes from "spoiler alert" but has a specific function. It flags whatever follows as being a spoiler. Rather than explaining that the following is a spoiler alert for the final episode of season X of show Y, it just lets you know that if you read on you will read a spoiler of some kind, starting with the next sentence.  16-04-30k2 FMS-11111 I envision this being used with slashes or parentheses, such as "spoilert (episode 10, season 4, Game of Thrones) or "SPOILERT/Master of None/s 1 ep 10."

          adJQ-S_Jargonocracy_terms  16-04-30j1 FMS-11111 "Correction free" = a word processor that doesn't change what you key in to what it determines you were too incompetent to have typed in. When you type in "actual real world series of events" it won't capitalize "World Series." Etc with more examples.  16-04-30j2 FMS-11111 If you can easily disable that capability, the software can be said to have a "correction free option."

          adJQ-S_Jargonocracy_terms adN8-S_jarg_observe adFN-S_language  16-04-30i FMS-11111 The term "Leicesterous" gains its initial meaning from my definition, but that points to an amazing actual real world series of events

          adOL-S_Chrontext_thinking  16-04-30h FMS-11111 As I was writing this morning I started to get energy and enthusiasm and a sense of purpose after a very lethargic, uninspired mood. I just turned on the soccer game for maybe a minute to see the score and watch the action. When I turned it off I was uninspired again. Moods can be very fragile, at least for me. Time to write some more and ramp up again.

          adJQ-S_Jargonocracy_terms adSO-U_TOD_mini_scripts  16-04-30g FMS-11111 "Leicesterous" is the best way to incorporate "Leicester" because it sounds like "lustrous" (pronounced "less-truss" instead of "luss- truss") which is very much how it should be imagined.

          adN8-S_jarg_observe adFN-S_language adMB-S_jarg_implement  16-04-30f1 FMS-11111 I can go about Jargonocracy with the mindset that it is my full intention to insert every word or phrase into the language, some for a moment and some permanently.  16-04-30f2 FMS-11111 This might be a Shaw threshold thing. If I speak a word and someone understands it, it can be said to be in the language. If I am using the term "Shaw threshold" and have provided a means for people to look up its meaning, it has insinuated itself into the language.  16-04-30f3 FMS-11111 The thing is that "Shaw threshold" has utility. It enables people to communicate with more clarity in some instances or perhaps with more efficiency if they have access to it and are trying to references exactly the sort of situation or phenomenon that is was defined to crystallize.  16-04-30f4 FMS-11111 This could be the case with many of the TOD terms. Some are flash in the pan, quickly outdated. These become markers of a point in history. Others could and should be permanent.

          adSO-U_TOD_mini_scripts  16-04-30e FMS-11111 "eff" is like "gosh darned" or "od." It is a substitute word for a profane word. There is plenty of precedent for this, like I suspected.

          vvpvt  16-04-30d FMS-11111 PRIVATE

          vvpvt adRC-U_daily_observe  16-04-30c1 FMS-11111 PRIVATE

 16-04-30c2 FMS-11111 PRIVATE

          adSS-A___Master_of_None  16-04-30b FMS-11111 adSS = Master of None. Master of None Netflix series.

          aaOU-U_no_entry  16-04-30a FMS-11111 no videos

          adSR-S_TOD_observations adPW-S___jarg_TOD adRH-S_singing_1qtr_2016  16-04-29zk FMS-11111 One thing singing and TODs will have in common is that I will post thinking and comments separate from the videos where I discuss my own thoughts, observations, aspirations and criticisms of what I am posting.

          adJQ-S_Jargonocracy_terms  16-04-29zj FMS-11111 E.I.D. = excessive initialization of diseases. IBS (irritable bowel syndrome). ED for erectile dysfunction. Find others in commercials (COPD?). This is where some problem seems to be given greater legitimacy if it has initials attached. Or maybe this is not from ad men but from doctors, in which case "never mind."

          adJQ-S_Jargonocracy_terms adSO-U_TOD_mini_scripts  16-04-29zi FMS-11111 ~0117 Conflation examples Chris Matthews brought up tonight: 9-11 and Iraq, WMD and nuclear weapons.

          adRB-S_SOC_launch  16-04-29zh FMS-11111 Suppose I go all out with NSVs and TODs and w2oPP etc, posting like mad but in coherent ways. Then imagine just one thing I do gains some viral traction. I could envision being featured by YouTube in the way MemeMolly was featured, gaining even more traction.

          adOW-S_NSV_FIB_producn acMW-S_music_TL_collab_  16-04-29zg1 FMS-11111 adB7-S_autonomy_Agora_ If there is a community of people actively engaged in creating music tracks, in mixing their own tracks with those others have posted, or just mixing tracks of others, and of voting for ones they like, including voting with $like contributions, and in promoting finished mixes, and in adding to the legal infrastructure that will deal with distribution of funds etc, all of these roles Agorautonomously practiced, this has a huge potential to be an alternative model for the music industry.  16-04-29zg2 FMS-11111 One particular component I would want to point out is that the interest of the community in an emerging piece contributed to by and number of people, or an emerging performer – vocal or instrumental – would mean an American Idol kind of engagement that is not a contrived program but rather a natural grass roots online community with no boundaries. Or rather the boundaries might be self- imposed such as genre and sub-genre, or even mutual appreciation of the skills among participating musicians and fans.

          adOW-S_NSV_FIB_producn acG9-S_THD_production  16-04-29zf1 FMS-11111 I wonder if I could routinely start a THD segment with no particular thought to generate an NSV, but with the NSV setup running. Then if in the course of what I am saying I think of something I would want to illustrate, I could change gears and just move over to the NSV.  16-04-29zf2 FMS-11111 Maybe everything is set up with the NSV except I don't start the Snagit screen capture of the graphics. Then if I suddenly feel the need to get FIB graphics support for what I am saying, I just move over to SketchBook, turn on screen capture, and continue my THD bit using graphics.

          adRH-S_singing_1qtr_2016 acFS-S_Talking_Head_scripts adR3-P_SOC_THD  16-04-29ze1 FMS-11111 vvpvt I could explain what I imagine are the possibilities of doing music as I am envisioning. I could in fact use this to explain to and what I am up to as I ask for help with instrumental accompaniment of my music, but it would also serve to commu- nicate to anyone the concepts behind my singing.  16-04-29ze2 FMS-11111 Points to make: . Trying YouTube as the vanilla platform .-- not necessarily trying to upstage Youdio .--.-- if Youdio enables Agorautonomy it may be the platform of choice .--.-- maybe better tools necessarily internal to Youdio are indispensable .--.-- I haven't had time to explore what Youdio provides. Learning curve time. .-- see how far can go with YouTube vanilla + Agorautonomy + 3rd party help .-- Use as an exploration of Edivision online  16-04-29ze3 FMS-11111 . Teleliving experiment using singing, instruments, etc .-- less ideal than physical presence of other musicians in many ways .-- enables people of like musical tastes to reach around the world and collaborate .-- just how good could it get entirely online?  16-04-29ze4 FMS-11111 . Engagement and empowerment .-- if there is a community of people active in contributing to and selecting (to 16-04-29zg)  16-04-29ze5 FMS-11111 . Stream of Creativity and singing .-- singing is my thing. Good place for self-expression component of SOC .--.-- bulk of SOC will be captured in writing and videos; singing is different expression .--.-- wonder if my singing is as good as I sometimes imagine .--.-- even if not great, my singing and interpretations might be good enough .--.--.-- demonstrate new "kind" of singing For Love or Money .--.--.-- potential to draw attention that would spill over to my writings, vids, projects

          vvpvt adRC-U_daily_observe  16-04-29zd FMS-11111 PRIVATE

          adRB-S_SOC_launch  16-04-29zc1 FMS-11111 This is probably very old territory, but I just had the sense that however badly I start to do any of the things I do, I can see it all as part of the Stream of Creativity learning process. I don't have to post any of it, or I can post the original bad stuff in an obscure location in an unlisted playlist. Maybe I start a project with crap, discover that as I emerge from the crap delivery and the crap thinking that I had something worth saying at the beginning, and recut videos of the same ideas with better delivery.  16-04-29zc2 FMS-11111 This could also go for starting projects and then not following through on them. I could start nap20 (Annapolis 2.0) and not do anything on it for a year. What I posted could be pointed to as examples of what I was trying to do, or maybe after the inactive year I just pick up where I left off.  16-04-29zc3 FMS-11111 The main point is that I can just jump in, get moving, get things off the ground. Some will crash back to the ground but others could take off and soar.  16-04-29zc4 FMS-11111 I have to break my pattern of bushellic work.

          adJQ-S_Jargonocracy_terms  16-04-29zb FMS-11111 bushellic = bushel-like. Refers to biblical passage about hiding light under a bushel. Matthew 5:14-15, a Jesus parable. ((1317))

          adJQ-S_Jargonocracy_terms  16-04-29za FMS-11111 Bernievolution = Bernie Sanders + revolution.

          adRE-S__Cybirk  16-04-29y FMS-11111 The moment has passed. But I came very close to pulling out the IPad video camcorder and doing a "recreation" of the rant I had when Notes first changed the word "confidence" that I keyed in to "confidences" and then tried to substitute "confidences" for "confidence" when I tried to correct it.

          adRB-S_SOC_launch  16-04-29x FMS-11111 I can't just make the logistics and time management problems go away by being in an expansive mood for a while. I still have to work out how to come anywhere close to finding time necessary to do all of the things I dream of doing. But maybe there is something about faith that I can work it out that will outlast this morning of confidence.

          adSS-S___Master_of_None abUJ-S_Gal_projects_  16-04-29w FMS-11111 Do a bit on "the two Rachel's?" Rachel from Friends and Rachel from Mater of None. Or open up a space for people to do this themselves. Maybe pose a Quora question. Maybe use this as an example of the power of a Wikollector, where people could contribute their thoughts and their videos and their expressions in any other posted media.

          adRB-S_SOC_launch  16-04-29v1 FMS-11111 If I can get Stream of Creativity down where I minimize the logistics of capture and posting, where I engage people in a Galatean opportunity for Edivision participation, especially at this Kilroi stage of the project, it could be a product of my thinking as important as anything else, as Pearl City or Ice Nine or World 2.0.  16-04-29v2 FMS-11111 It is a congruence of the possibilities of technology for self-expression and engagement in thought, of PostPublishing and online connection.  16-04-29v3 FMS-11111 Maybe I just shed concerns that I won't be able to work out the logistics and time management of it all, confident that I can do much of what I dream of doing.

          vvpvt adSS-S___Master_of_None  16-04-29u FMS-11111 PRIVATE

          adSS-S___Master_of_None  16-04-29t1 FMS-11111 It just hit me that I am not sorry that Master of None ended its first season as it did. Rather it seems filled with confidence for the future. Maybe it turns out that Rachel was right, that no matter how good their relationship was there is a certain sense of it closing out the possibilities of the future.  16-04-29t2 FMS-11111 I did like the Sylvia Plath bit, which I barely took in while I was seeing it but which is starting to seem a bit profound and possibly even relevant to me right now.  16-04-29t3 FMS-11111 One more thing about the finale. Unless next season starts out with an off-stage description of Italy and how it didn't work out etc, Dev's entry into a new world is echoed by the show's entry into a new world. Not only do we lose Rachel, we lose all of the other supporting actors (except maybe his parents) and we lose New York City. The whole show is making the break that Dev is making and that Rachel made.

          aaOU-U_no_entry  16-04-29s1 FMS-11111 I am sitting here in my "thinking place" on the top of my bed, thoroughly enjoying having thoughts and rants and writing down whatever percent of them I am able to capture. Almost all of this will be PostPublished as VBT.  16-04-29s2 FMS-11111 I am now in the throes of converting the same impulses to videos which can also be posted.

          adPW-S___jarg_TOD adSS-S___Master_of_None adPW-S___jarg_TOD  16-04-29r1 FMS-11111 There is something about Master of None that inspires me. Maybe this will be a key of some sort to my delivery of TOD terms. There is something about Dev's unselfconscious statement of what he sees or believes, of being able to say what is there without drama, of pronouncing the truth, that is really refreshing. Maybe I can take on some component of that.  16-04-29r2 FMS-11111 Good. I can mark down my rewatching of some or all episodes as research...

          adPW-S___jarg_TOD adFN-S_language  16-04-29q1 FMS-11111 In my wildest dreams of success with Jargonocracy TOD I imagine myself identifying phenomena that people sense and vaguely experience but have no name to attach to, of crystallizing them into TODs, and of having millions of people then using some of many of those words in dialogue because they ring true.  16-04-29q2 FMS-11111 I then see this impacting dialogue by empowering those who use such words to shape the direction of conversation through bending thought and imagination to include the referents (phenomena?) that the words now have the power to evoke.

          adJQ-S_Jargonocracy_terms  16-04-29p1 FMS-11111 omnigorithm = omniscient + algorithm. Or is it omnipotence? Or omnipresence?  16-04-29p2 FMS-11111 Speaking it I am concerned that it includes the enword in its pronunciation.

          adRE-S__Cybirk  16-04-29o FMS-11111 I typed in "linguaphile" and the IPad changed it to "lingua hill." Linguaphile is a word I typed in and effing Notes has a limited vocabulary and an algorithm of omniscience that has it think it knows better than I do what I wanted to key in. Which makes it a huge pain in the butt.

          adJQ-S_Jargonocracy_terms  16-04-29n FMS-11111 vocabuphobia = vocabulary + phobia. linguiphobia = language + phobia. (I Googled this and it gave me "linguaphile") lexiconophobia = lexicon + phobia

          adPW-S___jarg_TOD  16-04-29m1 FMS-11111 Right now TOD seems all about the delivery. I am happy enough with the words, I am confident I will be able to come up with enough new words that rise above mediocrity to permanently sustain TOD. I can even imagine that TOD could be a Galatean effort, where I can get enough people involved where I will only be contributing a fraction of the terms myself, and maybe I won't even be doing that much production of them and delivery of them.  16-04-29m2 FMS-11111 Back to delivery, I get the sense that this will quickly work itself out if I let myself both be natural and enjoy the process. I don't have to strain to be "having fun" as I describe a term and explain it, I just have to capture the spirit of pleasure at coming up with a term that is clever and makes me laugh, or of having nailed something that is real in the world and heretofore had not been named.

          vvpvt  16-04-29L FMS-11111 PRIVATE

          vvpvt  16-04-29k FMS-11111 PRIVATE

          vvpvt  16-04-29j FMS-11111 PRIVATE

          vvpvt  16-04-29i1 FMS-11111 PRIVATE  16-04-29i2 FMS-11111 PRIVATE

          adJQ-S_Jargonocracy_terms  16-04-29h FMS-11111 Eff = "F" as in "fuck." Spell it out so the meaning is clear, yet it passes censors and fragile sensibilities. It also can be used as a base for "effing" which with "F" just becomes "Fing."

          adRE-S__Cybirk adR2-S_angry  16-04-29g1 FMS-11111 Another profanity laced reaction to some new curve ball. Suddenly when I am working in "Notes" in my IPad it makes copies of what I am working on. Now I have to manage them to make sure I am not deleting the wrong copy of what I did, losing work I did between when the copy was made and the latest version.  16-04-29g2 FMS-11111 Where the the hell did this come from (I didn't say "hell" in my cybirk rant)? I didn't do anything to set it up. I didn't mistakenly make copies. It just happened. If someone is trying to help me out, they aren't. They are just throwing in one more complication to my life, albeit a minor one.  16-04-29g3 FMS-11111 But what the eff are they thinking? Did someone get to move to a larger cubicle as a reward for providing such a "service?" If they think they are serving people who use their product, why can't they think through whether it in fact hurts more than it helps? They must care about whether people who use Notes are happy, or they wouldn't spend time "improving" it. What if the reasonable reaction to what they have done is not gratitude but anger and annoyance – will they even know?

          adQD-S_w2oPP_participate adS9-S___wikollector adQ8-S_w2oPP_implement  16-04-29f FMS-11111 Say I took pictures of the homes along the streets of Annapolis. I am not a photographer and the light might not be right, there might be trucks parked in front of buildings etc. I am thinking that anyone who wants a more flattering picture of their home, or perhaps a picture that has special meaning or includes the owners in it can post it and attach it to the w2o sector via the Wikollector.

          vvpvt  16-04-29e FMS-11111 PRIVATE

          vvpvt aaKX-car  16-04-29d1 FMS-11111 PRIVATE  16-04-29d2 FMS-11111 PRIVATE  16-04-29d3 FMS-11111 PRIVATE  16-04-29d4 FMS-11111 PRIVATE

          vvpvt aaKX-car  16-04-29c FMS-11111 PRIVATE

          vvpvt adRC-U_daily_observe  16-04-29b FMS-11111 PRIVATE

          aaOU-U_no_entry  16-04-29a FMS-11111 no videos

          vvpvt  16-04-28L FMS-11111 PRIVATE

          vvpvt  16-04-28k FMS-11111 PRIVATE

          vvpvt  16-04-28j FMS-11111 PRIVATE

          adS3-S_Self_vids  16-04-28i FMS-11111 I may well use Self videos for certain purposes just because their production overhead will be so small. Maybe I only use Self videos for most of Galatea. Maybe there are other areas I do the same. Singing videos will probably need to be THD, but maybe not.

          adNF-S_jarg_Saturday adSE-S_plan_2016_04 adJS-U_cracks_closed  16-04-28h1 FMS-11111 During shaving I thought of Saturday TOD videos as a means of my focusing each week on a GITM topic and generating a number of videos on the topic to put into a playlist. This would provide a kind of structure for explaining my thinking on various topics, selecting and focusing on GITM topics where I concentrate on one topic over the course of one week, and then move on to the next topic for the next week, etc.  16-04-28h2 FMS-11111 I don't know that I will do that. I don't know that I will want to commit that much time over the course of a week on a topic. Maybe there are some topics I can dispose of in a single video, or can dash off several videos, and I can alternate heavy concentration topics with easier ones. Maybe I will find I can cover topics without all that much difficulty or time.  16-04-28h3 FMS-11111 But there is something appealing about doing this. I envision it as providing structure to my efforts, perhaps not a burdensome or oppressive structure. I imagine not working out some schedule, but just picking GITM terms to cover on given weeks, getting a sense of which terms will be demanding and which will be easy.

          adMJ-S_jarg_Sunday  16-04-28g FMS-11111 I don't know that I have written this down, but Sunday Jargonocracy videos might be repeats of standard TOD video terms in some or many cases. I also imagined that I would have an open invitation for anyone else to take a term I had posted as a TOD, or even go to the well for terms I have posted in text but not video, and generate a SunJarg video based on that term.

          vvpvt aaRE-U_spot_report_  16-04-28f FMS-11111 PRIVATE

          vvpvt adRC-U_daily_observe  16-04-28e FMS-11111 PRIVATE

          acMD-S_Naymash  16-04-28d1 FMS-11111 Maggie Smith-Smithsonian-Ian McKellen-Leonard Bernstein-Ina Jaffe-feeling Good-good luck jonathan-jonathan winters-winter's coming-coming home-Homeland-Andy Devine-Divine Miss M-Emma Stone-Stone Phillips-Phillip Seymour Hoffman-mandy patinkin- Kinney shoe-shoe city-city of God-Godfrey-Free Willie-Willie Wonka  16-04-28d2 FMS-11111 MaggieSmithsonianMcKelLeonard BernsteinaJaffeeling good Luck Jonathan Winter's coming homelandy divine miss Emma Stone Phillip Seymour Hoff Mandy PatinKinney Shoe City of Godfree Willie Wonka

          aaW6-S_movies_cinema  16-04-28c FMS-11111 I have really enjoyed Master of None. For some reason couldn't run the last episode. Maybe the season isn't over, maybe Comcast is effing with me again.

          vvpvt adRC-U_daily_observe  16-04-28b1 FMS-11111 PRIVATE  16-04-28b2 FMS-11111 PRIVATE

          aaOU-U_no_entry  16-04-28a FMS-11111 no videos

          adD9-U_YT_music_vids  16-04-27zi FMS-11111 wild feathers – interesting band I heard on Late Show. https://www.youtube.com/watch?v=uxaQVZkjXx8

          adSR-A_TOD_observations  16-04-27zh FMS-11111 adSR = TOD observations. Collections of my observations about TOD videos, a parallel set of videos.

          adPW-S___jarg_TOD  16-04-27zg FMS-11111 For older TODs I assigned numbers and directories to each word, and was able to look up the term in an XSM using tilde-number. Would this be useful and/or necessary now?

          vvpvt  16-04-27zf FMS-11111 PRIVATE

          vvpvt  16-04-27ze1 FMS-11111 PRIVATE  16-04-27ze2 FMS-11111 PRIVATE

          vvpvt  16-04-27zd FMS-11111 PRIVATE

          vvpvt  16-04-27zc FMS-11111 PRIVATE           vvpvt  16-04-27zb FMS-11111 PRIVATE

          vvpvt  16-04-27za FMS-11111 PRIVATE

          vvpvt  16-04-27y1 FMS-11111 PRIVATE  16-04-27y2 FMS-11111 PRIVATE  16-04-27y3 FMS-11111 PRIVATE

          vvpvt  16-04-27x FMS-11111 PRIVATE

          vvpvt  16-04-27w1 FMS-11111 PRIVATE  16-04-27w2 FMS-11111 PRIVATE  16-04-27w3 FMS-11111 PRIVATE

          vvpvt  16-04-27v1 FMS-11111 PRIVATE  16-04-27v2 FMS-11111 PRIVATE  16-04-27v3 FMS-11111 PRIVATE  16-04-27v4 FMS-11111 PRIVATE

          adOL-S_Chrontext_thinking  16-04-27u1 FMS-11111 It hit me that my thinking process may not be one of thinking something through to a conclusion that I act on so much as it is I engage in thinking and keep researching facts etc to put me in a certain space. I will know more, will have imagined different scenarios and things I should take into consideration, and the task of solving whatever issue I am thinking about won't seem so intimidating.  16-04-27u2 FMS-11111 vvpvt PRIVATE

          vvpvt  16-04-27t1 FMS-11111 PRIVATE  16-04-27t2 FMS-11111 PRIVATE

          vvpvt  16-04-27s FMS-11111 PRIVATE

          vvpvt  16-04-27r1 FMS-11111 PRIVATE  16-04-27r2 FMS-11111 PRIVATE  16-04-27r3 FMS-11111 PRIVATE  16-04-27r4 FMS-11111 PRIVATE

          vvpvt  16-04-27q FMS-11111 PRIVATE

          vvpvt  16-04-27p1 FMS-11111 PRIVATE  16-04-27p2 FMS-11111 PRIVATE

          vvpvt  16-04-27o1 FMS-11111 PRIVATE  16-04-27o2 FMS-11111 PRIVATE  16-04-27o3 FMS-11111 PRIVATE

          vvpvt  16-04-27n FMS-11111 PRIVATE

          vvpvt  16-04-27m FMS-11111 PRIVATE

          vvpvt  16-04-27L1 FMS-11111 PRIVATE  16-04-27L2 FMS-11111 PRIVATE

          vvpvt  16-04-27k1 FMS-11111 PRIVATE  16-04-27k2 FMS-11111 PRIVATE  16-04-27k3 FMS-11111 PRIVATE

          acA2-S_teleliving acKK-S_TL_persona_  16-04-27j1 FMS-11111 vvpvt is showing me one component of Teleliving that is problematic. He is comfortable with interacting online and using the tools available for it. We could be maintaining and developing our relationship that way. But we aren't because he isn't interested in using them that way. He consistently blows me off, he does little of what I have requested of him (talk to me every couple of days, set up a YouTube account).  16-04-27j2 FMS-11111 If the effort isn't there, the electronic tools won't make the relationship work.  16-04-27j3 FMS-11111 It is as if this is a great opportunity for an experiment in relationships that is withering on the vine. I could use this not just to maintain our relationship, but to get personal experience of how that works and how well it could work. This would be useful for me to observe. But I can't do it if there is no partner at the other end to do it with me.

          adRH-S_singing_1qtr_2016  16-04-27i FMS-11111 vvpvt Say I do a singing video () and give it to someone () as a Christmas gift. I include a pitch at the end of the video saying that is what I have done, and I would appreciate anyone who really likes the song contributing money to show their appreciation. The financial component of the gift would be that any money that comes in would go to the person to whom the gift is given.

          vvpvt  16-04-27h1 FMS-11111 PRIVATE  16-04-27h2 FMS-11111 PRIVATE

          aaL7-S_ice_nine abYO-S_GR_permanent_post  16-04-27g1 FMS-11111 When I look up words in Google I now find charts of the level of their use through centuries. Who compiles that information and how?  16-04-27g2 FMS-11111 More importantly for me, what if we go to permanent posting and Ice Nine? The ability to access not just a sampling of words that are published but the entirety of everything that is written would enable a much more accurate and complete picture, and would probably enable contextual searches of how words are used in certain populations, localities and demographics.

          adSR-S_TOD_observations  16-04-27f1 FMS-11111 I was looking at the term "abortunity" and saw how you could simply substitute the term where you would use the word "opportunity," such as "it was a great political abortunity for X to raise the issue in the election."  16-04-27f2 FMS-11111 The point of this Entry is to raise the possibility of having my observations about terms outside of the actual definitions be a feature entirely in itself. Using abortunity as an example, I could ask if there is enough need to be able to substitute for a perfectly good word (opportunity) with a more narrowly defined term (abortunity). What is the impact of doing that in a conversation? Is inventing a word for that particular kind of opportunity a statement of its social importance? When the issue is resolved more definitively will the word fall into disuse, but remain as a historic marker of the significance of the issue at this point in time?  16-04-27f3 FMS-11111 Just capturing these kinds of thoughts could add value to Jargonocracy as something other than an amusement effort intended to make money. It turns it into an experiment in and exploration of the power of vocabulary in language. It makes the whole effort something bigger than it might appear. It also lets me think about what I am doing as I do it and captures those thoughts as a Stream of Creativity process that could have considerable value as a product.

          vvpvt  16-04-27e FMS-11111 PRIVATE

          adSR-S_TOD_observations  16-04-27d FMS-11111 I don't have to read a dictionary definition in a TOD. I can simply say what I want to say about the definition while showing the actual definition from the web on the screen.

          vvpvt  16-04-27c1 FMS-11111 PRIVATE  16-04-27c2 FMS-11111 PRIVATE  16-04-27c3 FMS-11111 PRIVATE

          vvpvt aaKX-car  16-04-27b FMS-11111 PRIVATE

          aaOU-U_no_entry  16-04-27a FMS-11111 no videos

          acMD-U_Naymash  16-04-26zn FMS-11111 William Shakespeare-Pierce Brosnan-Nancy Reagan-Ganges-Jesus Christ the redeemer-Merchant Ivory-Ivory Coast-Coast Guard- Ardennes-Dennis Miller-Lerner and Loewe-Lois Lane-Lane Bryant-Bryant Gumbel-Bella Fleck-Extended Stay America-America the Beautiful-beautiful dreamer-mer

          adSO-U_TOD_mini_scripts  16-04-26zm FMS-11111 Charismatose combines charisma and comatose. It is about someone whose charisma is so lacking that they are approaching a comatose state. My inspiration was Scott Walker, but I think I will hold the term in reserve until someone appears for whom it rings true.

          adSO-U_TOD_mini_scripts  16-04-26zL1 FMS-11111 Camoucop combines "camouflage" and "cop" as a term that refers to the kind of militarized police force that has become so common in this country, the kind we saw in Missouri related to the Ferguson disturbances.  16-04-26zL2 FMS-11111 I don't like the trend but the word is not intended to be loaded. It is simply a way of referencing the reality. One can be an advocate of camoucops or proud to be a camoucop or decry their existence, but arguments about or discussions of camoucops will be more efficient if you have a word dedicated to describing their reality.

          vvpvt  16-04-26zk1 FMS-11111 PRIVATE  16-04-26zk2 FMS-11111 PRIVATE  16-04-26zk3 FMS-11111 PRIVATE  16-04-26zk4 FMS-11111 PRIVATE  16-04-26zk5 FMS-11111 PRIVATE

          adSO-U_TOD_mini_scripts  16-04-26zj1 FMS-11111 Bughetti = bugs + spaghetti. This is just a reference to the possibility that eating insects could be like eating spaghetti some day, even in our culture. Lots of people around the world eat insects. Insects take far much less resource than typical farm animals to provide the same...  16-04-26zj2 FMS-11111 I am going to stop here. Most articles seem definitive that there are environmental advantages to insects as food, but the following article from Time Magazine disputes that: http://time.com/3824917/crickets-sustainable-protein/ Basically I don't want to define this word until I can be pretty definitive and justify it, and I am not ready to do the research on that tonight.

          adSO-U_TOD_mini_scripts  16-04-26zi FMS-11111 Bothsitis = "both sides" + "-itis" where the latter suggests a disease or condition. Bothsitis is a condition where one takes an accusation and routinely or almost compulsively notes that both sides are equally guilty. One who says that both sides are equally obstructionist in Washington seems to me to have bothsitis.

          adSO-U_TOD_mini_scripts  16-04-26zh FMS-11111 Black elephant. http://www.huffingtonpost.com/tim-oshea/black-elephants-black-swa_b_6240540.html

          adSO-U_TOD_mini_scripts  16-04-26zg FMS-11111 "Boner fides" combines "bona fides" with "boner." The Google dictionary defines "bona fides" as "documentary evidence showing a person's legitimacy; credentials." "Boner fides" refers to the size of a man's genitals, effectively his credentials for claiming to be a stud.

          adSO-U_TOD_mini_scripts  16-04-26zf1 FMS-11111 Bogeymanic turns "boogeyman" into an adjective, but in the process also suggests "manic," defined by Google as "wild and apparently deranged excitement or energy."  16-04-26zf2 FMS-11111 "Bogeymanic" describes something, particularly a political campaign, that gins up fear and tries to take advantage of it. A bogeymanic series or articles or exposes' might recklessly sensationalize a real problem like Isis or Ebola, using fear and terror to sell magazines or draw visitors to a web site. The wilder and more irresponsible the campaign or articles, the more it can be called bogeymanic.

          adSO-U_TOD_mini_scripts  16-04-26ze FMS-11111 "Bizargorithm" combines "bizarre" and "algorithm" and for me represents a search algorithm that returns strange or inexplicable results. When you key in the exact name of a web site, or of a video in YouTube, and the search doesn't return that site or video on the first page of results, and maybe several or many pages in, I consider that bizarre and blame the bizargorithm.

          adSH-S_Galatea  16-04-26zd FMS-11111 Galatea could evolve by my simply looking at whatever project I am working on at any time, identify ways the project or its objective could be forwarded by the participation of others, articulate that and post it.

          adSO-U_TOD_mini_scripts  16-04-26zc FMS-11111 "Binkstrous" combines "monstrous" with "Jar Jar Binks." It is an adjective that refers to a character introduced to a movie, play, or novel that is grotesquely miscalculated. A Binkstrous character would stand out as monumentally annoying and I'll-conceived, a distraction from the narrative and ultimately an object of ridicule by critics and readers or viewers. A Binkstrous character simply doesn't belong.

          adSO-U_TOD_mini_scripts  16-04-26zb1 FMS-11111 Berniebution combines "Bernie," as in Bernie Sanders, with "contribution." This refers to the power of individuals who believe in something or someone and are willing, in large numbers, to make relatively small contributions that add up to a lot of money for the cause.  16-04-26zb2 FMS-11111 Berniebutions collectively empower a lot of people aligned on a particular mission.  16-04-26zb3 FMS-11111 The term is intended to be used not just for individual political candidates but for any cause that inspires large numbers of people to put their money behind a movement.

          adSO-U_TOD_mini_scripts  16-04-26za1 FMS-11111 Anotaxia combines "anorexia" and "taxes." This is about how the rigid, almost messianistic aversion to taxes is starving our nation of needed investment and even operating funds. Our higher education system is becoming less and less accessible to the non-rich, our infrastructure is crumbling and the cost of fixing it soaring as we neglect it, entitlements that the citizenry is depending on is threatened, all because we aren't willing to fund them.  16-04-26za2 FMS-11111 Anotaxia is a kind of societal anorexia, endangering the well-being of the country and its citizens.

          adSO-U_TOD_mini_scripts  16-04-26y1 FMS-11111 "Make America Grate Again" This combines "Make America Great Again" with "Grate" as in something irritating, harsh and unpleasant sounding.  16-04-26y2 FMS-11111 If, God forbid, Donald Trump were to be in position to speak for this country, his turdic ideas and pronouncements will be harsh, unpleasant and irritating to everyone around the world, perhaps more grating than the smug and reckless cowboy diplomacy of the Bush/Cheney/Rumsfeld era.

          adSO-U_TOD_mini_scripts adNF-S_jarg_Saturday  16-04-26x1 FMS-11111 World 2.0, aside from being part of the name of a Justin Bieber album, is about the informational world as opposed to the physical world.  16-04-26x2 FMS-11111 As a matter of practicality, World 2.0 is connecting or linking everything about any given place on the face of the earth to every bit of information that relates to it, whether text, audio, image, or video. The information can be physical, like a book, painting, photo, or film clip, or it can be posted and linked to over the Internet. ((1535))           adSO-U_TOD_mini_scripts  16-04-26w1 FMS-11111 "Anger Games" combines "hunger games" and "anger." It is about competing politicians killing each other off by being angrier than his or her opponents, until only the very angriest survives. It taps into an angry electorate for its energy. The winner may do absolutely nothing to solve what is causing the anger in the first place, and in fact it is to his or her benefit to keep people angry to gain and then hold on to power.  16-04-26w2 FMS-11111 Vladimir Putin clearly won the anger games in Russia, and Donald Trump has played very well in the American version. Both can be expected to stoke the flames of fear, anger, and aggrievement. Hopefully that won't work so well here.

          adSO-U_TOD_mini_scripts  16-04-26v1 FMS-11111 "Amerinesia" combines "American" and "amnesia" and is about revisionist history, specifically treating realities of our history as if they didn't happen, willfully forgetting facts.  16-04-26v2 FMS-11111 Texas social studies books approved in 2015 downplayed the role of slavery and don't mention Jim Crow laws or the Ku Klux Klan, a clear example of Amerinesia. Amerinesia is less about interpretations of history than about forgetting or erasing history, presumably in favor of some mythology and/or ideology.

          adSO-U_TOD_mini_scripts  16-04-26u1 FMS-11111 "American Teaple" combines "American People" with "Tea Party." This is a reference to that segment of the population who hold tea party views, and who represent themselves (or are represented) as being "the American people" when in fact they are just a fraction of the American people.  16-04-26u2 FMS-11111 Politicians and sometimes commentators on both sides of the political spectrum are prone to saying what the American people want, or that they speak for the American people. But even a landslide victory like Lyndon Johnson in 1964 meant only a fraction more that 60% voted for him, so while the president represents all of us, at most 6 in 10 actually chose him.  16-04-26u3 FMS-11111 I single out the Tea Party because I get the sense that Tea partiers in fact believe they are the real American people, and others are not quite American. I see Obama's entire presidency as being resisted by those who could just not accept that he is "one of us" so he must be a Muslim or was born in Kenya.  16-04-26u4 FMS-11111 I see the term as referring to that minority that sees and refers to itself as the American people. It can be used as a correction to that assertion as in "you say you speak for the American People but you're actually just speaking for "the American Teaple."

          adMJ-S_jarg_Sunday adSE-S_plan_2016_04  16-04-26t1 FMS-11111 I was just thinking of recutting first generation TODs to repost them as SunJargs by putting them against a block of color, shrinking them down so they are floating in a border of that color, and writing the original posting date on the top edge.  16-04-26t2 FMS-11111 I may also note whatever I need to by using text, with an example being explaining why the Talking Head doesn't have a forehead. This way I could cut away the stuff I don't want from the original (intro, "thank you for watching" etc) without having to completely recut it. I don't think YouTube will reject posting it, but who knows.  16-04-26t3 FMS-11111 I could then use the VMPs for links to sources etc.

          adSR-S_TOD_observations adNC-S__jarg_Twitter  16-04-26s FMS-11111 I could see hashtags that use TOD terms as their roots, such as "#assaholicTrump" which could be applied to flag really assaholic things he says or does. Other people could use the hashtags for people they consider to be assaholics, maybe including people I like.

          adSR-S_TOD_observations  16-04-26r FMS-11111 I just wrote the mini-script for ambivalicide. This is a word I could keep in reserve, either as a mini-script or as a THD video. If a circumstance comes up where it might apply I could post it. Or if I want to stretch out more topical TODs, or maybe keep from having too many of the same type, or too many political TODs, I could put it in among others for a given week.

          vvpvt  16-04-26q1 FMS-11111 PRIVATE  16-04-26q2 FMS-11111 PRIVATE

          adSO-U_TOD_mini_scripts  16-04-26p1 FMS-11111 Ambivalicide combines ambivalence and the suffix "-cide" which means killing whatever precedes it in the word. So it means the killing of ambivalence.  16-04-26p2 FMS-11111 The dictionary.com definitions, from the Random House dictionary are:  16-04-26p3 FMS-11111 uncertainty or fluctuation, especially when caused by inability to make a choice or by a simultaneous desire to say or do two opposite or conflicting things.  16-04-26p4 FMS-11111 Psychology. the coexistence within an individual of positive and negative feelings toward the same person, object, or action, simultaneously drawing him or her in opposite directions.  16-04-26p5 FMS-11111 So basically ambivalence is about holding conflicting, opposite views and emotions about something or someone. So ambivalicide is about ending the conflict by killing off one or the other view, actively willing oneself to a point of view.  16-04-26p6 FMS-11111 I defined the word mostly because I liked the sound of it, but I could imagine it could describe with some precision a particular act of will in managing ones own psychology. I may be particularly attracted to it because I am very frequently ambivalent, and would like to imagine there are techniques for killing off ambivalence when it starts to get in the way.  16-04-26p7 FMS-11111 The pronunciation, by the way, comes from the spelling.

          adSO-U_TOD_mini_scripts  16-04-26o1 FMS-11111 "Altefour" is a ridiculous and inexplicable decision by the maker of software, particularly a major operating system.  16-04-26o2 FMS-11111 I got the name after installing Windows 10 when I needed to restart the computer. I looked for the restart button on the start menu and there was none. After searching around and after much swearing I decided to go to the Internet to find out how to restart my system, where I found you could do it by holding down the "alt" key and the "F4" function key. So I decided to name this kind of what I consider a blunder by those who designed the operating system, after , or "altefour."  16-04-26o3 FMS-11111 The term is a noun that can be used in a sentence like "the decision to take away the restart button was a real altefour."

          adSO-U_TOD_mini_scripts  16-04-26n1 FMS-11111 "All politics is Kochal" combines "all politics is local" with "Koch brothers." This is a reference to the impact of the enormous amounts of money the Koch brothers are bringing to bear on the electoral process, distorting it particularly in local and down-ballot elections.  16-04-26n2 FMS-11111 They are spending $889 million dollars on the 2016 elections, and unless they commit a lot of that to a stop Trump effort - highly unlikely - most of that will go to local elections where there is arguably more bang to the buck.

          adSO-U_TOD_mini_scripts  16-04-26m1 FMS-11111 "A dolt in the room" combines "adult in the room" with "dolt." This is a pun for the common if not cliched phrase "adult in the room."  16-04-26m2 FMS-11111 I have a lot of license to define this, so I am going to say it is a stupid person in a room, whether it is a party or business meeting, who sticks out from everyone else. I will also combine it with the phrase to suggest that this person may see himself or herself as the adult in the room when the opposite is true. The person is oblivious to their own stupidity.

          vvpvt  16-04-26L FMS-11111 PRIVATE

          vvpvt  16-04-26k1 FMS-11111 PRIVATE  16-04-26k2 FMS-11111 PRIVATE

          adSO-U_TOD_mini_scripts  16-04-26j1 FMS-11111 "Admission creep" combines "mission creep" with "admission." This is where someone is reluctant to admit something, and gradually, incrementally their denials become less and less solid, sometimes making it all the way to admitting that what was originally denied is in fact true.  16-04-26j2 FMS-11111 Often when what someone says is simply wrong, rather than saying so they will engage in a long, tortured process of admission creep which ends in their finally admitting they were wrong.  16-04-26j3 FMS-11111 Maybe an example is Donald Trump admitting that some turdic comment he made was wrong. Maybe Watergate was a tortured process of admission creep where Nixon never actually made it all the way to admitting what he had done. Maybe the Hilary Clinton e-mail setup is an example, where she hasn't come clean with how much what she did might have compromised information.  16-04-26j4 FMS-11111 Probably the best thing for this term is to keep this script, maybe refining it, and when a good example comes to the fore I can generate the TOD relevant to it.

          adN8-S_jarg_observe adSR-S_TOD_observations  16-04-26i1 FMS-11111 "Abortunity" (see 16-04-26h) may be an example of a word that just isn't necessary and doesn't fill a particular need. It is not much easier to say than to say "abortion issue." One thing I can say for the word is that it points to how the issue is used for political advantage.  16-04-26i2 FMS-11111 Maybe I can include this point of view in the script for the term, and then in the TOD itself. Maybe I save this for when I need a term that is good enough to use, if not great.

          adSO-U_TOD_mini_scripts  16-04-26h1 FMS-11111 Abortunity combines abortion and opportunity. This refers to using the abortion issue as a political opportunity to gain or hold power. It cuts both ways, where you may be against abortions or in favor of keeping them legal and available.  16-04-26h2 FMS-11111 A politician can be said to "take advantage of the abortunity" rather than saying they are "taking advantage of the abortion issue."

          vvpvt  16-04-26g FMS-11111 PRIVATE

          vvpvt  16-04-26f1 FMS-11111 PRIVATE  16-04-26f2 FMS-11111 PRIVATE

          vvpvt  16-04-26e1 FMS-11111 PRIVATE  16-04-26e2 FMS-11111 PRIVATE  16-04-26e3 FMS-11111 PRIVATE  16-04-26e4 FMS-11111 PRIVATE  16-04-26e5 FMS-11111 PRIVATE

          vvpvt  16-04-26d1 FMS-11111 PRIVATE  16-04-26d2 FMS-11111 PRIVATE  16-04-26d3 FMS-11111 PRIVATE  16-04-26d4 FMS-11111 PRIVATE

          vvpvt  16-04-26c1 FMS-11111 PRIVATE  16-04-26c2 FMS-11111 PRIVATE

          vvpvt adRC-U_daily_observe  16-04-26b1 FMS-11111 PRIVATE  16-04-26b2 FMS-11111 PRIVATE

          aaOU-U_no_entry  16-04-26a FMS-11111 no videos

          adMK-S_Jarg_engage abUJ-S_Gal_projects_ adMB-S_jarg_implement  16-04-25ze1 FMS-11111 I could visualize what could come of TODs and Jargonocracy for myself, as an exercise. But maybe there could be power in having it as a shared vision, one that in a Galatean way could motivate people to promote and engage in promoting my videos and supporting my efforts.  16-04-25ze2 FMS-11111 This could well be among the most leveraged ways of having political impact, shaping how we communicate and what we perceive as a society by injecting words that bend the conversation to realities that they name.  16-04-25ze3 FMS-11111 The point is that if people "get" that this could be powerful, and that they could leverage their own power by participating in and sharing Jargonocracy, I might not only have their partnership in it going viral, I would be empowering my partners.

          adPW-S___jarg_TOD  16-04-25zd FMS-11111 Instead of "snowgreement' go with "snownanimous" or "snowsensus" or "snownanimity."

          adPW-S___jarg_TOD  16-04-25zc FMS-11111 I only looked at "Priebusterous" but my impression was that it was pretty good. I have been thinking for a while that the original TODs were not good, but maybe I have to reassess. This might encourage me to recut them and post them as Sunjargs.           adJQ-S_Jargonocracy_terms  16-04-25zb1 FMS-11111 Titriol = tit (teat) + vitriol. It would be vitriol by a female, or something like that. Basically it replaces "TEAtriol" which likely would be pronounced the same by people reading it. Or maybe the TEA capitalized distinguishes it enough.  16-04-25zb2 FMS-11111 I don't know that there is sufficient need for "titriol" to proceed with it, though.

          adPW-S___jarg_TOD  16-04-25za1 FMS-11111 In the TOD management spreadsheet I have been piggybacking multiple references to terms. There is no point. If I want to see multiple references I can find them easily enough myself.  16-04-25za2 FMS-11111 After the first reference, which is a Sentrid, I can post the number for the ~nnnn TOD number. I can just use this to find subsequent references in the adML XSM.

          vvpvt adRC-U_daily_observe  16-04-25y FMS-11111 PRIVATE

          adML-U_jarg_script_txt adPW-S___jarg_TOD adMB-S_jarg_implement  16-04-25x1 FMS-11111 I am starting to imagine all kinds of work developing a TOD term after its definition is posted. I see tweets which reference something using the term as a hashtag, I imagine a playlist dedicated to the term which is filled with examples of it in use, I imagine videos which go beyond the initial definition to develop or clarify the definition.  16-04-25x2 FMS-11111 I don't know that any of these are bad ideas, but I don't want to slip into doing them only to find they take too much of my time, pulling me away from other projects. I don't want people to expect them of me without my having determined I can actually do them. I also don't want to be doing them with no one looking at what I have done.

          adML-U_jarg_script_txt adPW-S___jarg_TOD adMB-S_jarg_implement  16-04-25w FMS-11111 ((1424)). One use of the full scripts, even for videos where I generated a TOD definition, could be to generate examples or additional development of the term as videos I would post in the TOD playlist for that term.

          adPW-S___jarg_TOD  16-04-25v FMS-11111 I find myself imagining what TOD will look like and how it will work, even as I should actually be doing it, generating TODs.

          adMB-S_jarg_implement adNC-S__jarg_Twitter adPW-S___jarg_TOD  16-04-25u FMS-11111 A TOD e.g. video might be for #fauxrious, where I link to the John Oliver video on "lead" and reference where he calls out the congressmen who are outrouged about Flint Michigan.

          adG0-S_YT_organizational adPL-U_TPV adRM-S_Utility_Videos  16-04-25t FMS-11111 The rules I am setting for playlists, PDVs and TPVs etc are like grammar. These are rules that put everyone on the same page. Hopefully they will be far simpler than the rules of English grammar but the idea is the same.

          adN8-S_jarg_observe adMB-S_jarg_implement  16-04-25s FMS-11111 The TOD playlist will include a slew of videos, and people can easily see the titles of the videos, i.e. the terms I have made videos for. If someone looks at the playlist for the first time, maybe drawn by one term that caught their attention, they could scan the actual TOD terms until they find something that they find funny or are curious about and they could look at that video.

          adNC-S__jarg_Twitter adMB-S_jarg_implement  16-04-25r FMS-11111 I could see linking to a video in a Tweet where the video is an example of #outrouge. In the tweet I would post the link, maybe a comment but maybe just the hashtag followed by "(TOD)." This would point people to TOD and connect to everything I have done. Or someone could look at "Jargonocracy" as a Twitter account and see what else is there.

          vvpvt adRC-U_daily_observe  16-04-25q FMS-11111 PRIVATE

          acP3-S_YT_organize_ adPL-U_TPV adOC-S_Edivision  16-04-25p1 FMS-11111 adJS-U_cracks_closed In 16-04-25n I imagined others opening up playlists and posting TPVs that I can then use to direct people to their playlists.  16-04-25p2 FMS-11111 adJS-U_cracks_closed As I structure my videos on YouTube I hadn't thought so much of others using my rules and techniques to do the same thing, but why not? This is just another kind of Edivision, but is also a means of extending the level of order that I have designed for myself but could be useful to many others.  16-04-25p3 FMS-11111 adJS-U_cracks_closed Maybe that turns out to be a big contribution of mine, the ability to use existing tools of YouTube (or whatever supersedes YouTube) to empower people to build their own structures, to organize, to have a consistent way of operating Agorautonomously to communicate and engage with each other and the entire Internet community.           adSO-U_TOD_mini_scripts adPW-S___jarg_TOD  16-04-25o FMS-11111 As I come up with Porkyligula I think of Bono testifying to Congress about humor, about how the best way to fight Isis is to mock them.

          adPW-S___jarg_TOD adMB-S_jarg_implement  16-04-25n1 FMS-11111 Writing 16-04-25k, and as I get into the nuts and bolts of producing TOD, I can now imagine it not as a burden but as a pleasure, something I can indulge in with joy instead of a sense of obligation or duty or especially burden.  16-04-25n2 FMS-11111 I think up a word that I find funny and/or useful, something that might help to shape the conversation. I make the video, I Tweet the hashtag version. As examples pop up of people or situations for which the term is relevant I create examples of the use of the TOD. As enough examples are generated I create the playlist for that term.  16-04-25n3 FMS-11111 Then maybe others generate videos that use the term and forward them to me, and I add them to my playlist. Or maybe someone else takes on the task of managing the playlist and I shut down mine (if it exists) and instead link to theirs. Maybe I have a playlist of TPVs that others produce which point to their playlists.

          adNC-S__jarg_Twitter adMB-S_jarg_implement  16-04-25m FMS-11111 Writing 16-04-25L I get the sense that Twitter could be a key to the success of TOD. I could use it myself creating hashtags out of many if not all my TOD terms, spewing them out and using the hashtags to label events and people and phenomena. If just one catches on that might be enough to thrust Jargonocracy into the public consciousness. At the very least it is one more means of exposing what I am doing as I post TODs.

          adN8-S_jarg_observe adMB-S_jarg_implement  16-04-25L1 FMS-11111 I can envision what Jargonocracy would be like if it were to gain traction. I could see people seeking out terms that name phenomenon that they recognize and have felt unable to articulate, and anxious to use the terms.  16-04-25L2 FMS-11111 Maybe Porkygula would gain traction as a nickname. Maybe people would start using #ReleaseTheKracker to call out racist appeals. Maybe they would do the same with #GunsNMoses, or with any number of terms I identify.

          adSO-U_TOD_mini_scripts  16-04-25k1 FMS-11111 ((1218)). I was imagining having a lot of TOD mini-scripts available and when I was in an expansive mood I could generate a slew of them at once. I might even have a reservoir of ones for an angry mood. Maybe there would be other moods I should be attentive to.  16-04-25k2 FMS-11111 Maybe it won't matter and this will seem stupid. Once I get used to generating them, maybe any mood will do if I have a good script, complete with all the information I need to do them accurately (such as having Kim Jung Un's name before I generate the Porkygula THD).

          adJQ-S_Jargonocracy_terms  16-04-25j FMS-11111 Outrouge = outrage + rouge. Cosmetic outrage (rouge is a cosmetic). Congressman X was outrouged over the Flint, Michigan water crisis. ((I like fauxrious better, which does the same thing))

          adPW-S___jarg_TOD  16-04-25i1 FMS-11111 Imagine TOD is in full operation. On Meet the Press yesterday Bernie Sanders talked about how the poor don't vote, which is why he doesn't win more. The next day my TOD might be "pauper tiger" about how the poor as a voting block would seem fearsome but are not.  16-04-25i2 FMS-11111 I am not going to put a lot of emphasis on this now, but I could well wait for the right timing to release a given TOD so it is a comment on what is happening. Maybe this would include ones I already had produced, and maybe it would mean producing a TOD in response to some news item of the day before, or at least something that is topical. I could wait to release Dumbs of August in the summer when some typical Dumbs of August story breaks.

          vvpvt abB2-S_first_light_blues abJB-S_GR_FMS_psyche_  16-04-25h1 FMS-11111 PRIVATE  16-04-25h2 FMS-11111 PRIVATE  16-04-25h3 FMS-11111 PRIVATE

          adPW-S___jarg_TOD adMG-S_Jarg_prodn_mech  16-04-25g FMS-11111 TOD thumbnails probably shouldn't be the word since that will be in the title. If there is a graphic that will be useful (tinkle down economics) but maybe most of them will just be some symbol for TOD, and maybe that symbol will be the same for all of the TOD videos. Maybe they all are just "TOD" using different colors and fonts.

          adPW-S___jarg_TOD adRF-S_plan_2016  16-04-25f1 FMS-11111 I need to keep moving with TODs but don't want to forget other projects like Videowalk. Maybe I keep making Videowalk videos with the expectation that I will not be posting most or any of them for a while.  16-04-25f2 FMS-11111 One thing about TODs is that any time spent making videos in one area helps me with videos made for another project. Even NSVs are now intended to start with a THD segment.

          vvpvt  16-04-25e1 FMS-11111 PRIVATE  16-04-25e2 FMS-11111 PRIVATE  16-04-25e3 FMS-11111 PRIVATE

          adSO-S_TOD_mini_scripts  16-04-25d1 FMS-11111 It's clear the Mini-scripts were useful, although it might be interesting to see if the full scripts work better, since I didn't actually read the mini-scripts while doing the videos. Disappointing that the camera was wrong so the videos had to be tossed, but it didn't take that long to generate them.  16-04-25d2 FMS-11111 It probably has been wise to put all terms in a spreadsheet and mark their status there so I could better track what I had done. Given how I was able to rip through a whole series of mini-scripts in one sitting I think the appetite for more scripts will be voracious. This is also good because it suggests that I can generate a lot in a short period of time (exclusive of production time) which means this could be manageable as one of a series of projects running simultaneously. Now I need to complete work on the spreadsheet, and start pulling lists of new terms from it.  16-04-25d3 FMS-11111 vvpvt abB2-S_first_light_blues PRIVATE

          vvpvt adRC-U_daily_observe  16-04-25c FMS-11111 PRIVATE

          vvpvt abJB-S_GR_FMS_psyche_  16-04-25b1 FMS-11111 PRIVATE  16-04-25b2 FMS-11111 PRIVATE  16-04-25b3 FMS-11111 PRIVATE

          aaOU-U_no_entry  16-04-25a FMS-11111 no videos

          adPW-S___jarg_TOD aaRE-U_spot_report_ adMB-S_jarg_implement  16-04-24j1 FMS-11111 This afternoon I went ahead and generated a number of TODs. As it turns out I can't use any of them but am only marginally disappointed about that. Some things I learned:  16-04-24j2 FMS-11111 . I seemed to be reluctant to start. I finally did. . It was harder to do at first than I thought. I think I looked scared and stiff. . I loosened up and it was fun. Maybe they weren't better but they were more natural . The lighting wasn't right. I worked on new lamp configurations to fix it. . The neck thing was too high. I cut it back.  16-04-24j3 FMS-11111 . The camera was wrong .-- for most videos my chin was cut off, which is why they are no good .-- I didn't like the angle, so I raised the base about 3 inches .-- I think the camera will be pushed back; I'll try to remember to stay back myself  16-04-24j4 FMS-11111 . I ripped through a whole bunch .-- it is good that I can at least generate a lot of THDs quickly .-- I probably can't write up mini-scripts fast enough  16-04-24j5 FMS-11111 adSO-U_TOD_mini_scripts . Mini-scripts may need some revision .-- I may not have to think of them as a script too much, more just facts .-- scripting could be useful to provide phrases etc, so might want to work it out

          vvpvt adRC-U_daily_observe  16-04-24i FMS-11111 PRIVATE

          adNC-S__jarg_Twitter adPJ-S_Trump_Donald adPW-S___jarg_TOD  16-04-24h FMS-11111 Tweet: Trump wants more denominations of currency as solution to saving Andrew Jackson on $10 bill. Donald Trump image should be saved for $3 bill. Turdic.           adNC-S__jarg_Twitter adMB-S_jarg_implement  16-04-24g FMS-11111 It could become standard practice for TOD that when I create a word I also use that word as a Twitter hashtag, and define the word using the hashtag. I may also use it in subsequent Tweets where I find examples.

          adJQ-S_Jargonocracy_terms  16-04-24f1 FMS-11111 Faux pax = faux pas + pax. I just stumbled across this by spelling "faux pas" wrong, and for all I know it is a real term.  16-04-24f2 FMS-11111 I just looked it up, and where I thought "pax" meant "peace" (as in Pax Americana) on its own it refers to a religious ritual involving a kiss, or a tablet of some sort used in the ritual. I need to take that into account if I plan on using it.

          adMB-S_jarg_implement adRD-S_FMS_$_2016 abJB-S_GR_FMS_psyche_  16-04-24e1 FMS-11111 When I was thinking about telling people why I create words and what my aspirations for that activity are, I felt squeamish about mentioning that I want to earn money from it, directly or indirectly.  16-04-24e2 FMS-11111 I can't possibly succeed in earning money until I own up to the fact that it is something I want to do. I imagine it is unseemly to be too demonstrative about it. When people plug their book or movie as a guest on a late night or daytime cable news show, they rarely are explicit about what they are doing. I don't know if actually talking about it would be a faux pas or refreshingly honest. Or both.  16-04-24e3 FMS-11111 Regardless of the social consequences of it, for me there are psychological consequences to not owning up to it. When I have the chance to act I will fail to, and will fail to close some deal or will miss out on some opportunity.

          adJQ-S_Jargonocracy_terms adN8-S_jarg_observe adMB-S_jarg_implement  16-04-24d1 FMS-11111 My desire with Jargonocracy is that the words will amuse and provoke and simply be interesting. But more than that, I would like to inject them into the language. I would like to shape the dialogue in certain directions by making it easier to articulate reality because one has the vocabulary available for it.  16-04-24d2 FMS-11111 If there is something real in the world – or at least in the ontology by which one perceives the world – that one recognizes but has no term for, that particular aspect of reality remains private, even if it is private among a large number of people, shared in isolation.  16-04-24d3 FMS-11111 Once the term is there, it becomes a public shared reality rather than a private one. With those for whom the term rings true, it's existence is an opportunity to bond, or at least to experience a commonality.  16-04-24d4 FMS-11111 The fact that the term has meaning to a critical mass of people means that it is a challenge to those for whom it is false reality. Even for them, in resisting and denying it they make the particular reality more real, they just don't subscribe to it.

          adJQ-S_Jargonocracy_terms adN8-S_jarg_observe adMB-S_jarg_implement  16-04-24c FMS-11111 One factor in the success of a word is that it be memorable, with the specific function that if it is memorable there is a better chance it will be remembered. If it is remembered it might be used when the right circumstance arises. If it is remembered it is more likely to have meaning when it is heard.

          vvpvt adRC-U_daily_observe  16-04-24b1 FMS-11111 PRIVATE  16-04-24b2 FMS-11111 PRIVATE

          acX3-U_XID_instance adR3-U_SOC_THD  16-04-24a FMS-11111 adPW-S___jarg_TOD Multiple raw THD TOD videos, camera was bad so they are unusable as actual TOD videos. Named by TOD term.

          adJQ-S_Jargonocracy_terms  16-04-23j FMS-11111 Trumpservations = Trump + observations. Maybe a series where I comment on Trump. Although I also marginally like Trump + reservation, as in Trump wandering off the reservation.

          adSQ-S___Videowalk  16-04-23i1 FMS-11111 In all my writings about Videowalk I get the feeling that I lost sight of the fact that it was intended to be informative. If I want to do something about capturing my moods etc this will not be the place for it, unless I provide a sampler and then point people to where I am doing it more consistently.  16-04-23i2 FMS-11111 Videowalk may at times be very slow paced (hence the "walk" in its name) but it should not be boring. It could be a walk in the forest but not in a Walmart parking lot.

          vvpvt adRC-U_daily_observe  16-04-23h FMS-11111 PRIVATE           adRE-S__Cybirk  16-04-23g1 FMS-11111 I just looked at Facebook and it took a long time to come up. Then I went to read an XSM on "Safari" and stared at a blank page until I got tired of waiting for it to come up. It is a weekend so maybe Comcast is f***ing with me again. I am sick of technology of all kinds not working, whether it is video edit software or Internet connections or the IPad sometimes not letting me click on a link or OpenOffice blowing up constantly on Windows or a dozen other things I can't remember off the top of my head.  16-04-23g2 FMS-11111 I also just got a robocall about a cruise. I don't like that either.

          vvpvt adRC-U_daily_observe  16-04-23f FMS-11111 PRIVATE

          adJQ-S_Jargonocracy_terms  16-04-23e FMS-11111 followorthy = follow + worthy. Something worth following in Facebook, YT etc (also see 16-04-23e)

          vvpvt abJB-S_GR_FMS_psyche_  16-04-23d FMS-11111 PRIVATE

          vvpvt adRC-U_daily_observe  16-04-23c FMS-11111 PRIVATE

          adRH-S_singing_1qtr_2016 acY8-U_URL_addresses  16-04-23b FMS-11111 https://www.metronomeonline.com/ 84 bpm. If I needed you. http://www.bestmetronome.com/

          adRH-S_singing_1qtr_2016  16-04-23a FMS-11111 A single video where I try to sing “If I Needed You” not particularly well.

          adSQ-S___Videowalk  16-04-22p FMS-11111 Maybe I have a series called "Memory Lane" which draws on old videos in the way Videowalk draws on new videos. Once I decide what this will be I can generate a video that explains it, and from there I could go backwards and identify videos that belong in the "lane" in reverse chronological order.

          adNE-S_jarg_structure adJQ-S_Jargonocracy_terms adPW-S___jarg_TOD  16-04-22o1 FMS-11111 I just mixed the terms from the "new Names" list, the active list terms, and the list of terms that missed the first cut, and I have 820 terms. I could probably knock off half of those since many are terrible. I may well have a full year of them.  16-04-22o2 FMS-11111 I suspect that once I get going with TOD videos I will be increasingly attentive to defining new terms, and probably better at it. This will involve both identifying phenomena that I think need names and just playing with words until I hit on combinations that pop out for me, some of which will have obvious meanings and some of which I will need to find meanings for.

          adJQ-S_Jargonocracy_terms  16-04-22n FMS-11111 Piranalitical = piranha + analytical

          adJQ-S_Jargonocracy_terms  16-04-22m FMS-11111 Linguistic flare = word that has a brief, explosive existence in language then fades away.

          aaOU-U_no_entry  16-04-22L FMS-11111 Say I actually get TOD going, and sustain it. Then I consistently post Videowalk videos, setting put the infrastructure (Facebook page, playlists) that solidifies it. Then I start singing and posting some of the singing and instrumental videos, again with infrastructure in place...

          adSQ-S___Videowalk  16-04-22k1 FMS-11111 I could do a video explaining Naymash that I simply insert in Videowalk as if from out of nowhere, just to provide variety and interest if I am getting too much in the weeds in some sequence. I can then later take it out, or someone can edit it out of a given version of Videowalk, while others would keep it in.  16-04-22k2 FMS-11111 Maybe I start collecting good ideas for such insertions, things I can introduce as independent videos that are at least somewhat standalone. Maybe Super English is one. Maybe the thoughts on language I just expressed in 16-04-22i is another.  16-04-22k3 FMS-11111 Galatea might be a good source of such videos, where I am proposing projects like creating an Idea Processor or building Pearl Cities.  16-04-22k4 FMS-11111 Maybe I include TOD videos in Videowalk, or at least a selection of them. Maybe I provide a sampling of thoughts and expressions such as a particular singing cut or a World 2.0 history instance.           acMD-S_Naymash  16-04-22j1 FMS-11111 I might consider stringing together Naymash lines as an activity, perhaps as an amusement like playing Sudoku, but one which I could use later in song.  16-04-22j2 FMS-11111 Kunte Kinte-Taylor Branch-Branch Rickey-Ricky Ricardo-Dobie Grey-Greybeard-Beardsley (Audrey)-Liam Neeson-son  16-04-22j3 FMS-11111 I just tried applying the Naymash Beethoven lyric to the Local Hero tune and was easily able to fit it.

          abAW-S_I_sets_ adFN-S_language  16-04-22i1 FMS-11111 I just saw the TOD potential term "climitigation" and it occurred to me there is a similarity between a defined term and the definition of an SSF category. In both cases it makes sense to create a category that identifies something and then has enough instances to justify that identification.  16-04-22i2 FMS-11111 In the case of a term that insinuates itself into language there will be an enormous number of instances, specifically times that the term is used in speaking or writing. Enough people need to understand what it is referring to for it to work in communication (being sent by the speaker or writer and received by the listener or reader, with both understanding what the term refers to).  16-04-22i3 FMS-11111 It also needs to carry meaning that can't effectively be carried by other combinations of words, with a degree of practicality involved. Is there really efficiency to having a word that justifies the overhead (to society) of teaching that word to everyone, whether formally or just as a rite of passage for those learning the language?

          adPW-S___jarg_TOD adMB-S_jarg_implement  16-04-22h FMS-11111 Maybe instead of having two or more different lists of words I should just mark them with something to indicate first, second and third-tier terms. I may pull words I am virtually certain I won't use, putting them in a collection rather than deleting them, but these would have to be really bad. ((1052, going to HPPC))

          adPW-S___jarg_TOD adMB-S_jarg_implement  16-04-22g FMS-11111 Part of organizing TOD terms is that I want to be able to find ideas and information that I know is there in my writings but is not all that easily accessible. Or maybe it is accessible and I have just forgotten how to tap it, what XSMs to go to, what code letters to use, what is in the directories I earlier dedicated to individual terms etc.

          acMW-S_music_TL_collab_ adB7-S_autonomy_Agora_  16-04-22f FMS-11111 The music industry apparently left relatively little for the artists. I wonder if the models I am considering will do better, or if they open up a path to doing better. Maybe in my system all the money goes to lawyers.

          adS5-U_misc_observations  16-04-22e FMS-11111 Prince died yesterday. I am finding out so much about him and his work ethic and talent that I didn't know. Intimidating.

          abIO-S_GR_XSM_used  16-04-22d FMS-11111 I don't have to be a slave to the XSM form for certain kinds of information. I may have defined a category for "ongoing projects" but I can always make a dynamic /Works page which consolidates that information in a particular format that is more usable than the information would be in Chrontext. I can then link to the Works page from the XSM, and link to the XSM from that dynamic page.

          adPW-S___jarg_TOD adMB-S_jarg_implement  16-04-22c FMS-11111 I am setting up a new means of tracking TOD terms more consistent with the stripped down versions I intend to be making. I will probably stop writing to Chrontext soon to get back to that work (instead of noting in Chrontext how concerned I am that I keep spending my time writing to Chrontext).

          vvpvt adRC-U_daily_observe  16-04-22b1 FMS-11111 PRIVATE  16-04-22b2 FMS-11111 PRIVATE

          NotTagged  16-04-22a FMS-11111 no videos

          vvpvt  16-04-21zd1 FMS-11111 PRIVATE  16-04-21zd2 FMS-11111 PRIVATE

          adSQ-S___Videowalk aaHI-S_Chrontext  16-04-21zc FMS-11111 I probably should incorporate the fact that I am posting just about everything I think to Chrontext. Videowalk is fairly inclusive, and is chronologically ordered, but it pales in comparison to Chrontext regarding inclusiveness, which is also rigorously chronological. Other characteristics should be emphasized for Videowalk.

          adPW-S___jarg_TOD adSO-U_TOD_mini_scripts  16-04-21zb FMS-11111 When Trump had the turdic response to putting Harriet Tubman on the ten dollar bill, displacing Andrew Jackson, of coming up with more denominations. I was thinking of making a video saying we should reserve the $3 bill for the image of Donald Trump. Maybe I talk about coming out with a $4 for Ronald Reagan, a $6 bill for Henry Ford, a $7 bill for Barack Obama, and then note that the $3 bill will be reserved for Trump. The $371 bill might be reserved for Lying Ted Cruz, and the $372 bill for Little Marco.

          adSQ-S___Videowalk  16-04-21za FMS-11111 Videowalk is starting to emerge as distinct in my mind from expressions like voicing political views or observations on just about anything.

          adMB-S_jarg_implement adP0-S_YT_channels  16-04-21y1 FMS-11111 The unlisted videos in the Jargonocracy Channel will be ones where I talk about Jargonocracy itself, about the use of language, about individual terms and my thoughts on them.  16-04-21y2 FMS-11111 If anyone is interested in this sort of thing I will make sure they can find it using the TPV to that playlist, which will be as long as it needs to be to explain what kinds of videos are in that playlist.  16-04-21y3 FMS-11111 There might also be a playlist which includes the TOD videos followed by a video that explains my thoughts on that term.

          adPW-S___jarg_TOD adMB-S_jarg_implement aaRE-U_spot_report_  16-04-21x1 FMS-11111 I have not made any videos today, but somehow this doesn't concern me that much. My expectation is that once I am ready, and in the right mood, with enough sleep etc, I could generate a dozen or more quality TODs, effectively launching the effort. I can upload them all at once, keeping them unlisted, and when I introduce each one as being the Term of the Day I will simply make it public, or will keep it unlisted and put it into the "Term of the Day" playlist, which will be public.  16-04-21x2 FMS-11111 Since I have a Jargonocracy channel, I will probably make them all public so they can be searched.  16-04-21x3 FMS-11111 At any point I may be able to start generating singing videos and Videowalk videos as well, not necessarily in that order. Maybe at some point World 2.0 videos as well.

          adSQ-S___Videowalk  16-04-21w1 FMS-11111 Referencing some of what I said in 16-04-21s, I could generate a Videowalk video right now where I say it is within the rules I am forming that I have the right to create and post a Videowalk video and determine after the fact to take that video out of Videowalk. Then maybe I change my mind and put it back in. I can do this as many times as I want.  16-04-21w2 FMS-11111 What I can't do is put it in a different place. The order is set and it is chronological. If I decide the message of the video is good but it's location is bad, my only option is to take that same message and generate a new video, putting that message in that position on my Videowalk.  16-04-21w3 FMS-11111 Because the videos are effectively modular, I can even have variations on Videowalk. One might only include videos that are sober expositions of my thinking. Another might mix that with a wide variety of videos where I might be singing, I might be expressing a political view, I might be doing just about anything that I am moved to do and capture with video. A third might only include the ones I excluded from the more restrictive official "Videowalk" videos. A fourth might just be someone's "best of" collection, and that someone may or may not be me.

          adSO-U_TOD_mini_scripts  16-04-21v FMS-11111 fauxrious combines "faux" meaning "false" or "fake" with "furious," and is phony exaggerated outrage, particularly that of a politician.

          adSO-U_TOD_mini_scripts  16-04-21u1 FMS-11111 Porkyligula = Porky the Pig + Caligula. This is a name for Kim Sung Un who combines qualities of the child monster emperor Caligula with the physical characteristics of Porky the Pig.  16-04-21u2 FMS-11111 Other options are "Porkypigula" or "Porkygula." I might note these in the TOD.

          adSO-U_TOD_mini_scripts  16-04-21t1 FMS-11111 Bullshit in a China shop. This combines "bullshit" and "bull in a China shop." I honestly don't know if it works, but it is about someone doing tremendous damage because they think they can bullshit their way through some situation or survive in some arena by bullshitting.  16-04-21t2 FMS-11111 What inspired me to release this term now, along with several others, is the prospect of Donald Trump as president trying to bullshit his way through foreign policy, offending and astounding one nation after another.  16-04-21t3 FMS-11111 Foreign policy isn't the only arena where he might do this, and Donald Trump isn't the only person for whom the term is a useful description, but it certainly is topical and he is certainly the iconic person to whom this phrase would apply.

          adSQ-S___Videowalk  16-04-21s1 FMS-11111 I was just imagining making a video where I note that I had used Donald Trump as one of the people who were iconic "assaholics" to help define the term, almost solely on the basis of his birtherism.  16-04-21s2 FMS-11111 Then I wondered if this is something that would be included in Videowalk. In a way it doesn't belong, but in a way it could be the kind of spice that keeps Videowalk interesting and not grimly determined to teach and preach.  16-04-21s3 FMS-11111 I honestly don't know as I write this if it would belong. If not I can put it in some other playlist.  16-04-21s4 FMS-11111 While I would not break their rule of chronological ordering of Videowalk videos (except, of course, for Video Inserts) there is nothing to say that I can't put a video in Videowalk and if I decide it is inappropriate I can just remove it. Or not initially put it in and later decide it is appropriate to add it in the proper chronological location.

          adPW-S___jarg_TOD adRV-S_Video_Mate_Pages  16-04-21r FMS-11111 I wonder what impact the VMPs will have on TOD. I assume every TOD video will have a VMP attached to it. I could see generating an XSM extract in /Works where I would collect every reference I can find that I ever made to the term, and linking to it from the VMP. What would be left for the VMP itself?

          adPW-S___jarg_TOD  16-04-21q1 FMS-11111 I really like simplifying TOD, stripping it down to its essentials. I imagine that within a day or a few days I will start producing the THD videos and may even relaunch TOD in its new form.  16-04-21q2 FMS-11111 I am looking forward to having a list of words that serves as a working list. I may even revive the spreadsheet from before, making a copy and substantially simplifying it since the process has been simplified.

          adJQ-S_Jargonocracy_terms  16-04-21p1 FMS-11111 TOD term ideas from hard copy list on my refrigerator: Trumpette - female spokesman for or representative of Donald Trump fornicue = fornicate + fuck you. This is a synonym for "fuck you." It can be used wherever you would use "fuck you" specifically to get around any ban on that term, such as by the FCC.  16-04-21p2 FMS-11111 Bullshit in a China shop. Where bullshitting causes damage, such as foreign relations. Porkyligula. Porky the Pig + Caligula, i.e. Kim Sung Un. Bunionaire = bunion + billionaire Fauxrious = faux + furious. False outrage, especially from a politician. Amarosonic = like Amarosa (from The Apprentice) Demagography = demography + demagogue.

          vvpvt adRC-U_daily_observe  16-04-21o FMS-11111 PRIVATE

          adSO-S_TOD_mini_scripts  16-04-21n1 FMS-11111 Doing the TOD mini-scripts is sometimes just clarifying the term for myself so I can deliver a TOD video. But it is also an exercise where I see for myself if I have really nailed the meaning of the term. I just did ones for "release the Kracker" and "politically right." My sense is that both slightly miss the mark, although I keep getting closer to something that sounds true and valid, that is not a lightning bug TOD.  16-04-21n2 FMS-11111 I can just write up the mini-script and determine later if it rings true for me. I can write up as many as I want.  16-04-21n3 FMS-11111 Maybe the XSM is unusual in that it is organized alphabetically by term. That way as I add mini-scripts to the XSM I will group them, plus I can look up a term alphabetically.  16-04-21n4 FMS-11111 Or more likely, this is a standalone file rather than an XSM. I can have a list of all the terms I have ever thought up, and where there is a script for the term I will put it there. When I generate the video I will remove the script and note after the term the date of the video (i.e. which date the video was Term of the Day for)

          adSO-U_TOD_mini_scripts  16-04-21m1 FMS-11111 Politically right = politically correct + right (as in right wing). "Politically right" is the right wing equivalent to "politically correct." Where "politically correct" is something the left determines you can or can't say or think, "politically right" is something the right determines you can or can't say or think.  16-04-21m2 FMS-11111 It is politically right to deny climate change. It is politically right to say government is not the solution, it is the problem. Etc.           adSO-U_TOD_mini_scripts  16-04-21L1 FMS-11111 Release the Kracker. Release the Kraken + cracker. This is intended to be used as a hashtag and/or meme to note whenever a politician says something to appeal to racist or nativist instincts. Cracker is a reference to racist, nativist whites, and "release the Kraken" is already a meme that came from both Clash of the Titans movies (the original Ray Harryhausen and the more recent remake) where Zeus gives the order to unleash a terrible monster to destroy a city.  16-04-21L2 FMS-11111 Appealing to racism and nativism is setting a monster free to do great damage.  16-04-21L3 FMS-11111 You can Tweet the hashtag or can append a Release the Kracker clip to a video of the statement being made and upload it.

          adMB-S_jarg_implement adMB-S_jarg_implement  16-04-21k FMS-11111 I was just thinking of "release the Kracker" when it hit me that I would want to have a Twitter account. Whenever I see someone appealing to racism I could tweet about what they said with the hashtag "#ReleaseTheKracker."

          adSO-U_TOD_mini_scripts  16-04-21j FMS-11111 inarticulating. Articulating + inarticulate. This is explaining or saying something ineptly. You would use this wherever you use the term "articulating" when you want to make it clear that the speaker is doing a terrible job of it. "John Doe was masterfully inarticulating his position."

          adSO-U_TOD_mini_scripts  16-04-21i FMS-11111 greeddiction. Greed + addiction. This is an addiction to greed.

          adSO-U_TOD_mini_scripts  16-04-21h FMS-11111 gotchacha. Cha cha + gotcha. This is the dance between a journalist who is asking a gotcha question and the politician who is avoiding the trap.

          adSO-U_TOD_mini_scripts  16-04-21g FMS-11111 coachiopath. Coach plus sociopath yields coachiopath. This is an athletic coach whose behavior and practices cross the line between competitive and sociopathic, who can do real physical or psychological damage to athletes unfortunate enough to be on his or her team.

          adSO-U_TOD_mini_scripts  16-04-21f1 FMS-11111 dog horn. "Dog horn" combines fog horn and dog whistle. Basically it is a negative message that is so unmistakeable that even if it had been intended to be a dog whistle that only a certain audience would get instead it comes through loud and clear enough that everyone gets it.  16-04-21f2 FMS-11111 What makes this work for me is that it takes fog horn and changes one letter so you can hear "fog horn" in it, even as you realize it is a play on the term "dog whistle."

          vvpvt adRC-U_daily_observe  16-04-21e FMS-11111 PRIVATE

          vvpvt adRC-U_daily_observe  16-04-21d1 FMS-11111 PRIVATE  16-04-21d2 FMS-11111 PRIVATE

          vvpvt adRC-U_daily_observe  16-04-21c FMS-11111 PRIVATE

          adD9-U_YT_music_vids  16-04-21b FMS-11111 Nienafing (Rokia Traore) (on Bowmboi). Incredible pace, I had forgotten. https://www.youtube.com/watch?v=iKEc2oqquBs

          aaOU-U_no_entry  16-04-21a FMS-11111 no videos

          adSO-U_TOD_mini_scripts adMB-S_jarg_implement  16-04-20zn FMS-11111 I could add a listing of mini-scripts to an IPad page. It would have the term and the mini-script Sentrid, so first I could see if a mini- script was written and second I could find the mini-script in the XSM.

          vvpvt  16-04-20zm1FMS-11111 PRIVATE  16-04-20zm2FMS-11111 PRIVATE  16-04-20zm3FMS-11111 PRIVATE

          adSQ-S___Videowalk  16-04-20zL FMS-11111 The first couple of Videowalk videos were absolutely spontaneous, created soon after I imagined the idea. The next few will be far less so specifically so I can avoid scaring people off from the series. At some point, when I am comfortable with the bypasses and Précis Videos, with alternate organizational systems etc,

          adSQ-S___Videowalk  16-04-20zk FMS-11111 Exactly the problem I have – that my mind is restless and can't seem to settle on one thing – could be what keeps Videowalk fresh.

          adPY-S_jarg_playlists adPW-S___jarg_TOD  16-04-20zj1 FMS-11111 Someone could generate their own playlists of TOD videos based on various themes. Maybe one collects all of the off-color videos, or purges them. Maybe there is a college student version. Maybe there are multiple "best of" versions.  16-04-20zj2 FMS-11111 This brings up the question of playlist ads for such collections. Someone might get money for coming up with a good collection, and I would get none of that money. I can only hope that getting exposure would pay off in some way or another. Certainly the videos themselves would only point to playlists for which I got returns.  16-04-20zj3 FMS-11111 For that matter, if someone was good at coming up with a useful collection, there is nothing to say that I couldn't have someone duplicate that collection and link to it from my VMP. They would have no claim that their intellectual property is being stolen since they hadn't created anything original (or would they? - lawyers might have to get into this one).

          adSO-U_TOD_mini_scripts  16-04-20zi1 FMS-11111 Clitmus combines litmus and clitoris, and refers to assessing whether to develop or maintain a relationship with a woman based on how good she is in bed. If she passes the "clitmus test" the relationship can move forward, and if not it won't.  16-04-20zi2 FMS-11111 I came up with the word by trying to combine climate change and litmus test, but the first syllable jumped out at me so strongly I had to repurpose the term to what you have now.

          adSO-U_TOD_mini_scripts  16-04-20zh FMS-11111 Oilygarchy combines oil and oligarchy, and refers to the economic and political power of the fossil fuel industry. Whenever you reference the fossil fuel industry, and oil companies or oil company executives in particular you can use the term "oiligarchy." An example is "the oiligarchy finances false science and bogus political positions in order to block action on climate change."

          adSQ-S___Videowalk  16-04-20zg FMS-11111 I sometimes get excited about some project like TOD and fear that it might take off before I post other kinds of videos that could benefit from the success. This is probably stupid, but somehow I get the sense that Videowalk could be part of the answer to this "dilemma."

          adJQ-S_Jargonocracy_terms  16-04-20zf FMS-11111 Laissez unfair. I probably already have this, but if not I should add it to the list.

          adSO-U_TOD_mini_scripts  16-04-20ze1 FMS-11111 Invisible handout is a reference to how our economic system is rigged to favor those at the top and special interests. A lot of those who favor so-called free markets rest their arguments on the concept of the "invisible hand" coined by Adam Smith, where markets work when left alone.  16-04-20ze2 FMS-11111 The problem is that invisible hand is not allowed to function because of the invisible handouts that are built into the system, handouts to the wealthy and those who make the rules of commerce and use that power to skim or gouge money out of the system, directing it to themselves.  16-04-20ze3 FMS-11111 These are handouts to the wealthy and well connected, and are as invisible as they can make them, perhaps a sentence in a thousand page law that funnels money to a single corporation or industry.

          adSP-S_ongoing_tasks adSO-S_TOD_mini_scripts  16-04-20zd FMS-11111 An ongoing task would be writing up mini-scripts for TOD videos, or for that matter any step in the process of generating and posting TOD videos.

          vvpvt  16-04-20zc1 FMS-11111 PRIVATE  16-04-20zc2 FMS-11111 PRIVATE

          aaIU-S_idea_processor adJD-S_web_site_ideas aaDD-S_tags_mgt  16-04-20zb1 FMS-11111 aaNR-S_Pointer_Sets_ An Idea Processor might have a default set of tags that were those that the author had assigned himself. But I could see it also being able to import tags from multiple sources or from a single source.  16-04-20zb2 FMS-11111 aaNR-S_Pointer_Sets_ There might be a site set up with a standardized tagging system, that uses standard, universal tags. This could be tapped to bring in tags for any collection of videos.  16-04-20zb3 FMS-11111 aaNR-S_Pointer_Sets_ There might also be tags representing a particular ideological, technical, or religious perspective. Depending on the source of tags, a given Expression might be characterized as nefarious or heroic. Or just neutral if there was nothing that suggested it needed to be characterized any particular way.  16-04-20zb4 FMS-11111 aaNR-S_Pointer_Sets_ This idea of collections of tags brings up the question of how the tags would be set. They might be applied by anyone certified as qualified to tag Expressions in a way consistent with an ideology or religion, and then subject to review by peers who may do it differently.  16-04-20zb5 FMS-11111 aaNR-S_Pointer_Sets_ Any reader could be certified by multiple organizations, and as such a person reads anything might tag Expressions as he or she goes along. Maybe such people would be paid for their efforts, maybe a penny a tag or whatever the market bears as an appropriate compensation.  16-04-20zb6 FMS-11111 aaNR-S_Pointer_Sets_ Maybe standardized tags would be followed by a number indicating that an Expression had been tagged that way X times by different people and/or organizations.

          adPW-S___jarg_TOD  16-04-20za1 FMS-11111 If I title every TOD video "TOD: " where "" is the actual term, that will make each term stand out and make it easy to search. Plus you could search on "TOD:" and get one or more of the videos, and maybe the playlist as well (which could be called "TOD:" instead of "Term of the Day."  16-04-20za2 FMS-11111 Maybe there would be a video at the beginning of the playlist entitled "TOD = Term of the Day" which would explain what TOD stands for and otherwise say what I am saying in this Entry.

          adJQ-S_Jargonocracy_terms  16-04-20y FMS-11111 Blackopterist. Black helicopter + -ist. This is short for people who believe in the most bizarre and paranoid conspiracy theories, typified by near certainty that at some point black helicopters are going to appear to take away their freedom.

          adSQ-S___Videowalk  16-04-20x FMS-11111 I would never create an Insert Video, and certainly not a Précis Video, until I was done with the Videowalk videos it was referencing. Maybe I would generate a rough version Insert video, intending it be replaced by something up to standard.

          adSQ-S___Videowalk  16-04-20w1 FMS-11111 Rightly or wrongly I would consider the first few Videowalk videos as special, as more clearly attuned to the needs of viewers. I basically wouldn't want to turn them off before they give Videowalk a chance. I would want them to get a feel for what is coming, maybe explain why I am using chronological narrative as the structure for explaining my whole body of work and serving other purposes as well.  16-04-20w2 FMS-11111 Once I had gotten it started, I may or may not have less and less concerns about my audience of viewers and followers, and be more and more prone to just creating videos related to whatever topics I am working on or thinking about. There would still be editorial discretion where I imagine that the videos could be of interest to a relatively general audience, but beyond that I would let my thinking and sense of priorities take me where it might.

          adMB-S_jarg_implement adN8-S_jarg_observe  16-04-20v1 FMS-11111 adSO-U_TOD_mini_scripts I was scanning the TOD mini-scripts and I wanted to explain how a word might go viral and if it did what kind of impact it would have by enabling language to shape perceptions and discourse.  16-04-20v2 FMS-11111 Regardless of the content of what I had in mind, what struck me was that it seemed it might be useful to be conversational in conveying an idea. This immediately came to play for me conceptually in dealing with my current preoccupation, Videowalk. That might be the key element of it, where I can simply talk to someone (generic someone, i.e. my viewers or followers, including those of the future) as I come across an idea. The idea would be clear since it was fresh, and after the fact I could put it in a context other than the SOC narrative path of Videowalk.

          adSQ-S___Videowalk  16-04-20u FMS-11111 I can produce Videowalk videos and then disown or abandon them. First, I never have to upload one in the first place. Once uploaded I can pull it out of the "official" sequence. Etc.

          adSQ-S___Videowalk  16-04-20t FMS-11111 I really need to understand why I would do Videowalk videos in the first place. Why not just get into explaining things without the theme of a continuous chronologically ordered narrative path?

          adSQ-S___Videowalk  16-04-20s FMS-11111 In 16-04-20q I diagram out the possibilities of Videowalk. This shows how the unmodifiable chronologically ordered Videowalk videos can be "modified" externally so mistakes and simple poor efforts (incorrect, boring, clunky, bad communication) can be fixed and/or circumvented.

          adSQ-S___Videowalk  16-04-20r FMS-11111 Videowalk might be a mix of what interests me and what I think would interest others, or would be needed by others to understand what interests me.

          adSQ-S___Videowalk aaTP-U_FMS_hard_copy  16-04-20q FMS-11111 ((1115)). Hard copy. Diagram of Videowalk showing inserts, Précis Videos, arcs, Edivision upgrades of Videowalk, VMPs, etc.

          adSQ-S___Videowalk  16-04-20p FMS-11111 Part of Videowalk might be capturing a sense of my overall Stream of Creativity by letting me go about explaining my thinking and ideas experientially. Essentially as I tackle the explanation of some topic I would just go to NSVs as my means of conveying my thinking. As I move to the next I would do that through NSVs. I would not worry that a given video arc got too much in the weeds, or that I didn't do a great job of explaining something etc since I would know that it could be overlaid with something smoother and more polished. If people weren't willing to accept raw and spontaneous, they could opt for heavily produced and worked out.

          adOW-S_NSV_FIB_producn  16-04-20o1 FMS-11111 One NSV technique would be to draw up a diagram of something on one layer, have a black layer above it, and essentially to reveal the drawing by erasing from the black layer. I could have a hard copy print of the underlying layer so I wasn't working blind.  16-04-20o2 FMS-11111 Maybe this would be a way of upgrading the graphics of a video, where I take the original napkin sketch, redraw it, and following along with the original video I reveal the better quality graphics.  16-04-20o3 FMS-11111 This might be an Edivision upgrade of a video that someone else does.  16-04-20o4 FMS-11111 This might be done for just a poorly drawn portion of a video where the rest of the NSV is fine, like a patch that corrects one section of the drawing.

          adSQ-S___Videowalk  16-04-20n FMS-11111 I might even see Videowalk as being as much for me as for the people who follow it. I would be exploring and explaining things fairly informally, at least covering bases. If I ever get the time to explain them with greater precision I would do that, but this is recognition that I may never get back to fully describing or explaining them. This would simply be the means of covering all bases without trying to craft some master works. This would be easier for me, and might not be harder for others to follow.

          adSQ-S___Videowalk  16-04-20m1 FMS-11111 I could have a "weed-free" Videowalk consisting of original Videowalk videos with Précis Videos mixed in, skipping topics that are too detailed for general consumption. Of course the Précis Videos would have links to all of the Videowalk videos that they replaced so if someone wants to see the sequence skipped over someone could easily do that.  16-04-20m2 FMS-11111 I could even imagine a playlist consisting of Précis Videos, upgraded versions of Videowalk videos that do a better job of explaining what the original videos were intended to explain than the originals did, and maybe a handful of original Videowalk videos. This would take you the same places that Videowalk did, but each place would be condensed (via Précis Video) or better executed than the original.

          adSQ-S___Videowalk  16-04-20L1 FMS-11111 Will it be better to have a video arc in Videowalk or to jump around a lot to provide variety?  16-04-20L2 FMS-11111 What if I find that I am getting too much in the weeds, and that Videowalk should be more general and more to the point?

          adSQ-S___Videowalk  16-04-20k FMS-11111 While I won't change the order of Videowalk videos, I may very well upgrade them. Maybe some will initially be posted raw (probably not). All will have VMPs.

          vvpvt  16-04-20j FMS-11111 PRIVATE

          adSQ-S___Videowalk  16-04-20i1 FMS-11111 I could imagine a playlist that only includes the Videowalk videos ordered chronologically with no Insert videos. If you want to see if there is an associated Insert Video you go to the VMP.  16-04-20i2 FMS-11111 Maybe the VMP for a Videowalk video has an "Insert Before" and "Insert After" slot with a link to either.  16-04-20i3 FMS-11111 Maybe the VMP might have a list of the next series of videos on the Videowalk path with a one-line description of each of them and a link to each video.

          vvpvt adRR-S_Note_Videos  16-04-20h FMS-11111 PRIVATE

          adRH-S_singing_1qtr_2016 adSK-S_AudioDirector adH3-S_Audacity_SW  16-04-20g1 FMS-11111 Just a thought, but I could sing along with a song recording my singing. I could then play back just my voice while recording the image of the sounds in Audacity or AudioDirector. This would provide visual clues about coming in etc.  16-04-20g2 FMS-11111 I could do the same for an instrument or harmony track. This would provide visual clues. These tracks could be overlaid, with one beat, two beats, and three beats ahead so you would know when something was coming in, guitar hero style.

          adSQ-S___Videowalk  16-04-20f1 FMS-11111 Characteristics of Videowalk: . Linear, chronological . Intended to be followed, i.e. people can join up at any time .-- want it to be informative, stimulating, entertaining, provocative .-- process as product, includes explorations with uncertain outcomes .-- explorations and explanations of existing ideas .-- variety, includes samples of singing, things I plan on doing elsewhere  16-04-20f2 FMS-11111 . Journal-like, can be retraced from the beginning, read like a journal . Sacrosanct chronologically . Structured using "Insert Videos" .-- introduce Video Path videos, maybe warn of issues .--.-- Bypass Inserts  16-04-20f3 FMS-11111 précis videos used as shortcut links .-- inserts act as portals to other posted text, videos . Includes covering existing thinking, a means of introducing/explaining my ideas . echoes the reality of learning, linear & chronological, experiential . Act as a portal into other information .-- structure of links to other materials .-- other materials organized to be explored (XSMs, synapses, Idea Sets)  16-04-20f4 FMS-11111 . VMPs .-- modify, clarify contents of videos, .--.-- note what I later decided was wrong .--.-- provide additional information, clarify what was said .--.-- provide links to materials that more fully and/or accurately deliver same ideas  16-04-20f5 FMS-11111 . Conversational (see 16-04-20v), .-- spontaneous .-- inspired, fresh, loaded with emotional energy etc . Takes advantage of my restless mind to keep things fresh, inventive, interesting  16-04-20f6 FMS-11111 . After-the-fact organization .-- multiple versions based on different selections in different playlists .-- Edivision upgrades, independent or semi-independent of me .-- VMPs are dynamic even if videos aren't .--.-- modify links to outside support material .--.-- supplement, correct, clarify content of the videos

          vvpvt  16-04-20e FMS-11111 PRIVATE

          vvpvt adRC-U_daily_observe  16-04-20d FMS-11111 PRIVATE

          vvpvt adRC-U_daily_observe  16-04-20c FMS-11111 PRIVATE

          adSI-S_PowerDirector  16-04-20b1 FMS-11111 PowerDirector 14 User's Guide notes: http://download.cyberlink.com/ftpdload/user_guide/powerdirector/14/PowerDirector_UG_ENU.pdf 70 Multicam Designer screen 72 synchronizing Multicam clips 77 Using the Theme Designer (create these to be used by Magic Movie Wizard) 89 Action Camera Center (fix video clips (e.g. shakiness) and/or create action effects) 91 Lens Correction (fisheye and vignette effect) 93 Create Action Effects – Time shifts (add slow motion or replays)  16-04-20b2 FMS-11111 94 Speed Effect (slow motion or speed up) 95 Freeze frame (pause video on one image) 95 Zoom Effect (to zoom in and out of a paused frame) 96 “Interpolation setting” used to smooth out reduced speed (slow motion) video 99 Recording desktop with Screen Recorder 109 Music Beat Detection, Sync by Audio  16-04-20b3 FMS-11111 110 “timeline markers” let you add media to a precise position on the timeline. 111 “Crossfade” fades to the video clip you are overlaying the new clip on. 112 trim to fit option 112 Color Boards and Backgrounds 115 adding audio clips 118 syncing audio  16-04-20b4 FMS-11111 118 PowerDirector displays the “audio waveform” to help you synch. Can I use that for a beat marker? Viewable to 1/10 frame 118 Music Beat Detection 119 beat clip markers (created by Music Beat Detection, connected to the clip) 120 manually add music beat clip markers 120 Syncing clips by audio 123 Content Aware Editing

          aaOU-U_no_entry  16-04-20a FMS-11111 no videos

          vvpvt  16-04-19zj1 FMS-11111 PRIVATE  16-04-19zj2 FMS-11111 PRIVATE

          adSI-S_PowerDirector  16-04-19zi1 FMS-11111 I just finished experimenting with PowerDirector and found exactly the same problem as I had with VideoWave - when I played back what I was editing, the video lagged from the audio, they didn't match, making it impossible to synch text and video to audio (in this case in a video with song lyrics).  16-04-19zi2 FMS-11111 I don't care if PowerDirector has motion tracking and a thousand special effects, if the fucking software doesn't let me see where a clip is actually coming in without lagging, it is almost unusable. I think this problem has now been there for two different software packages on two different computers.  16-04-19zi3 FMS-11111 The only thing I can think of now is that I can't do videos with files on external hard drives. Maybe I need to copy a directory to the local hard drive, do the work on it, and when I am done move it back to the external drive or drives.  16-04-19zi4 FMS-11111 Or maybe it is something Windows does, since so much of my software that used to be dependable is now unstable.  16-04-19zi5 FMS-11111 This is potentially nightmare territory. I thought I solved it by buying PowerDirector, but clearly I haven't. My whole emphasis has been on creating videos, with the expectation that it would be possible, that the top-rated software would be actually usable. If not I will have to make major changes in plans and strategies, or severely limit what I try to do in videos (e.g. NSVs will work because there is virtually no editing required).  16-04-19zi6 FMS-11111 I was able to generate all of those TOD videos at the end of 2014, and don't know if I could even do that now, so things seem to be regressing rather than advancing. Just fucking unbelievable.

          adJN-S_Facebook_pp_host adBD-S_platform_sites  16-04-19zh1 FMS-11111 Facebook has a certain perspective on what the various pages are to be used for. They have several categories I have to pick from when I set up a page, none of which seem to me to fit. So I pick one and do what I had planned on doing, devoting the page to Galatea or World 2.0.  16-04-19zh2 FMS-11111 I would prefer a site that is truly vanilla, that opens up possibilities without imposing its preconceptions. Maybe in doing that, perhaps having an "other" or "none of these" category to choose they would be in a position to see how creatively the tools they offer can be applied.           adRB-S_SOC_launch  16-04-19zg1 FMS-11111 Stream of Creativity needs to entail a variety of activity and must include practicalities such as paying bills or doing taxes. Scheduling intrudes from the outside where I need to pay the bills on time.  16-04-19zg2 FMS-11111 Other than that, there will be times when I am done Chrontext thinking or making Videowalk videos or doing any of the myriad activities I have set aside for myself, I look up to see what is next, and I realize I am in a place where the practical activity is at least as appropriate as anything else I would be capable of doing at the time, and jump in so I won't be forced to do it later when the time would be less favorable but there is a deadline to need.

          adJN-S_Facebook_pp_host  16-04-19zf1 FMS-11111 If I use Facebook pages to represent different topics I don't have to worry about setting up and structuring channels. Or I can maintain a Facebook page on the topic and when there is enough material to justify a channel I can create the channel.  16-04-19zf2 FMS-11111 I could define the Facebook page "Videowalk" right now. And also "Galatea" and maybe "GITM." As I introduce a video by placing it as an entry in the Facebook page I would know that there is a VPM associated with the video, and that the link automatically opens up the home playlist for that video.  16-04-19zf3 FMS-11111 I would want to keep each Facebook page up and running, so I would want to put at least one video in it each month. Or maybe all I would have to do is post a "no activity this month" entry, and that would keep the page alive.  16-04-19zf4 FMS-11111 Anyone could follow the Facebook page, have some percentage of new videos for that page placed on their own Facebook page, and review what is their at their leisure if they find one of the new videos interesting.  16-04-19zf5 FMS-11111 Maybe I never create a new channel, depending instead on the symbiosis of what Facebook does and what playlists and unlisted videos do in YouTube.

          adSQ-S___Videowalk  16-04-19ze FMS-11111 The term "Videowalk" can be interpreted with "walk" meaning path, or "walk" being a verb that suggests a leisurely moving through something. Both work, and I might want to preserve the ambiguity of which one best describes what is happening.

          adSQ-S___Videowalk  16-04-19zd FMS-11111 Maybe instead of "Redirects" I call these videos "Path Options" or simply "Options" videos.

          adSQ-S___Videowalk  16-04-19zc1 FMS-11111 Maybe the naming of the Videowalk videos starts with a date and letter, to allow up to 26 videos to be posted on a given day. So if I have a video where I introduce "Edivision" the title might be "160419a Edivision Introduced."  16-04-19zc2 FMS-11111 Then if I am letting someone know that the next seven videos are about Teleliving in a "redirect" video (not sure I will use that name) I can say what they will be talking about, that if they want a summary of what is covered in a précis video go to X, or if they want to skip that part of the journey entirely, go to 160423a. Of course there will be links to both in the Mate Page, and possibly in the Description Box as well.

          adSQ-S___Videowalk  16-04-19zb FMS-11111 Videowalk could certainly include introducing terms and concepts like Edivision and Ice Nine almost casually or gratuitously. These would keep the walk interesting while at the same time serving as portals into very extensive and potentially influential bodies of thought on topics, which could be investigated by going to the XSMs.

          adSI-S_PowerDirector  16-04-19za1 FMS-11111 PowerDirector may enable me to connect up or "group" different tracks, making it easy to strip away pauses and "ums" or "you knows" to pick up the pace of the video.  16-04-19za2 FMS-11111 This sort of thing might also be an Edivision exercise. If someone has a combination of skill and software, they might be able to considerably condense a video at relatively low cost. Someone reposting a video for commercial value might hire them to do that before doing anything else to enhance it.

          adSQ-S___Videowalk  16-04-19y1 FMS-11111 I shouldn't too quickly jump past the potential for people to not just passively take the journey with me, but to participate in it. Maybe they will influence where I go, maybe they will provide feedback that informs and stimulates me.  16-04-19y2 FMS-11111 And maybe they will take my journey and use it as the start of their own, where they blaze their own trails. Maybe the journey becomes more like the branching of an evolutionary tree, with different people setting off on their own from a starting point, maybe joining up again (as happens in evolution) but maybe creating new branches of thought and expression forever independent of my own.

          adSQ-S___Videowalk  16-04-19x1 FMS-11111 16-04-19w may also suggest that one intention of Videowalk is that I keep paying attention to it and incorporating format and structure ideas, or any ideas at all that focus on it as a means of communicating.  16-04-19x2 FMS-11111 I like process as product and sense that it is something that might be consistent with the way people actually experience life and the acquisition and distribution of knowledge. Videowalk might end up being a structure that takes advantage of that not as a gimmick but as a powerful reality. Or it might have possibilities I don't yet grasp that will only be revealed to me as I bring the background of thinking I have already done and experience it through this form I am exploring. I could see a constant an symbiosis between the two that enables me to discover new things of value, and let's others experience what I am learning as I learn it. Maybe it will also include people providing me with feedback along the way, effectively participating in the process.  16-04-19x3 FMS-11111 Videowalk could be like any number of journeys, one that starts with aspirations and a hope for adventure, which is uncertain and could end in disillusionment and even disaster, but also might be a source of discovery and satisfaction. I won't know starting out, and neither will anyone who picks up the journey with me at any point in real time, exploring what I explore at close to the moment I explore it.  16-04-19x4 FMS-11111 Of course I have the advantage of knowing some of the places I have already been, of World 2.0, of Pearl City, of Ice Nine, of Agorautonomy, of Idea Sets, even of Naymash and Roadirk. So I can embark on the journey with a good sense that people who travel with me and discover these things for the first time may not be disappointed. As the trail guide I will be touring exotic and stimulating territory.  16-04-19x5 FMS-11111 But I fully expect to discover new things as well, if only how I can become a better guide, but probably a whole lot more. Revisiting places I have been subsequent to whole new insights and experiences might unlock things of value in them even for me, and likely will open up whole new concepts that can be explored as virgin territories with great promise that with some frequency will be fulfilled.

          adSQ-S___Videowalk  16-04-19w FMS-11111 I don't know if I want to call it a rule, although it might turn out to be one, but I could see resolving not to include the structure of content within the content, i.e. as something to be mentioned or discussed in the videos.

          adSQ-S___Videowalk  16-04-19v FMS-11111 My sense is that aside from being chronological, my intention or aspiration is that Videowalk is a journey that will be useful for someone to follow. Hopefully it will be interesting, where someone following it would be surprised and challenged and stimulated by the journey as maybe someone walking through an interesting natural landscape might be stimulated.

          adSQ-S___Videowalk  16-04-19u FMS-11111 Videowalk is a kind of gimmick, or at the very least it is a way of seeing the exposition of thinking and showcasing of expression as using a linear, chronological spine. I am hoping that doing that and exploring it as I plan to will prove to be of value, both to people following it and to me observing just what is happening.

          adSQ-S___Videowalk  16-04-19t FMS-11111 Videowalk might assume that for every topic I cover I will post links to previous and subsequent videos where I touch on the same topic. I don't have to do that connecting within the video, but can do it after the fact.

          adRH-S_singing_1qtr_2016  16-04-19s1 FMS-11111 This probably seems obvious, but in going ahead with singing I would want to showcase the best of my voice and my style. I would want to pick songs that take advantage of the qualities when I am singing sweetly contrasted with singing rough, mixing the upper range and the lower, frequently shifting tone and lapsing into speaking some lyrics but quickly jumping back into singing others.  16-04-19s2 FMS-11111 Of course I can recall songs and interpretations that will showcase other capabilities, letting me use examples of what I have already worked out by singing something dozens or hundreds of times to identify qualities worth showcasing and focusing on as my interpretive contributions to song.

          adSQ-S___Videowalk  16-04-19r FMS-11111 Videowalk might draw on one of my earliest concepts, that of "Nautilus." In that one I imagined starting at a point, touching on topics along the way and then developing those topics in greater depth along the spiral, returning to them again and again.

          vvpvt  16-04-19q1 FMS-11111 PRIVATE  16-04-19q2 FMS-11111 PRIVATE

          vvpvt  16-04-19p FMS-11111 PRIVATE

          vvpvt  16-04-19o FMS-11111 PRIVATE           adSQ-S___Videowalk  16-04-19n1 FMS-11111 The Videowalk is built around the assumption that there is value in following a narrative path grounded in time, laid out chronologically. I don't know if that is a gimmick or is a reflection of the reality of process. I don't know if there is real value in doing it. In my gut it seems that there is, that it is an exercise worth doing.  16-04-19n2 FMS-11111 But even if there is no value in it at all, I can start the journey as an experiment. I can discover if there is value in the exercise by doing it, and if I learn there is no value I will be that much better informed. The parts and pieces will still have exactly as much value as they have. If a particular sequence does a good job of explaining World 2.0 or Galatea, it will always be useful for that purpose, even if Videowalk turns out to have been a stupid exercise. So the risk of the latter is not all that great.  16-04-19n3 FMS-11111 Really, everything I do that I establish a time for doing is a kind of Videowalk. One can look at Chrontext to pretty much see the evolution of my thinking, the sequence of my preoccupations, etc.  16-04-19n4 FMS-11111 Videowalk is more selective, but it is still chronological. It is intended to reveal my thinking as a linear exercise, covering topic after topic in sequence. It is intended to cover everything, one topic at a time. It is intended to be something that can be followed, where someone going along with me on my Videowalk would be exposed to all kinds of different things in what hopefully won't be a boring journey. There will be variety, moving from topic to topic so it remains fresh.  16-04-19n5 FMS-11111 A more logical sequence might be generated elsewhere. I can more systematically cover Galatea or Pearl City or World 2.0 by collecting videos limited to a topic and in a logical sequence, including videos I may originally have posted on Videowalk.

          vvpvt  16-04-19m FMS-11111 PRIVATE

          adSQ-S___Videowalk  16-04-19L1 FMS-11111 I need to formalize the Videowalk insert video (I am not sure I will call it that). The first use of it will be to warn the viewer about flaws in the next video or video arc, such as what I am thinking of doing for the second video in Videowalk, warning people away from the THD segment.  16-04-19L2 FMS-11111 It can also suggest shortcuts around videos and video arcs. If I am about to get into the weeds on a topic, I can suggest in the Insert Video that unless you are interested in that topic you should probably skip the next N videos and go to the video titled X on the Videowalk.  16-04-19L3 FMS-11111 I may also introduce a video called "Executive Summary" or "Summary" or "Précis" video where I quickly cover what a Videowalk video or video arc covers. I can have an Insert Video which might warn that the next series of videos is a detailed set of thoughts on a topic, noting there is a précis video explaining it, and giving the option of seeing the précis video, going on with the Videowalk, or skipping the video arc and jumping ahead to the next series in the Videowalk.

          adSQ-S___Videowalk  16-04-19k1 FMS-11111 The second Videowalk video was terrible, or at least the THD portion was terrible. I am thinking of introducing it with another video that says as much. It could recommend that when viewing it, go to the 1:23 point (not the actual point in time), skipping the opening.  16-04-19k2 FMS-11111 I can also create my next Videowalk video saying that I will be posting some bad videos along Videowalk, and will also be inserting other videos to give options and warnings.

          adB7-S_autonomy_Agora_ adRE-S__Cybirk  16-04-19j1 FMS-11111 The Agorautonomy model includes having platforms that work. I don't care how sophisticated they become, so long as the sophistication is never at the expense of them just working. Also, if they don't work letting the user know why, in layman's terms.  16-04-19j2 FMS-11111 I don't need software that figures out what I meant to type and changes it to what I didn't want. I need software that lets me touch a link and it follows the link.

          adJC-S_IPad adRE-S__Cybirk adR4-S___Apple  16-04-19i1 FMS-11111 THIS is what frustrates me so much with Apple and the IPad. I just opened up the link lines file in iBooks. I touched the link, just as I had done for another link minutes ago. Nothing. It would zoom in and out, it would do all manner of things responding to my touching the screen, but it would not follow the link.  16-04-19i2 FMS-11111 I remember when I first started using iBooks that this would happen a lot. Now it happens less, but clearly it still happens. Is it my touch isn't right, where it was right before? Is there some limit I have bumped up against that I don't know about, one I hadn't bumped up against minutes ago? I have no idea.  16-04-19i3 FMS-11111 But when I try to use tools I have set up, suddenly there is this massive intrusion on my work process, where I can't do what I have every right to expect that I can do.  16-04-19i4 FMS-11111 Infuriating.  16-04-19i5 FMS-11111 Now (five minutes later) it works. Great. Just what was I doing?

          adSE-S_plan_2016_04 adRV-S_Video_Mate_Pages adKB-S_instruction_sets  16-04-19h FMS-11111 I might set up checklists such as what I started doing with VMPs.

          adSP-S_ongoing_tasks  16-04-19g FMS-11111 Routine tasks might include generating PDVs, TPVs, and divider videos. Maybe I have a listing of them and do them in batches. At some point I should be familiar enough with them that I could generate them individually as needed.

          adRB-S_SOC_launch  16-04-19f1 FMS-11111 Once I get TODs moving, and maybe singing, and maybe Videowalk, and maybe the Galatea channel, and maybe World 2.0, and maybe filling in the GITM glossary, my sense is that my whole experience will change. I will have something, several things, to point to for anyone who wants to know what I have done and am doing. I will have a line of products I can "sell."  16-04-19f2 FMS-11111 I had a sense a few days ago of starting to return to all the old projects I left behind, reviving them in new and hopefully more efficient form, one by one. This may be wildly unrealistic, where they require too much time, but with help I could also imagine it happening. Certainly I have a lot of project work to draw on, a lot of ideas and thinking, captured in XSMs or potentially captured in XSMs that I can draw on.

          adJQ-S_Jargonocracy_terms  16-04-19e FMS-11111 Ambivalitis = ambivalence + -itis (inflammation). For me.

          vvpvt  16-04-19d FMS-11111 PRIVATE

          vvpvt  16-04-19c1 FMS-11111 PRIVATE  16-04-19c2 FMS-11111 PRIVATE  16-04-19c3 FMS-11111 PRIVATE  16-04-19c4 FMS-11111 PRIVATE

          vvpvt  16-04-19b FMS-11111 PRIVATE

          acX3-U_XID_instance  16-04-19a FMS-11111 160419aa-01.pds in the \vid\16\03\16-03-30_Gone_for_Good directory, modifies 160407aa-04.pds

((may do more video work than this today, 19 April))

          vvpvt  16-04-18i FMS-11111 PRIVATE

          vvpvt  16-04-18h FMS-11111 PRIVATE

          vvpvt  16-04-18g1 FMS-11111 PRIVATE  16-04-18g2 FMS-11111 PRIVATE

          adSE-S_plan_2016_04 acG9-S_THD_production  16-04-18f1 FMS-11111 I may want to set up a very solid holder for the Flip, making sure it is at exactly the right angle to record a video against the black screen. Then I would never have to worry about getting the angle right.  16-04-18f2 FMS-11111 Maybe I have one for sitting down at the HPPC and one for standing up, with the latter reserved for singing.  16-04-18f3 FMS-11111 I am hopeful that I will get comfortable enough with SketchBook on the HPPC that I can generate NSV/FIB graphics from it. If not, I may want to buy a Cyberlink product for that purpose. It will be nice to just be able to generate graphics sitting down.

          adJD-S_web_site_ideas  16-04-18e1 FMS-11111 What if there were a systematic way of asking questions that others answer with YouTube videos? What if a web site were organized for just that purpose?  16-04-18e2 FMS-11111 For example I was just wondering how to set up a green screen. If there were a site that organized questions and collected questions, and then had links to answers, that could be a go-to site for finding out just about anything.  16-04-18e3 FMS-11111 In soccer you might ask "what is offside?" or "what is a chip" or "what is number nine?" or "what are the top 50 soccer terms a new fan should know?" etc.  16-04-18e4 FMS-11111 A manufacturer might answer questions about their product and installation or use by framing them in questions that are uploaded to the site, which are then answered using YouTube videos or other means.  16-04-18e5 FMS-11111 This might be a Galatean proposal.

          vvpvt  16-04-18d FMS-11111 PRIVATE

          adSI-S_PowerDirector  16-04-18c FMS-11111 ((0817)). One PowerDirector feature I may be able to exploit is the ability to stretch and distort a video image, or any image. I forget what I wanted to be able to do that for but even if I only use it to get a screen shot, I now have that capability.

          adSI-S_PowerDirector  16-04-18b1 FMS-11111 PowerDirector 14 User's Guide notes: http://download.cyberlink.com/ftpdload/user_guide/powerdirector/14/PowerDirector_UG_ENU.pdf 2 DirectorZone: free downloads, including sound clips, PiP objects, templates 4 Updates 19 PowerDirector Workspace – shows what the various buttons are in the standard workspace 20 “Empty the Library” button 20 Content Aware Details  16-04-18b2 FMS-11111 21 Analyze column and Analyze button 26 toggle video, images, sounds by selecting buttons. Turn on/off each type. (“filtering media in library”) 27 Library menu button. Thumbnail size, other options. 30 screen capture (screen snapshot) 31 non-real-time preview, reduced speed to handle multiple tracks more smoothly  16-04-18b3 FMS-11111 31 “TV Safe Zone” “...indicates the on-screen area of most TV displays” 31 Grid Lines and “Snap to Reference Lines” for precise placement of stuff 32 Zoom In/Out. Zooming out lets you place media that begins off screen, zoom in lets you place stuff precisely 36 “clip marker track” shows music clicks from “Music Beat Detection” 36 media clips snap to clips unless you go to Editing Preferences and disable “snap to clips”  16-04-18b4 FMS-11111 36 “group objects” (but doesn't include transitions) 37 Timeline Markers – media clips snap to them. You can drag them after placing them. 38 edit Timeline Markers (get a list of them) 39 the “more timeline functions” button comes up when you pick something on the timeline. Among the many options is “view properties” which tells you what directory the item is located in 39 Magic tools  16-04-18b5 FMS-11111 40 Range Selection (e.g. for cutting out stuff I don't want, can play back on a loop to review it) 40 Lock Range 40 Track Manager. Up to 100 video tracks, up to 98 audio tracks 41 can add video tracks without audio. In Track Manager add video tracks, add 0 audio tracks 41 “Remove Empty Tracks” by right clicking on timeline (pick an empty track to right click, not the timeline ruler) 42 can see track names, can also name them yourself 44 can drag tracks around. Tracks below apply effects to all tracks above them.  16-04-18b6 FMS-11111 44 right click on tracks, can make all heights small by selecting “Adjust Video Track Height” and/or Audio Track Height 44 Lock Track. If locked, can't add new clips to it, or move or edit the clips it contains 45 Enable/Disable Tracks (you can't see them in the Preview window. 45 Storyboard shows transitions. “i” icon shows effects 47 “pack Project Materials” collects all the files used to create a project in a single directory (with the .pds file?) 47 can start a new project with the same media you have selecting “File > New Workspace”  16-04-18b7 FMS-11111 49 using projects you saved as a template for other projects. Can just replace content. 60 media capture from a microphone. 61 screen recorder capture 62 still photo from video frame 64 download from DirectorZone  16-04-18b8 FMS-11111 66 scene detection 67 scene detection – sensitivity slider 68 extract audio from video. Also “Unlink Video and Audio” 69 plug-ins 69 MultiCam Designer

          aaOU-U_no_entry  16-04-18a FMS-11111 no videos

          vvpvt adRC-U_daily_observe  16-04-17q FMS-11111 PRIVATE

          adOC-S_Edivision acTR-S_reverse_karaoke__  16-04-17p FMS-11111 I noticed in 16-04-17o I just used the term "Music Edivision." This seems to be a better term than "Reverse Karaoke." Maybe I have a "Music Edivision" channel.

          adSI-S_PowerDirector  16-04-17o FMS-11111 I don't think I have lost interest in Galatea or Videowalk or music Edivision as I focus now on PowerDirector. For that matter, I am not sure I have lost interest in w2oPP or TOD of GITM or even soccer. I may well be in a better position to communicate about all of them with PowerDirector, and I may be in a position to bring these projects online, one at a time.

          adEF-S_history_ adMX-S__Ken_Burns  16-04-17n FMS-11111 Ken Burns, The West, Episode 3, The Speck of the Future: @ 24:18 Revenues from the Chinese miners tax made up 50% of California revenue. @1:12:27. Indian Genocide, would pay $5 / head (literally) for murdered Indian.

          vvpvt adRT-S___my_woods adJC-S_IPad adSE-S_plan_2016_04  16-04-17m FMS-11111 PRIVATE

          adSI-S_PowerDirector adNI-S_video_prodn_notes acG9-S_THD_production  16-04-17L1 FMS-11111 I am starting to think that I could more easily import THD than I had thought. If THD is a PiP with a mask...  16-04-17L2 FMS-11111 The key frame capture seems easier in PD (PowerDirector) than in VideoWave. I could do a zoom and pan of Talking Head so I follow the movements etc. This could then be a PiP that keeps THD in one location on the screen.  16-04-17L3 FMS-11111 Maybe I can fade in a black screen as a means of fading out THD without having to cut the audio. Basically I would take a black screen, put it on top of THD, and fade it in. For the rest of the video THD would be missing. Or maybe just use key frames and bring transparency to 100%.  16-04-17L4 FMS-11111 Maybe by key frames once I was no longer showing the visual for THD I could use key frames to shrink it down and move it to the side, out of the way. Similarly I might have the NSV on top of it, but 100% transparent until THD was gone and I started the FIB graphics.

          adSI-S_PowerDirector adOC-S_Edivision acJF-S_TeleCollab  16-04-17k FMS-11111 I was imagining just assuming someone has purchased PowerDirector, and use it as the default for anyone who wants to enhance or develop my videos as an Edivision collaboration. I could generate tutorials to show what tools to use.

          adSI-S_PowerDirector adNI-S_video_prodn_notes acG9-S_THD_production  16-04-17j FMS-11111 I have been resisting effects in graphics, but maybe having easy access to them could add to the visual interest of my TOD or other videos.

          adSI-S_PowerDirector adFI-S_Wikimedia_commons abU0-S_Irfanview  16-04-17i FMS-11111 I could take an image from Wikimedia commons, mask it using Irfanview, then bring it in using green screen masking.

          aaRE-U_spot_report_  16-04-17h FMS-11111 I continue to feel that going public is just around the corner.

          adSI-S_PowerDirector  16-04-17g FMS-11111 I might want to try PowerDirector to do the video I was stymied at doing in VideoWave, just picking up where l left off. Learn PowerDirector hands-on.

          adSI-S_PowerDirector  16-04-17f FMS-11111 I was wise to spend time getting into PowerDirector instead of other projects like making videos. I think the sooner I master it the sooner I will be able to generate the other.           adSI-S_PowerDirector  16-04-17e FMS-11111 I am very happy with what I see of PowerDirector. Some ideas... . Use the green screen capability, maybe on THD itself . Music. I like being able to have it adjust to time. Not sure I will use it. Background? . Masks look useful . easy to add "inserts" (PiP) . Speed up and slow down music, may make it easy to adjust beats in music . Maybe can do stuff in AudioDirector I learned in Audacity. Check it out... . Audio match could make it easy to match THD and FIB . Audio match could be really useful in Music Edivision videos ((. image and video stretching and distorting))

          vvpvt adRC-U_daily_observe adRT-S___my_woods  16-04-17d FMS-11111 PRIVATE

          aaAG-S_music_ adNI-S_video_prodn_notes  16-04-17c FMS-11111 https://youtu.be/zF_xA0B8MAA Jukedeck royalty free music site. https://www.jukedeck.com/?invite=fac5e9a893393c0c412f28b8638e7ada7aac0d96580d87b16ee716e9232176fd https://www.jukedeck.com/make/new-user

          adSI-S_PowerDirector  16-04-17b1 FMS-11111 PiP Designer and Masks | CyberLink PowerDirector Tutorial https://www.youtube.com/watch?v=k1DTdgSY3iw at 3:06 talks about masks. Could use masks for insetting Talking head on the FIB background  16-04-17b2 FMS-11111 Getting Started With PowerDirector | CyberLink Tutorial https://www.youtube.com/watch?v=PupzbUKDtEo 2:20 unlock the preview window, make it larger 2:40 adding transitions  16-04-17b3 FMS-11111 PowerDirector 13 Intro Video | CyberLink https://www.youtube.com/watch?v=yFwaBUWBhwM 0:28 multi-cam designer automatically synchronizes your clips (e.g. NSV and THD?)  16-04-17b4 FMS-11111 CyberLink PowerDirector 9 - Exploring Keyframes https://www.youtube.com/watch?v=yFXaP-EhQZs 2:46 zooming and pannig  16-04-17b5 FMS-11111 Content-aware Editing - PowerDirector 12 Tutorial | CyberLink https://www.youtube.com/watch?v=PWxsdQ76Aow PowerDirector selects out clips based on faces, poor lighting, pan, zoom, etc. Lets you select them, then edit selections.  16-04-17b6 FMS-11111 Video Editing Tutorial | CyberLink PowerDirector 12 https://www.youtube.com/watch?v=7iFeICL41JU 1:09 import from “Freesound” and “Director Zone” - both seem to be sound clips 1:42 media library can show everything, or just videos, audio, images... 3:15 move video frame by frame in preview panel 3:22 snapshots, various resolutions 3:37 unlock preview screen, reposition, resize (also shows locking it back in) 4:39 “apply to all” transition feature (“fade” = dissolve?) 5:00 drop in a color board (solid color inserted between videos, for putting titles on) 6:00 generate video, shows using different types (AVI, WMV etc) and resolution  16-04-17b7 FMS-11111 Overlay Graphics on Videos and Design Graphic Animation | CyberLink (PiP Designer Tutorial) https://www.youtube.com/watch?v=y6r90MvX66w 1:50 “duplicate next keyframe” e.g. while panning or zooming 3:54 “chroma key” for eliminating green screen  16-04-17b8 FMS-11111 CyberLink PowerDirector 7 - Magic Music https://www.youtube.com/watch?v=vv7YH1cvqTY Music that recomposes itself to match the length of time you want it to play. Royalty free.

          aaOU-U_no_entry  16-04-17a FMS-11111 no videos

          adSH-S_Galatea  16-04-16u FMS-11111 As I put ideas for software and web sites into Galatea I can make it clear that some of these are pretty much standalone ideas, but others are solidly grounded in a lot of thinking that can be culled from various XSMs.

          adSI-S_PowerDirector  16-04-16t1 FMS-11111 I just decided to use the PowerDirector SSF category to make detailed notes while I learn how to use it. I can always make a separate category if I need to.  16-04-16t2 FMS-11111 This might also be an opportunity to generate an Extract from the XSM. One thing I can do with the extract is delete Expressions that explain stuff I have internalized.  16-04-16t3 FMS-11111 I can also use this to note Snagit videos I used to show myself how to find stuff, how to do stuff, etc. I can use standard naming conventions for the clips, then note what they are in the XSM.

          adEF-S_history_ aaFQ-S_political adMX-S__Ken_Burns  16-04-16s1 FMS-11111 One striking fact brought out in Ken Burns' "The West" was how the railroads lied to people who moved to settle Nebraska and Kansas, telling them how easy it would be to farm there, and maybe how much rain there would be etc. Absolute lies, causing great harm to people, all for profit.  16-04-16s2 FMS-11111 It is possible that the widespread distrust of institutions, of the East, etc could have their roots in that kind of betrayal.

          adSH-S_Galatea adSE-S_plan_2016_04  16-04-16r FMS-11111 Galatea could start out very simple, very executive-summaryish. As I think of things to add to it I could make a short NSV describing it.

          vvpvt adRC-U_daily_observe  16-04-16q FMS-11111 PRIVATE

          adSI-S_PowerDirector adSQ-S___Videowalk adSH-S_Galatea  16-04-16p FMS-11111 I will be looking at PowerDirector later today, looking at tutorial videos and starting to work my way through the manual. This is actually prudent since it seems that so many things are going to be dependent on my producing videos (including music, which is how I discovered that VideoWave has become useless on Windows). I need that to move forward with Videowalk, and with any videos I might be producing to set up Galatea. I need it for Divider Videos and Utility Videos, as well as for TODs. It clearly is on the critical path for multiple projects.

          vvpvt adRC-U_daily_observe adRT-S___my_woods  16-04-16o FMS-11111 PRIVATE

          adQ8-S_w2oPP_implement adQJ-S_w2o_structure  16-04-16n1 FMS-11111 Maybe I shouldn't even try to think about w2oPP until I have a better idea of how it would work. But it did occur to me that the navigation system I had been envisioning would end up being redundant and largely unused. Maybe this isn't true, but it is worth investigating.  16-04-16n2 FMS-11111 Maybe people wouldn't routinely work their way down from the 10degree sector to the 1second sector. If there is a convention like "w2o-Annapolis" that would take you directly to the Annapolis map, or maybe to the sector that best includes Annapolis, someone is more likely to search on that.  16-04-16n3 FMS-11111 But if someone wants to see what sectors are currently in play, the navigation system would be the place to go. You could just look at the playlist that corresponds to a sector and see which of the sub-sectors has a TPV.

          adSN-S_tag_lists adSE-S_plan_2016_04  16-04-16m1 FMS-11111 I was thinking of doing Tags extraction for an XSM or two.  16-04-16m2 FMS-11111 Then I was thinking of taking some sample XSMs and doing various things to upgrade them as I have been envisioning. This would include: . Tags listings, both which tags are used and all instances . Definition of the category from the Synapse (or added to the Synapse when done) . Links to extractions from the XSM, mini-XSMs

          vvpvt adRC-U_daily_observe  16-04-16L FMS-11111 PRIVATE

          vvpvt adRC-U_daily_observe adRT-S___my_woods  16-04-16k FMS-11111 PRIVATE

          adSQ-S___Videowalk  16-04-16j1 FMS-11111 Maybe my next Videowalk video is about how I don't want it to start off badly. . The 2nd video did start badly . Important to not turn off you, the viewer, at this early stage. . -- asking you to realize I will be working things out as I go . -- still, first impressions are important and I don't want to casually frustrate viewers  16-04-16j2 FMS-11111 . I would like people to find Videowalk generally interesting . -- variety . -- true to the spirit of linear chronological videos . -- leisurely but not painfully so . Wrestling with whether to allow occasional non-chronological insertions

          adSQ-S___Videowalk  16-04-16i FMS-11111 I could imagine using Videowalk to do a sample of some kind of video, such as observations about a song I am developing. Before and/or after doing so I could note that this is a one-time thing for Videowalk. Assuming I continue to do the same thing elsewhere, you will be able to find those videos in some playlist, but not in Videowalk any more.

          adSQ-S___Videowalk adSI-S_PowerDirector  16-04-16h FMS-11111 I should remind myself that when I started the Videowalk I knew it would be a slow start. I knew I would need to learn PowerDirector. I also suspected it would not be a good idea to do too many videos at the start, digging a hole where I was going about it the wrong way.

          adSQ-S___Videowalk  16-04-16g1 FMS-11111 I could insert a video into Videowalk that I acknowledge is out of sequence, but is needed for some reason. I need to do that, I think, for the second video on the Videowalk, since the Talking Head segment was so awful. Or I could just skip Talking Head and go straight to the NSV portion.  16-04-16g2 FMS-11111 Maybe the next Videowalk video stays in sequence but explains what I did and why I did it. Maybe the cardinal rule of Videowalk is that they are chronological. In this case if a video is so egregiously bad that it demands I work around it, the solution could be to just not post it as part of Videowalk. I can redo it after the fact or something.  16-04-16g3 FMS-11111 Maybe I post videos as alternate paths, videos that I warn are not chronological but are inserted for some pressing reason. Maybe I just reserve the right to do that and end up never doing it.  16-04-16g4 FMS-11111 Maybe I explain my thinking about and stewing over this in a Videowalk video. Maybe I hold off on doing that until Videowalk is better established and has more substance to it, when it can afford such a video.

          adRT-S___my_woods adSE-S_plan_2016_04  16-04-16f FMS-11111 I don't have to do the videos in the woods to get outside. I just need to bring something to sit on and I could do work on the IPad.

          adSI-S_PowerDirector  16-04-16e FMS-11111 I got my first close look at PowerDirector last night. It is far from easy to figure out since it is considerably different than VideoWave, but it looks to be really powerful. I am considering going through the manual so I have a better idea not just of how to do what I want to do, but also to see what is available that I didn't have before ("motion tracker" immediately stands out).

          vvpvt adRC-U_daily_observe  16-04-16d FMS-11111 PRIVATE

          adSQ-S___Videowalk  16-04-16c FMS-11111 ((1154)). I could post an unedited version of a Videowalk video. I may even be able to post a revised beginning as well, so long as I note that it is a revision. I am thinking about the very first video where the beginning THD segment is horrible. I don't think I can afford to start off the series quite that badly.

          adSQ-A___Videowalk  16-04-16b FMS-11111 adSQ = Videowalk. A kind of Stream of Creativity video path through my thinking, at walking pace.

          aaOU-U_no_entry  16-04-16a FMS-11111 no videos

          adSQ-S___Videowalk adP1-U__NSV_scripts  16-04-15v1 FMS-11111 [from 16-04-15p7] Talk about Teleliving and Pearl City and Pearl Village, where cyber technology reshapes the environment and enables greater satisfaction in life using fewer resources and less damage to the environment.  16-04-15v2 FMS-11111 Talk about the empowerment of the individual in society, coming closer to the ideal of autonomy and freedom that is often claimed but rarely fulfilled, all enabled by advances of technology. Talk about collaborations, particularly online collaborations, that were not  16-04-15v3 FMS-11111 I am more than willing to be called on all of these claims. Even if any or all of them fall short of what I have imagined is possible (and I am not ready concede that for any of them yet) my hope would be that I have opened a new perspective that can be usefully applied by others to their own thinking.

          adSQ-S___Videowalk  16-04-15u1 FMS-11111 ((1455)). If I generate a video for a particular purpose such as a TOD or a GITM definition, it theoretically could go into Videowalk. But I think videos that are in the Videowalk playlist or playlists should be self-awaredly intended to be part of it. I can list other videos, or list a time sequence for when I generated videos, and if someone wants to take the journey not just through Videowalk videos but through all videos I created, chronologically ordered, they can do so. But Videowalk is something unique.  16-04-15u2 FMS-11111 That is not to say I can't mention a video I created in a Videowalk video. Maybe I use Videowalk for observations about other videos such as singing videos. Videowalk may or may not include political observations.

          acQR-S_YT_corp  16-04-15t1 FMS-11111 I can go back to earlier work to show how an indifferent implementation of YouTube tools and capabilities undermined what might have been a sound organizational system. (Annotations and the "#t=" syntax within a video URL).  16-04-15t2 FMS-11111 Aside from discovering that annotations weren't carried over to all platforms, which was the ultimate game killer, I found them really hard to work with. Also when you went from one scale or resolution to another, they would move around so whatever you had lined up in one location wouldn't be in the same place at another resolution.  16-04-15t3 FMS-11111 Additionally, the device where you could go to a video at a particular time in the video turned out to be hit or miss. Sometimes it worked, sometimes it didn't, and if there was anything to predict which would be the case, I never found it.

          adSQ-S___Videowalk adS6-S_video_arc  16-04-15s1 FMS-11111 I could break 16-04-15p into separate videos, not because for the sake of Videowalk it couldn't be just one video, but because the separate videos could go into separate playlists they are relevant to.  16-04-15s2 FMS-11111 I was thinking of having a "Videowalk" divider video. This would let me take any Videowalk component videos and insert them into playlists in their own little sections, or maybe even collect Videowalk videos on a certain topic into discrete playlists.  16-04-15s3 FMS-11111 I don't actually have to break up Videowalk videos into small discrete videos as I suggest at the beginning of this Entry. Rather, I can make a long Videowalk video and later break it up into segments if it seems to be worth my while to do that. I can break out a segment for any purpose, and note that I had done so and provide a link to it in the VMP.

          acE4-S_Investribution_ abL8-S_gr_Agora_biz_model aaNJ-investors  16-04-15r1 FMS-11111 How about a Ponzibution, i.e. a combination of Ponzi scheme and contribution?  16-04-15r2 FMS-11111 I had figured out the numbers at one point, but let me try it fresh as if I never had. Person X gives me $100. Person Y gives another $100, and person Z gives another $100.  16-04-15r3 FMS-11111 If the return is 120%, person X gets $120 back from the $100 invested. As author I get 30% or $30, so the first money returned is $150. Half of the $300 has gone to person X who is out of the picture.  16-04-15r4 FMS-11111 The other half goes to me and to person Y. With three Ponzibutors, the third has put in $100 and all he has to show for it is the right to get 80% of any subsequent income stream up to $120 (I get the other 20%). If all you have are Ponzibutors, the more people who contribute money, the more people who get nothing. They do this as contributors, hoping to get nothing but willing to get a return on their investment.  16-04-15r5 FMS-11111 If what is being contributed to earns money from other sources, though, the Ponzibutors will get 80% of that in turn, and I will get 20% of it. If people pay for playlist ads and the Ponzibutors are for that playlist, 80% of the ad money will go to them. At some point Ponzibutors will become investors, expecting to get their money back rather than hoping it will but not necessarily expecting it to.  16-04-15r6 FMS-11111 Maybe at some point the money they get will be from me paying them off so all income will go to me. I don't know if this even makes sense, except maybe if I bring in money and want to thank those who helped me out early on when I needed it.

          adSQ-S___Videowalk adLW-S__Kilroy  16-04-15q1 FMS-11111 The Videowalk Kilroy would simply be taking a screen shot of a YouTube video along the way, where there are only a handful of views listed.  16-04-15q2 FMS-11111 Of more use to me would be an Endad or Investribution contribution.

          adSQ-S___Videowalk adP1-U__NSV_scripts  16-04-15p1 FMS-11111 I could introduce people to what I have and to where the Videowalk might go and why someone might be willing to follow this particular path.  16-04-15p2 FMS-11111 Talk about how everything written and thought over the past 10 or 12 years is posted chronologically as text, and also substantially picked out by topic.  16-04-15p3 FMS-11111 Talk about Stream of Creativity, where the thinking and expressing is captured in text but also in audio, generating the concepts and actions and expressions.  16-04-15p4 FMS-11111 Talk about singing, my singing, as expression but also as a laboratory or workshop for online collaborations.  16-04-15p5 FMS-11111 Talk about Galatea, where I suggest projects and inventions with the hope and expectation that others will take them on - and that they range from small projects to a reshaping of the built environment and the socio-economic system and priorities and pursuits of human beings worldwide. If people actually took me up on what I am proposing it would mean a revolutionary reshaping of the direction of civilization, taking advantage of where technology is already taking us rather than fighting it.  16-04-15p6 FMS-11111 Talk about World 2.0 where the interface between the physical world and the informational world is cemented, where history naturally merges with geography and where walls can talk.  16-04-15p7 FMS-11111 Talk about Ice Nine and permanent posting, where information becomes at least as permanent as physical monuments, where language expressed and recorded lives forever and a kind of secular immortality is available to everyone. [to 16-04-15v1]

          adSQ-S___Videowalk  16-04-15o1 FMS-11111 I have already forgotten what I was thinking, but I came up with different ideas about how to approach Videowalk, particularly at its early stages.  16-04-15o2 FMS-11111 One thing I could do immediately is declare that what I am doing is named "Videowalk" which I didn't know yesterday when I had started it. I would say that I looked at the synonyms for "path" or something, and the one that both fit well with the word "video" and suggested what I am trying to do was "walk."  16-04-15o3 FMS-11111 The key is that this will be paced relatively leisurely. I am freeing myself of the burden of condensing what I have to say into something that can be communicated succinctly so it can be quickly grasped.  16-04-15o4 FMS-11111 It is not that I won't be doing that sometimes in Videowalk, and I certainly plan on doing it outside of Videowalk, but I don't want to worry as I generate these that the pace is too slow. This is a "walk" after all, a kind of stroll through my thinking. And it is an unplanned, unscripted walk. I want to cover a very large territory of thought, but the journey will take place one step at a time.

          adSQ-S___Videowalk adSI-S_PowerDirector  16-04-15n FMS-11111 I should note that some of my reluctance to embrace Videowalk was the realization that I now need to post-process the videos I generated yesterday, which means I have to get back into PowerDirector, and I just wasn't excited about the learning curve for doing that.

          adSQ-S___Videowalk  16-04-15m1 FMS-11111 In Videowalk I could warn someone that I will be talking about a particular topic in some depth, and that if you aren't interested in that topic, this is a good time to look at a shortcut.  16-04-15m2 FMS-11111 The first time I do that I would say I assume that the place to find the shortcuts will be the VMP, but if there is some later innovation it may be possible to find it other ways.  16-04-15m3 FMS-11111 Maybe at some point I can just say I am going to start on a certain topic. Anyone not interested in that topic could then look for a shortcut there without me announcing it. If there was no shortcut either I hadn't had time to generate shortcuts, or maybe I didn't end up spending a lot of time on the topic so I didn't think a shortcut was worth the time to make it.  16-04-15m4 FMS-11111 As I think of it, I probably won't announce shortcuts, just changes of topic. The reason is that I don't want to commit to making shortcuts and then not follow through, or have the generation of shortcuts become a burden that adds overhead to my efforts.  16-04-15m5 FMS-11111 Maybe shortcuts will come later, and maybe they will be added by people other than myself.

          adSN-S_tag_lists  16-04-15L FMS-11111 SSF category: tag counts.

          adSN-S_tag_lists aaIU-S_idea_processor  16-04-15k1 FMS-11111 The extraction of tags seems a bit like a time-waster. It is low concentration work, but I am not sure if it will prove worth the time it takes, even if that time isn't enormous.  16-04-15k2 FMS-11111 On the other hand, I could imagine taking them and adding them to the end of each VBT. I can scan the culled list just to see what kinds of topics I had been looking at, and I can scan the full list to see where I was really focused, what my time was spent on.  16-04-15k3 FMS-11111 A robust Idea Processor might take any collection of Expressions and automatically pull the tags from the list. It could simply list the tags alphabetically followed by the number of instances. It would take the tag on an Entry and count each Expression as tagged when it is figuring up the total of instances, providing a much more accurate picture of what the tags are.  16-04-15k4 FMS-11111 The pool of tags might be malleable, where one could let in tags from various sources. I have never really followed up on what tags are attached to given Expressions. There can and will be whole clouds of tags completely external to writings.  16-04-15k5 FMS-11111 The "tag pool" could be made up of the author's original tags, or be personal to someone who is reading and working with the author's Expressions, or be some standardized system of tagging that is meant to be universally available in the way a language is universally available. No matter what framework of tags is being worked with, software should be able to crunch the numbers on it. Maybe this is even separate from the Idea Processor, not integral to it.  16-04-15k6 FMS-11111 I should quickly note that while I am doing tag counts for VBT pages, they could just as well be done for XSMs, and in fact I originally did tag counts for XSMs when I was using databases to generate them.  16-04-15k7 FMS-11111 The tag counts would suggest related topics, both providing an opportunity to follow up on the contents and a means of understanding what the VBT or XSM or anything was focused on by seeing what it links to.

          adSQ-S___Videowalk  16-04-15j1 FMS-11111 The "Videowalk" videos were spontaneous and exciting. I am having second thoughts this morning, wondering if they will work and also if they will become more of a burden than a boon.  16-04-15j2 FMS-11111 Maybe I will just keep going with them and seeing where they lead. Conceptually they make sense and certainly are consistent with Stream of Creativity, but in practice they may not work out. On the other hand, they might be a real inspiration to me and motivator as well. I can always pull the plug on them, or put them on the shelf.  16-04-15j3 FMS-11111 By the way, as of the moment they haven't "officially" been named "Videowalk."

          vvpvt adRC-U_daily_observe  16-04-15i FMS-11111 PRIVATE

          adSI-S_PowerDirector acY8-U_URL_addresses  16-04-15h FMS-11111 http://download.cyberlink.com/ftpdload/user_guide/powerdirector/14/PowerDirector_UG_ENU.pdf PowerDirector manual.

          adD9-U_YT_music_vids  16-04-15g FMS-11111 https://www.youtube.com/watch?v=jxHq0ktPh_s Broken Bells live on KEXP. James Mercer is half of band.

          adSP-A_ongoing_tasks  16-04-15f FMS-11111 adSP = ongoing tasks. An inventory of ongoing tasks across all permanent projects, including dormant ones.

          adSO-A_TOD_mini_scripts  16-04-15e FMS-11111 adSO = TOD mini-scripts. Short scripts for TODs. Intended to collect the inventory of scripts, not discuss scripts

          adSN-A_tag_lists  16-04-15d FMS-11111 adSN = tag lists. Lists of the tags in a given document, both counts and instances.

          adJQ-S_Jargonocracy_terms aaIU-S_idea_processor  16-04-15c FMS-11111 “Cryogenic hope” for someone to write an Idea Processor that could take what I have done and convert it to a format that can then be manipulated in all the ways I have imagined by a robust Idea Processor.

          aaAG-S_music_  16-04-15b1 FMS-11111 Academy of Ancient music. Richard Egarr. Brandenberg Concerto No. 1 in F Major. Liked the main music, then disappointed.  16-04-15b2 FMS-11111 Sinfonia in D Minor ("Adagio And Fugue") F. 65 (BR C7) Wilhelm Friedemann Bach Hartmut Haenchen

          aaOU-U_no_entry  16-04-15a FMS-11111 no videos

          adSQ-S___Videowalk  16-04-14r FMS-11111 I looked at the fib video I had generated. It was fine, although it could also have a bit of time trimmed from it.           adG2-S_SketchBook_ abE4-S_computer  16-04-14q1 FMS-11111 As I work in SketchBook on the HPPC I am starting to stumble across tools that apparently are well known in the touch-pad universe but don't really occur to me not having come from that universe.  16-04-14q2 FMS-11111 For example, the graphic suddenly was tilted 45 degrees. Apparently my fingers on the screen had rotated it without my knowing. Eventually after thinking about it, I brought in an image - which I didn't think you could resize, and used my fingers to resize it, rotate it, and move it around.  16-04-14q3 FMS-11111 This is all learning curve, but with each new realization I will be changing my perception of software and how it works to fit the touch-screen model.

          adSQ-S___Videowalk  16-04-14p FMS-11111 From time to time real events can intrude on the trail. If there is a shooting at an elementary school, maybe the trail is momentarily pulled in that direction. I might note that I left in the middle of a discussion on topic X, go into the new topic, and when that is covered go back to X. I can provide a shortcut that bypasses everything and goes from X to X.

          adSQ-S___Videowalk  16-04-14o FMS-11111 I can go on the video trail as slowly and deliberately as I want. Maybe any given segment, or all segments, will have "digests," videos that cover the exact same topic in less time, either leaving material out or simply being more efficient in conveying the information, or both. Like everything else, these can be done after the fact.

          adSQ-S___Videowalk  16-04-14n FMS-11111 I can say as part of the "video trail" that a given moment is planned as a jumping off point, where I provide links to materials of various kinds. I can list some links to topics I am sure will be linked to, but make it clear that there will likely be links to other topics as well.

          adSQ-S___Videowalk  16-04-14m FMS-11111 ((1456)). I just finished doing some videos to start the video journey I may be embarking on. Or actually I am embarking on it, or have embarked on it, and it is just a question of how long the journey is, and whether it will be made available to anyone else, i.e. PostPublished to YouTube.

          adJQ-S_Jargonocracy_terms  16-04-14L FMS-11111 Ambivalence + -itis = ambivilitis.

          adSQ-S___Videowalk  16-04-14k1 FMS-11111 At the end of my very short power nap I had a vision of a series of NSVs where I just start explaining where I am and try to generate a series where I unpack all of what I have done, explaining everything through a kind of unraveling, thought by thought and idea by idea.  16-04-14k2 FMS-11111 It would be its own Stream of Creativity. It would acknowledge at the start that it might be difficult going at the beginning. Or maybe it would be too slow at the beginning.  16-04-14k3 FMS-11111 It would be a series of videos, in one narrative stream where I go a certain distance and then stop, coming back the next day or the next week and continuing.  16-04-14k4 FMS-11111 After the fact I could disavow certain sections, providing gateways around them that jump to later sections. One could follow the stream or take the shortcuts. At every point there could be links to places where I take what I reference and develop it in greater detail.

          adRB-S_SOC_launch adSQ-S___Videowalk adPW-S___jarg_TOD  16-04-14j1 FMS-11111 Regarding getting started now, really I am already started, maybe going back 10 years. What I will be "starting" is going public in a coherent way, doing something like what I have been envisioning doing, using the structure and organization I have been imagining, etc, particularly including Stream of Creativity.  16-04-14j2 FMS-11111 Time will be my biggest concern, but there is no need for me to wait until that is solved, because it may never be "solved." I just have to keep getting more efficient, eliciting more and more help and partnerships, etc.  16-04-14j3 FMS-11111 I imagine TOD to be the one ongoing demand I will place on myself, something I will need to be sure I have set aside time for.

          adRB-S_SOC_launch adSE-S_plan_2016_04  16-04-14i1 FMS-11111 I suspect that for all the problems I am coming across with software, I could still start generating NSVs immediately. I was thinking of making up NSVs that explain how I envision online music collaborations working, but could imagine supporting NSVs on topics like Edivision, Online Law, and Agorautonomy proliferating from the effort.  16-04-14i2 FMS-11111 In fact, I wonder if I couldn't start this right now. I think the tools are all in place to make it work, and generating the videos would force me to remember what I had set up and adjust it where necessary, or go through various learning curves I have been discussing, or buy new software as needed.  16-04-14i3 FMS-11111 I can even generate videos, including THD videos, where I talk about my progress, the obstacles I come up with, etc.

          adN8-S_jarg_observe  16-04-14h FMS-11111 The Jargonocracy terms I release are implicitly intended to be used. The use may be transient and many terms will have a short shelf life. Some my last longer, or even work their way into the language if they serve to identify something usefully.

          adSO-U_TOD_mini_scripts  16-04-14g1 FMS-11111 "Faux" and "Fascism" combine to make "Fauxism." There are unmistakeable echoes or suggestions of Fascism in Donald Trump and many of his followers, and these have been extensively discussed.  16-04-14g2 FMS-11111 The point of this term is to suggest that what has gone on to this point is just a shadow of what Fascism has been like in Germany and other countries, and to this point is false Fascism or Fauxism. If the violence gets worse or the strongman fealty gets stronger that might change, and Fauxism might evolve into Fascism, but that time hasn't yet arrived.  16-04-14g3 FMS-11111 Using this word is recognition that we don't yet have true Fascism, if only as a matter of degree.

          adOL-S_Chrontext_thinking abH2-S_Antaeus  16-04-14f FMS-11111 There is a certain quality to Chrontext thinking that I crave, or need, or am addicted to. It is not a bad way to spend my time, enabling me to go places in my thinking or imagination that no one else has explored. I do wonder if it also undercuts my effectiveness because it is so essential to my having a positive frame of mind.

          abE4-S_computer  16-04-14e FMS-11111 I am updating the HP drivers for the printer, and it is taking forever. I have like 5 drivers it wants to install for the laptop itself, and imagine I will have to set aside a big block of time to install them.

          abE4-S_computer adR0-S_Microsoft  16-04-14d1 FMS-11111 The problems with software operation since I installed Windows continue to dog me. OpenOffice is consistently unstable where it rarely was before. VideoWave went crazy to the point it was unusable, so I bought another video editing package and now have the learning curve for it. Sketchbook is useless on the Samsung without Snagit, and close to worthless on the HP (e.g. it doesn't let you scale images when you bring them in) so I probably will buy some other graphic software of some kind and have a learning curve for that. And of course there is Windows itself and it's bizarre layout of programs and other issues.  16-04-14d2 FMS-11111 It is death by a thousand cuts.

          vvpvt adRC-U_daily_observe  16-04-14c FMS-11111 PRIVATE

          adSM-S___VMP_sites  16-04-14b FMS-11111 adSM = VMP sites. Sites dedicated to supporting and probably posting VMPs (Video Mate Pages)

          acX3-U_XID_instance adPN-S_NSV_instances  16-04-14a1 FMS-11111 adSQ-S___Videowalk 16-04-14-1335-thd.mp4 THD: launch Videowalk (don't use the term yet) 16-04-14-1335-tag.mp4 Tag  16-04-14a2 FMS-11111 adSQ-S___Videowalk 16-04-14-1430.png 16-04-14-1430-tag.mp4 Tag 16-04-14-1430-fib.mp4 FIB: matches THD 16-04-14-1430-thd.mp4 THD:  16-04-14a3 FMS-11111 adSQ-S___Videowalk ((the following were done after the 14th, but used to develop the above videos into a final video for posting:

))

          adG2-S_SketchBook_  16-04-13u FMS-11111 http://graphic-design-software-review.toptenreviews.com/acdsee-photo-editor-review.html $20 acdseee http://graphic-design-software-review.toptenreviews.com/adobe-photoshop-elements-review.html $60 http://graphic-design-software-review.toptenreviews.com/serif-drawplus-review.html $120, best reviewed

          adSO-U_TOD_mini_scripts  16-04-13t1 FMS-11111 Ricklesonian Democracy uses Don Rickles, the insult comic, to characterize our political system in the way Jeffersonian Democracy or Jacksonian democracy does.  16-04-13t2 FMS-11111 Ricklesonian Democracy is about gaining power through insulting and abusing rivals. I came up with the term before the current Republican campaign, but Donald Trump and those trying to match him have made the term far more meaningful than it would have been before.

          adIH-S_Snagit__ adR0-S_Microsoft adRE-S__Cybirk  16-04-13s1 FMS-11111 adR2-S_angry I am amazed how much the Snagit problem and related problems have bothered me. It is like I can't even do Indent review because I am upset over Snagit and now over the Uniblue driver software shortcomings. It is just so frustrating to suddenly not be able to do what you were able to do just days ago, particularly when it is about generating NSVs. I am also feeling very vulnerable to software and hardware systems that don't work, or don't work together.  16-04-13s2 FMS-11111 adR2-S_angry Specifically, I can't seem to crack the Windows 10 code to figure out just what audio driver Snagit is having a problem with. It is complicated enough, but because Windows makes it "simple" the options for finding things out are hidden under their superficial set of options, none of which has anything to do with what I am interested in. I am pissed that I am even spending time writing this Expression.

          adIH-S_Snagit__ adR0-S_Microsoft adRE-S__Cybirk  16-04-13r FMS-11111 ((1852)). I am writing here now because I am struggling to update drivers. This follows my frustration at the Snagit software no longer capable of recording a screen shot on the Samsung PC because it can't hook up to the audio. This means that everything I have set up for generating NSVs is worthless until I fix the problem. It was maybe two days ago that it worked fine.

          vvpvt  16-04-13q FMS-11111 PRIVATE

          aaOU-U_no_entry  16-04-13p FMS-11111 "Faux" and "Fascism" combine to make "Fauxism." ((developed next day))

          adSO-U_TOD_mini_scripts  16-04-13o FMS-11111 The success of the term "mental virilness" will probably depend on pronunciation, where you essentially add a "vr" to mental illness. It combines that term with "virility" and is about an obsession with one's masculinity that has become pathological.

          adSO-U_TOD_mini_scripts  16-04-13n1 FMS-11111 Ontologjam combines ontology and logjam. It is meant to suggest that the reason Washington doesn't work and nothing gets done there isn't a function of not sending the right people to Congress or a president who doesn't do enough schmoozing.  16-04-13n2 FMS-11111 What is going on is that two entirely different world views or ontologies are fully represented in Washington and are locked in a struggle that for the most part will freeze progress until one or the other prevails.  16-04-13n3 FMS-11111 From either world view the other looks delusional at best, and evil at worst. Both can't be right. Climate change can't both be a serious threat to civilization and a conspiracy theory. There is no middle ground. Defaulting on the national debt can't be both good for the world economy and a disaster that could plunge us into a world depression. Abortion can't be both killing babies and women having the right to control their own bodies.  16-04-13n4 FMS-11111 Until either ontology prevails the inaction will be one reality both sides can agree on and rail against.

          adSO-U_TOD_mini_scripts  16-04-13m FMS-11111 "Plaster of Parents" combines plaster of Paris and parents. It basically is an alternative to the term "helicopter parents" and suggest parents who are plastered to their children, an inescapable presence.

          adSO-U_TOD_mini_scripts  16-04-13L1 FMS-11111 The term "Plutocene" is intended to reflect the reality that Plutocracy is the norm, and the period of middle class empowerment after World War II was an aberration, not a new reality - not unless we realize what we are about to lose and take steps to reverse it.  16-04-13L2 FMS-11111 The "Pluto-" portion of the term obviously refers to plutocrats or plutocracy. The "-ocene" portion of the term is a reference to geological epochs and eras like Miocene and Pleistocene, and is intended to connote very long periods of time.  16-04-13L3 FMS-11111 The intention of the word is to suggest that plutocracy is the rule, not the exception, and to suggest if it is not impossible to resist the reversion to plutocracy - if it isn't already too late - it will require a great deal of effort and political will.

          adSO-U_TOD_mini_scripts  16-04-13k FMS-11111 Tinkle Down Economics adds an edge to the term "Trickle Down Economics" which has lost its bite because it has been used so much. It uses the child's bathroom term to suggest a "piss on them" attitude of the wealthy to those who are left behind in our rigged economy.           adSO-U_TOD_mini_scripts  16-04-13j1 FMS-11111 Sea and refugees yields "seafugees." This is a name for the hundreds of millions, and perhaps billions of people who will lose their home to sea level rise.  16-04-13j2 FMS-11111 Scientists are discovering that the sea level rise due to climate change appears to be considerably worse than originally predicted, with sea levels as much as 6 feet higher than they are now by the end of the century, and continuing to rise beyond then.  16-04-13j3 FMS-11111 Entire island nations will be wiped out, and low-lying high population areas such as Bangladesh will have millions of people lose their homes, creating a seafugee problem that will dwarf the Syrian refugee crisis in scale.  16-04-13j4 FMS-11111 The term "seafugee" is shorthand for the refugee problem caused by sea level rise.

          adSO-U_TOD_mini_scripts  16-04-13i1 FMS-11111 Guns'n'Roses plus Moses yields Guns'n'Moses. This is a reference to the sentiment behind the remark Barack Obama made about people clinging to guns and religion, and enables you to refer to that sentiment in a phrase, regardless of whether you are favoring or condemning it.  16-04-13i2 FMS-11111 You can refer to a Guns'n'Moses mindset, or even a Guns'n'Moses lifestyle.

          adDF-S_environment_ aaW7-S_science  16-04-13h FMS-11111 It is striking that Oklahoma and Kansas, which were the worst victims of the greatest man-made environmental disaster in this country, cling to an ideology that rejects science and environmental awareness.

          adNI-S_video_prodn_notes acAN-S_popular_science  16-04-13g FMS-11111 An invention might be a home Teleprompter. I could see having one that you put in front of a camera that lets you read text while looking into the lens of the camcorder. I have no idea how much this would cost or if it is technically feasible.

          acD9-S_economy adDM-S_far_right  16-04-13f FMS-11111 The last section of the railroad segment of The West by Ken Burns talks about the slaughter of the buffalo. It might be used to argue against unfettered "free enterprise" and laissez faire economics.

          adSO-U_TOD_mini_scripts  16-04-13e1 FMS-11111 Combining America and Sahara yields Saharica. This term refers to the real possibility that the middle of this country could be turned into a desert wasteland if we ignore the environmental consequences of current practices. The dust bowl was a strong warning of the possibilities, but it has started to fade from memory as those who experienced it die off.  16-04-13e2 FMS-11111 Part of the reversal of the dust bowl conditions involved the use of ground water, but the aquifers are being drained rapidly, and when they are gone they will be gone. Climate change and climatological trends could well mean that the Midwest will be drier in the future than what we have come to see as normal.  16-04-13e3 FMS-11111 It wasn't easy to reverse the dust bowl effects, and if it happens again we may have squandered exactly the tools we need to deal with it.  16-04-13e4 FMS-11111 Use of the word Saharica is recognition that there is a very real possibility that some of the most productive farmland in the world, along with the towns and cities of the region, could be turned into a wasteland.

          adGX-S_YT_Divider_Video  16-04-13d FMS-11111 One type of video could be labeled "ASIDE" as in an "aside" in a play or book. I was thinking of putting a video in TOD where I say that many of my first videos are about Donald Trump, and I don't expect that to be characteristic of Jargonocracy.

          adSL-A___misc_resources  16-04-13c FMS-11111 adSL = misc resources. Misc tools, references, etc. Mostly for the corresponding directory.

          vvpvt adRC-U_daily_observe  16-04-13b FMS-11111 PRIVATE

          aaOU-U_no_entry  16-04-13a FMS-11111 no videos

          adSO-U_TOD_mini_scripts  16-04-12k1 FMS-11111 The term of the day is "turdic." This is intended to be a bit of sanitized profanity.  16-04-12k2 FMS-11111 Turdic refers to something pulled out of your ass. I have pretty much been forced to bring this term out by the Donald Trump campaign. For Trump you just try stuff and make stuff up as you go along, with turdic facts and turdic assertions and turdic responses. Trump really launched his campaign, maybe even surprising himself, with his turdic comments about Mexican rapists and I forget what else.  16-04-12k3 FMS-11111 The term is much more generally applicable. Dick Cheney is the master of turdic facts. Even Hillary Clinton had a long, turdic description of how the Reagans fought the AIDS epidemic.

          adJQ-S_Jargonocracy_terms  16-04-12j FMS-11111 Newsphere = news + sphere

          adSO-U_TOD_mini_scripts  16-04-12i1 FMS-11111 The term "Lightning bug" comes from the following Mark Twain quote:  16-04-12i2 FMS-11111 “The difference between the right word and the almost-right word is the difference between the lightning and the lightning bug.”  16-04-12i3 FMS-11111 What I want to do is take the term and expand it beyond writing. A singer's version of a song might be a lightning bug. A car design might be a lightning bug. An outfit someone wears might be a lightning bug. A speech. A performance. A dish at a restaurant. A term of the day.  16-04-12i4 FMS-11111 When it comes to attraction and love, one person's lightning is another person's lightning bug.  16-04-12i5 FMS-11111 You don't need to know exactly what is wrong or missing to be able to label something as a lightning bug, and in fact a lightning bug is close enough to being right that figuring out where it misses might be difficult or impossible.  16-04-12i6 FMS-11111 Basically you can use "lightning bug" as a two-word review.

          adSO-S_TOD_mini_scripts  16-04-12h FMS-11111 Set up an SSF category for mini-scripts for TOD videos. Collected in an XSM, mark ones I have done using double parentheses.

          adQY-S_SOC_lifestyle adOE-S_stream_of_creativity  16-04-12g1 FMS-11111 There is a certain experience of Stream of Creativity that I may want to be alert to. It will often be an impulse, and I have been acting on such impulses from time to time. Jumping spontaneously from something I am doing to something else existentially. I don't know how central this is to Stream of Creativity, but I have a clear experience of it myself.  16-04-12g2 FMS-11111 For me personally it has actually enabled me to be more productive, and to do things that I am prone to put off. Where before I would assess something as not being a priority, I now might feel moved to do it and jump into doing it. This way I get things out of "my space" that before would be nagging reminders.  16-04-12g3 FMS-11111 I just wanted to note the phenomenon, and try to develop it and pay attention to it.

          adSO-U_TOD_mini_scripts  16-04-12f1 FMS-11111 Guns of August and dumb combine to make Dumbs of August. I have been reluctant to do this because I am not sure anyone else hears it the way I do, but I decided to go with it.  16-04-12f2 FMS-11111 Dumbs of August is the period in July or August when some banal and really stupid nontroversy fills the airwaves, particularly cable news.  16-04-12f3 FMS-11111 The one I always think of was the raging controversy over Senator Obama's "lipstick on a pig" remark in 2008 where he was accused of calling Sarah Palin a pig because he used he expression.  16-04-12f4 FMS-11111 But reliably every summer since then and probably before then as well, one or more really stupid stories has blown up to fill hours of air time.  16-04-12f5 FMS-11111 Dumbs of August.

          adSO-U_TOD_mini_scripts  16-04-12e1 FMS-11111 Hate + patriot = Hateriot. I was a little reluctant to go with this since it reads like "hah-ter-ee-ott" but I am just going to accept that. A "hateriot" is someone who considers himself or herself a patriot, often belonging to a group that uses "patriot" in its name, but exudes hatred personally or adheres to a hateful ideology or both.  16-04-12e2 FMS-11111 I envision this as including the more rabid and aggressive Tea Partiers, nativists who might sucker punch someone escorted out of a Trump rally, or simple racists.

          adSO-U_TOD_mini_scripts  16-04-12d1 FMS-11111 Trumpty Dumpty is the Republican Party.  16-04-12d2 FMS-11111 Trumpty Dumpty building a wall Trumpty Dumpty had a great fall All the establishment women and men Couldn't put Trumpty together again

          adJQ-S_Jargonocracy_terms  16-04-12c1 FMS-11111 "Let the doth settle" or "when the doth settles"  16-04-12c2 FMS-11111 This is a play on, "...the lady doth protest too much..." but I am not sure how.

          abE4-S_computer adJC-S_IPad adRE-S__Cybirk  16-04-12b1 FMS-11111 adR2-S_angry ((1730)). I apparently just wiped out a whole day of writing up to this point. It included several TOD scripts in the new format. Overall I was doing really well, had good insights and good thinking.  16-04-12b2 FMS-11111 adR2-S_angry I just left Notes in the IPad to look up a quote in Safari. When I returned the Chrontext Notes page was simply gone. Maybe Six hours of work evaporated. I have no idea what I could have even done to have deleted or eliminated it. I hadn't selected the whole page, as far as I know, and I hadn't picked the trash can, as far as I know.  16-04-12b3 FMS-11111 vvpvt adR2-S_angry profanity PRIVATE  16-04-12b4 FMS-11111 Some of the following Expressions will be recreations of what I did earlier, and probably not very good ones at that.

          aaOU-U_no_entry  16-04-12a FMS-11111 no videos

          adPW-S___jarg_TOD adSE-S_plan_2016_04 adMB-S_jarg_implement  16-04-11q1 FMS-11111 I am starting to think I know how I want to do the TODs. I will be quite conversational, even though for some the videos will be little more than just defining the term. In others I might have a more extensive definition.  16-04-11q2 FMS-11111 adRP-S_SATOD adRO-S_SUTOD I might still have the Saturday TODs be about GITM terms, and I will introduce each as a Saturday term. I am less enthusiastic about the Sunday TODs being special and bigger productions. I just don't want to commit myself to the time that this would require.

          vvpvt adRC-U_daily_observe  16-04-11p FMS-11111 PRIVATE

          adPW-S___jarg_TOD adSE-S_plan_2016_04 adMB-S_jarg_implement  16-04-11o1 FMS-11111 I actually like the idea of a very conversational TOD. This would let me be natural and authentic in my speaking about and defining the terms. It would probably cut down on the production time and rehearsal time.  16-04-11o2 FMS-11111 It would also let me go different places in my speaking. Sometimes I would be short and to the point, other times I would wander all over the place. Sometimes they would be just humorous, other times they would be serious.  16-04-11o3 FMS-11111 Again, I could just go with this, maybe launching the whole project this way, and if I wasn't happy I could replace them with a different format of TOD.

          adPW-S___jarg_TOD adSE-S_plan_2016_04 adMB-S_jarg_implement  16-04-11n1 FMS-11111 I can start generating TODs immediately, maybe in the spirit of what I describe in 16-04-11j. Entirely apart from that, I could note that I am experimenting with the form of TODs and may end up going back and replacing early ones with later ones of a different style if I decide that the newer style is better.  16-04-11n2 FMS-11111 I could even imagine several styles simultaneously, including maybe ones I don't generate. If someone really likes Race to the Boordom, they could generate a heavily illustrated and polished version, similar to what I originally had in mind, but better. These could go into a playlist supported by playlist ads, Investributions, Kilroys, etc.

          adQ8-S_w2oPP_implement adQB-S_w2oPP_videos  16-04-11m FMS-11111 I could ask someone if it was OK if I made a video of them and uploaded it to YouTube. Then maybe I could just talk to them, and if they sounded boring I would stop the conversation fairly quickly. If they were interesting I would make a longer video, and maybe even ask if they wanted to move to another place and continue with another conversation.

          adQ8-S_w2oPP_implement vvpvt  16-04-11L FMS-11111 PRIVATE

          adQ2-S_Places_Playlist adQ9-S__w2oPP_graphics adQA-S_w2oPP_design  16-04-11k FMS-11111 It has been quite a while since I worked on the w2oPP graphics. It occurred to me that the whole system of navigation might have been a waste of time. Would that be the best way to get down to a video? Would it entail a prohibitive amount of time to generate the playlists and the graphics at each level, and to maintain them? Would people actually end up using that navigation system? Or would they find some other way of getting down to a particular bit of landscape?

          adSO-U_TOD_mini_scripts adPW-S___jarg_TOD  16-04-11j1 FMS-11111 Maybe instead of having observations about the word outside of the official TOD video, they could be a part of it. I could talk about Race to the Boordom not in a patronizing way, as if one had not heard the term "race to the bottom" but assuming they know it and would immediately "get" it when they heard my term.  16-04-11j2 FMS-11111 I might then talk about how it truly is a competition among many on the right to be as boorish as possible, perhaps to enhance their conservative street cred as not succumbing to political correctness.  16-04-11j3 FMS-11111 I would note that I invented the term years before Donald Trump ran for president, or Marco Rubio flamed out trying to be as boorish as Trump is naturally.

          adSP-S_ongoing_tasks  16-04-11i1 FMS-11111 I wonder if I could have a single place to list all of the misc. tasks I have set aside for myself. Maybe it can be a dynamic file where I include dates of when I last did X or Y task, and maybe a schedule or target date for it as well.  16-04-11i2 FMS-11111 Some examples I stumbled across today, or think of off the top of my head: . Generate list of tags from VBT pages, put into .txt files . Save VBT pages, upload to GlobeRelate.com . Update /Works pages, upload  16-04-11i3 FMS-11111 . Generate VMPs for existing videos . Charge pages update (from IPad, elsewhere) and upload . XSMs and Synapses for new categories, generate and upload . Recent XSMs systematically updated, uploaded .-- should be fairly easy since it will only be a couple of months of changes  16-04-11i4 FMS-11111 . Upgrade raw videos to rough cut or better .-- upgrade video .-- upload new video (to playlist) and delete raw video from YouTube .-- generate and upload VMP, update list of VMPs . Jargonocracy .-- get TODs going .-- set up playlist for observations, add to it  16-04-11i5 FMS-11111 . Indent Review . World 2.0 addition of maps etc. . Create playlists .-- generate PDV, PDV2, and TPV .-- list in appropriate Xplaylists and Linkdexes .-- collect and/or generate a minimum number of videos and video arcs .-- generate VMPS for all videos .-- link videos to Text pages via VMP  16-04-11i6 FMS-11111 . Review XSMs .-- have a queue of XSMs to review just for content .-- review specific XSMs for specific purposes, e.g. To collect software Ideas

          adSN-S_tag_lists  16-04-11h FMS-11111 Just to note, as I went through the Feb 2016 VBT to find categories that I might want to update XSMs for, I realized I could do it more quickly by using a spreadsheet and focusing on the tags, as I did before. ((Did it for Feb and March))

          adR3-P_SOC_THD  16-04-11g1 FMS-11111 As I look through the Feb 2016 VBT page I see all kinds of things I was doing, and get all kinds of ideas. I am reminded of projects that just slipped out of my awareness.  16-04-11g2 FMS-11111 I wonder if I could record little videos where as I do something like that I just note what some idea was and why it seems like a good one now. This would be pure Stream of Creativity in that it simply captures sequences of moments.  16-04-11g3 FMS-11111 The odds are it wouldn't work, would be boring, would take too much explanation for it to be meaningful to anyone else etc.  16-04-11g4 FMS-11111 But maybe it would be another portal into my thinking, one that might be useful, and might also be useful in tracing the process of my experience as I go back into what I had already done and rediscover it for myself.

          abIN-S_GR_XSM_mgt adSE-S_plan_2016_04  16-04-11f1 FMS-11111 One thought on updating XSMs is that I could bring all of the ones I have in play up to date through 2014. Presumably they are already up to date through 2013. This would give me a solid base to work from.  16-04-11f2 FMS-11111 As I write this I am concerned that the updating of XSMs is make-work, is not a good priority for me. I could sink enormous amounts of time into getting them up to date, and rarely use them. Part of my thinking is that other people could use them, but there is very little evidence that other people ever will, not unless I get attention etc which I won't do if I am spending my time doing things that won't draw that attention.

          adSG-S_Gal_channel aaM6-S_software_ideas adRV-S_Video_Mate_Pages  16-04-11e1 FMS-11111 I was thinking of some of the more complicated software proposals I might include in the Galatea channel. It hit me that I could write them up as completely as I can and post the result as a /Works text page (with the text also going into Chrontext, of course). Then I would do the best I could describing the key features of it in a video, and link to the text page from the VMP.  16-04-11e2 FMS-11111 This could well be a common practice. Anyone seeing the video might not fully understand the concept, but if it was of enough interest for them to want to know more, they could then go to the more complete and carefully crafted text explanation. If I were to do this consistently people might come to count on it.  16-04-11e3 FMS-11111 I don't want to commit to added overhead, but I should at least consider doing this for many if not most videos. The text page might be very slim for some videos, having less content than the video does, but people would be able to know something was there in text.  16-04-11e4 FMS-11111 Maybe generating most videos would include a process of thinking the concept through first in writing, then generating the video. That thinking though might end up being the text page, or it might be developed more completely. Maybe I have an insight while doing the video that I then work into the text.

          abIO-S_GR_XSM_used  16-04-11d FMS-11111 I used a couple of XSMs yesterday to make up a list of potential (Galatean) software and web sites that I might describe in videos and post. This was a tangible example for me of how XSMs could be useful. There were few Expressions in the XSMs that weren't valuable.

          adSE-S_plan_2016_04 aaRE-U_spot_report_ abIN-S_GR_XSM_mgt  16-04-11c1 FMS-11111 I updated XSMs last night, going down the list. I got into w2oPP categories and stopped, thinking they just weren't that relevant, and not a good use of my time. This morning I am not so sure. Since they are largely inactive, they shouldn't take that long to redo. Until I abandon w2oPP entirely, they could well come into play later.  16-04-11c2 FMS-11111 At the same time, I certainly should be looking at which categories are active and should have their XSMs updated. I could probably find these just by looking through recent Chrontext writings.

          vvpvt adRC-U_daily_observe  16-04-11b FMS-11111 PRIVATE

          aaOU-U_no_entry  16-04-11a FMS-11111 no videos

          adJD-S_web_site_ideas  16-04-10L FMS-11111 I had the barest hint of an idea, but what if a site lets users link to addresses and saves the links, plus information about them? The site could then start to map out the links, finding patterns etc.

          acPZ-S_Cheshire_Cats acIB-S_Orchepella  16-04-10k FMS-11111 Cheshire Cat/Orchepella idea... Black tape, cut to match lines of mouth, with stocking glued on to cut glare. Maybe the stocking could be a band that goes around my head, covering nose and down to chin. Then put black stocking on over my head.

          aaM6-S_software_ideas  16-04-10j1 FMS-11111 In 14-05-08b I suggest software that takes a list of URLs and plays them in sequence, like a playlist. One variation on that is that it could run the videos in different Windows, and when one is finished open the next window. This potentially could identify ads and run them in background until they are finished, and then stop the video, effectively skipping the ads.  16-04-10j2 FMS-11111 You feed in a set of URLs and play the videos in sequence. Could such listings of URLs be used in set operations (intersection, subtraction, union)?

          acMW-S_music_TL_collab_ aaM6-S_software_ideas  16-04-10i1 FMS-11111 In 14-06-19d I suggest software that automatically synchronizes music tracks. What if there was a beep that keeps time, and the software knows to delete it out? If it was a pure sound it would know exactly what noise cancellation would eliminate it.  16-04-10i2 FMS-11111 If this was synchronized with what someone is hearing from earphones, a singer could have the full accompaniment to sing to, and the beep would be added to his singing (or to the sounds of an instrument being played). The recorded track would have just the voice or instrument with the beep added on.  16-04-10i3 FMS-11111 Maybe the beep would only be added where there is a silence in the recording so it would be even easier to erase.

          abL8-S_gr_Agora_biz_model adSH-S_Galatea  16-04-10h1 FMS-11111 There is something about participation at a low level of something that generates its own demand that is probably worth teasing out as a concept.  16-04-10h2 FMS-11111 In general I have been thinking of this in terms of music and online collaborations. People of various talent levels would start posting tracks start mixing them, start listening to tracks that others had posted for something that would add value to their mix, or displace lesser tracks. Lots of people might be involved in the generation of a particular piece. The interest might spill over to those who were listening to the work as it evolved. If the combination at some point turns from lightning bug to lightning, maybe it flares into viral success, potentially leading to commercial success. The larger the base of those engaged at the earlier stages the greater the chances of large scale success.  16-04-10h3 FMS-11111 It occurred to me as I was working up lists of software that I would put in Galatea that something similar might happen there. I am describing software that performs functions for which there is currently no demand, such as an Idea Processor or a Wikollector. Just by looking at what I am outlining, and maybe without investigating the universe for which I thought it would be useful, people could start to see the possibilities of it.

          vvpvt adQW-S_FMS_self_discovery  16-04-10g1 FMS-11111 PRIVATE  16-04-10g2 FMS-11111 PRIVATE  16-04-10g3 FMS-11111 PRIVATE

          adSM-S___VMP_sites  16-04-10f1 FMS-11111 Maybe I should set up a category "VMP web site."  16-04-10f2 FMS-11111 Such a site might feature a robust search engine or even several search engines that work differently. Maybe several search engines with transparent algorithms would search on all data, including names, keywords, descriptions, etc. Maybe some search engines would only search on certain fields, like keywords.  16-04-10f3 FMS-11111 One thing that people posting VMPs to the site could do is define and use keywords to help them find each other. If I set up a project I define a keyword for it. Then anyone who wants to say something about the project would use that keyword to post their thoughts, offers, or input regarding that project.

          aaTP-U_FMS_hard_copy  16-04-10e FMS-11111 adJD-S_web_site_ideas aaM6-S_software_ideas [Hard copy] lists of software ideas and web site ideas culled from the respective XSMs.

          adSH-S_Galatea adSG-S_Gal_channel  16-04-10d1 FMS-11111 In Galatea, there is a distinction worth making between a Galatean project which basically I sketch out but which then others need to make happen, and a project which I do (I am thinking of Jargonocracy) where the Galatean role of breathing life into it is simply having people follow it and tell their friends about it until it goes viral.  16-04-10d2 FMS-11111 In the second sense maybe my whole plan is a Galatean project. I could be posting videos and text for the rest of my life, but unless people start following it and supporting it directly or indirectly, it will never be anything but lifeless. The Internet community needs to breathe life into what I am doing.

          acX4-S_Napkin_Sketch adR3-S_SOC_THD  16-04-10c1 FMS-11111 adFN-S_language I was just thinking of talking about language and how TODs could potentially shape the conversation and get conversations more in harmony with the universe, the way math gets our actions and decisions more in harmony with the universe in a very practical way.  16-04-10c2 FMS-11111 It occurred to me that this could be better done in conversation than using an NSV. I don't know if in this case that is true, but knowing when to use a Talking Head and when to use an NSV is a skill I hope to be able to develop.

          adS9-S___wikollector  16-04-10b1 FMS-11111 I momentarily had the vision of a Wikollector as being something one would go out and buy, like a lawnmower or a frying pan. Or maybe it would be given away. In any event, it would be like a utility that could be put to use in all kinds of situations.  16-04-10b2 FMS-11111 Clearly it is easiest for me now to visualize it being used for World 2.0, since that is what gave rise to my thinking of it. What is different in this thought is that it probably has many other uses, and I am not just thinking of FocaLynx uses.  16-04-10b3 FMS-11111 Looking at it this way I could see a wide variety of Wikollectors being developed to facilitate different kinds of collections of information. They might have features that make it easier to input types of data. They might have fields that people fill in, making sure that all required fields are filled in and that they are filled in correctly (such as a latitude/longitude value having the right number of digits, and maybe even telling you the country, state, county, and locality that a given value returns, to help avoid major mistakes).  16-04-10b4 FMS-11111 They would also have features or send data to software with features that help facilitate the management of the collected data. Some would be more robust than others, able to handle a greater quantity of data. ((1133))

          aaOU-U_no_entry  16-04-10a FMS-11111 no videos

          adSJ-S_interactive_reading  16-04-09p1 FMS-11111 Maybe an author could post a comment to any of his or her own Expressions. Maybe that would be a link to another Expression which is a comment on the Expression, such as a repudiation of it. Then any XSM or other collection of Expressions generated from a pointer list would have the latest links the author had added to the Expression, or at least that would be an option.  16-04-09p2 FMS-11111 Maybe links are also to ads, to Kilrois, to comments by others.

          acAC-S_VideoWave_ adSI-S_PowerDirector adNI-S_video_prodn_notes  16-04-09o1 FMS-11111 I don't know to what degree this will be the case, but one way of looking at videos is that I use VideoWave to work on individual videos and use PowerDirector to put together the various pieces I have built up.  16-04-09o2 FMS-11111 For example, unless I find something as good at setting contrast, brightness, and saturation in PowerDirector as I have in VideoWave, I can do that work in the latter and import it to the former. If I don't find something to speed up or slow down videos in PowerDirector with the level of control I can in VideoWave, I will do it in the latter.

          adSL-S___misc_resources  16-04-09n1 FMS-11111 Maybe I set up a "Misc resources" category, mostly for the SSF directory where I can post things.  16-04-09n2 FMS-11111 What made me think of this was how phone trees will ask you to key in the numbers that correspond to letters on a phone. Of course no cell phone has those letters and numbers on the face of it any more. I thought I would want those in a file that I could quickly get to. This category would provide a place to post such a file, along with other highly miscellaneous items.

          adSH-S_Galatea acBR-S_I_Want_Ads__  16-04-09m1 FMS-11111 I Want Ads can be seen as a Galatean proposal. This is one that people could breathe life into by responding to my IWAs. Overall it would be an experiment.  16-04-09m2 FMS-11111 Maybe there are only a few people in a position to post I Want Ads and have people respond to them, people who are already celebrities or otherwise well-known. But maybe this is something that everyone can participate in if it is organized well.

          adSE-S_plan_2016_04 abF3-S_GR_FMS_helped_  16-04-09L1 FMS-11111 It would probably be a mistake to just start posting videos on topics assuming I will come back to clean them up later. Certainly the intention is to upgrade them, but the first pass needs to meet a certain threshold of coherence in explaining the topic. I don't want to think I have covered various topics when in fact the videos I posted don't get the job done, and I have to go back and see which ones are of acceptable quality and which aren't.  16-04-09L2 FMS-11111 adSH-S_Galatea Unless someone else can do that for me. If I get feedback from people I trust, that will be really useful. I could make it clear that the important kind of feedback early on would be about simply meeting the threshold of effectively, if not elegantly, communicating the basic concept. This could be a Galatean request.

          adSG-S_Gal_channel adSH-S_Galatea adMB-S_jarg_implement  16-04-09k1 FMS-11111 Jargonocracy could be posted to Galatea as a project. I could explain what I envision it to be, including how inserting vocabulary into the language would shape the conversation, so long as the vocabulary aligns with reality.  16-04-09k2 FMS-11111 As for the Galatean component of it, the first thing that could breathe life into it is that people follow it and tell their friends about it, push it to viral status, and maybe on occasion take a term and push it to trending status.  16-04-09k3 FMS-11111 They could take my terms that I post as videos and start actually inserting them into their own language.  16-04-09k4 FMS-11111 They could provide direct support through Edivision, where they would take my videos and upgrade them, adding professional quality graphics and/or cleverly written notes, displacing my original videos with something better.  16-04-09k5 FMS-11111 And of course they could post playlist ads including Kilrois and Endads and traditional ads in the Jargonocracy playlists.

          adSG-S_Gal_channel adSH-S_Galatea  16-04-09j FMS-11111 All of the projects that I would like to do could be posted to Galatea, including the ones I am actually doing.

          adSG-S_Gal_channel adSH-S_Galatea  16-04-09i FMS-11111 A "Galatean Ad" might be someone paying to post a text ad or a playlist ad in which they endorse the project, or where they let it be known some way they want to help the project along. They would pay both to support me as the person who launched the project, but also to indicate that they are serious in their offer, that they have some skin in the game.

          adSG-S_Gal_channel adSH-S_Galatea adPF-S__YT_playlist_ideas  16-04-09h FMS-11111 I can have a large number of Galatean playlists, each devoted to a different project.

          adSE-S_plan_2016_04 acFW-P_Talking_Head_topics acI9-S_YT_Playlists  16-04-09g1 FMS-11111 Say I create a host of playlists that are designed to explore specific topics. It will take time to fill these with videos, particularly with quality videos that explain the topics effectively and professionally, with well-produced and thought out communications.  16-04-09g2 FMS-11111 adRV-S_Video_Mate_Pages I could start with a video that simply points you to resources that are already available. There would probably need to be at least one video that explains the topic to put it in context, and I suppose this would be done by the PDV and PDV2 videos. Following that, though, I would have a video that directs the viewer to writings etc, suggesting other playlists to look at etc. The VMP of that video might have links to mini-XSMs which collect writings on specific areas of the topic, including writings that I generate fresh and put into broader XSMs by tagging them.

          adSG-S_Gal_channel adSH-S_Galatea  16-04-09f FMS-11111 What if I had one Galatea playlist where different Galatean projects were introduced in single videos? In this case I might have a longer video than normal if that is what is required. Each of these might serve as a TPV of sorts, although it would not be labeled that way.

          adSG-S_Gal_channel  16-04-09e1 FMS-11111 I was visualizing yesterday that I could fill the Galatea channel with videos that take the action component of all of my major concepts. I envisioned this not taking tremendously long to do since I would not get into great detail, at least not first pass. I saw this as something interesting to follow, filled with variety and insight.  16-04-09e2 FMS-11111 It could still turn out to not work that way. Maybe I would have to get into detail.

          adSJ-S_interactive_reading  16-04-09d1 FMS-11111 I realized I don't have a name for the idea of being able to comment while reading, to give likes and don't-likes to Expressions, and to have these collected and made available to other readers. The name "interactive reading" came to me, but I am not sure I like that. I need to call it something, though, because I need to label some passages before I lose them.  16-04-09d2 FMS-11111 Really there is no reason I can't just create a category, maybe with a name I don't like, and use it. If I come up with another name I can take everything that is tagged by it and retag it with the new category. Then in the original category I can say it is "closed" and has been displaced with the new one. I will say that every Expression is in the new one as well, and if you came across something tagged as belonging to this category leading you to this XSM, just move on to the new one, ignoring this one.

          vvpvt adRC-U_daily_observe  16-04-09c FMS-11111 PRIVATE

          aaOU-U_no_entry  16-04-09b FMS-11111 no videos

          adSK-A_AudioDirector  16-04-09a FMS-11111 adSK = AudioDirector. Cyberlink AudioDirector software.

          vvpvt  16-04-08w FMS-11111 PRIVATE

          adSH-S_Galatea adSG-S_Gal_channel aaRE-U_spot_report_  16-04-08v1 FMS-11111 ((1339)). There are times when people have huge creative bursts, such as Jack Kerouac writing On the Road. As I woke from my short half-nap I imagined that the first filling up of the Galatea channel could be such a burst for me. I thought of drawing on the most fundamental ideas I have come up with, and then of supplementing it with much more humble projects (creating Orchepella came to mind). All the projects I will never have time to actually do myself could be outlined and dumped somewhere in a playlist in the channel.  16-04-08v2 FMS-11111 So long as it is clear what Galatea is, it seems like it would be easy to harvest my decade of thinking and come up with ideas for it. Naymash is such an idea. Set shaping is such an idea. Various interations of World 2.0 and w2oPP are potential Galatean proposals.  16-04-08v3 FMS-11111 People could visit it just to see the fruits of one person's imagination, but the light bulb might go off for them as it did for Helen Keller in The Miracle Worker and they could realize this might not be passive entertainment, like reading science fiction, but something it was in their power to make happen or at least contribute to making happen.  16-04-08v4 FMS-11111 I should add that until YouTube starts taking off videos that haven't been viewed enough, the channel would stand dormant, like tinder, kindling, and logs, just awaiting the spark to set it off as a blaze, even if I am hit by a bus.  16-04-08v5 FMS-11111 vvpvt adRC-U_daily_observe PRIVATE

          adSH-S_Galatea adRD-S_FMS_$_2016  16-04-08u1 FMS-11111 I thought of the phrase "Galatean Basket" as in I don't want to put all my eggs in one basket. The idea is that while it might be perfectly legitimate as a concept to talk about Kilrois or Investribution or pay2talk, these may never materialize as common practice, or they may only materialize in 10 or 20 years, much too late for them to be useful to me now. I would be happy to propose these, but I wouldn't want to count on them, to put my eggs in that particular Galatean basket.  16-04-08u2 FMS-11111 vvpvt adRC-U_daily_observe PRIVATE

          acER-S_Pearl_City_spire  16-04-08t1 FMS-11111 I was just imagining a high rise with people living in quite small units on the exterior, with the great views and maybe even with some or all units being slow-moving vehicles so everyone would get all the views around the building.  16-04-08t2 FMS-11111 What was new was imagining that the core would consist of enclosed, windowless spaces of various types which were large enough for people to move around it, two- and three-story open spaces that might be fitness centers but could also be used for laser tag, as restaurants, as faux rain-forests, as anything one could imagine. The small units might seem cramped in a way, but there would be release not only by having the view of the wide open spaces, but also by having adjacent spaces where one could stretch and run, as well as be social. ((1057))

          adSG-S_Gal_channel adSH-S_Galatea  16-04-08s1 FMS-11111 Thomas Edison's first invention was rejected. It was a more efficient way of managing information in the stock market, but the brokers saw it as costing them money. This certainly could be my problem, unless I am willing to simply have people follow my thinking as if it were science fiction or fantasy. That may be enough to bring in money, if the ideas are fresh and exciting enough.  16-04-08s2 FMS-11111 My agenda, though, would certainly be for people to take my Galatean proposals seriously, and to act on them.

          adSG-S_Gal_channel adSH-S_Galatea  16-04-08r FMS-11111 Thinking of Galatea as I am, I could see it building as a collage, drawing on all the various ideas I have had just about as fast as I can generate them.

          adS8-S_video_delivery  16-04-08q1 FMS-11111 I could see getting skilled at determining what makes for an effective video or video arc that explains the essentials of a concept, knowing that it will be supplemented by more writings and/or videos that get into the topic more deeply.  16-04-08q2 FMS-11111 I could also imagine that if the supplementary materials develop key areas beyond the original video that the new topics can be condensed into a video which is then referenced from the VMP of the original video.

          adSG-S_Gal_channel  16-04-08p FMS-11111 In Galatea, I could see having a video which explains the Galatean qualities of any given proposal if those aren't obvious. It could in turn point to text that goes even deeper in the explanation.

          adSG-S_Gal_channel abUJ-S_Gal_projects_ acMN-S_Pearl_City_Machu  16-04-08o1 FMS-11111 One Galatean project I could invite people to do is to take the actual Machu Picchu footprint and imagine a community there. What would be its facilities? How many people would that town or village hold? How would the logistics work if it was not connected to the rest of the world with a road? How large would the individual living units be? What would life be like there, and what amenities could be introduced to enhance it?  16-04-08o2 FMS-11111 This could be like an imaginary Sym City, only people's imaginations would then become inspirations for the real thing somewhere, in part or in its entirety.

          adSJ-S_interactive_reading adJD-S_web_site_ideas adSG-S_Gal_channel  16-04-08n1 FMS-11111 As I write 16-04-08m I could see developing the whole idea as a kind of Galatean proposal, and put it on the Galatea Channel. It is easy for me to envision making up a video or playlist arc, then just leaving it. Maybe if I have another thought I add it to the playlist, but that would not be necessary.  16-04-08n2 FMS-11111 In the spirit of the Galatea Channel this would then be just one more idea I had that would be sitting there, waiting for someone to breathe life into it. If there is a successful Galatean proposal elsewhere in the Channel, and another, and another, I will have gained credibility and people will start to look at the channel to see if there are ideas there of merit. Someone might run across this idea, realize it has great potential, and go with it to gain the competitive advantage of being the first to engage in it.

          adSJ-S_interactive_reading adJD-S_web_site_ideas  16-04-08m1 FMS-11111 In 16-04-07g I envision people reading and making comments as they read, with the comments tracked and adding value to whatever is being read.  16-04-08m2 FMS-11111 With Ice Nine, the original writing may not have any of that material. But a publication pulled from Ice Nine could effectively consist of a pointer list in another site. That site could be where the comments are amassed and the connections among them set up. Which means there could be competing sites that perform that function, competing on the efficiency with which they perform the function, additional features they provide, and the number of comments and likes they collect.  16-04-08m3 FMS-11111 Maybe an author could promote a particular such site, encouraging people to use it instead of other sites, so as to concentrate comments in one place.  16-04-08m4 FMS-11111 Maybe such sites could have cooperative arrangements where they would trade comments and references, so the competitive arena would be in features and performance rather than numbers of comments.

          adSH-S_Galatea adOE-S_stream_of_creativity  16-04-08L FMS-11111 Seeing Stream of Creativity as a Galatean concept might be an invitation for someone else to operate out of that lifestyle, exploring it and helping me define it as a methodology and as an experience of life.

          acMN-S_Pearl_City_Machu  16-04-08k FMS-11111 You could call the ski resort mountaintop community "Pearl Skitty." Or not, since it is too close to "shitty" and also to "skittish" plus the "ski-" part isn't pronounced like "ski."

          adSI-S_PowerDirector adSK-S_AudioDirector  16-04-08j1 FMS-11111 Last night I got into using PowerDirector for the first time. It did crash at one point, so it is not immune from that. The text is very difficult to place with precision. Also, placing multiple text of different fonts occurs within a single placement. You don't have different text layers. Plus there is weak fade-in and fade-out capability, no rapid or slow fades, and I don't think you can fade different blocks of text on the screen individually.  16-04-08j2 FMS-11111 Audio is more interesting to me. I seem to have taken to it more easily than I did the video editor and the Audacity audio.

          vvpvt adRC-U_daily_observe  16-04-08i FMS-11111 PRIVATE

          adSH-S_Galatea  16-04-08h FMS-11111 ((0959)). The bonfire analogy for Galatea rather works for me. Without the spark it will never catch fire. But if even a small portion of it catches fire that could spread, perhaps to the point that any Galatean proposals I made, even the largest ones, will draw scrutiny.

          adSJ-A_interactive_reading  16-04-08g FMS-11111 I should note that I am not happy with the name of the “adSJ interactive reading” category. It is entirely possible that if I develop the concept enough and also come up with a better name I will create a new category and close out new entries to this one.

          adSJ-A_interactive_reading  16-04-08f FMS-11111 adSJ = interactive reading. Collecting likes and comments from readers, making them available to other readers.

          adSI-A_PowerDirector  16-04-08e FMS-11111 adSI = PowerDirector. PowerDirector video editor by Cyberlink.

          adSH-A_Galatea  16-04-08d FMS-11111 I could suggest making a movie of Jack of Hearts as a Galatean proposal.

          adSH-A_Galatea  16-04-08c FMS-11111 adSH = Galatea. All of Galatea as a PostPub or as anything beyond a PostPub.

          adSG-A_Gal_channel  16-04-08b FMS-11111 adSG = Galatea Channel. The Galatea channel in YouTube.

          aaOU-U_no_entry  16-04-08a FMS-11111 no videos

          adSH-S_Galatea acWL-S_Pearl_Village_FMS  16-04-07t1 FMS-11111 One Galatea idea could be staying where I am and building up a Pearl Village in Admiral's Reach, but particularly in 617 Admiral Drive. I could propose this as a reality, but acknowledge that I am no where near being enough of a draw to attract people to move to be near me.  16-04-07t2 FMS-11111 The concept would still work, though, for anyone who is in a position to attract people to live near him or her in a Pearl Village. This could include the matriarch or patriarch of a family. Maybe I could frame it in those terms, being a bit more hypothetical, but also keeping it "Galatean real" by saying that I would welcome pioneering a Pearl Village with myself as its nucleus. ((1640))

          adSI-S_PowerDirector acAC-S_VideoWave_ acG9-S_THD_production  16-04-07s FMS-11111 I could even see using both VideoWave and PowerDirector. For example, if I can't find how to speed up or slow down videos in PowerDirector, or to adjust colors, I can do that in VideoWave, export a file, then import it into PowerDirector.

          adSI-S_PowerDirector  16-04-07r1 FMS-11111 Having just bought PowerDirector, it probably would be a good idea for me to get up to speed with it. I could use existing projects such as what I was trying to do with Gone For Good and see if I can just jump into the new software and be effective in using it.  16-04-07r2 FMS-11111 I have a good feeling about it so far, but still need to get some experience under my belt. I think if it is as good as I suspect I will soon be using it to great effect.  16-04-07r3 FMS-11111 Maybe I can document how it works and post what I find. Then the Stream of Creativity will include Poted postings of a sort, maybe including some that might be useful to others. For that matter, they could be useful to me as I record what I am learning as I learn it, and can look up how to do X, Y, or Z for myself.

          adJS-U_cracks_closed acG9-S_THD_production  16-04-07q FMS-11111 Put on a black stocking over the ski mask and I would probably be pretty invisible. Add talcum powder to my hands and I could decrease the brightness and up the contrast.

          acG9-S_THD_production  16-04-07p FMS-11111 I was thinking of using my hands to show how I could put a paper in a file when I was describing how Ice Nine works. This makes me think that I could generate some videos this way, developing skills with them and gradually increasing the speed with which I was able to produce them.

          vvpvt  16-04-07o1 FMS-11111 PRIVATE  16-04-07o2 FMS-11111 PRIVATE  16-04-07o3 FMS-11111 PRIVATE  16-04-07o4 FMS-11111 PRIVATE  16-04-07o5 FMS-11111 PRIVATE

          vvpvt adRC-U_daily_observe  16-04-07n FMS-11111 PRIVATE

          adD9-U_YT_music_vids  16-04-07m1 FMS-11111 Lily Rosemary https://www.youtube.com/watch? v=yPDEhq6uO1s&ebc=ANyPxKrZOATWFad9oxJh7U94koj53rnIjp6QNETv25K8_BAVBGb3Sc06OTUBkcqDK1eC2e7QNDrVFXU4I iPMoIbAIdxTmA_Zwg&nohtml5=False  16-04-07m2 FMS-11111 https://youtu.be/ https://youtu.be/yPDEhq6uO1s

          adSH-S_Galatea adSG-S_Gal_channel  16-04-07L1 FMS-11111 One way of looking at Galatea is as if it is just a collection of thoughts. It is just an alternate look at how society can be organized, at how our economic system that fully embraces technology might evolve, at how people can become more powerful and autonomous by interacting online in certain ways, about how Teleliving might transform the built environment in a way that can save the planet from climate change.  16-04-07L2 FMS-11111 For my part, I won't put anything into Galatea that I think can't be acted on. Every bit of information posted there has with it the implicit invitation to take what I say and make it happen.  16-04-07L3 FMS-11111 It will all start as potential for action, like a built fire that hasn't been lit. A spark of interest here and there might come across tinder, and a tiny flame emerge. My ideal would be for the whole channel to ultimately become a conflagration.  16-04-07L4 FMS-11111 Extending the analogy, some of what is there simply couldn't catch fire, like green wood. Whole sections of it might be that way. But if enough is in place that can catch fire, even the green wood might ultimately be consumed.

          adSK-S_AudioDirector  16-04-07k FMS-11111 I have to be very careful about getting sucked into the audio software I just uploaded. It looks really useful but I just spent 20 minutes listening to random sound clips. A near complete waste of time.

          acMH-S_Pearl_Village adJS-U_cracks_closed adRF-S_plan_2016  16-04-07j FMS-11111 acWL-S_Pearl_Village_FMS I was just thinking of passing various ideas I have through the GCM (high school) web site and a page where I post my information. Here there is a kind of online Pearl Village of people who have something in common. I would be making available my thinking to that relatively small group just as an experiment in tapping a collection of people as a resource, as people who might provide feedback or even take an idea and run with it.

          adSH-S_Galatea  16-04-07i1 FMS-11111 Some of what I wrote this morning is novel and inventive as an idea. I could see it actually happening, something that software writers could build the structure for, and people could be willing to engage in.  16-04-07i2 FMS-11111 But I don't see it as tremendously difficult to explain. I also don't see it as particularly Utopian, although it couldn't happen without a lot of collective effort.

          adSJ-S_interactive_reading acEK-S_crowd_publishing_ ac0A-S_crowd_funding  16-04-07h1 FMS-11111 adOT-S__Endad acRY-S_$_Like_button adLW-S__Kilroy I suppose through concepts like $like, paid Kilrois, Investribution, Endads etc I am creating a spectrum of approval that crosses over from hitting a like button to financially supporting an idea, expression, or opinion and thus the person who articulated or expressed it.  16-04-07h2 FMS-11111 The standard would expand from simple accumulation of numbers of free likes to the empowerment of dollar likes by many fewer people, to having a few people who strongly endorse something and have money to express that endorsement giving large amounts of money to support what is being "liked."

          adSJ-S_interactive_reading  16-04-07g1 FMS-11111 If reading was interactive as I suggest in 16-04-07f one feature I could imagine is that someone could see a comment he or she found useful and could flag the person who made the comment as something worth seeing. That person's comments would show up as a little flag wherever they were made. Someone could see the flag and if the passage it is attached to merits the attention, one could click on the flag and read the comment.  16-04-07g2 FMS-11111 Along with this, at any point where the reader finds an interesting passage he or she could turn on all comments and start reading them. If some were banal or offensive one could block that person off or have their flags show up as red. If you liked a comment you could designate that commenter as green (for go). If you had someone as green but see another not so good comment from them, you might switch them to amber or even red.  16-04-07g3 FMS-11111 I could see people whose comments themselves one would follow. In the spirit of Kilroi or of Endads I could see showing appreciation by someone who makes comments by giving them money. I could then see someone who gets a lot of money endorsements making a living or supplementing his or her income by reading a lot and making insightful and/or entertaining comments.

          adSJ-S_interactive_reading  16-04-07f1 FMS-11111 vvpvt likes to read history. What if he realized that rather than passively taking in what he is reading, he has the opportunity to contribute his own reactions to what he reads as he reads by providing feedback? He reacts anyway, liking some things and not liking others, seeing connections, making mental notes. What if there was the opportunity for him to express those feelings and make available the connections to others, easily as a kind of spinoff of the pleasure he is gaining from reading?  16-04-07f2 FMS-11111 For that matter, what if while he is reading and sees a passage that is intriguing he would have access to the impressions of others.

          adSG-S_Gal_channel  16-04-07e1 FMS-11111 One way of imagining the Galatea Channel would be to take it to its limit, to the ultimate success of all or almost all of what I propose being taken on by people as their own.  16-04-07e2 FMS-11111 The Idea Processor would be invented, built, sold, made available. Pearl Cities would spring up on mountaintops, under the ocean, in cities, in jungles. People would start building their lives around Pearl Villages. People would fully explore Agorautonomy and the economic structures would bend to support it as people are increasingly empowered by it. Ice Nine would become a fixture in gathering history, creating digital souls, and supporting Conceptory. High default transparency would be understood and increasingly practiced. World 2.0 would be fully engaged in, both used and contributed to.  16-04-07e3 FMS-11111 Looking at it this way, Galatea becomes a proposal for a new world order, one which is achievable.           acG9-S_THD_production  16-04-07d FMS-11111 I was just imagining putting black cloth over my head and recording my hands and props to illustrate things like putting papers in a file cabinet.

          adSH-S_Galatea adRD-S_FMS_$_2016 abL8-S_gr_Agora_biz_model  16-04-07c FMS-11111 Galatea and revenue actually seem to be closely related. Both are concrete. Both are action oriented. Plus revenue is important to the practicality and reality of projects.

          vvpvt adRC-U_daily_observe  16-04-07b FMS-11111 PRIVATE

          acX3-U_XID_instance  16-04-07a1 FMS-11111 aaRE-U_spot_report_ adJS-U_cracks_closed 160407aa-01.mp4 rainbow 160407aa-02.mp4 rainbow  16-04-07a2 FMS-11111 adSI-S_PowerDirector 160407ab-03.mp4 PowerDirector – setting opacity for a video track

          adRH-S_singing_1qtr_2016  16-04-06o FMS-11111 Regarding music, I can't let myself get too hung up on learning an instrument or getting accompaniment just right. My contribution will be my singing and interpretations. The more I can get people to collaborate, to contribute their own parts to collaborations, the better.

          adRH-S_singing_1qtr_2016  16-04-06n1 FMS-11111 I was thinking I could start using the harmonica to provide at least a little bit of accompaniment, at least for a song like Lily, Rosemary, and the Jack of Hearts. Maybe for more.  16-04-06n2 FMS-11111 vvpvt PRIVATE

          adRH-S_singing_1qtr_2016  16-04-06m FMS-11111 I should note that while I am now tentative in the very few singing videos I have posted, and have been very disappointed in the handful where I actually do singing, I have a feeling that once I get going I will really be able to get into it. I will be able to post any number of them, in all different styles, and will be happy with what I post. Or better than just happy. I just need to hit my stride.

          acMW-S_music_TL_collab_ abUJ-S_Gal_projects_  16-04-06L FMS-11111 The whole music collaboration idea is pretty much a Galatean concept. Galatea might simply be the place where I describe the process, and actually posting music will be in a music channel, maybe "Jerry Attrick."

          vvpvt  16-04-06k FMS-11111 PRIVATE

          adSG-S_Gal_channel adS2-S___SOC_biz_model acEK-S_crowd_publishing_  16-04-06j1 FMS-11111 One thing I might put in Galatea is the request or opportunity for someone to take on a particular set or collection of videos I keep generating through Stream of Creativity and promote it.  16-04-06j2 FMS-11111 I was thinking of just generating political commentary videos as thoughts come to me. In particular I was thinking of saying that Donald Trump doesn't need power, he needs help. He is a mess psychologically, a narcissist and bully and a bundle of insecurities protected by aggression and displays of wealth and power, unconstrained by ethics or empathy.  16-04-06j3 FMS-11111 The Galatean invitation here would be for someone to collect, upgrade (from raw THD videos and Self videos) and promote these. It would even include identifying a type of video I post that falls in some category that people might find appealing, maybe one I haven't even thought of myself.  16-04-06j4 FMS-11111 This turning of process into any number of products is clearly a Galatean proposal. Because of the way I am posting videos it probably would only work for me, and only after I have made some kind of impression to someone somewhere, having gained viral traction based on something I have posted.  16-04-06j5 FMS-11111 But someone else, maybe an established celebrity and maybe an unknown, could take on their own Stream of Creativity practice, and the same invitation could apply to them. They might have more imagination than I do, or their expressions (like singing) might be more appealing. Certainly they could start younger and grow into a Steam of Creativity lifestyle much earlier, producing much more over their lifetime than I am now in a position to ever hope to do.

          adSG-S_Gal_channel  16-04-06i1 FMS-11111 Maybe the most important component of Galatea would be my mindset as I post items there, and the mindset of anyone viewing or reading what is there. The channel (or XSMs) would not be about the theoretical, but about the real, the tangible, the realizable.  16-04-06i2 FMS-11111 Maybe if I talk about Ice Nine and permanent posting there is no actuality yet, but this is like talking about the design of a building before it is built. It is necessary to have plans to build, if only to get approval from bureaucracies that it is in compliance to codes and laws, let alone the efficiencies of working out issues in plans rather than ad hoc in the field.  16-04-06i3 FMS-11111 The point is that no matter how utopian any Galatean concepts I articulate may sound, my intention is that they can be realized. With enough participation and input and effort these can be made real.  16-04-06i4 FMS-11111 I may be wrong in a given instance. Maybe World 2.0 isn't compelling enough for anyone to want it. Maybe Pearl City isn't really adding anything new. Maybe permanent posting is just ridiculous and of little interest. Maybe Agorautonomy is some fantasy of people engaging in society with power that will never actually be there.  16-04-06i5 FMS-11111 But my intent is to think these through to the point where I can see a path to their realization, and to articulate the vision with the sense that it can in fact provide value. Thinking it through to a ballpark level of reality, including the path to its realization, is my role (along with coming up with ideas that are interesting enough for people to find them appealing and want to pursue them).  16-04-06i6 FMS-11111 Galatea will be reserved for real projects that people can take on, can act on, can profit from, and maybe can be inspired by. The threshold is a kind of reality on the one hand, and a kind of purposefulness on the other.

          abUJ-S_Gal_projects_ adSG-S_Gal_channel adS2-S___SOC_biz_model  16-04-06h1 FMS-11111 If every action that someone did was recorded, and every word was transcribed using voice recognition software, there would be a very large collection of mostly repetitive and banal scraps of conversation. A powerful idea processor would just store these away chronologically, with little additional tagging.  16-04-06h2 FMS-11111 Suppose, though, that when someone walks into an office to have a conversation, the person being recorded is in the habit of saying their name. Then that conversation could be tagged with the name of the principle and the name of the person or persons being talked to.  16-04-06h3 FMS-11111 If in addition the topic of the conversation were announced, it could be tagged as well. This may not be as accurate, because the conversation might turn to other projects or veer off in different directions. Unless the principal trains himself or herself to announce each such turn in the conversation, these will still be tagged under the initial project name, which will be inaccurate. But there will still be some content tagged correctly.  16-04-06h4 FMS-11111 Imagine that software becomes increasingly good at picking up words someone speaks, to the point it "hears" better than human beings in the room, with fewer and fewer "unintelligible" parts to what is being recorded. (This is almost inevitable, by the way, so long as there is value in it, which there is and will be). Then suppose other software figures out transition points in conversation, and then maybe figures out what other conversations are, for example picking up the names of other projects. These could then be tagged appropriately, with no human intervention. Occasionally they will get it wrong, but still the bulk of conversations will be accurately and quite completely tagged.  16-04-06h5 FMS-11111 The whole body of text can then be data mined. Maybe there are various "tells" in a person's pattern of speaking which might be useful in finding certain types of conversations. An obvious example might be swearing, for someone who doesn't routinely swear, or particular profane words for someone who does swear. It might even be particular phrases that someone uses when stressed or happy. This provides another opportunity to zero in on a particular fragment of conversation that is useful or telling.

          aaRE-U_spot_report_ adNY-S___confidence_mgt  16-04-06g1 FMS-11111 Not long ago I spent a lot of time going through old videos and listing them. I also spent time generating VMPs for videos I have posted recently, intending to get back to doing that for videos from the latest to the oldest.  16-04-06g2 FMS-11111 vvpvt Then I started doing work on and now it seems that returning to what I was doing before seems just a bit daunting. I know I wrote up procedures for generating VMPs in some detail, but I really don't know where I saved that information to.  16-04-06g3 FMS-11111 I keep getting the sense that it will be that way until I intervene. I have so many projects half done, half started, imagined, and at the top of my priority list that I am likely to spend the rest of my life spinning my wheels. Maybe not, but sometimes it feels that way.

          adQY-S_SOC_lifestyle adRB-S_SOC_launch  16-04-06f FMS-11111 It is implicit in SOC that any choice of activity includes some degree of weighting of the importance of the task. I don't have to schedule in every task based on whether it is a waste of time or central to my needs, but presumably I will have given it thought. If I haven't, giving it thought needs to be a priority, if not the priority.

          abM2-S_GR_Charge__ adQY-S_SOC_lifestyle  16-04-06e FMS-11111 I momentarily saw Charges as working well with SOC. Just having a listing of Charges makes it easier for me to select out what choices of SOC actions I have available. Deadline Charges can be at the top of any list, but beyond that I can scan the host of Charges I have in front of me and go with the one or ones that most inspire me in the moment.

          adSG-S_Gal_channel aaRE-U_spot_report_  16-04-06d1 FMS-11111 Before I get into reading what I wrote yesterday, I will note that my sense of a Galatea channel is that whether or not it proves to be a good or pivotal idea, I still need to produce videos, no matter what channel they go into. So far I have not done that at anywhere near the pace I want to.  16-04-06d2 FMS-11111 I keep working on infrastructure. For example I set up a mounting for the Flip camera by the PC. This should enable me to generate videos in the original configuration, although I still don't have the lighting worked out for it, particularly if it is daytime.

          vvpvt  16-04-06c FMS-11111 PRIVATE

          abJB-S_GR_FMS_psyche_  16-04-06b1 FMS-11111 ((0337)). There is a certain magic to where my head has just been that has no hope of surviving putting my thoughts into words through my finger on keyboard exchange. At least some of the beautiful mind is forever inaccessible. Drivel.  16-04-06b2 FMS-11111 But process continues to be product. It is just a question of whether the product is good. Or impactful, which may be more important than good.  16-04-06b3 FMS-11111 So maybe the mind isn't all that beautiful.  16-04-06b4 FMS-11111 The importance is out of my hands. That's what I like, the freedom to be, accepting the fee of expressing it, making it accessible. Communicating it – to whom?

          aaOU-U_no_entry  16-04-06a FMS-11111 no videos

          abUU-S_Galatea_binder  16-04-05za FMS-11111 If I do a project by myself, can it even be called "Galatean?"

          adSG-S_Gal_channel adOE-S_stream_of_creativity  16-04-05y FMS-11111 Suppose I define "Stream of Creativity" as a Galatean project. For me it will simply start out as a project. Maybe I leave it open for others to start experimenting with it, and perhaps in doing so to help define it, which will be the Galatean component of it.

          adSG-S_Gal_channel adJP-S_Jargonocracy adPW-S___jarg_TOD  16-04-05x FMS-11111 What does a Galatea channel do to the Jargonocracy TOD effort? Is there any relationship between the two?

          vvpvt adRC-U_daily_observe  16-04-05w FMS-11111 PRIVATE

          adSG-S_Gal_channel adA3-P_SSF_define_  16-04-05v FMS-11111 Do I create a category called "Galatea?" Do I do one called "Galatea Channel" and then maybe later define one called "Galatea" if there proves to be a need or useful purpose for doing so?

          adP7-S_glossary_GITM acO5-S_Guerrillas_in_Myst  16-04-05u1 FMS-11111 ((1802)). Looking at my videos of earlier today, they are jammed with terminology that almost no one will understand. These videos will be useful in marking the day, maybe in helping me see how a Galatea channel would work and why it would be a good means of structuring my work etc but they certainly won't function as an introduction into the channel.  16-04-05u2 FMS-11111 I will still need to start defining various concepts as concisely as I can in videos which can then point to writings and XSMs. I called these GITM videos, and may still call them that.

          adSG-S_Gal_channel adJP-S_Jargonocracy adPW-S___jarg_TOD  16-04-05t FMS-11111 Where does Jargonocracy and TOD fit in to the picture that includes Galatea?

          adSG-S_Gal_channel adRB-S_SOC_launch  16-04-05s FMS-11111 There is nothing either complementary or contradictory to Galatea with respect to Stream of Creativity. Maybe Stream of Creativity is diverted to ensure Galatea is in place. Maybe today's thinking about a Galatea channel is just an eddy in Stream of Creativity that will be gone by tomorrow. Either way the Stream of Creativity will go on as long as I go on and I keep it as a work and process methodology, something I am crafting and focusing on as I go along.

          vvpvt  16-04-05r FMS-11111 PRIVATE

          adSG-S_Gal_channel abSG-S_FMS_biz_plan abB5-S_GR_FMS_role  16-04-05q1 FMS-11111 Maybe I use Galatea to acknowledge just how impossible the task of making these ideas happen would be if I did it on my own. For one thing my executive skills are weak, if only because I don't have credibility that comes from past results and hands-on experience.  16-04-05q2 FMS-11111 My hope is that the insight that my real strength is my imagination, hopefully with enough practicality to it that it will strike people as ballpark real or better. Maybe the only people who can see it as real need imagination themselves.

          adSG-S_Gal_channel adP7-S_glossary_GITM adSE-S_plan_2016_04  16-04-05p FMS-11111 Certainly having a Galatean channel elevates my need to explain what "Galatean" is and what it means.

          adSG-S_Gal_channel abGK-S_GR_World_2.0  16-04-05o FMS-11111 Is there some way of combining World 2.0 with Galatean proposals, where people in a geographic area might set up a face to face collaborative effort? Is this a kind of Craigslist?

          adSG-S_Gal_channel acMU-S_Gal_platform adA1-S_Galatean_orgzn  16-04-05n1 FMS-11111 If I make a Galatean proposal, I could see people who are interested in pursuing it posting playlist ads and Endads that both support the idea, voting on it with their dollars and prestige by endorsing it.  16-04-05n2 FMS-11111 I could also see them advertising the fact that they are interested in pursuing some aspect of the project, asking people who might also be interested to contact them and see if they can set up some kind of online collaboration.  16-04-05n3 FMS-11111 Maybe they advertise the fact that they are willing to fund someone who is able to get some component of the Galatean proposal in motion.

          adSG-S_Gal_channel adRD-S_FMS_$_2016  16-04-05m1 FMS-11111 adLW-S__Kilroy acBR-S_I_Want_Ads__ How does the Galatea channel idea fit in with revenue? Certainly I can have revenue ideas in the I Want Ads, and certainly if any of my project ideas gain traction I can expect some kind of revenue, even it if is only from people posting playlist ads and Kilrois in my writings.  16-04-05m2 FMS-11111 If the channel gains attention I would benefit in all the ways I have thought I might benefit from attention and viral traction. But is there a more special way of earning revenue that would come out of my having a Galatea channel in particular?

          adSG-S_Gal_channel  16-04-05L FMS-11111 The idea of organizing what I post around action items large and small, including actions that I won't be doing myself but am opening up the possibility for others to do and profit from, seems to be potentially pivotal.

          vvpvt  16-04-05k1 FMS-11111 PRIVATE  16-04-05k2 FMS-11111 PRIVATE  16-04-05k3 FMS-11111 PRIVATE  16-04-05k4 FMS-11111 PRIVATE

          adSG-S_Gal_channel  16-04-05j1 FMS-11111 One appeal of a Galatea channel is that it will be action oriented. It can serve to explain my concepts, but will do so through describing the end products of my thinking, and how it could impact the planet.  16-04-05j2 FMS-11111 It will stand as an implicit and explicit invitation for people to act on my thinking. People may take on projects I suggest with no interaction with me, may take them on but ask for and pay for my advice, or may partner up with me.  16-04-05j3 FMS-11111 As an elevator conversation, I could simply suggest projects that I think someone might be interested in knowing about.

          abJB-S_GR_FMS_psyche_  16-04-05i FMS-11111 I should just note that in complete contrast to yesterday, and counter to my expectations, my underlying mood today is positive. Yesterday I would become enthusiastic through my thinking but when I stopped the gloom would return. Today I have mostly been thinking so maybe the gloom will come back to me when I stop, but I don't think it will. Plus the thinking seems to have been really good, although I can't really judge that now, and will have to assess it later.

          acMH-S_Pearl_Village adRF-S_plan_2016 adJS-U_cracks_closed  16-04-05h1 FMS-11111 The idea of visiting different people as a Pearl Village exercise could be something typically arrogant and unrealistic, but on the other hand might be really useful and worth pointing to.  16-04-05h2 FMS-11111 Maybe people who find my ideas and thinking appealing would be willing for me to look into their worlds to show them off to the world through conversation and through my perception as well.  16-04-05h3 FMS-11111 vvpvt PRIVATE

          adSG-S_Gal_channel adPU-S___GITM_paths_in  16-04-05g1 FMS-11111 I don't want to start creating a massive number of channels that I then don't keep up. But I wonder if a Galatea channel might not be a really good idea. I could focus on projects I would like to see done, web sites and web site consortia I would like to see in place, inventions I would like developed, etc. I could propose Ice Nine there. I could set up an I Want Ad playlist, or series of such playlists there.  16-04-05g2 FMS-11111 All of these items would be portals into the thinking that preceded the Galatean concepts. People could look at the XSMs to enrich their understanding of what led to the Galatean idea, and maybe even to help discover what would make it work.

          adII-S_GITM_structure acRN-S_GITM_PostPub acI9-S_YT_Playlists  16-04-05f1 FMS-11111 If I have a master listing of playlists and sub-playlists I could post this. Anyone who doesn't want to go through my "phone tree" of playlists to get to what they want could have free access to the master playlist, and could find things using it.  16-04-05f2 FMS-11111 I also wonder if I could have my list of videos but also a list of the playlists to which each video belongs?

          abZV-S_ConVideo acMH-S_Pearl_Village adRF-S_plan_2016  16-04-05e1 FMS-11111 vvpvt It just hit me that if I could generate useful ConVideos with and I could justify visiting them in their place in , staying there for a long period of time, and deepening my relationships with both of them in the process.  16-04-05e2 FMS-11111 This could also be a Pearl Village kind of project I might be able to do with a number of people. Maybe I become a nomad, establishing relationships with people online and then living with them for various periods of time, doing my thing but also having conversations with them that become PostPublished ConVideos.

          abM2-S_GR_Charge__ abVG-S_ChronCg_BINDER  16-04-05d1 FMS-11111 As I think about tasks and projects I wonder if it is time to get serious about using ChronCharge and Charges.  16-04-05d2 FMS-11111 For example, I am starting to think I want to have a much clearer list of ongoing projects such as what I have just been discussing, or have been thinking about in general. There is no reason that if I were to draw up such a list that it couldn't be done using Charges.  16-04-05d3 FMS-11111 I could set up a category or a handful of categories for exactly that purpose. Every project I think up could be labeled for that category, even though it inevitably belongs to some other category as well.  16-04-05d4 FMS-11111 I would keep the inventory of projects, but would then apply standards to determine which are priorities, if only to keep me from flitting from one project to another, or sinking a lot of time into something I can never finish or which will never bring a return.

          adSE-S_plan_2016_04 adJO-S_XSM_updates adM3-S_XSM_work  16-04-05c1 FMS-11111 Last night I spent time updating XSMs. It occurred to me that I might want to systematically go down the SSF numbers in order and update them all, making sure I put the accurate update times on them.  16-04-05c2 FMS-11111 I have also been adding definitions to the tops of the Synapses. Why not also transfer these over to the XSMs? Then as I go through updating XSMs I would add definitions to any categories that don't yet have definitions. Or maybe that would be a separate project, which might even take preference over updating XSMs. Or more likely they would go in parallel since updating XSMs is low concentration where the definitions are high concentration tasks.

          vvpvt adRC-U_daily_observe  16-04-05b FMS-11111 PRIVATE

          acX3-U_XID_instance adS3-U_Self_vids adSG-S_Gal_channel  16-04-05a1 FMS-11111 VID00002.mp4 Self: Raw – https://youtu.be/PU4ii-BGZFY VID00003.mp4 (tag) marking the idea of a Galatean channel, noting its implications, how it might be a big deal https://youtu.be/NnmtboTTIbE  16-04-05a2 FMS-11111 adRH-S_singing_1qtr_2016 160405ab-01.mp4 Self: https://youtu.be/9OeGpJKI924 160405ab-02.mp4 (tag) use idea of a song (Brenda Lee) as an example of the Galatean mindset https://youtu.be/MWi4_l_U7zU  16-04-05a3 FMS-11111 aaIU-S_idea_processor 160405ac-03.mp4 Self: Raw – https://youtu.be/MWi4_l_U7zU 160405ac-04.mp4 (tag) Idea Processor as example of a bigger Galatean idea https://youtu.be/tSuTJw2oMws  16-04-05a4 FMS-11111 acMZ-S_FMS_Gal_Author_ 160405ad-05.mp4 Self: Raw – https://youtu.be/XERJCEIjI8k 160405ad-06.mp4 (tag) Galatea takes advantage of what I am good at (thinking, imagination) but grounds them in reality https://youtu.be/VUl6tISWNMA  16-04-05a5 FMS-11111 acMZ-S_FMS_Gal_Author_ acCX-S_gal_Author 160405ae-07.mp4 Self: Raw – https://youtu.be/gEbHwAoNJR8 160405ae-08.mp4 (tag) profit as a Galatean author from other's success. Can't steal my ideas, I am giving them away https://youtu.be/bkx98AjEl0E

          adD9-U_YT_music_vids  16-04-04 FMS-11111 () https://www.youtube.com/watch?v=QuFb2iRhM7M&feature=youtu.be

          adII-S_GITM_structure adP7-S_glossary_GITM adRF-S_plan_2016  16-04-04o1 FMS-11111 Say I do a video where I explain the term "Expression" and where it comes from as well as why I felt it necessary to name it.  16-04-04o2 FMS-11111 Once I have done that I can use it in videos. When I say it I no longer need to explain it. Rather, I can type in a text explanation of it, and then make sure that I have a link to the definition video in the VMP.  16-04-04o3 FMS-11111 People can do what they (i.e. “I”) often do when coming across a word they don't know the meaning of, just skipping over it until they are sure that knowing it is critical to understanding what is being said. The written text definition should be enough to explain it in general terms, and if they want to dig deeper the video is available for them to do that. ((1434))

          adRF-S_plan_2016  16-04-04n FMS-11111 Probably the most important thing for me to do is relentlessly eliminate unnecessary work, trying to focus my time most on what I am good at, whether thinking or expression.

          abUJ-S_Gal_projects_ acGO-S_Crowd_Collab acEQ-S_crowd_authoring  16-04-04m1 FMS-11111 adB7-S_autonomy_Agora_ adOC-S_Edivision ((1425)). Edivision Telecollaboration in PostPublishing my SOC-created writings and videos may seem like a Tom Sawyer invitation to whitewash the fence. By actually doing what I suggest people might see themselves as being manipulated into doing something for nothing.  16-04-04m2 FMS-11111 adB7-S_autonomy_Agora_ adOC-S_Edivision Until people do it and realize that it is exactly what I suggest, an opportunity to empower individuals and bypass organizational structures to create value and express oneself, as well as engage in the economy autonomously, in a true rather than bogus free market.

          adII-S_GITM_structure  16-04-04L FMS-11111 Ideally I can just capture my process using videos, supplementing my ongoing capture using Chrontext writing, and by distributing the videos to playlists and channels and YouTube pages that can be followed, I will generate collections of videos that can be reviewed as bodies of work and also followed as processes of new videos being added. ((1202))

          abM2-S_GR_Charge__ adRF-S_plan_2016  16-04-04k FMS-11111 Maybe I will finally start using the Charge pages now that I am fully devoted to launching my online presence and living a Stream of Creativity life.

          acP3-S_YT_organize_ adRV-S_Video_Mate_Pages adII-S_GITM_structure  16-04-04j1 FMS-11111 Say I do a video that includes several references to other videos. I could put it on hold while I work up the videos I am referencing. I could put links to those videos in the VMP. I might even post it and it's VMP before all the supporting videos are done, and where a link will be I instead note that the video is not yet created. But I would want to keep those to a minimum.  16-04-04j2 FMS-11111 In the past I have generated materials and assumed that other materials would be developed to support them in the future. I then found that to be a burden, and even tracking what I said I would do turned out to be a big effort.

          abUJ-S_Gal_projects_ acGO-S_Crowd_Collab acEQ-S_crowd_authoring  16-04-04i1 FMS-11111 Suppose I post a video arc explaining an extensive topic, post one or a number of XSMs on the topic, and don't post anything in between that will bridge the gap between overview and amassed details.  16-04-04i2 FMS-11111 I have imagined that someone else could step in and generate something in between, something that explains the topic much more deeply than the overview while leaving behind the fluff, the repetition, the discovery process, the false starts etc that the XSM or XSMs represent.  16-04-04i3 FMS-11111 It occurred to me that such a project is something I could then review myself and comment on. If it was close to being on target I could see my comments doing a lot to take the work that has been done and adjust it to reflect my thinking. In other words, I would be completing that work with my perspective.  16-04-04i4 FMS-11111 It is entirely possible that in doing so the gap between what the other person perceived and my own view could be enlightening. Maybe their ideas would be more accurate or useful than my original ideas had been. Maybe I would find an exploration of the difference to be stimulating for my own thinking on the topic, perhaps even launching a whole new line of thinking.

          adAI-U_Cg_instance_ adSE-S_plan_2016_04  16-04-04h FMS-11111 Ongoing tasks: . XSM generation and updating . Synapse updating . Uploading recently changed VBT, /Works, and other web pages . Rescuing existing videos, creating VMPs for them . Generating topic playlists

          acPK-U_raw_vids acT9-S_legacy_vids__ adSE-S_plan_2016_04  16-04-04g1 FMS-11111 I was envisioning having playlists where I include videos that are raw and lack VMPs. I can pull a video from such a playlist at any time if I decide to make a VMP for it, and/or upgrade it.  16-04-04g2 FMS-11111 It just hit me that I could do the same for all the videos I have already posted. Anything I don't want to be active in the YouTube universe could be unlisted and put in the limbo playlist. Maybe these are by year, or if a year was really active are by quarter. I can then scan the playlist for anything that looks like a candidate for upgrading

          adRX-S__playlist_arc  16-04-04f1 FMS-11111 A playlist arc need not only include the videos in an arc. The arc may just be one sequence in the playlist, albeit probably making put the majority of the playlist videos. But to be a playlist arc the other videos in the playlist need to support the arc. Maybe they are TPVs to related playlists.  16-04-04f2 FMS-11111 Maybe they are comments on the arc, including comment videos that others post and are included in a "guest comments" section of the playlist.

          adGC-U_Video_Script adEM-S_GITM_launch adHV-S_GITM_THD_  16-04-04e1 FMS-11111 Explain GITM (playlist/video arc) . GITM was originally acronym for Guerrillas in the Myst .-- play on the name of the Dian Fossey book, don't want complications of using it .-- reference to: .--.-- "guerrillas" meaning revolutionary .--.-- "Myst" meaning a game where you direct your own exploration, make discoveries  16-04-04e2 FMS-11111 . GITM refers to my entire body of PostPublished work .-- set up to be explored .-- assumes someone will find it worth exploring, with ideas worth seeking out .-- this playlist assumes someone has decided it is worth exploring  16-04-04e3 FMS-11111 . this video arc explains the structure of the information. .-- Not trying (here) to motivate anyone to actually explore .-- even if you never look at anything I have posted, this model could be of interest .-- what I have posted is a working model, a microcosm or prototype, an example .-- if you see any of my ideas as worth your time to follow, can try out this organization

          adOW-S_NSV_FIB_producn aaRE-U_spot_report_  16-04-04d FMS-11111 I could imagine jumping in to NSV production on any number of topics. I probably should also get TOD started. If I am getting new video editing software I should do that so I can start to learn how to use it. It is the end of the month so if I am truly brain-dead I can always update XSMs. I certainly should update VBT.

          adRB-S_SOC_launch  16-04-04c1 FMS-11111 I am starting this day and this week with pretty much of a blank slate, maybe for months. It's like this is it, I am now free to fully pursue SOC and all the projects it entails. My mood this morning is less than ebullient so I doubt that I will be generating a lot of videos, but maybe this is just the time to generate videos, capturing where I am regardless of mood.  16-04-04c2 FMS-11111 vvpvt PRIVATE

          vvpvt  16-04-04b1 FMS-11111 PRIVATE  16-04-04b2 FMS-11111 PRIVATE

          aaOU-U_no_entry  16-04-04a FMS-11111 no videos

          adRC-U_daily_observe vvpvt  16-04-03q1 FMS-11111 PRIVATE  16-04-03q2 FMS-11111 PRIVATE           adOW-S_NSV_FIB_producn acG9-S_THD_production  16-04-03p FMS-11111 If I am doing the THD NSV combination as I had described before, there is no reason I couldn't just do the THD portion facing the window, i.e. in normal recording configuration, and then move the Flip from there to the NSV screen. Also, I am not sure I need to make it all one video, but could simply splice the two videos together.

          adRH-S_singing_1qtr_2016 adSE-S_plan_2016_04  16-04-03o FMS-11111 vvpvt I was imagining doing a good job with the vocals for Fathers and Daughters, something I was proud of, and sending a message to asking if he would be willing to do one or more guitar tracks to accompany it. I would give him the URL of the track and also the URL to the original. I would let him know it was a surprise.

          adRH-S_singing_1qtr_2016  16-04-03n FMS-11111 ((1725?)) One thing I am thinking about the singing videos I did was that I was not clear on what I was trying to do. Maybe I just hoped that by singing a new song I wasn't familiar with while reading music I would come up with a quality video, which is a ridiculous thought.

          acQZ-S_music_notation adRH-S_singing_1qtr_2016 adSE-S_plan_2016_04  16-04-03m1 FMS-11111 When doing the beats I can have a numbering of the measures to go along with it. That would not be hard to make for the file, and would only require that I put the Snagit window on both fields, not just the beat field.  16-04-03m2 FMS-11111 I can also have a permanent file with 4 beats, and another with 3 beats per measure.

          vvpvt adRC-U_daily_observe  16-04-03L FMS-11111 PRIVATE

          adRH-S_singing_1qtr_2016 adNI-S_video_prodn_notes adSE-S_plan_2016_04  16-04-03k FMS-11111 Figure out my latest thinking on video recording setups for singing, NSVs, etc, particularly regarding whether I go back to facing the Samsung PC. Then think through how to revise what I have now, which doesn't include any place for the Flip camera.

          acQZ-S_music_notation adKI-S_Seminarc adRH-S_singing_1qtr_2016  16-04-03j FMS-11111 ((1524a)). Say I had a keyboard here. I could video playing something with a strong point of light from a relatively sharp angle, so when the key is pressed it would show up black (shaded). Would this be enough to automatically generate the kinds of "guitar hero" configuration of video music notation I was trying to do with a spreadsheet?

          adNH-S__Jarg_about adJQ-S_Jargonocracy_terms adPW-S___jarg_TOD  16-04-03i1 FMS-11111 The ideal TOD would be a term that nails something that no existing word does, that sounds just right for its function, and that begs to be used by anyone in describing the reality it identified. It would be easy to remember and hard to forget so it would be there, ready to use, and hopefully would be used.  16-04-03i2 FMS-11111 Two such terms that come to mind for me in that way are "turdic" and "assaholic," both of which are mildly profane, presumably but not necessarily by coincidence.

          adJQ-S_Jargonocracy_terms  16-04-03h FMS-11111 Hillogical = illogical + Anita Hill. I don't have a meaning for it yet.

          adOY-U__NSV_topics adSE-S_plan_2016_04  16-04-03g FMS-11111 I was just visualizing a video where I explain XSMs, VBT, and Synapses using NSV explanation combined with screen shots of the individual components. It struck me as pretty compelling, and a fairly obvious thing to do.

          vvpvt adRC-U_daily_observe  16-04-03f FMS-11111 PRIVATE

          adRH-S_singing_1qtr_2016  16-04-03e1 FMS-11111 It has been discouraging to look at the first singing videos. I don't like the way I have been swaying around with my eyes closed as I sing, I don't like the tentativeness, I don't think the indifferent cuts at the music can possibly work, at least not as something I would be interested in posting. I should add that VideoWave being so f***ed up isn't helping, as I need to now find an alternative way of piecing together videos.  16-04-03e2 FMS-11111 But this is probably just something I need to get out of the way. Certainly my first, halting efforts can't be seen as representative of what I am capable of. And they certainly have been useful in making me aware of things I should be paying attention to such as looking at the camcorder and not bobbing and weaving as I sing. So I guess this is just part of the process.

          vvpvt adRC-U_daily_observe  16-04-03d1 FMS-11111 PRIVATE  16-04-03d2 FMS-11111 PRIVATE  16-04-03d3 FMS-11111 PRIVATE

          adRH-A_singing_1qtr_2016  16-04-03c FMS-11111 At least for a while I am going to continue using the “adRH: singing 1st quarter 2016” category even though I am already in the second quarter of the year. I may even use it throughout this quarter and then define another category for the 2nd half of the year next July.

          adSE-A_plan_2016_04  16-04-03b FMS-11111 adSE = April 2016 “Plans.” April 2016 plans. Short term plans, recorded activities.

          aaOU-U_no_entry  16-04-03a FMS-11111 no videos

          vvpvt adRC-U_daily_observe  16-04-02w FMS-11111 PRIVATE

          adNI-S_video_prodn_notes adOW-S_NSV_FIB_producn  16-04-02v1 FMS-11111 ((1457)). The technique for NSVs might start with the Flip pointing at me as THD. I would give a quick introduction as THD, then reach over and turn the video camera so you could see the Toshiba screen. I would then do the NSV using the Wacom etc.  16-04-02v2 FMS-11111 The sound would all be from the Flip. It would capture the image of the NSV as I drew it entirely for the purposes of meshing the video with the Flip audio. In post-processing I would have the THD intro, then THD would fade to black and the screen would be filled with the NSV.  16-04-02v3 FMS-11111 If there were some need for me to say something as THD I could always put the Flip back in place, but that might not happen all that often.

          adNI-S_video_prodn_notes aaRE-U_spot_report_ abU2-S_software_FMS  16-04-02u FMS-11111 I am a bit on edge, worrying about the learning curve for new video software, and hoping it doesn't lack features I would want it to have.

          adRH-S_singing_1qtr_2016 adNI-S_video_prodn_notes  16-04-02t1 FMS-11111 I was thinking of having a video I use to generate a final singing video, one where I am looking at the video camera and have the THD collar and backdrop in place. Maybe the design is set up so I can be looking at the video camera, but seeing the screen out of the corner of my eye. I might have the ear buds in, and the sound attached to the screen image, with the music going so I don't miss a beat.  16-04-02t2 FMS-11111 But whatever the sound is can be reinforced by the screen image, such as half of the screen filled with the arrow indicating when to come in, and the other half filled with a large text keyword for the lyric that I start the next line I will be coming in with.

          adRH-S_singing_1qtr_2016 adNI-S_video_prodn_notes  16-04-02s FMS-11111 For singing anything other than a final or near final video, I don't even need to be in the screen view, let alone with my Talking Head collar on. The purpose of those videos is to record singing I can use elsewhere. When I am learning a song I can't sing while looking into the camera, and I will also be...

          acP3-S_YT_organize_ adR3-P_SOC_THD acI9-S_YT_Playlists  16-04-02r1 FMS-11111 adSE-S_plan_2016_04 I can make it clear that the Raw Uploads playlist is unique, with contents very different from my other videos. The videos there won't have VMPs associated with them. I can delete a video out at any time. I may or may not keep track of them. It will generally (or maybe always) include the Tag videos.  16-04-02r2 FMS-11111 adSE-S_plan_2016_04 As soon as I decide that a video in the playlist is worth upgrading, I simply delete the video, maybe leaving the tag. This is so there will be no confusion by YouTube that I am uploading the same video twice. If that is not a problem maybe I leave the video, or move it to another playlist of raw videos that have been upgraded. Meanwhile I post the raw cut version, or even something more fully developed, generating the VMP for it and putting it in relevant playlists.

          vvpvt  16-04-02q FMS-11111 PRIVATE

          adSE-S_plan_2016_04 adCA-S_email_accounts  16-04-02p FMS-11111 I am creating multiple e-mail accounts for various reasons. It just occurred to me that I could have a page with URLs to the logins for such accounts, and the names of them, with the passwords in a secure place, and from time to time just go to one account after another and see if anything has been posted.

          adPW-S___jarg_TOD adRB-S_SOC_launch  16-04-02o FMS-11111 I am planning on relaunching TOD Jargonocracy videos, maybe even today. But I could also kick in to a much more extensive posting of Stream of Creativity videos, and creating the playlists for them.

          vvpvt adRF-S_plan_2016  16-04-02n1 FMS-11111 PRIVATE  16-04-02n2 FMS-11111 PRIVATE

          acTK-S_online_knowing adQY-S_SOC_lifestyle adR1-S_SOC_authentic  16-04-02m FMS-11111 I was just struck by the term "self-portrait" in the context of my Stream of Creativity postings. I could see having a substantial portrait of who I am, from singing to Roadirk to Chrontext thinking to NSVs, all posted online.

          adSA-S_PostPub_disruptive_model abSG-S_FMS_biz_plan adLW-S__Kilroy  16-04-02L1 FMS-11111 Regarding the "business model" I talked about yesterday, and "disruptive publishing," I can be very matter of fact about how it is ridiculous and maybe arrogant to even suggest that people would want to pay for Kilrois related to my work.  16-04-02L2 FMS-11111 I could then simply say that if the concept is valid, it could well be valid for my work. In fact, the pioneering component of being among the first to ever engage in the practice makes it potentially far more valuable now than it will be once it takes hold. It will certainly be more valuable for me now than it would be later, once the practice becomes established, but anyone who has proof that they were among the first to support me and launch the practice would have a Kilroi that is golden.

          abKV-S_GR_datestamp adJD-S_web_site_ideas  16-04-02k1 FMS-11111 Show an online current news story, slide that image to the side and show the upload date in YouTube. That would fix the upload date in a couple of seconds. Maybe collect a series of these and put them into a video which is itself uploaded.  16-04-02k2 FMS-11111 It hit me that a site could be set up for the purpose of date-stamping, one which does what YouTube doesn't which is guarantee it won't modify upload dates. You could take the two-second video I just described, and maybe for a fee you could upload it to the site where it would be posted forever.

          adRR-S_Note_Videos adLW-S__Kilroy  16-04-02j1 FMS-11111 What if posted Note Videos became something of a Kilroi or a trophy? What if paying to get a video message from me is something someone would pay for, with some expectation that it would increase in value over time?  16-04-02j2 FMS-11111 What if someone pays me to read something from Chrontext, ending it by saying "sponsored by John Doe of Peoria?" The VMP would note how much money John Doe gave me to do the reading, and it would also be in some open books accounting page somewhere.

          adRB-S_SOC_launch adPW-S___jarg_TOD  16-04-02i FMS-11111 I was thinking that I could set up some task I could do when I wasn't pressed by some agenda and my day was an intimidating blank canvas. Then it occurred to me that once I get going with Term of the Day videos, that could be just such a task.

          adJQ-S_Jargonocracy_terms adMB-S_jarg_implement adP7-S_glossary_GITM  16-04-02h1 FMS-11111 I was just imagining a conversation or video narrative where I say, "...as much as I don't like conflatulance, it is fair to say both sides do X." Not even knowing if that is the right way of using the word, it struck me that inserting Jargonocracy and GITM vocabulary into my normal speaking on videos could be a good thing, and certainly could feel natural for me. Or it could be a bad thing.  16-04-02h2 FMS-11111 As a good thing, it would be an opportunity to expose people to Jargonocracy, since every time I use a word and link to its definition I am sending them to a GITM or Jargonocracy playlist.  16-04-02h3 FMS-11111 Also, how could I expect people to use my vocabulary if I don't use it? They might hear me say a word, investigate it, and find it resonates with them. They might then find themselves using it, purposefully or with it just popping up in their speaking.  16-04-02h4 FMS-11111 As a bad thing, it might be just one more thing that puts people off, that makes my ideas inaccessible because learning a whole new vocabulary to understand what I say is just too much work.  16-04-02h5 FMS-11111 I could imagine a video in video where I take every term I use, stop the video, and explain it briefly.

          acAC-S_VideoWave_ adR0-S_Microsoft adSE-S_plan_2016_04  16-04-02g1 FMS-11111 Maybe the complete failure of Roxio VideoWave on Windows 10 will push me to get new software (probably PowerDirector) and swallow the learning curve for it. Maybe once again bad news turns out to be really useful.  16-04-02g2 FMS-11111 I certainly can't believe that no video editing software works. Certainly the fact that VideoWave failed to show up in the top ten list of video editors may be telling.  16-04-02g3 FMS-11111 http://video-editing-software-review.toptenreviews.com

          adJQ-S_Jargonocracy_terms  16-04-02f FMS-11111 I really like "turdic" because it sounds so much like a real word. The operative root is right there, but my guess is that someone looking at the word would not think of it as being about a turd, but rather assume it had some other source.

          vvpvt  16-04-02e1 FMS-11111 PRIVATE  16-04-02e2 FMS-11111 PRIVATE  16-04-02e3 FMS-11111 PRIVATE  16-04-02e4 FMS-11111 PRIVATE

          vvpvt  16-04-02d FMS-11111 PRIVATE

          acAC-S_VideoWave_ adR0-S_Microsoft adRE-S__Cybirk  16-04-02c1 FMS-11111 Even Talking Head may not work if I get past just posting it. Maybe if I add text the text will come in at bizarre times unrelated to when and where I put it. Maybe if I try to combine an NSV with a narrative, one or the other will come in at high speed and then freeze for a time, so what I say will bear little relationship to what is on the screen.  16-04-02c2 FMS-11111 I envision software working. I imagine it to be able to do in the future what it has done in the past. I plan on it. And then I am betrayed by a combination of incompetence and indifference of the makers of fundamental software platforms - in this case Microsoft - who are chasing the glitz of Apple at the apparent cost of basic functionality.  16-04-02c3 FMS-11111 Why should I now have to test just how bad the damage is, doing workarounds and struggling to make something do what it has always done routinely in the past? Why should I have to cut back on ambitions because the technical foundations of what I had planned have turned to quicksand? ((0419))

          acAC-S_VideoWave_ adR0-S_Microsoft adRE-S__Cybirk  16-04-02b1 FMS-11111 ((0359)). I don't know if it has even really sunk in yet, but VideoWave on Windows 10 isn't just unstable, the results it generates are horrifically and bizarrely weird, rendering it useless for many of the purposes I have been counting on being able to use it for. Do I buy a newer version, only to find it doesn't work either?  16-04-02b2 FMS-11111 Certainly OpenOffice is much more unstable, routinely blowing up multiple times a day. I am sure the new versions of Windows have wonderful capabilities, but I am not nearly as interested in them as I am in having the operating systems I work on enable me to run software that works. First things first.

          aaOU-U_no_entry  16-04-02a FMS-11111 No videos

          acAN-S_popular_science  16-04-01t1 FMS-11111 A variation on what I am talking about in 16-04-01s might be use of the submerged base of islands. Instead of floating they would be moored off the shore of an island, far enough out that the floating area could be submerged out of harms way when a storm comes. There would be anchors on the bottom and the floating elements would just be pulled to the sea floor at that point.  16-04-01t2 FMS-11111 An island would be ringed by an artificial island, one floating most of the time and pulled to the bottom when storms approach.

          acAN-S_popular_science  16-04-01s1 FMS-11111 Expanding on the idea of floating sea colonies (see 16-03-25zg hard copy) I could imagine the bulk of them being made up of the cheapest possible materials that barely float and could be held together enough to be able to have structural integrity in relatively calm waters. The devices that would submerge them and hold them beneath the turbulence of a storm could be fairly simple, just a tank into which air could be injected and ballast to pull something down when air was evacuated.  16-04-01s2 FMS-11111 Maybe these units would always be submerged, making up kelp beds that would be taken deep when a storm came.  16-04-01s3 FMS-11111 Maybe all or some of the materials making them up would be sea junk collected from the surface of the ocean in the journey of the colony.  16-04-01s4 FMS-11111 One function of solar panels might be to warm the water next to colony areas to attract sea life.  16-04-01s5 FMS-11111 Maybe these ideas would be enough to ballpark something that could in fact be practical, especially for island colonies that are likely to be wiped off the face of the earth by sea level rise.

          adRH-S_singing_1qtr_2016  16-04-01r1 FMS-11111 My current singing efforts are about getting into recording songs and starting to get a sense of whether it will work. One project I am working on now is seeing how quickly I can get up to speed with "Gone for Good" by the Shins, using videos of singing and lyrics plus beats.  16-04-01r2 FMS-11111 VideoWave let me down by not being able to process beats, screwing them up in the output videos. On the other hand the technique for moving the lyrics up the page and recording it in Snagit, then applying the Negative effect and then arrows worked really well, and is much more efficient than anything else I have done.  16-04-01r3 FMS-11111 I was just thinking of recording the song in Audacity, including beats, and then recording the graphic that shows the audio using Snagit. Only I am not sure whether that would be useful... Maybe for different tracks, so you could see when an instrument was going to come in, or a harmony took place.  16-04-01r4 FMS-11111 Aside from that I am just getting comfortable recording at all. When I first tried a couple of songs I really tightened up, so I need to get over that. ((1544))

          adP7-S_glossary_GITM adJQ-S_Jargonocracy_terms adSE-S_plan_2016_04  16-04-01q1 FMS-11111 I continue to see Jargonocracy and my GITM vocabulary as being more connected than I had before.  16-04-01q2 FMS-11111 One aspect of that was I was visualizing commonly using any terms that I have invented in my own videos. If I was upgrading the video, whenever I use a term I could put it in text on the screen and then provide a definition of it, also in text.  16-04-01q3 FMS-11111 So if I am discussing something I might use the term "assaholic" and do what I just suggested. Or I might use the term "Teleliving" or "Pearl City" or "Galatean" and do the same thing.  16-04-01q4 FMS-11111 One is Jargonocracy and the others are GITM, but if I have defined a word I am free to use it, knowing that if the video is upgraded it will be possible to use text to post the definition on the video. Of course it will also be possible to link to video or text definitions from the VMP.

          adQY-S_SOC_lifestyle adRB-S_SOC_launch  16-04-01p1 FMS-11111 I just want to note that along with losing touch with the value of my thinking, I realized there is a palpable if emerging mindset to Stream of Creativity that I also lost touch with as I spent Easter socializing and then much of this week working on .  16-04-01p2 FMS-11111 The experience is that I can almost impulsively jump from what I am doing to some other task that grabs my attention. I can do so not like a child who is a slave to his or her attention span, but as someone who knows that the task which the impulse is directing me to is also a priority, something I am well served by doing. If there is a deadline I don't drop it but if there isn't I am free to follow my impulse and profit from the enthusiasm that doing so brings to the new task.

          adOC-S_Edivision acEK-S_crowd_publishing_ abSG-S_FMS_biz_plan  16-04-01o FMS-11111 I don't know whether this is just another idea or is something fundamental to my business model, but this idea of posting raw text in Chrontext or raw videos to YouTube and then having others select, upgrade, and PostPublish it so we share any profits is very intriguing.

          adOC-S_Edivision acEK-S_crowd_publishing_ abSG-S_FMS_biz_plan  16-04-01n FMS-11111 Just as I am stripping away the enhanced graphics etc for TODs since what I do isn't good enough to add value to them, and my contribution is coming up with the word itself, so I am starting to see how I can just generate a lot of raw videos and leave it to others to select and enhance them to make them presentable.

          adR4-S___Apple adJC-S_IPad adRE-S__Cybirk  16-04-01m1 FMS-11111 I have to remember that with "Notes" if I want to type in "i.e." without it being changed into something I have to spend 30 seconds cleaning up... Wait. What I was about to say doesn't always work.  16-04-01m2 FMS-11111 A little while ago I typed "iie" and Notes changed it to "i.e." If I type "i.e" it changes it to "I.e." and capitalizing the I and the next word I key in as well. I just typed "iie" again and it changed it to Iie (the first letter is capital "I" and not lower case "L"). So the trick I was going to note worked at least once, but it doesn't always work.  16-04-01m3 FMS-11111 What a pain in the ass. Whoever thought they were helping me has their head up their butt.

          vvpvt  16-04-01L1 FMS-11111 PRIVATE  16-04-01L2 FMS-11111 PRIVATE

          adOC-S_Edivision acEK-S_crowd_publishing_ abSG-S_FMS_biz_plan  16-04-01k1 FMS-11111 ((0910)). When shaving I came up with the idea of a particular kind of business model based on my posting raw videos.  16-04-01k2 FMS-11111 Someone could look through my raw videos, selecting out not just individual videos but collections of videos that have a theme to them, or represent an interesting arc. They could do the rough cut and then upgrade them with graphics, perhaps including NSV graphics.  16-04-01k3 FMS-11111 They could put the collection in a playlist, put in some playlist ads, promote the video, etc. They could then post income figures using open books accounting, and give me some percentage of the income. I would have set the terms for them to do that as a condition for giving them permission to use my videos in the first place.  16-04-01k4 FMS-11111 They may also include their own videos in the playlist, ones that would explain, contextualize, and make transitions for the videos upgraded from my raw, posted videos. We would be co-authors of the playlist.  16-04-01k5 FMS-11111 This would amount to Edivision publishing, where in addition to the Edivision upgrading of videos they would also take on the selection of the videos, the promotion of them, the obtaining of ads, etc.  16-04-01k6 FMS-11111 It is really important to recognize that this is a new form of publishing, one where Agorautonomous individuals can take it on themselves to do all or part of the process. The key task is selection of the videos (assuming I have done my job of having created an interesting collection of videos to begin with). But execution of the upgrading of the videos may also be important as well.

          adJQ-S_Jargonocracy_terms  16-04-01j1 FMS-11111 It just hit me that Jargonocracy and TOD is doing much of what I am doing as I invent vocabulary such as Edivision and Galatean and Teleliving. It is pointing to something in the universe that can be named.  16-04-01j2 FMS-11111 If a Jargonocracy term names something that people want to identify and give a handle to, something that maybe they sense is there but can't put a finger on, it has potential to go viral and maybe insinuate itself into the language. A GITM term is intended to predicate something, bring it into existence as a distinct reality.

          adJQ-S_Jargonocracy_terms adRF-S_plan_2016  16-04-01i FMS-11111 In 16-04-01h I just used the term "Edivision" naturally, like a word that would be commonly understood. I could see using a term and if I haven't yet defined it in a video making it a high priority to do so.

          adSC-S_SOC_prolific abSG-S_FMS_biz_plan  16-04-01h FMS-11111 I could see tons of raw videos posted, available but not promoted. Maybe these are only accessed via TPVs in a single playlist, one where the PDV2 explains that one can explore the playlists either out of general interest or looking for videos to co-produce as an Edivision partner.

          adPW-S___jarg_TOD adMB-S_jarg_implement  16-04-01g1 FMS-11111 I can have a running commentary on TOD videos, explaining why I think X or Y should be posted, or making comments about the whole process. It just struck me that this could well be as much a part of Jargonocracy TODs as the TOD videos themselves. Someone might follow my commentary about it with the same interest as they follow the videos.  16-04-01g2 FMS-11111 For example right now I am leaning toward posting a lot of terms that might apply to Donald Trump. I could note that he has had a bad week and his campaign might be faltering, finally becoming the house of cards it has long been imagined to be. I could make a THD video, maybe do a rough cut, and upload it. Anyone who wants to follow along with my thinking and process could do so, or could just ignore that playlist.  16-04-01g3 FMS-11111 I could post both to the Facebook page, or only post the actual TODs. Probably the former, since anyone interested in the TODs could just go to the playlist where they are resident.

          adQY-S_SOC_lifestyle  16-04-01f FMS-11111 My SOC instincts tell me that the thing to be doing now is launching TOD. This would give me one concrete thing to point to that I am doing.

          adRU-S__Tag_Videos adSC-S_SOC_prolific abSG-S_FMS_biz_plan  16-04-01e1 FMS-11111 I have been toying with the idea of posting videos raw and unprocessed to a playlist or series of playlists. That is the only way I can see being truly prolific.  16-04-01e2 FMS-11111 It just occurred to me that I could post Tag videos along with the actual videos. This would nail when they were created, and could be used by others in the way I use Tags for myself. People could know that every other video is the description of the contents of the previous video. They could look at the Tag videos instead of the original videos.

          vvpvt  16-04-01d FMS-11111 PRIVATE

          vvpvt  16-04-01c1 FMS-11111 PRIVATE  16-04-01c2 FMS-11111 PRIVATE  16-04-01c3 FMS-11111 PRIVATE  16-04-01c4 FMS-11111 PRIVATE

          vvpvt  16-04-01b FMS-11111 PRIVATE

          acX3-U_XID_instance  16-04-01a1 FMS-11111 adRH-S_singing_1qtr_2016 adS3-U_Self_vids Gone_for_Good.mp4 very rough singing of song I don't know well using lyrics on paper  16-04-01a2 FMS-11111 abSG-S_FMS_biz_plan abL8-S_gr_Agora_biz_model adR3-U_SOC_THD 160401aa-01.mp4 THD: 160401aa-02.mp4 (tag) biz model of me posting lots of raw videos, others going in, upgrading, postpublishing, getting $$  16-04-01a3 FMS-11111 abSG-S_FMS_biz_plan abL8-S_gr_Agora_biz_model adR3-U_SOC_THD 160401ab-03.mp4 THD: 160401ab-04.mp4 (tag) biz model – how I can be prolific, focus in thinking over presentation. Long, complicated, good.

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