Remix and the Dialogic Engine of Culture: a Model for Generative Combinatoriality
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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
The Semiosphere, Between Informational Modernity and Ecological Postmodernity Pierre-Louis Patoine Et Jonathan Hope
Document généré le 28 sept. 2021 03:48 Recherches sémiotiques Semiotic Inquiry The Semiosphere, Between Informational Modernity and Ecological Postmodernity Pierre-Louis Patoine et Jonathan Hope J. M. Lotman Résumé de l'article Volume 35, numéro 1, 2015 Parmi les notions développées par Lotman, celle de sémiopshère est certainement celle qui a été la plus commentée. Dans cet article, nous URI : https://id.erudit.org/iderudit/1050984ar explorons ses dimensions écologiques et biologiques, en remontant au concept DOI : https://doi.org/10.7202/1050984ar de biosphère proposé par Vernadsky et à la vision environnementale de l’art qui apparaît chez Lotman dès La Structure du texte artistique. Notre enquête Aller au sommaire du numéro expose les aspects biosémiotiques de la pensée lotmanienne, aspects qui permettent l’émergence, en son sein, d’un modèle cyclique, homéostatique de la culture, contrebalançant ainsi une vision moderniste où l’art participe à un progrès naïvement linéaire. Éditeur(s) Association canadienne de sémiotique / Canadian Semiotic Association ISSN 0229-8651 (imprimé) 1923-9920 (numérique) Découvrir la revue Citer cet article Patoine, P.-L. & Hope, J. (2015). The Semiosphere, Between Informational Modernity and Ecological Postmodernity. Recherches sémiotiques / Semiotic Inquiry, 35(1), 11–26. https://doi.org/10.7202/1050984ar Tous droits réservés © Association canadienne de sémiotique / Canadian Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des Semiotic Association, 2018 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. -
Nile Rodgers in New York City, 1991
Nile Rodgers in New York City, 1991 68 MUSICAL EXCELLENCE Nile Rodgers HE CREATES A DISTINCTIVE SOUND ON THE RECORDS HE WRITES, PRODUCES, ARRANGES, AND PLAYS ON. BY ROB BOWMAN Nile Rodgers’ influence on popular music over the past forty years is nearly unfathomable. As a guitarist, songwriter, producer, arranger, and funkster extraordinaire, Rodgers has left his imprint on a stun- ningly wide array of genres including disco, R&B, rock, mainstream pop, hip-hop, and EDM. Looking over the breadth of his career, a case could easily be made that no single individual has had a greater impact on the sound of pop, from the late 1970s to the present day. ¶ Alongside his partner, bass player wunderkind Bernard Edwards, Rodgers wrote and produced hit after hit for Chic, Sister Sledge, and Diana Ross, tearing up both the dance floor and the radio. After Chic broke up and Rodgers and Edwards went their separate ways, Rodgers broke free of the disco moniker and reinvented himself, producing, arranging, and playing guitar on David Bowie’s come- back album, Let’s Dance (1983), and Madonna’s breakout album, 69 Like a Virgin (1984). Along the way he took INXS and Chic in their prime then Duran Duran to new heights with “Original Sin” with Rodgers and and “The Reflex,” respectively, and produced albums by Bernard Edwards Mick Jagger, Jeff Beck, the B-52s, and David Lee Roth. center stage, 1979 He played key guitar parts on Steve Winwood’s “High- er Love” and Michael Jackson’s HIStory. More recent- ly he cowrote and played guitar on Daft Punk’s “Get Lucky,” winning two Grammy Awards in the process. -
Semiosphere As a Model of Human Cognition
494 Aleksei Semenenko Sign Systems Studies 44(4), 2016, 494–510 Homo polyglottus: Semiosphere as a model of human cognition Aleksei Semenenko Department of Slavic and Baltic Languages Stockholm University 106 91 Stockholm, Sweden e-mail: [email protected] Abstract. Th e semiosphere is arguably the most infl uential concept developed by Juri Lotman, which has been reinterpreted in a variety of ways. Th is paper returns to Lotman’s original “anthropocentric” understanding of semiosphere as a collective intellect/consciousness and revisits the main arguments of Lotman’s discussion of human vs. nonhuman semiosis in order to position it in the modern context of cognitive semiotics and the question of human uniqueness in particular. In contrast to the majority of works that focus on symbolic consciousness and multimodal communication as specifi cally human traits, Lotman accentuates polyglottism and dialogicity as the unique features of human culture. Formulated in this manner, the concept of semiosphere is used as a conceptual framework for the study of human cognition as well as human cognitive evolution. Keywords: semiosphere; cognition; polyglottism; dialogue; multimodality; Juri Lotman Th e concept of semiosphere is arguably the most infl uential concept developed by the semiotician and literary scholar Juri Lotman (1922–1993), a leader of the Tartu- Moscow School of Semiotics and a founder of semiotics of culture. In a way, it was the pinnacle of Lotman’s lifelong study of culture as an intrinsic component of human individual -
Rob Stringer, Ceo Sony Music Entertainment, Receives the 2017 Music Industry Trusts Award
ROB STRINGER, CEO SONY MUSIC ENTERTAINMENT, RECEIVES THE 2017 MUSIC INDUSTRY TRUSTS AWARD Rob Stringer, global CEO of Sony Music Entertainment, tonight became the 2017 recipient of the highly prestigious Music Industry Trusts Award. Stringer, one of the most well-regarded, respected and successful executives in the worldwide music business, joined the ranks of previous honourees including Roger Daltrey CBE, Sir Elton John & Bernie Taupin, Sir George Martin, Simon Cowell, Michael Eavis CBE and Annie Lennox OBE. In a London ceremony at the Grosvenor House Hotel, hosted by BBC radio and television personality Jo Whiley, Nicky Wire of Manic Street Preachers - an artist and band Stringer signed in 1991 as they were starting out – presented Rob with the award. During the evening, the audience enjoyed performances by Harry Styles, Jeff Lynne’s ELO, George Ezra and Camila Cabello, all chart-topping artists who have worked with the executive during his career. The esteem in which Stringer is held by the biggest names in music was further emphasised as guests viewed a unique tribute film, featuring contributions from such superstars as Bruce Springsteen, Barbra Streisand, Adele, Celine Dion, John Legend, Pharrell, Solange and Sade. Attendees on the night included Simon Cowell, Andy Fletcher (Depeche Mode), Ian Broudie (The Lightning Seeds), Kirsty Young, Steve Norman, Gary Kemp, Paloma Faith, Bring Me The Horizon, Mark Ronson, Laura Whitmore, The Script, Hozier, London Grammar, Damon Hill, Jeff Lynne, Manic Street Preachers. Celebrating its 26th year, the Music Industry Trusts Award is recognised as one of the true benchmarks of achievement in the UK music business, and continues to benefit great causes year after year. -
Certain Dynamic Random Access Memories, Components Thereof
In the Matter of UNITED STATES INTERNATIONAL TRADE COMMISSION COMMISSIONERS Susan Liebeler, Chairman Anne E. Brunsdale, Vice Chairman Alfred E. Eckes Seeley G. Lodwick David B. Rohr Address all communications to Kenneth R. Mason, Secretary to the Commission United States International Trade Commission Washington,. DC 20436 I, *A UNITED STATES INTERNATIONAL TRADE COMMISSION Washington, D.C. 20436 In the Matter of ) 1 CERTAIN DYNAMIC RANDOM ACCESS ) Investigation No. 337-TA-242 MEMORIES, COMPONENTS THEREOF AND 1 PRODUCTS CONTAINING SAME ) AND ERRATA TO COMMISSION ACTION ORDER On September 21, 1987, the Commission issued an Action and Order in the above-captioned investigation, disposing of the issues on review and issuing 8 limited exclusion order prohibiting the entry of infringing DRAMS of 64 and 256 kilobits (and any combination thereof such as 128 kilobits) manufactured by Samsung Company, Ltd. and/or Samsung Semiconductor & Telecommunications Co., Ltd., whether assembled or unassembled. The Commission's order also prohibits the entry of infringing DRAMS of 64 or 256 kilobits (and any combination thereof such as 128 kilobits) manufactured by Samsung Company, Ltd. and/or Samsung Semiconductor & Telecommunications Co., Ltd.,. incorporated into a carrier of any form, including Single-Inline-Packagesand Single-Inline-Modules,or assembled onto circuit boards of any configuration. I The Commission has also determined to prohibit the entry of computers (such as mainframe, personal, and small business computers), facsimile equipment, telecommunications switching equipment, and printers containing infringing DRAMS of 64 or 256 kilobits (and any combination thereof such as 128 kilobits) manufactured by Samsung Company, Ltd. and/or Samsung Semiconductor & Telecommunications Co., Ltd. -
Nanoscale Memristive Devices for Memory and Logic Applications
NANOSCALE MEMRISTIVE DEVICES FOR MEMORY AND LOGIC APPLICATIONS by Sung Hyun Jo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Electrical Engineering) in The University of Michigan 2010 Doctoral Committee: Assistant Professor Wei Lu, Chair Associate Professor L. Jay Guo Associate Professor Cagliyan Kurdak Associate Professor Jamie D. Phillips © Sung Hyun Jo 2010 TABLE OF CONTENTS LIST OF FIGURES …………….………………………………………………………. v ABSTRACT …………………….…………...…..…….……………………………. viii CHAPTER 1. Introduction 1.1 Background ………………….………………..…….……………………… 1 1.2 Resistive Random Access Memory (RRAM) ……..…………….…………. 3 1.3 Integration of RRAM ………………………………..…….………………. 6 1.4 RRAM and Memristors …...………...…………………..…….…………… 8 1.5 Current Status of RRAM …………...………….…………….…………… 10 1.6 Amorphous Silicon and Amorphous Silicon based RRAM ……..………… 11 1.7 Organization of the Thesis ………………………………………..……… 13 2. Resistance Switching in Amorphous Silicon 2.1 Introduction ……………….……………..….......………………………… 17 2.2 Device Structure and Fabrication ………………………………………. 18 2.3 Switching Characteristics ……………………..……………………………. 20 2.4 Area Dependence …………………………………………………………. 22 2.5 Rectifying vs. Non-Rectifying Switching ………………………………. 23 2.6 Potential for Memory Applications 2.6.1 Data Retention …………………………………………………… 26 2.6.2 Programming Endurance ………………………………………… 27 2.6.3 Switching Speed …………………………………………………. 29 2.6.4 Multi-bits Storage Capability …………………………………….. 30 2.6.5 Controllable Programming Current ……………………………… 31 2.7 -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
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The Semiosphere, Between Informational Modernity and Ecological Postmodernity Pierre-Louis Patoine and Jonathan Hope
Document generated on 09/29/2021 12:07 a.m. Recherches sémiotiques Semiotic Inquiry The Semiosphere, Between Informational Modernity and Ecological Postmodernity Pierre-Louis Patoine and Jonathan Hope J. M. Lotman Article abstract Volume 35, Number 1, 2015 The notion of semiosphere is certainly one of Lotman’s most discussed ideas. In this essay, we propose to investigate its ecological and biological dimensions, URI: https://id.erudit.org/iderudit/1050984ar tracing them back to Vernadsky’s concept of biosphere and to Lotman’s DOI: https://doi.org/10.7202/1050984ar environmental vision of art articulated in his early work, The Structure of the Artistic Text. Our investigation reveals how the biosemiotic undercurrents in See table of contents Lotmanian thought enable the emergence of a cyclical, homeostatic model of culture that counterbalances a Modernist vision of art as a force working for unquestioned linear progress. Publisher(s) Association canadienne de sémiotique / Canadian Semiotic Association ISSN 0229-8651 (print) 1923-9920 (digital) Explore this journal Cite this article Patoine, P.-L. & Hope, J. (2015). The Semiosphere, Between Informational Modernity and Ecological Postmodernity. Recherches sémiotiques / Semiotic Inquiry, 35(1), 11–26. https://doi.org/10.7202/1050984ar Tous droits réservés © Association canadienne de sémiotique / Canadian This document is protected by copyright law. Use of the services of Érudit Semiotic Association, 2018 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. -
Daft Punk Random Access Memories 2013 Japan Deluxe Edition
Daft Punk - Random Access Memories (2013) [Japan Deluxe Edition] Daft Punk - Random Access Memories (2013) [Japan Deluxe Edition] 1 / 4 2 / 4 ... (Japan) UICN-1034/5, 2 x SHM-CD (2013); Daft Punk, Random Access Memories, Columbia Records/Sony Music Japan SICP-3817, CD ... CD; John Coltrane, Coltrane, Impulse!, 589 567-2, 'Deluxe Edition', 2 x CD (1962/2002); Jorgos .... Daft Punk – Random Access Memories (2013) [LE Box USB Drive 24bit . ... Download daft punk random access memories japan flac torrent . ... Daft punk ram deluxe box set edition. ... codec flac rip type tracks bitrate lossless ... by PopWrapped Admin October 14, 2013 0 comment ... met at a disco” tweeted UK choirmaster Gareth Malone of Daft Punk's Random Access Memories. Daft Punk - Random Access Memories (Deluxe Box Set Edition). ... Cassette tape used: Sony Type IV (metal) C-64CDX4C, made in Japan. ... (C) 2013 Daft Life Limited under exclusive license to Columbia Records, a Division of Sony Music .... DAFT PUNK - Random Access Memories (incl. ... Special offers and product promotions ... 2013 Japanese pressing includes one bonus track, 'Horizon. ... You CANNOT get the digital version of this album without doing Amazon's MP3 RIP .... "Get Lucky", the lead single of their 2013 album Random Access Memory, was a ... The duo hasn't released a new album since 2013's “Random Access Memories,” which won ... Daft Punk have shared a new deluxe edition of their TRON: Legacy ... Sg Special, Japanese Female Names, 2 Drawer Storage Cabinet Walmart, .... Daft Punk's Random Access Memories – Deluxe Box Set Edition is coming and I ... Janelle Rodriguez (@Jan_Joy_Rod) October 11, 2013 .. -
A Complex Model Via Phase-Type Distributions to Study Random Telegraph Noise in Resistive Memories
mathematics Article A Complex Model via Phase-Type Distributions to Study Random Telegraph Noise in Resistive Memories Juan E. Ruiz-Castro 1,* , Christian Acal 1 , Ana M. Aguilera 1 and Juan B. Roldán 2 1 Department of Statistics and O.R. and Math Institute, University of Granada, 18071 Granada, Spain; [email protected] (C.A.); [email protected] (A.M.A.) 2 Department of Electronics and Computing Technology, University of Granada, 18071 Granada, Spain; [email protected] * Correspondence: [email protected] Abstract: A new stochastic process was developed by considering the internal performance of macro-states in which the sojourn time in each one is phase-type distributed depending on time. The stationary distribution was calculated through matrix-algorithmic methods and multiple inter- esting measures were worked out. The number of visits distribution to a determine macro-state were analyzed from the respective differential equations and the Laplace transform. The mean number of visits to a macro-state between any two times was given. The results were implemented computationally and were successfully applied to study random telegraph noise (RTN) in resistive memories. RTN is an important concern in resistive random access memory (RRAM) operation. On one hand, it could limit some of the technological applications of these devices; on the other hand, RTN can be used for the physical characterization. Therefore, an in-depth statistical analysis to model the behavior of these devices is of essential importance. Citation: Ruiz-Castro, J.E.; Acal, C.; Keywords: phase-type distributions; Markov processes; RRAM; random telegraph noise; statistics Aguilera, A.M.; Roldán, J.B. -
Positive Feedback ISSUE 74 July/August 2014
Positive Feedback ISSUE 74 july/august 2014 The Aurender X100L - And Audio File Transport text and images by Wojciech Pacuła, translation by Andrzej Dziadowiec TVLogic is a Korean manufacturer of audio components and UHD (Ultra High Definition) TV monitors. It just so happens that its research department is behind creating one of the most interesting audio file transports, the W20. Milled from an aluminum billet and equipped with a SSD drive, ultraprecise Oven-Controlled Crystal Oscillator (OCXO), jitter reduction circuit based on battery-powered Field Programmable Gate Array (FPGA), as well as a fantastic iPad app for its operation, it caused quite a stir in the market that seemed to have already been divided between the major players, led by Linn, Naim, and then also Lumin. I'm referring to this unit as a "transport" not without reason. All the above manufacturers offer complete digital music players, featuring both the section to read audio files from the media (transport) and digital-to-analog converter (DAC). Aurender approached the issue differently by concentrating on what they do best, i.e. taking care of digital signal processing and its proper transmission, and leaving D/A conversion to the others. The W20 was and still is a very expensive piece of audio equipment, and even the cheaper S10 that was launched to the market some time later, has not changed much in this respect. Hence, the announcement of two new products, the X100L and X100S transports selling for a fraction of the cost of the W20 and S10, was met with great anticipation.