Rs Should Have No Illusions About That

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Rs Should Have No Illusions About That 04 Jean-Claude Carrière Satyajit Ray Ready. Set. Design. Le Monde en doc « The director comes fi rst. Writers should have no illusions about that. But the writer comes second. Directors too, should have no illusions about that. » Sergio Leone www.cinematheque.lu Avril 2021 Informations pratiques 3 Sommaire La jauge de places disponibles étant plus Tableau synoptique 4 Cinéma 17, place du Théâtre Abonnement gratuit réduite qu’habituellement, il est recom- L-2613 Luxembourg au programme mensuel Université Populaire du Cinéma 6 mandé d’acheter les tickets à l’avance en Tél. : 4796 2644 ligne sur www.luxembourg-ticket.lu. Le Monde en doc 8 Tickets online [email protected] Ready. Set. Design. 10 sur www.cinematheque.lu Uniquement les personnes du même www.luxembourg-ticket.lu ménage peuvent être assis ensemble. Dans The Art of Screenwriting 14 ce cas, il est recommandé de procéder à Satyajit Ray 24 l’achat groupé des billets. Weekends@Cinémathèque 30 La caisse du soir pour la vente des billets Cinema Paradiso 42 Bd. Royal R. Willy Goergen est ouverte au public une ½ heure avant les séances (dans la limite des billets dispo- L’affiche du mois 47 R. des Bains Côte d’Eich Collect Poster treasures Cinémathèque’s Archive! the the from nibles). Le paiement par carte y est privilégié. R. Beaumont Des sièges numérotés seront attribués aux détenteurs de tickets. Il est impératif de res- pecter la numérotation des sièges. Baeckerei R. du Fossé R. Aldringen R. Les conditions sécuritaires et sanitaires R. des Capucins des R. en vigueur à la Cinémathèque seront Av. de la Porte-Neuve la de Av. Grand-Rue consultables sur www.cinematheque.lu. Bd. Royal Bd. Salle de la Cinémathèque Accès par bus : P Parking Place du Théâtre Lignes 9, 10, 11, 12, 14, 19, 20 Arrêt : Badanstalt (rue des Bains) Place d’Arme R. du Curé Caisse Vente des billets ½ heure Administration / avant les séances Archives / Bibliothèque Glossaire 10, rue Eugène Ruppert La Cinémathèque de la Ville de Luxembourg vo version originale non sous-titrée € vostf version originale sous-titrée en français Plein Tarif Billet : 3,70 L-2453 Luxembourg est un musée du cinéma ayant pour mission la préservation et valorisation du patrimoine vostang version originale sous-titrée en anglais Carnet 10 billets : 25,00 €R. Louvigny Tél. : (+352) 4796 2644 cinématographique international. vostf+all version originale sous-titrée Fax : (+352) 40 75 19 Membre de la Fédération Internationale des en français et en allemand € Capucins des R. Tarifs réduits * Billet : 2,40 Archives du Film depuis 1983. vostall version originale sous-titrée en allemand Carnet 10 billets : 17,00 €R. Notre-Dame [email protected] vf version française * jusqu’à 18 ans, étudiants et Consultation des archives Conception graphique Vidale-Gloesener vall version allemande Impression Imprimerie Centrale, Luxembourg titulaires carte jeunes, à partir de 65 ans sur rendez-vous accompagnement live au piano TiragePoster 6.000 #155 : Jeunes fi lles en détresse (Francec couleurs 1939) PhotoFilm couverture de G.W. Pabst Milou | affi en che mai 80 (x 60 p. cm23) horaire adapté Musée du cinéma. 4 Programme du 01 au 30 avril 2021 Programme du 01 au 30 avril 2021 5 Je 19h00 Séance spéciale : « Ready.Set.Design » - L’exposition commentée et illustrée Di 15h00 Muppets aus 17h30 Her Man 20h00 Le Château dans 01 | 04 sur grand écran | ciné-conférence en langue française | 100’ | p. 12 18 | 04 dem All USA 1930 | Tay Garnett | vo | le ciel | Japon 1986 | Hayao Mondo Veneziano, High Noon in the Sinking City USA 1999 | Tim Hill | vall | 85’ | p. 39 Miyazaki | vostf | 124’ | p. 41 | Luxembourg 2005 | Antoine Prum | vostang | 32’ | p. 12 | Fin : 21h20 87’ | p. 45 Fin : 22h05 Lu Ve 19h00 The Brood 19h00 Max mon amour 02 | 04 USA 1979 | David Cronenberg | vostf | 92’ | p. 31 | Fin : 20h35 19 | 04 France-USA 1986 | Nagisa Ôshima | vo française | 92’ | p. 20 | Fin : 20h35 Sa 17h00 Un air de famille 20h00 Terms of Endearment | USA 1983 | Ma 19h00 Les Possédés 03 | 04 France 1996 | Cédric Klapisch | vo | 110’ | p. 34 J. L. Brooks | vostf | 132’ | p. 36 | Fin : 22h15 20 | 04 France 1988 | Andrzej Wajda | vo | 116’ | p. 21 | Fin : 21h00 Di 15h00 Felix – Ein Hase auf 17h30 Les Recrues 20h00 La Belle et la Bête Me 19h00 Le Monde d’Apu 04 | 04 Weltreise | Allemagne 2005 | Italie 1962 | Bernardo France 1946 | Jean Cocteau | 21 | 04 Inde 1959 | Satyajit Ray | vostang | 105’ | p. 28 | Fin : 20h45 G.M. Laganà | vo | 84’ | p. 43 Bertolucci | vostf | 92’ | p. 38 vo | 96’ | p. 40 | Fin : 21h40 Je 19h00 Valmont Lu 19h00 Le Monde en doc Quand les tomates rencontrent Wagner | Grèce 2019 | Marianna 22 | 04 USA-France 1989 | Milos Forman | vostf | 137’ | p. 22 | Fin : 21h20 05 | 04 Economou | vostf | 73’ | p. 8 | Fin : 20h20 Ve 19h00 The Little Shop of Horrors Ma 19h00 Heureux anniversaire | France 1962 | Jean-Claude Carrière, Pierre Étaix | vo | 12’ | p. 16 23 | 04 USA 1960 | Roger Corman | vostf | 72’ | p. 33 | Fin: 20h15 06 | 04 Yoyo | France 1965 | Pierre Étaix | vo | 96’ | p. 16 | Fin : 20h50 Sa Me 17h00 A Private Function | GB 1984 | 20h00 Carrington | GB 1995 | Christopher 19h00 La Complainte du sentier 24 | 04 Malcolm Mowbray | vostf | 92’ | p. 35 Hampton | vostf | 121’ | p. 37 | Fin : 22h05 07 | 04 Inde 1955 | Satyajit Ray | vostf | 125’ | p. 26 | Fin : 21h05 Di Je 15h00 Le Mécano de la 17h30 New Rose Hotel 20h00 Les Amants 19h00 Belle de jour 25 | 04 08 | 04 Générale | USA 1926 | Clyde USA 1999 | Abel Ferrara | France 1958 | Louis Malle | France 1967 | Luis Buñuel | vo | 100’ | p. 17 | Fin : 20h40 Bruckman, Buster Keaton | int. vostf | 93’ | p. 39 vo | 89’ | p. 41 | Fin : 21h30 Ve 19h00 Escape from New York fr. | 91’ | p. 45 09 | 04 USA 1980 | John Carpenter | vostf+all | 99’ | p. 32 | Fin : 20h40 Lu 19h30 Université Populaire du Cinéma Sa 17h00 The Awful Truth 20h00 Les Ailes du désir | RFA 1987 | Wim 26 | 04 Leçon 3 : Observation 10 | 04 USA 1937 | Leo McCarey | vostf+all | 90’ | p. 34 Wenders | vostf | 128’ | p. 36 | Fin : 22h10 High School | USA 1968 | Frederick Wiseman | vostf | 75’ | p. 7 | Fin : 22h00 Ma Di 15h00 Winnie l’Ourson 17h30 Deep End 20h00 Summer with 19h00 Milou en mai 11 | 04 USA 2011 | S.J. Anderson, D. GB-RFA 1970 | Jerzy Monika | Suède 1953 | 27 | 04 France 1990 | Louis Malle | vo | 107’ | p. 23 | Fin : 20h50 Hall | vf | 63’ | p. 44 Skolimowski | voang stf+all | Ingmar Bergman | vostang | Me 92’ | p. 38 96’ | p. 40 | Fin : 21h40 19h00 Le Salon de musique 28 | 04 Inde 1958 | Satyajit Ray | vostf | 100’ | p. 29 | Fin : 20h40 Lu 19h00 Le Tambour Je 12 | 04 All.-Fr.-Pol. 1979 | Volker Schlöndorff | vostf | 140’ | p. 18 | Fin : 21h25 19h00 Gutland 29 | 04 Luxembourg 2017 | Govinda Van Maele | vostang | 107’ | p. 13 | Fin : 20h50 Ma 19h00 L’Invaincu 13 | 04 Inde 1956 | Satyajit Ray | vostang | 110’ | p. 27 | Fin : 20h50 Ve 19h00 The Maltese Falcon 30 | 04 USA 1941 | John Huston | vostf | 100’ | p. 33 | Fin : 20h40 Me 19h00 Le Retour de Martin Guerre 14 | 04 France 1982 | Daniel Vigne | vo | 123’ | p. 19 | Fin : 21h05 Je 19h00 Shadow of the Vampire La rédaction de la présente brochure ayant été clôturée mi-mars, il 15 | 04 GB-USA-Luxembourg 2000 | E.Elias Merhige | vostf | 92’ | p. 13 | Fin : 20h35 se peut que la grille de programmation ait évoluée depuis, en raison Ve 19h00 Stranger Than Paradise d’éventuelles nouvelles mesures sanitaires. 16 | 04 USA 1984 | Jim Jarmusch | vostf | 89’ | p. 32 | Fin : 20h30 C’est pourquoi nous vous invitons à consulter régulièrement notre site Sa 17h00 Love and Death 20h00 Heartburn | USA 1986 | Mike cinematheque.lu et nos réseaux sociaux. 17 | 04 USA 1974 | Woody Allen | vostf | 85’ | p. 35 Nichols | vostf | 108’ | p. 37 | Fin : 21h50 6 7 Leçon 3 : « Observation » Lu 26 | 04 19h30 Université Populaire (conférence suivie LA CINÉMATHÈQUE ET L’UNIVERSITÉ DU LUXEMBOURG PRÉSENTENT : Le documentaire est observation Par Camille Bui (maîtresse du film) de conférences en études cinématographiques, Université UNIVERSITÉ Paris 1 Panthéon Sorbonne) Ciné-conférence ponctuée d’extraits de du Cinéma POPULAIRE DU films | en langue française | 60’ CINÉMA Saison 11 « Avec le développement progressif d’un équipement léger et syn- chrone, le tournant des années 1960 voit l’émergence de la figure du ‘cinéaste-scaphandrier’ (Edgar Morin), qui s’immerge dans le LA CINÉMATHÈQUE ET L’UNIVERSITÉ DU LUXEMBOURG PRÉSENTENT : quotidien de personnes ordinaires, de communautés, d’institutions, UNIVERSITÉ POPULAIRE DU pour observer les gestes et écouter les paroles qui trament la vie Camille Bui CINÉMA sociale. Au sein de ce ‘cinéma direct’, certains cinéastes – tels Leacock, Saison 11 Pennebaker, les frères Maysles, Brault ou Wiseman – prennent le Infos parti de ne pas intervenir au sein des situations qu’ils observent. Mais supplémentaires la saisie de la réalité telle qu’elle serait en l’absence de la caméra [email protected] demeure un horizon inaccessible. Le cinéma d’observation joue bien www.unipopcine.lu plutôt sur une dialectique du retrait et de la présence, de la prise www.facebook.com/ Tout l’art du documentaire en 6 leçons continue et de la coupe au montage. Les questions éthiques qui se UniPopCine posent au tournage se rejouent alors à la projection, dans le regard des spectateurs : celles et ceux qui observent sans participer sont-ils Tout l’art du documentaire en 6 leçons voyeurs ou compagnons ? » (Camille Bui) 0 1 2 High School ÉLOGE HISTOIRES POÉSIE USA 1968 | vostf | 75’ | Documentaire de : Frederick Wiseman 0 1 2 ÉLOGE HISTOIRES POÉSIE Filmé dans un grand lycée urbain de Philadelphie, High School montre comment le système scolaire ne transmet pas seulement des « faits » mais également des valeurs sociales d’une génération à l’autre.
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