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112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G. -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
You Know My Steez
1. INTRODUCTION: YOU KNOW MY STEEZ My style be wilder than a kamikaze pilot Don’t try it, I’m about to start more than a friggin’ riot Style’s unsurpassable . For I be speakin from my parables and carry you beyond The mic’s either a magic wand Or it gets tragic like the havoc of a nuclear bomb . Phat beats, they play on Want dope rhymes, put me on Word is bond . You know my steez —Guru, “You Know My Steez,” 1998 My style’s incognito I’m sharper than a razor blade dressed up in a black tuxedo Word to Reggie Noble, and to Shaq Forget Schwarzenegger, I’ll be back You know my steelo . You know my style, you know my steelo. You know my style, you know my steelo —E. Sermon, “My Style, My Steelo,” 1994 It’s necessary, we styles in Burburry And our walk is mean in them Frankie B. jeans bwoy Its necessary, we stays in Burburry And a Mark Jacob bag and a H-Tod shoe (Whooooo!) —Foxy Brown, “Stylin,” 2002 I mean, for like, to be cool, to be labeled Hip Hop and like in that category, you have to, for boys, it’s like the whole sag thing. You can’t have your pants all the way up here like Alonzo! [laughter] . He has his pants way up here with the belt and he’s like . like how Bilal and Careem have their pants right now, like here, saggin a little is cool, but you’re labeled like a square if you have 1 DownloadedPADS89.01.Chap1.indd from http://read.dukeupress.edu/pads/article-pdf/89/1/1/452189/PADS89.01.Chap1.pdf1 1/21/2005, 4:32 PM by guest on 28 September 2021 2 pads 89: you know my steez your pants like here [high on your waist] and they’re tight . -
This Page Deliberately Left Blank
ONLINE QUIZ LEAGUE Questions set by Raidan For use in League matches between 11/02/2020 and 11/07/2020 Correct as at 28/10/2020 THIS PAGE DELIBERATELY LEFT BLANK Round 1 1a The subject of one of the acclaimed "ESPN 30 for 30 documentaries", Len BIAS which Maryland small forward died of a cocaine overdose, just two days after being selected with the second overall pick in the 1986 NBA Draft? 1b Little House on the Prairie was a children's novel by which American Laura ingalls WILDER author? 2a One of the most prominent women within classical music, what was CLARA the first name of the wife of Robert Schumann? She enjoyed a 61 year concert career. 2b Which actress is married to NBA legend Dwyane Wade? In 2019 she Gabrielle UNION had a controversial spell as a judge on America's Got Talent. 3a What name is given to the US army's mass murder of several hundred MY LAI Massacre unarmed civilians in Vietnam in March 1968? 3b What was the title of Henry David Thoreau's 1854 book in which he WALDEN reflects upon the two years, two months, and two days he spent living in a woodland cabin? 4a Which American author wrote the 1993 Pulitzer Prize-winning novel E. Annie PROULX The Shipping News? She also wrote the short story upon which the film Brokeback Mountain was based. 4b After the Dutch physicist who observed it in 1896, what name is given ZEEMAN effect to the splitting of a spectral line into two or more components when the light source is placed in a magnetic field? Round 2 1a Which British singer had a 2020 US Billboard Number One single in Harry STYLES August with the song "Watermelon Sugar"? 1b Walmart are the largest American company by revenue. -
Jay-Z: in Tha’ Mix
ASC 1138--JAY-Z: IN THA’ MIX JAY-Z: IN THA’ MIX CREDIT HOURS Leta Hendricks [email protected] Tel: 614-688-7478 Classroom – Room 150A Thompson Library Class Meeting – Fridays – 1:30 – 2:18 p.m. January 11 – April 19, 2013 Office Hours – Tuesday – 9:00 – 11:00 a.m. and by appointment WEB Site – Twitter – Second Life- Hip Hop Underground http://slurl.com/secondlife/Cybrary%20City%20II/77/198/8 SYLLABUS COURSE DESCRIPTION JAY-Z is an entrepreneurial phenomenon of the last the twenty years. This seminar examines JAY-Z from different perspectives as an artist and as a businessman. The seminar will discuss perspectives and beliefs about rap music and popular culture. JAY-Z is currently one of the most influential iconic figures of Global Pop Culture. His music embodies the quintessentially “African American” genre of music, we will study his musical roots, trace the development of his career and connect JAY-Z with his culture. An analysis of his business empire will include his drug-marked youth, musical achievements, and urban-informed business savvy. The Seminar will discuss his lyrics and their meanings which reveal JAY-Z’s art and life. JAY-Z heavily borrows from American musical and literary traditions through an examination of select recordings, autobiography, film, essays and criticism, this Seminar will provide students the opportunity to discover the significance of JAY-Z’s contributions to lyric writing, popular music, and beyond. The following resources will facilitate students learning development by using multiple content formats. DJ Hero will engage students through gameplay, simulating DJ turntablism (mixing styles and techniques) connecting gaming activities to assignments, discussions, and projects on JAY-Z and current Rap artists. -
Foxy Brown Chyna Doll Mp3, Flac, Wma
Foxy Brown Chyna Doll mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Chyna Doll Country: US Released: 1999 MP3 version RAR size: 1985 mb FLAC version RAR size: 1662 mb WMA version RAR size: 1229 mb Rating: 4.8 Votes: 570 Other Formats: AAC DMF DTS ASF DXD MIDI AA Tracklist Hide Credits A1 The Birth Of Foxy Brown Chyna White A2 Producer – Robert 'Shim' Kirkland My Life A3 Producer – Deric "D-Dot" Angelettie, Kanye West Hot Spot A4 Producer – Irv Gotti, Lil' Rob Dog & A Fox A5 Featuring – DMXProducer – Swizz Beatz J.O.B. B1 Featuring – MyaProducer – Charly Charles B2 Bomb A** I Can't B3 Featuring – TotalProducer – Tyrone Fyffe Bonnie & Clyde Part II B4 Featuring – Jay-ZProducer – Tyrone Fyffe 4-5-6 C1 Featuring – Beanie Sigel, Memphis BleekProducer – Bernard 'Big Demi' Parker Ride (Down South) C2 Featuring – Eightball , Juvenile , MJGProducer – Mo-Suave' House Productions Can You Feel Me Baby C3 Featuring – Pretty Boy Producer – Bernard 'Big Demi' Parker Baller B**** C4 Featuring – Pretty Boy , Too ShortProducer – D-Moet BWA D1 Featuring – Gangsta Boo, Mia XProducer – 'Baby' Chris Lighty*, Irv Gotti, Lil' Rob Tramp D2 Producer – Tyrone Fyffe D3 Baby Mother It's Hard Being Wifee D4 Featuring – NoreagaProducer – Robert 'Shim' Kirkland Notes (P) & (C) Violator Records, Inc.,L.L.C. Other versions Category Artist Title (Format) Label Category Country Year Foxy Chyna Doll (CD, Def Jam Recordings, 314 558 933-2 314 558 933-2 US 1999 Brown Album) Violator Records Foxy Chyna Doll (CD, Def Jam Recordings, P2 58933 P2 58933 Canada 1999 Brown Album, Club) Violator Foxy Chyna Doll (Cass, 314 558 932-4 Def Jam Recordings 314 558 932-4 US 1999 Brown Album, Edi) Foxy Chyna Doll (Cass, 314 558 933-4 Def Jam Recordings 314 558 933-4 US 1999 Brown Album) Foxy Chyna Doll (CDr, Def Jam Recordings, none none US 1999 Brown Album, Promo, Cle) Violator Records Related Music albums to Chyna Doll by Foxy Brown Jay Z featuring Babyface and Foxy Brown, Lost Boyz - Sunshine / Me And My Crazy World The Murderers - Irv Gotti Presents.. -
Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research. -
The Influence of Hip Hop on Zimbabwe's Urban Culture INFLUENCE of HIP HOP on ZIMBABWE’S URBAN CULTURE
Sabeta aka Mau Mau: The Influence of Hip Hop on Zimbabwe's Urban Culture INFLUENCE OF HIP HOP ON ZIMBABWE’S URBAN CULTURE . The Influence of Hip Hop on Zimbabwe’s Urban Culture Shingirayi Sabeta aka Mau Mau Shingirayi Sabeta aka Mau Mau is one of the pioneers of Hip Hop in Zimbabwe. His debut single “Mau Mau” was released in 1997 and he followed his success with two albums, Mfecane (2001) and Coup D’Etat (2002). His early recordings defined Shona rap and was acclaimed for its politically conscious lyrics. Today, Shingirayi produces Gospel Hip Hop and his latest album appeared in 2010. The following piece is a transcription of his presentation at the Hiphop Symposium that took place at the University of Zimbabwe on February 27th, 2013, which is a personal reflection about the Zimbabwean Hip Hop scene, its beginnings in the 1980s and the directions it is currently taking. We live in a world that is dominated and heavily influenced by one thing that none of us can escape: mass media. If you live in a city or town in Zimbabwe it means that on a daily basis you will be exposed to what is going on globally through newspapers, magazines, radio, television, the computer and now – your mobile phone. So you effectively have the world on tap: just a click away. And just as Western culture as a whole filters to us here in Zimbabwe through mass media, so does the sub-culture of Hip Hop. Most of us know Hip Hop as a type of music, a dance, a style of dress, a way of speaking, an attitude. -
There's No Shortcut to Longevity: a Study of the Different Levels of Hip
Running head: There’s No Shortcut to Longevity 1 This thesis has been approved by The Honors Tutorial College and the College of Business at Ohio University __________________________ Dr. Akil Houston Associate Professor, African American Studies Thesis Adviser ___________________________ Dr. Raymond Frost Director of Studies, Business Administration ___________________________ Cary Roberts Frith Interim Dean, Honors Tutorial College There’s No Shortcut to Longevity 2 THERE’S NO SHORTCUT TO LONGEVITY: A STUDY OF THE DIFFERENT LEVELS OF HIP-HOP SUCCESS AND THE MARKETING DECISIONS BEHIND THEM ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Business Administration ______________________________________ by Jacob Wernick April 2019 There’s No Shortcut to Longevity 3 Table of Contents List of Tables and Figures……………………………………………………………………….4 Abstract…………………………………………………………………………………………...5 Introduction…………………………………………………………………………………..6-11 Parameters of Study……………………………………………………………..6 Limitations of Study…………………………………………………………...6-7 Preface…………………………………………………………………………7-11 Literary Review……………………………………………………………………………..12-32 Methodology………………………………………………………………………………....33-55 Jay-Z Case Study……………………………………………………………..34-41 Kendrick Lamar Case Study………………………………………………...41-44 Soulja Boy Case Study………………………………………………………..45-47 Rapsody Case Study………………………………………………………….47-48 -
Hip Hop-Decoded MUS 307/AFR 317
************************************************************* Music of African Americans: Hip Hop-Decoded MUS 307/AFR 317 Fall 2017 MRH 2.608 MWF 12-1pm Instructor: Dr. Charles Carson MBE 3.604 [email protected] (but please use Canvas) Twitter: @UT_Doc_C 512.232.9448 Office hours: M 1-2pm, or by appointment Teaching Assistant: Creighton Moench Email via Canvas Office hours: I. Course Description: Generally speaking, this course is an introduction to the musical, social, cultural, and political elements of Hip Hop culture in the US, as interpreted through the development of its musical style. II. Course Aims and Objectives: Aims Beyond increasing familiarity with African American music and culture, a major goal of this course is to provide you with the tools to coexist--and indeed thrive--in a global context. Specific Learning Objectives: By the end of this course, students will: ● Be able to recognize and describe general elements of African American cultural practices, including instruments/media, performance practice, and aesthetics. ● Discuss the ways in which these elements have influenced (and continue to influence) contemporary American society, especially with respect to hip hop and related genres. ● Critically assess expressions and representations of African American culture in music and media. ● Be able to apply these critical thinking skills in the context of other cultures, both historical and contemporary. III. Format and Procedures: This course will blend lecture and discussions. These content will center around a select body of readings, recordings, videos, and other media. Advance preparation is key to avoiding a “dry lecture” format, so please come to class prepared to discuss that day’s materials. -
Nicki Minaj Barbie Dreams Clean Version Download Nicki Minaj
nicki minaj barbie dreams clean version download Nicki Minaj. Your search did not return any results. Please try again. You're now in slide show mode. Hitting < pauses the slideshow and goes back. Hitting > pauses the slideshow and goes forward. SPACEBAR resumes the slideshow. Press ESC to exit. Sign in to Myspace. Use Facebook, Twitter or your email to sign in. Don't have a Myspace account yet? No worries, joining is easy. Forgot your password? Password request sent. Join Myspace. Getting in is easy. Use one of your social networks or start fresh with an email address. Already have a Myspace account? Sign in. Join with your email address. You're almost ready. We loaded your account with your Facebook details. Help us with just a few more questions. You can always edit this or any other info in settings after joining. You're almost ready. We loaded your account with your Twitter details. Help us with just a few more questions. Nicki Minaj. Influenced by the unpredictable rhymes of Missy Elliot along with the sexually charged attitudes of Lil' Kim and Foxy Brown, rapper, television reality show judge, and household name Nicki Minaj was discovered thanks to her MySpace page. It was there. Nicki Minaj does not have any songs. Search Myspace. Your search did not return any results. Please try again. You're now in slide show mode. Hitting < pauses the slideshow and goes back. Hitting > pauses the slideshow and goes forward. SPACEBAR resumes the slideshow. Press ESC to exit. Sign in to Myspace. Use Facebook, Twitter or your email to sign in. -
"Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M. Pemberton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES “NOW I AIN’T SAYIN’ SHE’S A GOLD DIGGER”: AFRICAN AMERICAN FEMININITIES IN RAP MUSIC LYRICS By Jennifer M. Pemberton A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Jennifer M. Pemberton defended on March 18, 2008. ______________________________ Patricia Yancey Martin Professor Directing Dissertation ______________________________ Dennis Moore Outside Committee Member ______________________________ Jill Quadagno Committee Member ______________________________ Irene Padavic Committee Member Approved: ___________________________________ Irene Padavic, Chair, Department of Sociology ___________________________________ David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother, Debra Gore, whose tireless and often thankless dedication to the primary education of children who many in our society have already written off inspires me in ways that she will never know. Thank you for teaching me the importance of education, dedication, and compassion. For my father, Jeffrey Pemberton, whose long and difficult struggle with an unforgiving and cruel disease has helped me to overcome fear of uncertainty and pain. Thank you for instilling in me strength, courage, resilience, and fortitude.