STEEL MAGNOLIAS Artistic Team ROBERT HARLING
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600 Graphic Link Words for Remembering Names and Faces
600 Graphic Link Words for Female and Male First Names and Faces by Ron White and Lew Toulmin These are names and images to be used to remember names and faces. Focus on the person whose first name you are trying to remember, select a feature (“the file”) on his/her face that is distinctive, then place the image below onto the file, “seeing” it clearly in your mind’s eye. These images are drawn from my (Lew Toulmin’s) background and interest in history, aviation and foreign travel; you may wish to develop images of your own that link to the name of the person. Many of these images come from or were modified from Ron White’s excellent “Black Belt Memory” course, which is recommended. The most popular names are marked on the right with a number sign (#) and the relevant ranking. WOMEN’S NAMES LINK WORDS (~272) Abby – A bee Abigail – A bee in a gale Adell – A Dell computer Alice – a lice Alexis – A Lexus sports car Allison – Allison radial engine Amanda – A Man – Duh! Not! Amy – Aiming Angie – Angie Dickenson, Policewoman Ann – Ant Anita – A knitter Annette – A net Annie – Little Orphan Annie April – A pill that is red Ashley – Ashes Audrey -- Audrey Hepburn’s cigarette holder in “Breakfast at Tiffany’s” Barbara – barbed wire #4 Beatrice – beat rice – this brings joy Becky – bucky horse Belinda – Bee that is beautiful (“linda” ) Bernadette – burn a debt (your mortgage) Bernice or Berenice -- burning ice Beth – bath Betty – Betty Crocker cakemix Beverly – Beverly hillbillies Billie – billy can Bobbie or Bobby – -
Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
Friday, May 18
Movies starting Friday, May 18 www.marcomovies.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Deadpool 2” Rated R Run Time 1:20 Starring Ryan Reynolds Start 2:40 5:50 9:00 End 4:40 7:50 11:00 Rated R for strong violence and language throughout, sexual references and brief drug material. “Book Club” Rated PG-13 Run Time 1:45 Starring Diane Keaton, Jane Fonda and Candice Bergen Start 2:40 5:40 8:45 End 4:35 7:35 10:35 Rated PG-13 for sex-related material throughout, and for language. “Avengers: Infinity War” Rated PG-13 Run Time 2:30 Starring Robert Downey Jr, Chris Evans and Chris Hemsworth Start 2:15 5:30 8:45 End 4:45 8:00 11:15 Rated PG-13 for intense sequences of sci-fi violence and action throughout, language and some crude references. “Life of the Party” Rated PG-13 Run Time 1:45 Starring Melissa McCarthy Start 2:50 5:50 9:00 End 4:35 7:35 10:45 Rated PG-13 for suggestive material, partial nudity and some language. ***Prices*** Adults $13.00 (3D $16.50) Matinees, Seniors and Children under 12 $10.50 (3D $13.50) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies Deadpool 2 (R) • Ryan Reynolds • Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy of supernatural abilities from the brutal, time-traveling mutant, Cable. Book Club (PG-13) • Diane Keaton • Jane Fonda • Candice Bergen • Diane (Diane Keaton) is recently widowed after 40 years of marriage. -
Trauma, Dissociation, and Amnesia: Myths and Reality in Cinema and Life
Trauma, Dissociation, and Amnesia: Myths and Reality in Cinema and Life A look at the psychological responses to trauma that include dissociation and amnesia, phenomena which are often misunderstood in the media and public perception. After looking at models that explain common responses to trauma, including post-traumatic stress, traumatic amnesia, and dissociative identity disorder (formerly called multiple personality disorder), we will screen five films that portray these conditions in various contexts. All are Hollywood produced. The stories have sometimes been manipulated to add drama so as to appeal to popular audiences, which is one of the dynamics this course will examine. Session 1 / Jan 31, 2020: Lecture/discussion: An overview of the mechanisms and dynamic of memory and the ways in which it is subject to traumatic distortion, dissociations and episodes of amnesia. We will focus on understanding dissociative and amnestic responses to trauma as defensive and self-protective mechanisms. When seen in this context, behaviors that often seem bizarre begin to make sense. Session 2 / Feb 7: Prince of Tides (1991) / the screen adaptation of Pat Conroy’s portrayal of the range of responses to childhood trauma in a dysfunctional, violent family. Starring Barbra Streisand and Nick Nolte, the film was also directed and produced by Streisand. Session 3 / Feb 14: The Three Faces of Eve (1957) / The Hollywood portrayal of a real-life case of dissociative identity disorder. This is the film that brought the phenomenon of multiple personalities to public attention, was highly acclaimed when it was released, and set up beliefs about multiplicity that lasted for decades. -
Courtney Harding, Is Excited to Start Her Second Year As a TACT Academy Instructor
Denise S Bass, has several television credits to her name including Matlock, One Tree Hill, HBO's East Bound and Down with Danny McBride and Katy Mixon, and TNT's production of T-Bone and Weasel starring Gregory Hines, Christopher Lloyd, and Wayne Knight. Also to her credit are several film productions including The Road to Wellville with Anthony Hopkins and Matthew Broderick, Black Knight with Martin Laurence, and The 27 Club with Joe Anderson. She has been performing theatrically since 1981 working from NC to Florida and touring the Southeast with the American Family Theatre out of Philadelphia. Denise's most recent roles include Ethel in Thalian Association's production of "Barefoot in the Park" (Winner 2017 Thalian Award Best Actress in a Play), Dottie in Thalian Association's production of "Noises Off" (Nominee 2016 Thalian Award Best Supporting Actress in a Play), and Madam Thenadier in Opera House Theatre Company's production of Les Miserable. Other notable roles over the years include Sally in "Follies", Dolly Levi in "Hello, Dolly!", Molly Brown in "The Unsinkable Molly Brown", Delightful in "Dearly Departed", Diana Morales in "A Chorus Line", and Mrs. Meers in "Throughly Modern Mille”. She is a producer and featured performer with Ensemble Audio Studios and was part of the cast for the audio production of "The King's Child", which was selected in 2017 at the Hear Now Audio Festival for the Gold Circle Page. She also voiced several characters for the very popular audio book "Percy the Cat and the Big White House". She is currently writing a collection of short stories and looks forward to teaching Fundamentals of Acting for TACT. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
The Theory of Relativity
Theory of Relativity | 11 Cast | 12 Songs and Scenes | 12 Who’s Who | 13 Authors’ Notes | 19 About Goodspeed Musicals | 25 History of The Norma Terris Theatre | 27 The Goodspeed Opera House Foundation | 29 Corporate Support | 30 Foundation & Government Support | 30 Looking to the Future | 31 Goodspeed Musicals Staff | 34 For Your Information | 44 Audio and video recording and photography are prohibited in the theatre. Please turn off your cell phone, beeper, watch alarm or anything else that might make a distracting noise during the GMS2 performance. Unwrap any candies, cough drops, or mints before the performance begins to avoid disturbing your fellow audience members or the actors on stage. We appreciate your cooperation. Editor Lori A. Cartwright ADVERTISING OnStage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of OnStage Publications, Inc. Contents © 2015. All rights reserved. Printed in the U.S.A. 2 GOODSPEED MUSICALS | 2015 SEASON Theory of Relativity | 11 Cast | 12 Songs and Scenes | 12 Who’s Who | 13 Authors’ Notes | 19 About Goodspeed Musicals | 25 History of The Norma Terris Theatre | 27 The Goodspeed Opera House Foundation | 29 Corporate Support | 30 Foundation & Government Support | 30 Looking to the Future | 31 Goodspeed Musicals Staff | 34 For Your Information | 44 Audio and video recording and photography are prohibited in the theatre. Please turn off your cell phone, beeper, watch alarm or anything else that might make a distracting noise during the GMS2 performance. -
Press Kit Falling Angels
Falling Angels A film by Scott Smith Based on the novel by Barbara Gowdy With Miranda Richardson Callum Keith Rennie Katherine Isabelle RT : 101 minutes 1 Short Synopsis It is 1969 and seventeen year old Lou Field and her sisters are ready for change. Tired of enduring kiddie games to humour a Dad desperate for the occasional shred of family normalcy, the Field house is a place where their Mom’s semi-catatonic state is the result of a tragic event years before they were born. But as the autumn unfolds, life is about to take a turn. This is the year that Lou and her sisters are torn between the lure of the world outside and the claustrophobic world of the Field house that can no longer contain the girls’ restless adolescence. A story of a calamitous family trying to function, Falling Angels is a story populated by beautiful youthful rebels and ill-equipped parents coping with the draw of a world in turmoil beyond the boundaries of home and a manicured lawn. 2 Long Synopsis Treading the fine line between adolescence and adulthood, the Field sisters have all but declared war on their domineering father. Though Jim Field (Genie and Gemini winner Callum Keith Rennie ) runs the family house like a military camp, it’s the three teenaged daughters who really run the show and baby-sit their fragile mother Mary, (Two-time Oscar ® nominee Miranda Richardson) as she quietly sits on the couch and quells her anxiety with whiskey. It’s 1969 and beneath suburbia’s veneer of manicured lawns and rows of bungalows, the world faces explosive social change. -
Ist. Arts & Culture Festival First Global Edition Kicks
IST. ARTS & CULTURE FESTIVAL FIRST GLOBAL EDITION KICKS OFF IN ROME, ITALY ON MAY 31 ISTANBUL ’74 C o - Founders Demet Muftuoglu Eseli & Alphan Esel i to Co - curate IST.FEST.ROME With Delfina Delettrez Fendi and Nico Vascellari Demet Muftuoglu Eseli & Alphan Eseli , Co - Founders of ISTANBUL’74 launch the first global edition of IST. Arts & Culture Festival i n the city of Rome , the artistic an d cultural center of the world that has played host to some of the most impressive art and architecture achieved by human civilization , on May 31 st - June 2 nd 2019. Co - c urated by Demet Muftuoglu Eseli, Alphan Eseli, with Delfina Delettrez Fendi and Nico Vascellari , the IST.FEST. ROME will bring together some of the world’s most talented and creative minds , and leading cultural figures around an inspiring program of panels, talks, exhibitions, performances, screenings and workshops while maintaining its admission - free format. IST. FEST. ROME will focus on the theme: “Self - Expression in the Post - Truth World.” This edition of IST. F estival sets out to explore the ways in which constant changes in our surrounding habitats affect crea tive minds and artistic output. The core mission of the theme is to invoke lively debate around the struggle between reality and make - believe while acknow ledging digital technology and its undeniable power and vast reach as the ultimate tool for self - expression. IST.FEST.ROME will be presented in collaboration with MAXXI, the National Museum of 21st Century Arts , the first Italian national institution dev oted to contemporary creativity designed by the acclaimed architect Zaha Hadid , and Galleria Borghese , one the most respected museums over the world with masterpieces by Bernini and Caravaggio in its collection. -
The Physician at the Movies
The physician at the movies Peter E. Dans, MD Wall Street: Money Never Sleeps GekkoisbroughtdownbyFoxwho,afterheiscaughtdoing Starring Michel Douglas, Shia La Beouf, Josh Brolin, Carey insidertrading,saveshishidebywearingawiretoincriminate Mulligan, Eli Wallach. Gekko. Before being sent to prison, Gekko sequesters $100 Directed by Oliver Stone. Rated PG-13. Running time 133 millioninaSwissaccountinhischildren’snames. minutes. The sequel begins in October 2001 at Sing Sing, where Gekkoisreleasedafterhavingservedhiseight-yearsentence t’shardtobelievethattheoriginalWall Streetwasreleased forinsidertradingandsecuritiesfraud.Hereclaimshispos- twenty-threeyearsago.LikeThe Godfather,ithasachieved sessions, including an out-of-date cell phone and, when no IiconicstatuswithitsmemorableOscar-winningperformance oneistheretomeethim,hetakesacabbackto“thecity.”The byMichaelDouglasasGordonGekkoanditssignatureline sceneshiftsto2008withtwoGenXersinbedasthemorn- “Greedisgood.”Gekkoaccumulatesbillionsbyweddinghis ingnewscomesonthetelevision.ThewomanisGekko’ses- beliefthat“informationisthemostvaluablecommodity”with trangeddaughterWinnie,whoangrilyshutsofftheTVupon a philosophy based on the writings of the sixth-century-BC hearing that Gekko is back in the limelight promoting his Chinese warlord Sun Tzu. As Gekko tells his protégé Bud bookIs Greed Good?Winnieusedtovisitherfatherregularly Fox(CharlieSheen),“Idon’tjustthrowdartsataboard.Read inprisonuntilherbrotherdiedofadrugoverdosethatshe SunTzu’sThe Art of War.Everybattleiswonbeforeitisever blamed on her -
What Could Be Better Than a Red 1949 Cosmo Convertible?
Volume 21 Issue 8 Our 20th year August 1, 2021 What could be better than a red 1949 Cosmo Convertible? Why, not much, says Nels Woods, happy owner of this big red beast. My beloved 1949 Lincoln Cosmopolitan convertible has been in my possession for one year now. The story starts, that is, three years prior in 2018. I was a freshman student attending McPherson College for their automotive restoration program. I was 19 at the time and chasing a Welcome to the dream in the field I love, automotive restoration. I felt as if automobiles were more than just a vehicle. Classic cars are history, an essential part of not only American culture but others as well. Northstar News, the My friends and I decided to take a fall trip to the great state of Texas. My grandmother lives in monthly publication of Texas, so I am never opposed to visiting. We arrived and had our fun; then, it was time to visit the Northstar Region grandma. She had mentioned a friend of hers with a classic car collection. I didn't think much of it, but I was curious as to what this collection was. My grandmother drove me over to her friend of the Lincoln and Joseph Hill's house, but his friends knew him as "Mac." Continental Owners The 87-year-old Texan answered the door with a smile, excited to see a young fella inspired Club. We value your by old cars. I had recently been working on my ‘1949 Studebaker 2R-15 pickup truck at the col- lege, which Mac loved to see progress. -
Smoothing the Wrinkles Hollywood, “Successful Aging” and the New Visibility of Older Female Stars Josephine Dolan
Template: Royal A, Font: , Date: 07/09/2013; 3B2 version: 9.1.406/W Unicode (May 24 2007) (APS_OT) Dir: //integrafs1/kcg/2-Pagination/TandF/GEN_RAPS/ApplicationFiles/9780415527699.3d 31 Smoothing the wrinkles Hollywood, “successful aging” and the new visibility of older female stars Josephine Dolan For decades, feminist scholarship has consistently critiqued the patriarchal underpinnings of Hollywood’s relationship with women, in terms of both its industrial practices and its representational systems. During its pioneering era, Hollywood was dominated by women who occupied every aspect of the filmmaking process, both off and on screen; but the consolidation of the studio system in the 1920s and 1930s served to reduce the scope of opportunities for women working in off-screen roles. Off screen, a pattern of gendered employment was effectively established, one that continues to confine women to so-called “feminine” crafts such as scriptwriting and costume. Celebrated exceptions like Ida Lupino, Dorothy Arzner, Norah Ephron, Nancy Meyers, and Katherine Bigelow have found various ways to succeed as producers and directors in Hollywood’s continuing male-dominated culture. More typically, as recently as 2011, “women comprised only 18% of directors, executive producers, cinematographers and editors working on the top 250 domestic grossing films” (Lauzen 2012: 1). At the same time, on-screen representations came to be increasingly predicated on a gendered star system that privileges hetero-masculine desires, and are dominated by historically specific discourses of idealized and fetishized feminine beauty that, in turn, severely limit the number and types of roles available to women. As far back as 1973 Molly Haskell observed that the elision of beauty and youth that underpins Hollywood casting impacted upon the professional longevity of female stars, who, at the first visible signs of aging, were deemed “too old or over-ripe for a part,” except as a marginalized mother or older sister.