Lighting of the Advent Candles (Magnificat)

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Lighting of the Advent Candles (Magnificat) This set of readings for the lighting of the Advent candles is based on the Magnificat, or Song of Mary, in Luke 1:46-55; this setting of the text is from the Book of Common Worship (575). At each successive lighting of the Advent candles, all texts from the preceding lightings are read in addition to the text introduced that day. On the First Sunday of Advent and following Sundays: Leader: We light this candle [these candles] as a sign of the coming light of Christ, joining our voices with the joyful song of his mother Mary. Leader: My soul proclaims the greatness of the Lord; People: my spirit rejoices in God my Savior. Leader: For you, O Lord, have looked with favor on your lowly servant. From this day all generations will call me blessed: you, the Almighty, have done great things for me and holy is your name. And on the Second Sunday of Advent, and at successive lightings: Leader: You have mercy on those who fear you, from generation to generation. And on the Third Sunday of Advent, and at successive lightings: Leader: You have shown strength with your arm, and scattered the proud in their conceit, casting down the mighty from their thrones and lifting up the lowly. And on the Fourth Sunday of Advent, and at successive lightings: Leader: You have filled the hungry with good things, and sent the rich away empty. And on the eve of Christmas, or on Christmas Day: Leader: You have come to the aid of your servant Israel, to remember the promise of mercy, the promise made to our forebears, to Abraham and his children for ever. On each occasion the lighting of the candles is concluded with: Leader: My soul proclaims the greatness of the Lord; People: my spirit rejoices in God my Savior. Office of Theology and Worship, Presbyterian Church (U.S.A.) 1 .

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Magnificat in D Major, BWV
Johann Sebastian Bach Magnificat in D Major, BWV 243 Magnificat Quia respexit Quia fecit mihi magna Et misericordia eius Fecit potentiam Deposuit potentes Suscepit Israel Gloria patri Sicut erat in principio *** Chorus: S-S-A-T-B Soloists: Soprano 1, soprano 2, alto, tenor, bass Orchestra: 2 flutes, 2 oboes, 2 oboes d'amore, 3 trumpets, timpani, strings, continuo ************************* Program notes by Martin Pearlman Bach, Magnificat, BWV 243 In 1723, for his first Christmas as cantor of the St. Thomas Church in Leipzig, Bach presented a newly composed setting of the Magnificat. It was a grand, celebratory work with a five-voice chorus and a colorful variety of instruments, and Bach expanded the Magnificat text itself by interpolating settings of several traditional Christmas songs between movements. This was the original Eb-major version of his Magnificat, and it was Bach's largest such work up to that point. About a decade later, he reworked the piece, lowering the key from Eb to the more conventional trumpet key of D major, altering some of the orchestration, and, perhaps most importantly, removing the Christmas inserts, so that the work could be performed at a variety of festivals during the liturgical year. It is this later D major version of the Magnificat that is normally heard today. Despite its brilliance and grandeur, Bach's Magnificat is a relatively short work. Nonetheless, it is filled with countless fascinating details. The tenor opens his aria Deposuit with a violent descending F# minor scale to depict the text "He hath put down [the mighty]". At the end of the alto aria Esurientes, Bach illustrates the words "He hath sent the rich away empty" by having the solo flutes omit their final note.
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Magnificat JS Bach
Whitehall Choir London Baroque Sinfonia Magnificat JS Bach Conductor Paul Spicer SOPRANO Alice Privett MEZZO-SOPRANO Olivia Warburton TENOR Bradley Smith BASS Sam Queen 24 November 2014, 7. 30pm St John’s Smith Square, London SW1P 3HA In accordance with the requirements of Westminster City Council persons shall not be permitted to sit or stand in any gangway. The taking of photographs and use of recording equipment is strictly forbidden without formal consent from St John’s. Smoking is not permitted anywhere in St John’s. Refreshments are permitted only in the restaurant in the Crypt. Please ensure that all digital watch alarms, pagers and mobile phones are switched off. During the interval and after the concert the restaurant is open for licensed refreshments. Box Office Tel: 020 7222 1061 www.sjss.org.uk/ St John’s Smith Square Charitable Trust, registered charity no: 1045390. Registered in England. Company no: 3028678. ACKNOWLEDGEMENTS The Choir is very grateful for the support it continues to receive from the Department for Business, Innovation and Skills (BIS). The Choir would like to thank Philip Pratley, the Concert Manager, and all tonight’s volunteer helpers. We are grateful to Hertfordshire Libraries’ Performing Arts service for the supply of hire music used in this concert. The image on the front of the programme is from a photograph taken by choir member Ruth Eastman of the Madonna fresco in the Papal Palace in Avignon. WHITEHALL CHOIR - FORTHCOMING EVENTS (For further details visit www.whitehallchoir.org.uk.) Tuesday, 16
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