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Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Od
Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Odden Ohio State University Ohio Colleges of Medicine This is a pre-copyedited, author-produced version of an article accepted for publication in Social Forces following peer review. The version of record is available online at: https://doi.org/10.1093/sf/sox055. *Please direct all correspondence to Ryan Light, [email protected]. The authors thank James Moody, Jill Ann Harrison, Matthew Norton, Brandon Stewart, Achim Edelmann, Clare Rosenfeld Evans, Jordan Besek, and Brian Ott for their helpful comments on earlier drafts of this paper. Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science Abstract The proliferation of cultural objects, such as music, books, film and websites, has created a new problem: How do consumers determine the value of cultural objects in an age of information glut? Crowd-sourcing – paralleling word-of-mouth recommendations – has taken center stage, yet expert opinion has also assumed renewed importance. Prior work on the valuation of artworks and other cultural artifacts identifies ways critics establish and maintain classificatory boundaries, such as genre. We extend this research by offering a theoretical approach emphasizing the dynamics of critics’ valuation and classification. Empirically, this analysis turns to Pitchfork.com, an influential music review website, to examine the relationship between classification and valuation. Using topic models of fourteen years of Pitchfork.com album reviews (n=14,495), we model the dynamics of valuation through genre and additional factors predictive of positive reviews and cultural consecration. We use gold record awards to study the relationship between valuation processes and commercial outcomes. -
JEN CLOHER Jen Cloher
JEN CLOHER Jen Cloher Album Biography: June 6, 2017 Album Release: August 11, 2017 “It’s self-titled.” The three-word answer is all that Jen Cloher requires to describe her new album, a letter in triplicate addressed to music, to Australia and to love. It’s the most honest album she’s ever written. Jen liKes best to tell the truth. Jen Cloher is the culmination of a period of artistic and personal growth in which the artist tooK her rightful place as the punk-rocK figurehead of Melbourne’s famous DIY music scene. The NIDA graduate is an outspoKen advocate for artist rights, a label boss and band-leader, she also happens to be the partner of acclaimed songwriter Courtney Barnett. Cloher’s fascinating life-story is enough justification to taKe notice here, but it’s the music that will have you returning to this album again and again. Cloher says: “It’s a classic rocK album, recorded live in one room with minimal overdubs… I’m not too good at going into descriptive language around my own music but I suppose it is intimate without ever feeling too precious.” The bulK of Cloher’s album was recorded in October 2016 by Greg WalKer amidst the rolling greenery of Jumbunna in Victoria’s Gippsland, these are songs of distance and songs of driving. Four years on, the band that first played together on Cloher’s acclaimed third album, the Australian Music Prize nominated In Blood Memory, are bold and assured. The songs are split here and there by the melodic intricacy of guitarist Courtney Barnett while drummer Jen Sholakis and bassist Bones Sloane add weight and space, playing only what is needed, leaving room for the songs to breathe, transform and soar. -
Famous Chicagoans Source: Chicago Municipal Library
DePaul Center for Urban Education Chicago Math Connections This project is funded by the Illinois Board of Higher Education through the Dwight D. Eisenhower Professional Development Program. Teaching/Learning Data Bank Useful information to connect math to science and social studies Topic: Famous Chicagoans Source: Chicago Municipal Library Name Profession Nelson Algren author Joan Allen actor Gillian Anderson actor Lorenz Tate actor Kyle actor Ernie Banks, (former Chicago Cub) baseball Jennifer Beals actor Saul Bellow author Jim Belushi actor Marlon Brando actor Gwendolyn Brooks poet Dick Butkus football-Chicago Bear Harry Caray sports announcer Nat "King" Cole singer Da – Brat singer R – Kelly singer Crucial Conflict singers Twista singer Casper singer Suzanne Douglas Editor Carl Thomas singer Billy Corgan musician Cindy Crawford model Joan Cusack actor John Cusack actor Walt Disney animator Mike Ditka football-former Bear's Coach Theodore Dreiser author Roger Ebert film critic Dennis Farina actor Dennis Franz actor F. Gary Gray directory Bob Green sports writer Buddy Guy blues musician Daryl Hannah actor Anne Heche actor Ernest Hemingway author John Hughes director Jesse Jackson activist Helmut Jahn architect Michael Jordan basketball-Chicago Bulls Ray Kroc founder of McDonald's Irv Kupcinet newspaper columnist Ramsey Lewis jazz musician John Mahoney actor John Malkovich actor David Mamet playwright Joe Mantegna actor Marlee Matlin actor Jenny McCarthy TV personality Laurie Metcalf actor Dermot Muroney actor Bill Murray actor Bob Newhart -
PSA, NOW Focus on Ahortion Counseling Director
University of Missouri, St. Louis IRL @ UMSL Current (1980s) Student Newspapers 9-21-1989 Current, September 21, 1989 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current1980s Recommended Citation University of Missouri-St. Louis, "Current, September 21, 1989" (1989). Current (1980s). 285. https://irl.umsl.edu/current1980s/285 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1980s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. In This Issue Dynamic Duo Bugged Campus Reminder .. Calendar .....•... page 2 Becky O'Hare (left) and Columnist JUlio West Ne'ws Briefs ...... page 2 Kim O' Hare have played Sept. 22 isthelastdayto tangles with the ·. il)sect Classifieds ....... page 2 soccer .' together since withdrawl from a course world in his first column of Editorials ........ page 3 eight years old. That tradi without receiving a the semester. Features ......... page 5 tion continues at UM-St. grade. Sports ............ page 7 Louis as the O'Hare twins See page 3 are playing for Ken Hud son's Riverwomen soccer team. See page 7 September 21, 1989 University of Missouri· St. Louis issue 642 PSA, NOW Focus On Ahortion Counseling Director by Stacey Tipp veteran player fn St. Louis and Mis fund ralsillg. Sorkin said that the manner, the public response is associate news editor souri politics, and a self-proclaimed "biggest .single failing of the pro very positive. Carr Dies~ Called "citizen activist", has worked with choice movement is we haven't Sorkin's talk highlighted many Since tbe recent Supreme C~urt Planned Parenthood since 1986. -
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs. -
Shine Tail Credits
With thanks to David and Gillian Helfgott for their assistance and co-operation in the making of this film Cast (in order of appearance) David as an adult Geoffrey Rush Tony Justin Braine Sylvia Sonia Todd Sam Chris Haywood David as a child Alex Rafalowicz Eisteddfod Presenter Gordon Poole Peter Armin Mueller-Stahl Ben Rosen Nicholas Bell Suzie as a child Danielle Cox Margaret Rebecca Gooden Rachel Marta Kaczmarek Jim Minogue John Cousins David as an adolescent Noah Taylor State Champion Announcer Paul Linkson Isaac Stern Randall Berger Boy Next Door Ian Welbourn Louise as a baby Kelly Bottrill Rabbi Beverley Vaughan Synagogue Secretary Phyllis Burford Society Hostess Daphne Grey Soviet Society Secretary Edwin Hodgeman Katharine Susannah Prichard Googie Withers Sonia Maria Dafnero Postman Reis Porter Roger Woodward (younger) Stephen Sheehan Announcer Brenton Whittle Suzie as a teenager Marianna Doherty Louse as a child Camilla James Cecil Parkes John Gielgud Viney David King Registrar Danny Davies Sarah Helen Dowell Muriel Louise Dorling Student Sean Carlsen Ashley Richard Hansell Robert Robert Hands Ray Marc Warren RCOM Conductor Neil Thomson Suzie as an adult Joey Kennedy Nurse Ellen Cressey Beryl Alcott Beverley Dunn Bar Customer Andy Seymour Gillian Lynn Redgrave Jessica Ella Scott Lynch Rowan Jethro Heysen-Hicks Roger Woodward (older) John Martin Celebrant Bill Boyley Opera singers Teresa La Rocca Lindsey Day Grant Doyle Musicians Leah Jennings Kathy Monaghan Mark Lawrence Gordon Coombes Luke Dollman Margaret Stone Tom Carrig Helen Ayres Vocalists Suzi Jarratt Samantha McDonald Hand double for Noah Taylor Martin Cousin Hand double for Alex Rafalowicz Simon Tedeschi Hand double for Geoffrey Rush Himself Standin for Sir John Gielgud Ronald Markham (UK) Standin for Mr. -
Extensions of Remarks
1154 EXTENSIONS OF REMARKS January 27, 1989 EXTENSIONS OF REMARKS QADHAFI AND TERRORISM: THE Libyan leader Mu'ammar Qadhafi consid against Libya, there was a series of attacks DESERT COYOTE CONTINUES ers himself an agent of historical forces. He against US targets that were linked by cir HIS BATTLE AGAINST THE is implacably committted to ending US and cumstantial evidence to Libya. Just prior to WEST other Western influence in the Third these attacks, Qadhafi publicly predicted World, to unifying the Arab world, and to that progressives around the world would destroying the state of Israel. He sees Israel, strike US facilities, but later denied any HON. WM. S. BROOMFIELD the US, and other Western countries as bar Libyan responsibility. OF MICHIGAN riers to his goals. To achieve these ends, The Japanese Red Army <JRA> was re Libya has employed threats, terrorism, and IN THE HOUSE OF REPRESENTATIVES sponsible for the April 14, 1988 bombing military aggression. outside a USO club in Naples. The attack Friday, January 27, 1989 Since the US airstrikes in 1986 and Libya's claimed under the covername "Organization military defeat in Chad in 1987, however, of Jihad Brigades" and specifically linked to Mr. BROOMFIELD. Mr. Speaker, I want to many believe Libya has chosen to operate share with my colleagues a disturbing State the US bombing raids of Libya two years through surrogate terrorist groups willing before-killed five people including one US Department factsheet documenting Colonel to strike at Western targets, rather than servicewoman and injured at least 20 per Qadhafi's continuing involvement with terror become directly involved in terrorism. -
Freakwater.” – CHICAGO TRIBUNE
“Songs about broken vows, impoverished families and impending death aren’t sup- posed to be pretty. Just don’t tell Freakwater.” – CHICAGO TRIBUNE “Bean and Irwin gave so generously of themselves that style and substance became virtually indistinguishable.” – PITCHFORK FREAKWATER SCHEHERAZADE RELEASE DATE: FEBRUARY 5, 2016 If you stop talking you’ll die. The storied namesake of the first time in the band’s long career that they recorded Freakwater’s new album, Scheherazade, told elaborate, an album outside of Chicago. The slower pace of Louisville interwoven tales of depth and pathos, because her life – what Janet calls “the Kentucky crawl” – and an literally depended on it. These songs, like Scheherazade’s extended cast of talented local musicians proved perfect “A Thousand And One Nights,” are stories within stories, elements for developing their new songs. Freakwater’s spinning into other stories, asking more than they answer. amazing collaborators on Scheherazade include Ellkington They lie between resignation and resolve, between desolate (Tweedy, Horse’s Ha, Eleventh Dream Day) on pedal steel and luminous. There are unnamed protagonists, unknown and mandola, Evan Patterson (Young Widows, Jaye Jayle) destinations, unknowable resolutions. There are the on electric guitars, Warren Ellis (Dirty Three, Nick Cave) on mysteries of the living and the mysteries of the dead; they fiddle and alto flute,Sarah Balliet (Murder By Death) on lay between resignation and resolve, between desolate and cello, and Morgan Geer (Drunken Prayer) on electric guitar. luminous. These stories are neither pretty nor not pretty, just honest, literate, and intensively inhabited by their narrators. With its generations old deep harmonies and horrors, “What the People Want,” the album’s eerie opening track, Anchored around the fragile and compelling harmonies of captures a preternatural ability to meld the alluring and Janet Bean and Catherine Irwin and the subdued, oracular the gruesome, the beauty in the murder ballad. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
January 2000 Update
January 2000 Update Five boys packed their meager belongings into backpacks and cardboard boxes and moved into the Micah Project this week. For us, it was an answer to many months of prayer as well as the beginning of a challenging new experience. The boys folded their clothes into the chest-of-drawers and arranged stuffed animals and action-figures on their bookshelves. Each one arranged their blankets and towels and sheets a little differently on their beds to match their personal styles. Excitement and possibility were palpable as the Micah Project transformed from a house into a home. Yet even from the first night, it was evident that the Micah Project is much more than beds and furnishings and a place to live. Before our first dinner, we gathered around the kitchen table holding hands. The boys thanked our Lord for bringing them into the project; at the same time, they prayed for their families and for the children who are still on the streets here in Honduras. (Above: the Micah boys, along with Roger and Michael, in their new home!) Between bites of beans and fried bananas, we began a tradition that we hope will last as long as the Micah Project itself--a daily time of reflection and discussion. This first time focused on the word “Emmanuel—God with us.” We talked about the character of God and what it means to have the Holy Spirit indwelling within us. That led to a conversation about what it means to be light in this world. Marvin talked about a movie he saw recently about a gang member who became a Christian and started a ministry to other gang members. -
Stadium Development and Urban Communities in Chicago
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1996 Stadium Development and Urban Communities in Chicago Costas Spirou Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Social and Behavioral Sciences Commons Recommended Citation Spirou, Costas, "Stadium Development and Urban Communities in Chicago" (1996). Dissertations. 3649. https://ecommons.luc.edu/luc_diss/3649 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1996 Costas Spirou LOYOLA UNIVERSITY CHICAGO STADIUM DEVELOPMENT AND URBAN COMMUNITIES IN CHICAGO VOLUME 1 (CHAPTERS 1 TO 7) A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF SOCIOLOGY BY COSTAS S. SPIROU CHICAGO, ILLINOIS JANUARY, 1997 Copyright by Costas S. Spirou, 1996 All rights reserved. ii ACKNOWLEDGMENTS The realization and completion of this project would not have been possible without the contribution of many. Dr. Philip Nyden, as the Director of the Committee provided me with continuous support and encouragement. His guidance, insightful comments and reflections, elevated this work to a higher level. Dr. Talmadge Wright's appreciation of urban social theory proved inspirational. His knowledge and feedback aided the theoretical development of this manuscript. Dr. Larry Bennett of DePaul University contributed by endlessly commenting on earlier drafts of this study. -
Shine (Claroscuro / El Resplandor De Un Genio); La Tragedia No Siempre Tiene La Última Palabra
ISSN electrónico: 1885-5210 DOI: https://doi.org/10.14201/rmc2020164289296 SHINE (CLAROSCURO / EL RESPLANDOR DE UN GENIO); LA TRAGEDIA NO SIEMPRE TIENE LA ÚLTIMA PALABRA Shine (light and shadow / the genius´ shining); the tragedy not always has the latest word Oscar BOTTASSO Instituto de Inmunología Clínica y Experimental de Rosario (Universidad Nacional de Rosario-Consejo Nacional de Investigaciones Científicas y Técnicas), Rosario (Argentina). Correo electrónico: [email protected] Fecha de recepción: 27 de febrero de 2020 Fecha de aceptación: 5 de marzo de 2020 Fecha de publicación: 15 de diciembre de 2020 Resumen El filme dirigido por Scott Hicks narra la historia del pianista australiano David Helfgott, a partir de su niñez y juventud jalonada por notables éxitos musicales, luego truncados a raíz de una enfermedad mental, en cuya génesis subyace una infancia impregnada de conflictos familiares. Tras un prolongado período de institucionalización, David comienza a reinsertarse en sociedad, y su situación se recompone ostensiblemente al conocer a Gillian quien posteriormente se convertirá en su segunda esposa y lo ayudará a reconciliarse con su existencia como para encarar un proyecto de vida en plenitud. Palabras clave: esquizofrenia; poesía; música. Abstract The film directed by Scott Hicks uncovers the story of the Australian pianist David Helfgott, from his early years and youth denoted by prominent musical achievements, further curtailed because of a mental illness preceded by a childhood full of familial conflicts. After a prolonged period of psychiatric institutionalization, David starts to reintegrate into the society. His situation clearly improves upon meeting Gillian who will later become his second wife helping him to accomplish an existential reconciliation as well as facing up to a «fullness of life» project.