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Music Is GREAT Edition 4, October 2015
A guide Brought to you by for international media Edition 4 – October 2015 Festival No 6 Portmeirion, Wales visitbritain.com/media Contents Quick facts about Music in Britain......................................................................................................... 2 Music is Great – why? ............................................................................................................................... 3 10 must-do music activities in Britain ................................................................................................... 4 Music venues in Britain – a guide .......................................................................................................... 5 Music venues by music genre ............................................................................................................... 13 British music through the decades ...................................................................................................... 16 You saw them here first ......................................................................................................................... 18 Lyrical Britain: let the music be your guide ..................................................................................... 20 Step into British album covers ............................................................................................................. 24 Immersive music experiences ............................................................................................................. -
View with Eight of Johnny’S Fans I’Ve Been Lucky Enough to See and Meet at Van Morrison’S Music but I Couldn’T Bear to Watch a Grumpy Sod Deliver the Music I His Gigs
TOUCH OUT Touch Out A collection of heartfelt anecdotes from Johnny Marr fans With much gratitude to all who contributed their heartfelt words to this book: Caroline Allen Marc McGarraghy Helen Angell Sue McMullen Contents Jade Bailey Dave Medley Chris Barry Valentina Miranda Steve Bates Lily Moayeri Foreword ............................................................................................................. 7 Chris Beattie Ali Molina By Marc McGarraghy Keniz Begum Alison Moore Lee Bellfield Snigdha Nag Part I: Reflections & Illuminations From The Johnny Marr Fandom .............. 11 Sarah Birch Lucija Naletilić Karen Black Ed Nash Part II: My Most Memorable Johnny Marr Moment ........................................ 51 Mel Blake Rachel Nesbitt Andy Campbell Jackie Nutty Part III: Tales Of Discovery .............................................................................. 91 Matthew Clow Siobhan O’Driscoll Nathan Curry Brian O’Grady Afterword ........................................................................................................125 Ash Custer Fiona ONeill By Aly Stevenson & Ory Englander Kari Da Emma Palor Hila Dagan Donka Petrova Laura Dean Lari Picker Lori DF Mariana Polizzi L.M. Linda Poulnott Elisabetta Melody Redhead Stephen Evans Marissa Rivera Gemma Faulkner Adam Roberts Walter Frith Mara Romanessi Kira L. Garcia Bernadette Rumsen Alex Harding Belinda Dillon Ryan Hogan Dave Jasper Mark Sharpley Alejandro Kapacevich Kirsty Smith Tom Kay Matthew Soper Amelia Kubota Craig Spence Fátima Kubota Ellen Aaron Symington Leerburger Caroline Nicola Westwood Leggott Karen Wheat Jill Lichtenstadter Chad Williams MJ Zander Foreword By Marc McGarraghy What is it that is so special about the relationship between Johnny Marr and his fans? I’ve often tried to put my finger on it from my unique vantage point, sandwiched between Johnny and the crowd. The intensity of the relationship between the two, how one feeds off the other, how one lifts the other and how the shared euphoria that builds through the gig is something very special to behold. -
Buzz and the Creative City: Traversing Atmospheres of the Urban Creative & Cultural Industries in Leeds
1 Buzz and the Creative City: Traversing Atmospheres of the Urban Creative & Cultural Industries in Leeds Samuel Stockley Submitted in accordance with the requirements for the degree of Doctor of Philosophy. School of Performance and Cultural Industries, The University of Leeds. February 2019 2 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2019 The University of Leeds and Samuel Stockley The right of Samuel Stockley to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs, and Patents Act 1988. 3 Acknowledgements Though this PhD dissertation is an individual work, its completion would not have been possible without the support of many. I’d like to thank the late Dr Anna Upchurch who supervised my MA research project which was in many ways a pilot study of this PhD. Her provocations and reading recommendations are scattered throughout this work. This thesis has benefitted greatly from the experienced supervision and wealth of knowledge offered by the late Professor Calvin Taylor. Calvin’s work to support my PhD directly and my career more broadly have been enormously valuable. Dr Philip Kiszely has been central to my PhD from start to finish; at turbulent times, and there have been many, Phil has been my constant. For much of this process, Phil has been my sole supervisor; his dedication has far exceeded that which he signed up for, and I am very grateful for that. -
Lcom Prospectus 2020-21 Eversion
Design Split (split.co.uk) Photo Print graphy David Lindsay Pressision Richard Storrow Paper from Tom Arber sustainable sources Andrew Benge Bobbin Productions p4 Welcome p68 Production & Film Music: p6 Leeds p72 Film Music p8 Facilities p76 Music Production p16 Performance Opportunities p80 FdA Music Production p84 FdA Electronic Music Production p20 School of Performance p88 Music Business: p22 Music: p90 Music Business p26 Classical p30 Jazz p94 Postgraduate Study: p34 Folk p96 MA Music p38 Drama: p100 Further Information: p42 Musical Theatre p102 Why Study in the UK p46 Acting p104 Visas & Immigration p50 Actor Musician p106 Entry Requirements p54 School of Pop & Production p108 How to Apply p56 Popular Music: p109 Auditions & Interviews p60 Popular p110 Student Services p64 Songwriting p112 Students’ Union Courses validated by: LEEDS COLLEGE COLLEGE OF OF MUSIC MUSIC IS IS PA PART OF THE LUMINATE EDUCATION GROUP RT OF THE LEEDS CI TY C OLLEGE GROUP 4 Studying is only part of Countless performance and your experience at industry opportunities www.lcm.ac.uk Leeds College of Music You will showcase your work and build your career through a huge range of To us, you are a professional from day one. national and international opportunities for We will encourage you to be inquisitive, to performance and enterprise, both on and expand your creative vision and to take every off campus. We will continue to support opportunity to add to your experience. you throughout your career, and you will A leading European conservatoire be recognisable as one of our graduates by your artistic confidence and unique voice.