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National Register of Historic Places Registration Form
NPS Form 10-900 0MB No 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form 1s for use m nommatmg or requesting determinations for md1v1dual properties and districts. See instructions in National Register Bulletln, Holl' ro Complete the Natio11al Register of Hisloric Places Reg1s1ra1i011 Form If any Item does not apply to the property being documented, enter "NIA• for "not apphcable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the mstrucuons. 1. Name of Property Historic name: Malvern Hill (2020 Update) Other names/site number: --=....a..a.~~=-~~-------------------OHR #043-0008 N am e of related multiple property listing: The Civil War in Virginia. 1861-1865: Historic and Archaeological Resources (Enter "N/ A" if property is not part of a multiple property listing 2. Location Street & number: 9743 Malvern Hill Lane City or town: Richmond State: __,Y-A~=--- County: Henrico Not For Publication:~ Vicinity:~ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this _.X_ additional documentation _ move _ removal _ name change (additional documentation)_ other meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property _1l_ meets _ does not meet the National Register Criteria. I recommend that this property be considered significant at the following level(s) of significance: ..x.._ national ..x.._ statewide ...X.. -
The James River Plantations
98 Harrisonburg 99 Live here. The Live creatively. James River Plantations Sunday, April 22, 2018 Monday, April 23, 2018 Tuesday, April 24, 2018 Photo courtesy of Westover Plantation Photo courtesy of Westover 10 a.m. to 4:30 p.m. Open together, three historic properties and a church that dates back to the 1630s celebrate Historic Garden Week on three consecutive days. A special combo ticket allows access to the extensive grounds, numerous outbuildings and interiors of all three sites. In addition, afternoon tea will be offered by reservation at Shirley. All are located along scenic Route 5 in Charles City between Richmond and Williamsburg. In addition, lunch is offered on all three tour days at Westover Episcopal Church, which is also open for At Bridgewater Retirement Community, creative energy makes us who touring. Berkeley, Shirley and Westover Plantations are Virginia and National Historic Landmarks, working plantations, private family homes and living links to our country’s past. we are. People were meant to create. We create art and music. We create families. We create lives. Retirement is not the end of creativity—it’s the beginning. Through classes, activities and outings, our residents immerse themselves in new experiences and refine old skills. You’ve spent your life creating good things. Join us in keeping the creative spirit alive. Hosted by the owners of Ticket information: $45 pp. www.vagar- Berkeley, Shirley and Westover Plantations denweek.org. Combo ticket allows access to the grounds and gardens at Berkeley and Contact information at tour sites guided house tours of the mansion’s first Simple pleasures. -
The Difficult Plantation Past: Operational and Leadership Mechanisms and Their Impact on Racialized Narratives at Tourist Plantations
THE DIFFICULT PLANTATION PAST: OPERATIONAL AND LEADERSHIP MECHANISMS AND THEIR IMPACT ON RACIALIZED NARRATIVES AT TOURIST PLANTATIONS by Jennifer Allison Harris A Dissertation SubmitteD in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Public History Middle Tennessee State University May 2019 Dissertation Committee: Dr. Kathryn Sikes, Chair Dr. Mary Hoffschwelle Dr. C. Brendan Martin Dr. Carroll Van West To F. ii ACKNOWLEDGEMENTS I cannot begin to express my thanks to my dissertation committee chairperson, Dr. Kathryn Sikes. Without her encouragement and advice this project would not have been possible. I would like to express my deepest appreciation to my dissertation committee members Drs. Mary Hoffschwelle, Carroll Van West, and Brendan Martin. My very deepest gratitude extends to Dr. Martin and the Public History Program for graciously and generously funding my research site visits. I’m deeply indebted to the National Science Foundation project research team, Drs. Derek H. Alderman, Perry L. Carter, Stephen P. Hanna, David Butler, and Amy E. Potter. However, I owe special thanks to Dr. Butler who introduced me to the project data and offered ongoing mentorship through my research and writing process. I would also like to extend my deepest gratitude to Dr. Kimberly Douglass for her continued professional sponsorship and friendship. The completion of my dissertation would not have been possible without the loving support and nurturing of Frederick Kristopher Koehn, whose patience cannot be underestimated. I must also thank my MTSU colleagues Drs. Bob Beatty and Ginna Foster Cannon for their supportive insights. My friend Dr. Jody Hankins was also incredibly helpful and reassuring throughout the last five years, and I owe additional gratitude to the “Low Brow CrowD,” for stress relief and weekend distractions. -
A Plantation Family Wardrobe, 1825 - 1835
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 A Plantation Family Wardrobe, 1825 - 1835 Jennifer Lappas Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2299 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. 1 The Carter Family Shirley Plantation claims the rightful spot as Virginia’s first plantation and the oldest family-run business in North America. It began as a royal land grant given to Sir Thomas West and his wife Lady Cessalye Shirley in 1613 and developed into the existing estate one can currently visit by 1725. The present day estate consists of the mansion itself and ten additional buildings set along a Queen Anne forecourt. These buildings include a Root Cellar, Pump House, two-story Plantation Kitchen, two story Laundry, Smokehouse, Storehouse with an Ice House below, a second Storehouse for grain, Brick Stable, Log Barn and Pigeon House or Dovecote. At one time the Great House was augmented by a North and a South Flanker: they were two free standing wings, 60 feet long and 24 feet wide and provided accommodations for visitors and guests. The North Flanker burned and its barrel-vaulted basement was converted into a root cellar and the South Flanker was torn down in 1868. -
Shirley Plantation As a Historic House Museum, 1894–2013
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2013 "To Preserve, Protect, and Pass On:" Shirley Plantation as a Historic House Museum, 1894–2013 Kerry Dahm Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the History Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3282 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Kerry A. Dahm 2013 All Rights Reserved “To Preserve, Protect, and Pass On:” Shirley Plantation as a Historic House Museum, 1894–2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University. by Kerry Anne Dahm Bachelor of Arts, Virginia Commonwealth University, 2009 Director: Dr. John T. Kneebone Associate Professor, Virginia Commonwealth University Department of History Virginia Commonwealth University Richmond, Virginia December 2013 ii Acknowledgements My journey through graduate school and my ability to write and finish this thesis is due to the many people who have supported and encouraged me in the last two years. Each one of them has helped me pursue this once unthinkable goal of getting a graduate degree in History. I would like to thank… • Dr. Norrece T. Jones for helping me to develop critical thinking and historical research skills while I was an undergraduate student at VCU. • The staff at the Library of Virginia, particularly John Deal, Brent Tarter, Mari Julienne, and Gregg Kimball for listening to me talk about my thesis and offering advice as well as encouragement for pursuing my topic. -
Hunt Club 23
Charles City County Business Directory County Guide Compiled September 1998 By: Charles City County Department of Planning January 2016 **Please contact the Department of Planning to report any incorrect information** Introduction Charles City County is a quiet, rural haven located in the east-central portion of the Commonwealth of Virginia. In 1634, the colonial General Assembly met at Jamestown and divided the Virginia Colony into eight shires, similar to those in England. These were Accomack, Charles River, Henrico, Elizabeth City, James City, Warwick River, Warrosquyoake and Charles City. The Charles City shire was named for the English King's son, Charles, who later became King Charles I. When first established, Charles City comprised a large area on both sides of the James River, but gradually it lost land area to the formation of other counties. Settlement in Charles City County began as early as 1613. Many of the famous estates were patented in these early years. Charles Carter built Shirley Plantation about 1769. It is believed to be the first Virginia plantation. Today the Carter family still owns Shirley Plantation. Benjamin Harrison, IV, built the Berkeley Plantation mansion in 1726. Berkeley was the birthplace of Benjamin Harrison, V, a signer of the Declaration of Independence and Governor of Virginia. Berkeley was also the home of William Henry Harrison, the ninth President of the United States. John Tyler, tenth President of the United States, purchased Sherwood Forest in 1842. William Byrd, III, a notable Virginia planter, author, and colonial official constructed Westover Plantation about 1730. Evelynton Plantation was originally part of William Byrd's expansive Westover Plantation. -
Virginian Writers Fugitive Verse
VIRGIN IAN WRITERS OF FUGITIVE VERSE VIRGINIAN WRITERS FUGITIVE VERSE we with ARMISTEAD C. GORDON, JR., M. A., PH. D, Assistant Proiesso-r of English Literature. University of Virginia I“ .‘ '. , - IV ' . \ ,- w \ . e. < ~\ ,' ’/I , . xx \ ‘1 ‘ 5:" /« .t {my | ; NC“ ‘.- ‘ '\ ’ 1 I Nor, \‘ /" . -. \\ ' ~. I -. Gil-T 'J 1’: II. D' VI. Doctor: .. _ ‘i 8 » $9793 Copyrighted 1923 by JAMES '1‘. WHITE & C0. :To MY FATHER ARMISTEAD CHURCHILL GORDON, A VIRGINIAN WRITER OF FUGITIVE VERSE. ACKNOWLEDGMENTS. The thanks of the author are due to the following publishers, editors, and individuals for their kind permission to reprint the following selections for which they hold copyright: To Dodd, Mead and Company for “Hold Me Not False” by Katherine Pearson Woods. To The Neale Publishing Company for “1861-1865” by W. Cabell Bruce. To The Times-Dispatch Publishing Company for “The Land of Heart‘s Desire” by Thomas Lomax Hunter. To The Curtis Publishing Company for “The Lane” by Thomas Lomax Hunter (published in The Saturday Eve- ning Post, and copyrighted, 1923, by the Curtis Publishing 00.). To the Johnson Publishing Company for “Desolate” by Fanny Murdaugh Downing (cited from F. V. N. Painter’s Poets of Virginia). To Harper & Brothers for “A Mood” and “A Reed Call” by Charles Washington Coleman. To The Independent for “Life’s Silent Third”: by Charles Washington Coleman. To the Boston Evening Transcript for “Sister Mary Veronica” by Nancy Byrd Turner. To The Century for “Leaves from the Anthology” by Lewis Parke Chamberlayne and “Over the Sea Lies Spain” by Charles Washington Coleman. To Henry Holt and Company for “Mary‘s Dream” by John Lowe and “To Pocahontas” by John Rolfe. -
Wedding Reception Sites
SCRAPBOOK | RECEPTION | RECEPTION SITES: acc - dom | PICTURE PERFECT wedding sites TO ADD YOUR BUSINESS OR CORRECTreception OUR INFORMATION, PLEASE CALL 804-355-0111. SITE FEE LIMIT PHONE LICENSE CATERER PARKING MAXIMUM TIME RENTAL COMMENTS RECEPTION KITCHEN USE DANCE FLOOR LIQUOR ACCA Shrine Center 804-264-0509 500-cocktail Call for information OFF Done by midnight Y Y N* Y Tables and chairs included in rental price. Linen rentals 1712 Bellevue Ave. 484-sit-down (multiple areas Mon.-Fri; 1 a.m. available at additional cost. accashriners.com available) Sat. Altria Theater 6 N. Laurel St. 804-592-3339 1,400-cocktail $5,000 ON Out by 2 a.m. Y N Y Y Altria Theater and grand ballroom available for rentals. 800-sit-down altriatheater.com Alturia Farm 6101 Dabney’s 804-314-9750 250-cocktail $6,500 for 2020 OFF Done by 11 p.m. Y Y N* Y Alturia Farm provides a picturesque setting for your special Mill Road, Manquin 225-sit-down day. alturiafarm.com Amber Grove Inn 804-608-1946 200-sit-down $3,500-$5,000 ON 5 hours; done by Y N N* Y Built in 1884, 15-acre farm, personalized service, 40- by 16216 Genito Road 11 p.m. 80-foot tented area and barn. ambergrove.com American Civil War Museum 804-649-1861, 50-1,000-cocktail $1,000-$7,500 OFF 5-11 p.m. Y N N* Y Enjoy a riverfront view at this historic site. Tredegar Iron Works 500 Tredegar St. ext. 148 200-sit-down offers a natural backdrop on 8.9 acres of brick ruins. -
National Park Service Cultural Landscapes Inventory 1999
National Park Service Cultural Landscapes Inventory 1999 Revised 2008 Jamestown Island Area Colonial National Historical Park Table of Contents Inventory Unit Summary & Site Plan Concurrence Status Geographic Information and Location Map Management Information National Register Information Chronology & Physical History Analysis & Evaluation of Integrity Condition Treatment Bibliography & Supplemental Information Jamestown Island Area Colonial National Historical Park Inventory Unit Summary & Site Plan Inventory Summary The Cultural Landscapes Inventory Overview: CLI General Information: Cultural Landscapes Inventory – General Information The Cultural Landscapes Inventory (CLI) is a database containing information on the historically significant landscapes within the National Park System. This evaluated inventory identifies and documents each landscape’s location, size, physical development, condition, landscape characteristics, character-defining features, as well as other valuable information useful to park management. Cultural landscapes become approved inventory records when all required data fields are entered, the park superintendent concurs with the information, and the landscape is determined eligible for the National Register of Historic Places through a consultation process or is otherwise managed as a cultural resource through a public planning process. The CLI, like the List of Classified Structures (LCS), assists the National Park Service (NPS) in its efforts to fulfill the identification and management requirements associated -
Early History of Thoroughbred Horses in Virginia (1730-1865)
Early History of Thoroughbred Horses in Virginia (1730-1865) Old Capitol at Williamsburg with Guests shown on Horseback and in a Horse-drawn Carriage Virginia History Series #11-08 © 2008 First Horse Races in North America/Virginia (1665/1674) The first race-course in North America was built on the Salisbury Plains (now known as the Hempstead Plains) of Long Island, New York in 1665. The present site of Belmont Park is on the Western edge of the Hempstead Plains. In 1665, the first horse racing meet in North America was held at this race-course called “Newmarket” after the famous track in England. These early races were match events between two or three horses and were run in heats at a distance of 3 or 4 miles; a horse had to complete in at least two heats to be judged the winner. By the mid-18th century, single, "dash" races of a mile or so were the norm. Virginia's partnership with horses began back in 1610 with the arrival of the first horses to the Virginia colonies. Forward thinking Virginia colonists began to improve upon the speed of these short stocky horses by introducing some of the best early imports from England into their local bloodlines. Horse racing has always been popular in Virginia, especially during Colonial times when one-on-one matches took place down village streets, country lanes and across level pastures. Some historians claim that the first American Horse races were held near Richmond in Enrico County (now Henrico County), Virginia, in 1674. A Match Race at Tucker’s Quarter Paths – painting by Sam Savitt Early Racing in America Boston vs Fashion (The Great Match Race) Importation of Thoroughbreds into America The first Thoroughbred horse imported into the American Colonies was Bulle Rock (GB), who was imported in 1730 by Samuel Gist of Hanover County, Virginia. -
History 216-02: "From the Founding of Jamestown Through the American Revolution"
History 216-02: "From the Founding of Jamestown through the American Revolution" J.P. Whittenburg Fall 2009 Email: [email protected] Office: Young House (205 Griffin Avenue) Web Page: http://faculty.wm.edu/jpwhit Telephone: 757-221-7654 Office Hours: By Appointment Clearly, this isn't your typical class. For one thing, we meet all day on Wednesdays. For another, we will spend most of our class time "on-site" at archaeological excavations, museums, or inside historic buildings. This class will concentrate on the period from the founding of Jamestown in 1607 through roughly the death of George Washington in 1799, but it is not at all a narrative that follows a neat timeline. I’ll make no attempt to touch on every important theme and we’ll depart from the chronological approach whenever targets of opportunities present themselves. As we have another course (History 220) that deals exclusively with Colonial Williamsburg, this class will focus mainly on “not-Colonial Williamsburg.” By this I simply mean that, instead of taking you to "CW" for a series of field trips, I will make a few assignments for you to visit specific places and events there on week days prior to our Wednesday class meetings. The Historic Area is easily accessible by foot and your William & Mary ID cards will get you into all the exhibitions. These are not optional activities: we'll incorporate what you see and hear at CW into our class discussions. I'll begin most classes with some sort of short background session—a clip from a movie, oral reports, or maybe something from the Internet. -
General Photograph Collection Index-Richmond Related Updated 10/3/14
THE VALENTINE General Photograph Collection Richmond-related Subjects The Valentine’s Archives hold one million photographs that document people, places, and events in Richmond and Virginia. This document is an index of the major Richmond- related subject headings of the Valentine’s General Photograph Collection. Photographs in this collection date from the late 19th century until the present and are arranged by subject. Additional major subjects in the General Photograph Collection include: • Civil War • Cook Portrait Collection – Portraits of famous Virginians • Museum Collection – Museum objects and buildings • Virginia Buildings and Places The Valentine also has the following additional photograph collections: • Small Photograph Collection – Prints 3”x5” and under • Oversized Photograph Collection – Large and panoramic prints • Cased Image Collection – 400+ daguerreotypes, ambrotypes, tintypes, and framed photographs • Stereograph Collection – 150+ views of Richmond, Virginia and the Civil War • Over 40 individual photograph collections – Including those of Robert A. Lancaster, Jr., Palmer Gray, Mary Wingfield Scott, Edith Shelton, and the Colonial Dementi Studio. Please inquire by email ([email protected]), fax (804-643-3510), or mail (The Valentine, Attn: Archives, 1015 E. Clay Street, Richmond, VA 23219) to schedule a research appointment, order a photograph, or to obtain more information about photographs in the Valentine’s collection. Church Picnic in Bon Air, 1880s Cook Collection, The Valentine Page 1 of 22 The Valentine