Greater Anglia: the Train on Platform 3 Is for Hollywood…
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Introduction to Carla Wilson's Curious Impossibilies: Ten Cinematic Riffs
Introduction to Curious Impossibilities: Ten Cinematic Riffs by Carla M. Wilson by James R. Hugunin The concealed essence of a phenomenon [herein, film] is often given by the past events that have happened to it, so that a concealed force continues to operate upon a phenomenon [film] as a kind of transcendental memory. — Philip Goodchild, Deleuze and Guattari (1996) True aesthetic innovation can only come from reworking and trans-forming existing imagery, ripping it from its original context and feeding it into new circuits of analogy. —Andrew V. Uroskie, “Between the Black Box and the White Cube” (2014) I remember the ashtrays. God, the number of cigarettes they burned up in the movies in those days. — “Don’t Even Try, Sam,” William H. Gass in Cinema Lingua, Writers Respond to Film (2004) I have been totally spellbound by cinema. Hitchcock, Max Ophuls, Bergman, Godard, Truffaut, Marker, Fellini, all have enriched my imagination. I take photographs. I’ve tried my hand at films. I’ve worked on the special effects in Hollywood films. I study the history of photography and film. I dig film noir. I write criticism. During its heyday, I read Screen, Screen Education, and Cahiers du cinema, relig- iously; carried Christian Metz’s The Imaginary Signifier (1977) around like some people do the Bible. Now I write fiction, fiction influenced by film. Early on, I noticed that the interaction between film and literature has been a rich one — writing influencing film, film influencing writing. An example of the latter I encoun- tered in college was American writer John Dos Passos’s U.S.A. -
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film. -
UNDER EMBARGO UNTIL March 14 at 3Pm ET/12Pm PT Images/Video
UNDER EMBARGO UNTIL March 14 at 3pm ET/12pm PT Images/Video: https://www.dropbox.com/sh/3uol0ajltadpdyq/AAC2Gw5jxUcPbpjXZYyP7sTCa?dl=0 TRIBECA FILM FESTIVAL® TO CLOSE WITH WORLD PREMIERE OF DANNY BOYLE’S YESTERDAY; GALAS TO INCLUDE SPECIAL SCREENINGS HONORING THE 40th ANNIVERSARY OF APOCALYPSE NOW AND THE 30 YEARS SINCE SAY ANYTHING… BECAME A CULT CLASSIC Galas Include World Premiere of ‘Between Me and My Mind’ featuring Phish’s Trey Anastasio with special music performance; Tribeca/ESPN Sports Film Festival World Premiere of ‘The Good, The Bad, The Hungry’ NEW YORK, NY – March 14, 2019 – The Tribeca Film Festival, presented by AT&T, announced today that Oscar-winning director Danny Boyle’s Yesterday, from Universal Pictures and Working Title, will world premiere as the closing night selection of the Festival’s 18th edition. Tribeca also announced this year’s Gala Anniversaries, including a never-before- seen restored version of Francis Ford Coppola’s cinematic masterpiece, Apocalypse Now, and the 30th anniversary and cast reunion of the iconic ‘80s coming-of-age film Say Anything… There will be additional Galas with the world premiere of Between Me and My Mind about Phish lead singer Trey Anastasio, followed by a special musical performance by the Trey Anastasio Band at the Beacon Theatre, as well as Tribeca/ESPN Sports Film Festival opener The Good, The Bad, The Hungry. Tickets for events at the Beacon Theatre go on sale March 19 at 11:00AM ET; Single tickets for all other Festival events go on sale March 26 at 11:00AM ET. The Tribeca Film Festival takes place from April 24 - May 5, 2019. -
CURRICULUM VITAE Phil Bennett
CURRICULUM VITAE Phil Bennett ACTING EXPERIENCE Television Series: “The Heights” ABC (2019) Keith “The Heights” ABC (2018) Local “Sunday Night” Channel 7 (2012) Peter Gill “Cloudstreet” TV special (2010) Bartender [Screentime] Director: Matt Saville “The Great Escape – The Reckoning” TV special (2009) Dr Leopold Spann [Electric Pictures] “Foreign Exchange” TV Series Cameo Appearances as Museum Worker and passerby (West Street Productions) “The Shark Net” ABC Mini Series Supporting Role as Antman “Wildside” ABC TV Series Cameo Appearance as Low Life Scum. “Minty” ABC TV Series Supporting Role – Welsh uncle “Ship to Shore” ABC TV Series Cameo Appearance as Zorba’s brother. “Bush Patrol” TVW Channel 7 Series Cameo Appearance as Poacher. “Under the Skin” SBS Television Series Supporting Role. Feature Films: “I Met A Girl” (2019) Feature Film Homeless Man Director – Luke Eve “The Allied Games/Game On” (2018) Feature Film Supporting role – shopkeeper [Director: Paul Williams] “Son Of A Gun” (2013) Feature Film Extra “These Final Hours” (2012) Feature Film Supporting Role – Drunk taxi driver [8th in Line Productions] “Short Film Maker” (2012) Feature Film Supporting Role – Ned [Director: Maziar Lahooti “The Great Mint Swindle” (2011) Feature Film Supporting role – Detective Slipper [Worldwide Production Services Pty Ltd] Director: Geoff Bennett “Grab A Lift” Feature Film Supporting role – Barry “Japanese Story” Feature Film Supporting Role – aggressive barman “Let’s Get Skase” Feature Film Supporting Role – agent Billy “Justice” Feature Film -
December 2019/January 2020 PAGES All Saints' Church
Number 555 Published jointly by All Saints’ Church and Braunston Parish Council December 2019/January 2020 PAGES All Saints’ Church information and news 2-9 Parish Council information and news 10-13 Village Hall information 14-15 Braunston C of E School 16-17 Clubs and groups 18-26 Other News 27-29 Feature 30 Directory of local businesses that have helped finance the BVN 31-40 Sharing a love of dogs. Nen talks with Dee, a volunteer with the charity Canine Concern. Dee brought her dog, Spider, and spoke about the charity at Braunston Friendly Club in November. For forthcoming club activities see page 19. 1 All Saints’ Church Information BRAUNSTON REGISTERS Funeral 7th November Brian Allen Baptisms 24th November Freddie Muddiman and Evie Withey Vicar’s letter is on page 4. 2 All Saints’ Church Christmas Services 2019 Sunday 15th December 6-7pm Carols by Candlelight Service At All Saints’ Church Come and sing your favourite carols Followed by mulled wine and mince pies Monday 16th December 2-3pm Christingle Service At Braunston Primary School Saturday 21st December 8:00pm Christmas Extravaganza At All Saints’ Church Carols & Christmas Music with City of Coventry Brass Sunday 22nd December 6-7pm Christmas No Labels Service At All Saints’ Church Worship band, mince pies, mulled wine, fellowship Tuesday 24th December 4-5pm Crib Service At All Saints’ Church Festive & cheerful nativity fun for everyone Tuesday 24th December 11:15pm-00:15am Christmas Midnight Service At All Saints’ Church Wednesday 25th December - Christmas Day 10-11am Christmas Day Service At All Saints’ Church 3 Vicar’s letter The challenge of Christmas Jesus is a challenge! During his life on earth he upset a lot of people, he disrupted social norms and provoked the rich and powerful, often creating a storm wherever he went. -
2020 Movie Catalog
Catalog © 2019 Paramount Pictures © 2019 Disney Enterprises Inc. 2020 © 2019 Warner Bros. Ent. All rights reserved. © 2019 CMTG, Inc. All Rights Reserved. © Lions Gate Entertainment, Inc. © 2019 Universal City Studios Productions LLLP. All Rights Reserved. RESOURCEYour Movie The 2020 Swank Movie Catalog features all the films you’ll want to feature in your upcoming movie program. To make it easier for you to select titles based on your audience, we’ve ordered the titles by rating! This year, find all our new G and PG-rated content in the first section followed by new PG-13 titles. TABLE OF Contents G/PG New Releases .............................................................................................................................. 1 PG-13 New Releases ...........................................................................................................................16 2020 Programming Calendar ...........................................................................................................30 Coming Soon ........................................................................................................................................32 Top 50 All-Time Favorites ..................................................................................................................34 Top 20 Halloween ...............................................................................................................................36 Top 20 Holiday .....................................................................................................................................37 -
Alfred Hitchcock's Rear Window
Alfred Hitchcock’s Rear Window Edited by JOHN BELTON PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB2 2RU, UK http://www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011-4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain © Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United States of America Typeface Stone Serif 9.75/14 pt. System QuarkXPress® [GH] A catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Alfred Hitchcock’s Rear Window / edited by John Belton. p. cm. – (Cambridge film handbooks) Filmography: p. Includes bibliographical references and index. ISBN 0-521-56423-9. — ISBN (invalid) 0-521-56453-0 (pb) 1. Rear window (Motion picture) I. Belton, John. II. Series. PN1997.R353A43 2000 791.43′72 – dc21 99-12160 CIPP ISBN 0 521 56423 9 hardback ISBN 0 521 56453 0 paperback Contents Acknowledgments page xi List of Contributors xiii Introduction Spectacle and Narrative JOHN BELTON 1 1 The Making of Rear Window SCOTT CURTIS 21 2 Voyeurism and the Postwar Crisis of Masculinity in Rear Window ELISE LEMIRE 57 3 “The Dresses Had Told Me” Fashion and Femininity in Rear Window SARAH STREET 91 4 Alfred Hitchcock’s Rear Window The Fourth Side MICHEL CHION 110 5 Eternal Vigilance in Rear Window ARMOND WHITE 118 Filmography 141 Reviews of Rear Window, 1954 163 Select Bibliography 171 Index 175 vii JOHN BELTON Introduction SPECTACLE AND NARRATIVE Like many of the best works of classical Hollywood cin- ema, Rear Window is a deceptively obvious film. -
Richard Curtis Writer/Director
Richard Curtis Writer/Director Agents Anthony Jones Associate Agent Danielle Walker [email protected] +44 (0) 20 3214 0858 Credits In Development Production Company Notes THAT CHRISTMAS Locksmith Animation/Netflix Animated film written with Peter Souter, based on his children's novel Illustrator: Rebecca Cobb Executive Producer: Colin Hopkins LOST FOR WORDS Working Title Films With Jamie Curtis BERNARD AND THE GENIE Film Production Company Notes YESTERDAY Working Title Original screenplay 2019 Films/Universal Directed by Danny Boyle with Himesh Patel & Lily James TRASH Working Title Films Adapted from the novel by Andy Mulligan 2014 Directed by Stephen Daldry with Martin Sheen, Rooney Mara ESIO TROT BBC TV Film 2014 Based on the novel by Roald Dahl Co-written with Paul Mayhew-Archer Produced by Hilary Bevan Jones Directed by Dearbhla Walsh With Judi Dench & Dustin Hoffman United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ABOUT TIME Working Original Screenplay 2013 Title/Universal Pictures Writer and Director Produced by Tim Bevan, Eric Fellner, Nicky Kentish Barnes with Domhnall Gleeson, Rachel McAdams, Bill Nighy *Won Best European Film San Sebastian International Film Festival 2013 *Nominated Best Film New York Film Festival 2013 MARY AND MARTHA Working Title TV Film 2013 Television/HBO Original Screenplay Directed by Phillip Noyce Produced by Hilary Bevan Jones, Lisa Bruce, Genevieve Hofmeyr with Hilary Swank, Brenda -
Richard Curtis Writer/Director
Richard Curtis Writer/Director Agents Anthony Jones Associate Agent Danielle Walker [email protected] +44 (0) 20 3214 0858 Credits In Development Production Company Notes THAT CHRISTMAS Locksmith Animation/Netflix Animated film written with Peter Souter, based on his children's novel Illustrator: Rebecca Cobb Executive Producer: Colin Hopkins LOST FOR WORDS Working Title Films With Jamie Curtis BERNARD AND THE GENIE Film Production Company Notes YESTERDAY Working Title Original screenplay 2019 Films/Universal Directed by Danny Boyle with Himesh Patel & Lily James TRASH Working Title Films Adapted from the novel by Andy Mulligan 2014 Directed by Stephen Daldry with Martin Sheen, Rooney Mara ESIO TROT BBC TV Film 2014 Based on the novel by Roald Dahl Co-written with Paul Mayhew-Archer Produced by Hilary Bevan Jones Directed by Dearbhla Walsh With Judi Dench & Dustin Hoffman United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ABOUT TIME Working Original Screenplay 2013 Title/Universal Pictures Writer and Director Produced by Tim Bevan, Eric Fellner, Nicky Kentish Barnes with Domhnall Gleeson, Rachel McAdams, Bill Nighy *Won Best European Film San Sebastian International Film Festival 2013 *Nominated Best Film New York Film Festival 2013 MARY AND MARTHA Working Title TV Film 2013 Television/HBO Original Screenplay Directed by Phillip Noyce Produced by Hilary Bevan Jones, Lisa Bruce, Genevieve Hofmeyr with Hilary Swank, Brenda -
'N' Roll Comedy Yesterday to Close Sydney Film Festival 2019
MEDIA RELEASE EMBARGOED UNTIL 00.01am TUESDAY 28 MAY 2019 AUSTRALIAN PREMIERE OF ROCK ’N’ ROLL COMEDY YESTERDAY TO CLOSE SYDNEY FILM FESTIVAL 2019 The 66th Sydney Film Festival (5 – 16 June) announces the Australian Premiere of Yesterday, a rock ’n’ roll comedy by Academy Award-winning director Danny Boyle (Slumdog Millionaire) as the Closing Night Film at the State Theatre on Sunday 16 June. Tickets are on sale now via sff.org.au. Yesterday follows a struggling singer-songwriter who wakes after a mysterious blackout, to discover that The Beatles have never existed. Performing songs by the greatest band in history to a world that has never heard them, Jack’s fame explodes – at the risk of losing the one person who always believed in him. Written by Oscar-nominated screenwriter Richard Curtis (Love Actually, Notting Hill), the film stars Himesh Patel (EastEnders) alongside Lily James (Mamma Mia! Here We Go Again), and appearances by English singer-songwriter Ed Sheeran and television host James Corden. “The Festival is delighted to close with Yesterday,” Sydney Film Festival Director Nashen Moodley said. “It’s exciting to see such internationally-renowned filmmakers joining forces for this joyous film that explores music, dreams and friendship that will resonate with Festival audiences.” The Closing Night Gala will include an awards ceremony announcing the winners of the Sydney Film Prize, the Documentary Australia Foundation Award, Dendy Awards for Australian Short Films, the Event Cinemas Australian Short Screenplay Award and the UNESCO, Sydney City of Film Award. The full Sydney Film Festival 2019 program can be found online at sff.org.au. -
Yorkshire Communities to Get Extra Support As the 2021 Census Approaches
Supreme Court See page 4 ““OOvveerr 7755%% ooff rules insurers ssuuiicciiddeess aarree MUST pay small firms for Covid ccaarrrriieedd oouutt lockdown losses bbyy mmeenn”” See page 35 JANUARY 4TH EDITION 2021 Yorkshire Wear it like a boss... www.watchbosswatch.co.uk Super Sewa Man to the rescue Yorkshire communities to get extra support as the 2021 Census approaches A proud Yorkshire man who has beacon of inspiration from Bradford’s played a key role in educating Hindu community, who has dedicated the Asian community about thousands of voluntary hours to ‘sewa’ registering to give blood and (selfless service) for local causes, will made a massive impact on now be supporting the Indian national figures has now been community residents and help make appointed to assist with the Census 2021 a success. upcoming census. Harkishan Mistry, a Continued on page 8 2 Local www.asianexpress.co.uk January 2021 - 4th Edition • We're eating & Yoga expert drinking more in says Covid-19 lockdown: One in two people (48%) said challenges on they've eaten more, and one in three (29%) said physical they drank more alcohol wellbeing can • We're less active: Nearly one in two people be smashed (46%) have been less active since working with a change from home in attitude PIt’d be fair to say that lockdown has been tough “Depending upon your GPs advice try few things and we may have been living more sedentary lifestyles like Yoga, Zumba, Pilates, Body Balance, etc. don’t be during the coronavirus crisis, which has taken an afraid to find out what you like, and explore the inevitable toll on our physical and mental health. -
Joceline Andersen: Stars and Silhouettes: the History of the Cameo Role in Hollywood 2021
Repositorium für die Medienwissenschaft Drew Bassett Joceline Andersen: Stars and Silhouettes: The History of the Cameo Role in Hollywood 2021 https://doi.org/10.25969/mediarep/16298 Veröffentlichungsversion / published version Rezension / review Empfohlene Zitierung / Suggested Citation: Bassett, Drew: Joceline Andersen: Stars and Silhouettes: The History of the Cameo Role in Hollywood. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 38 (2021), Nr. 2, S. 203– 204. DOI: https://doi.org/10.25969/mediarep/16298. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 3.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 3.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/3.0/ http://creativecommons.org/licenses/by/3.0/ Fotografi e und Film 203 Joceline Andersen: Stars and Silhouettes: The History of the Cameo Role in Hollywood Detroit: Wayne State University Press, 2020, 291 S., ISBN 9780814346914, USD 34,99 e ability to recognise cameos no increased and actors became famous, matter how brief or obscure is one of ‘stars’ became the most visible aspect of the main currencies of fandom. What the marketing of fi lms. ese cameos Andersen does excellently in this well- were fi rst used to illustrate who the stu- researched and informative book is dio owned, but as studios lost control chart how fi lm studios, TV channels of their stars, it was a way for actors to and film stars have harnessed the assert their independence by choosing cameo in diff erent ways over the years in which cameos they participated.