Elephant That Isn't in the Room
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Pvr to Acquire Spi Cinemas
PVR TO ACQUIRE SPI CINEMAS AUGUST 2018 DISCLAIMER Safe Harbor: - Some information in this report may contain forward-looking statements. Forward-looking statements may be identified by the use of words such as “aim”, “estimate,” “will,” “would,” “expect,” “anticipate,” “future,” “likely,” “may,” “should,” “believe,” “continue,” and other similar expressions that predict future events or trends or that are not statements of historical matters. Similarly, statements made herein regarding the proposed acquisition of SPI Cinemas and the management’s beliefs about the effect of the acquisition on PVR’s future business, operations and financial performance are also forward-looking statements. These forward-looking statements are based on information available at the time the statements are made and are subject to known and unknown risks, uncertainties, assumptions and other factors that that could cause actual performance or results to differ materially from those expressed in or suggested by the forward-looking statements. These risks include, but are not limited to, risks related to: the parties’ ability to satisfy conditions precedent to closing in the anticipated time frame or at all; obtaining regulatory approvals; the possibility that the acquisition does not close, including in circumstances in which PVR would be obligated to pay a termination fee or other damages; related to financing the transaction; PVR’s ability to realize expected benefits and synergies from the acquisition; PVR’s effective implementation, and customer acceptance; -
Once Upon a Time …
- Ô RUWANTHI ABEYAKOON Happy Valentine’s Day to all those who are celebrating it out there! This week many events will take place with Valentine’s Day in heart. Amid the many celebrations you can also enjoy the art exhibitions, dramas and musical recitals that take place within this week. Read the ‘Cultural Diary’ and know where to head to break away from the busy work schedule. You can also go for the thrilling movies that are screened at well known venues. If there is an event you would like others to know, drop an email to [email protected] or call us on 011 2429652. FEBRUARY show Alex wants many viewers to free their thoughts, invent connections and discover present day myths. None FEBRUARY Once Upon is wrong as none is correct. ‘Is he dead?’ They are all a part of the meaning to be shared. Imagine find- 27 ing in an old suitcase, a collection of drawings and paintings, ‘Is He Dead?’ presented by Elizabeth Moir School will take stage at the there are angels, three wheelers, forms that are based on betel Lionel Wendt, 18, Guildford Crescent, Colombo 7 on February 18 and 19. Barefoot 18 cutters, jungle and ruins. All familiar, but no words beyond enig- Gallery a time Lionel matic titles, you are left to decipher the image for yourselves. Wendt The illustrations of unwritten tales of an unwritten history- These new paintings also reflect something of Alex’s deepen- `Once upon a time’ by Alex Stewart will take place at Barefoot ing recollections of travelling in Sri Lanka over the last 15 years Gallery, 704, Galle road, Colombo 3, until February 27. -
Screen Awards Function, Shah Rukh and Salman Win
PRLog - Global Press Release Distribution Screen Awards Function, Shah Rukh and Salman win The awards season kicked off with the 17th Annual Star Screen Awards, held on January 6, in Mumbai. Here's a look at some of the stunning arrivals, and winners. Jan. 8, 2011 - PRLog -- The awards season kicked off with the 17th Annual Star Screen Awards, held on January 6, in Mumbai. Here's a look at some of the stunning arrivals, and winners. We start with Shah Rukh Khan, who bagged the Best Actor Popular Choice award for his film My Name Is Khan. Incidentally, rival Salman Khan bagged a Best Actor award as well, for his work in Dabangg. Teen Deviyaan Jacqueline Fernandez, Mugdha Godse and Tanushree Dutta choose black and white for the occasion. The Sinhas Sonakshi Sinha, who won the Most Promising Newcomer award for Dabbang, arrived with her proud mother Poonam Sinha and brother Luv. Circle of love Dabangg producer Arbaaz Khan greets Prabhu Deva, as Farah Khan looks on. Gorgeous gowns Roshni Chopra, Katrina Kaif and Dia Mirza decided to wear beautiful evening gowns for the event. http://www.funfilms.in/show/awards-funtions.html Katrina bagged the Best Actor Popular Choice award for her films Raajneeti and Tees Maar Khan. What were they thinking! Kalki Koechlin, Mahi Gill and Antara Mali need to take some fashion tips from their contemporaries. Skin show Prachi Desai is obviously looking to change her goody goody image by showing some skin but the Rock On!! actress needs a designer as well! Amrita Rao and Chitrangada Singh, on the other hand, covered up. -
NT All Pages 2019.Indd
MEDLEY MONDAY 2 25 FEBRUARY 2019 SPPORTSORTS & FIITNESSTNESS CHENNAI 25 KANNE LKG TO LET FEBFEB BIG KALAIMAANE SCREEN BBashBaasshh GAUTHAM VASUDEV MENON Jothi Cinema Hall, Luxe, Kasi Theatre, Udhayam Theatres, Jothi Cinema Hall, Luxe, Kasi Theatre, AGS Cinemas, Albert Theatres, PVR Velacheri, Kumaran Udhayam Theatres, Sri Murugan Carnival Cinemas EVP, Devi Cineplex, Theatre, Kamala Cinemas, INOX Cinemas, PVR, Kumaran Theatre, AVM Ega Cinema, INOX, Kasi Talkies, Virugambakkam, Aradhana Rajeswari Theatre, Kamala Cinemas, Luxe Cinemas, Mayajaal, PVR, Rakki Theatre, PVR Grand Galada, Sri INOX Virugambakkam, Aradhana Theatre, Multiplex, Sangam, Sivasakthi Theatre, Lakshmi Theatre, PVR Skywalk. GK Cinemas. SPI Cinemas, Udhayam Theatre. Gautham Vasudev Menon, also known as GVM, is a film director, screenwriter and producer who predominantly works in little hands, Tamil cinema. He has also directed Hindi and Telugu fi lms, which are remakes of his own Tamil fi lms. Many of his fi lms have been critically acclaimed, most notably his romantic fi lms Minnale, Vaaranam Aayiram, Vinnaithaandi Varuvaayaa and his thrillers Kaakha Kaakha, Vettaiyaadu Vilaiyaadu and Yennai Arindhaal. Vaaranam Aayiram won the National Film Award for Best Feature Film in Tamil. mighty strength Menon produces fi lms through his Photon Kathaas fi lm production company. His production Thanga Meengal won the National Film Award for Best Feature Film in Tamil. 6-year-old Chennai lad excels in karate, aims to become boxer PREMJI AMARAN | PRAVEEN KUMAR S | pair, the minor now has a bronze Premji and a silver medal to his name. Amaran is onviction, a word to describe The latter was acquired recently a playback singer, the drive people have in at a tourney held in Royapettah. -
District Census Handbook, Madras, Part XIII a and B, Series-20
CENSUS OF INDIA 1981 SERIES 20 TAMIL NADU PART xm A and B DISTRICT CENSUS HANDBOOK TOWN DIRECTORY AND DIVISIONWISE PRIMARY CENSUS ABSTRACT MADRAS A. P. MUTHUSWAMI of the Indian Administrative Service Director of Census Operations Tamil Nadu 12-2,,_ A MADRAS DISTRICT KILOMETERS 012 ._.__.; ,. I NOTE: THE BOUNDARY OF MADRAS DISTRICT IS COTERMINOUS WITH THAT OF THE 26261 MADRAS CORPORATION --- ----- 27.. 32 40 616 \ I \ / ,.-j • I 34 , _/~--'i 26625 '. _- - - I \ ,~- " . " .1 33 \, J 35637 : \.. ...., i 75 } 28245 / " ~ I ( ~ 7 .lN~~~ I . " () 21_709 I 77 "'-- ~ ____ _ I I 38901 I 79 /. Bay Division Division I I 19698,' No. popLllation I '--80 -, ) ,---- J." ______ -r _~2lB__6~I~ 1O 20548 of " 6 ' \ I 109 , . 13 19617 I 39 ~40 I (, 110 5) 25661 __ ;' t e 21278 I.... __ -- I Bengal 15 14892 f'" \ I _- - 116 J \ , _-I 23 16 18319 , I 112 Ir- - -'II ,_ 9{'5 , 17 18090 /"33777>21537)' t-f-,r'lj -' J ' .... _ ( ,_ ..... -- I 115 :,7 169' 18 20930 '\ ..... _- \ 20 20114 / 47 18991 , 1--/ 48 19211 \ \ 113 , I 30422 49 22453 \ - - 411--/ 52 17427 ~~~ 56 18917 59 25388 61 16931 137 64 13871 -_ 25907 I 65 14935 _-_ I I 66 17385 (--- ,I 67 18620 147 I I 68 23619 22 771 _L..,, ____ -- 69 14531 , I 82 20480 r- ..... _""', J-_J • I 1 150 90 14118 \' 26230 & 1 ' ...... __ I __ /1 92 18780 .~ ~ \ ,.'. 94 19421 \ , 148 \ ,/ ::: 95 21592 • 24998 1/ .-._,.~. 96 13072 \. ./' 99 18665 \. / 102 2'2148 /" 129 19906 '. -
Indian Institute of Management (IIM) Lucknow
Indian Institute Of Management (IIM) Lucknow MARKETING PROJECT ON ““EMERGENCE OF PVR IN INDIA”” Syndicate -3 (DGMP - 13) XXXX XXXX XXXX 1 Introduction 1. 1. In the literal sense, aa multiplex can be defined as a ““single complex with multiple screens.”” They are built in specifically-designed buildings and as per its capacity, it can accommodate numerous people. Origins around the world 2. 2. In December 1947, Nat Taylor, and operator of a theatre called ““Elgin Theatre”” inin Ottawa, Canada, opened a smaller second theater named "Little Elgin", right next door to his first theater. However, it was only in 1957 that he started to run different movies in each theater. Later in 1962, he opened dual-screen theaters in Montreal and then in 1964, in Ontario. In Apr 79, he opened an 18-screen multiplex under one roof in Toronto's Eaton Centre. Later in Dec 96, AMC Ontario Mills 30, opened a 30-screen theater in California that became the theater with the largest number of screens in the world. Today, Kinepolis Madrid in Spain is the world's largest cinema complex with 25 screens and a total seating capacity of 9,200. Early Years of Multiplex Cinema in India 3. 3. Movie-exhibition till the mid-90s was dominated predominantly by the single screen halls. Also, the surge of customers to watch movies was mostly during holidays, on weekends or around festivals. In India, the multiplex culture started to bloom in the mid-90s. It enticed the customers with not only the prospect of upgrading the concept of watching movies but transformed it into a whole new experience. -
The Growth of Inox Leisure
International Journal of Grid and Distributed Computing Vol. 13, No. 1s, (2020), pp. 298-308 Indian Multiplex Market: The Growth of Inox Leisure. Mr. Monojit Dutta1, Ms. Sayani Sen2 1Assistant Professor, Department of Commerce and Management, St Xavier’s University Kolkata, India Email id: [email protected] 2Independent Researcher, Kolkata, India, Email id: [email protected] Abstract: Cinemas have always been an integral part of people’s life. As our society has progressed so has the cinema industry. Similarly, the medium of watching movies has also change with the introduction of new technologies. During the 70s and the 80s, there were mainly single screen movie theatres where people had to stand in long queue to buy tickets, whereas, now there are movie multiplexes, where it is no longer necessary to stand in queue to get a ticket, it can be done easily from the comforts of home through online tickets booking apps. In this paper, we have discussed about the different multiplexes in the Indian market, mainly emphasizing on the two main players of this industry i.e. PVR Ltd and INOX Leisure Limited. The paper mainly aims at showing how INOX inspite of not being in the market for as long as PVR is still giving PVR a tough competition on various aspects. It was rightly found that PVR Ltd holds the maximum share in the market but the growth of Inox Leisure Ltd is impeccable and in certain area; Inox outperforms PVR in terms of return on share, ticket prices and revenue. Keywords: Cinema, Inox Leisure, Multiplex, PVR Ltd. -
The Making of the Man's Man: Stardom and the Cultural Politics of Neoliberalism in Hindutva India
Southern Illinois University Carbondale OpenSIUC Dissertations Theses and Dissertations 6-1-2021 THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA Soumik Pal Southern Illinois University Carbondale, [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/dissertations Recommended Citation Pal, Soumik, "THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA" (2021). Dissertations. 1916. https://opensiuc.lib.siu.edu/dissertations/1916 This Open Access Dissertation is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Dissertations by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA by Soumik Pal B.A., Ramakrishna Mission Residential College, Narendrapur, 2005 M.A., Jadavpur University, 2007 PGDM (Communications), Mudra Institute of Communications, Ahmedabad, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Doctor of Philosophy Degree College of Mass Communication and Media Arts in the Graduate School Southern Illinois University Carbondale May 2021 DISSERTATION APPROVAL THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA by Soumik Pal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the field of Mass Communication and Media Arts Approved by: Dr. Jyotsna Kapur, Chair Dr. Walter Metz Dr. Deborah Tudor Dr. Novotny Lawrence Dr. -
The Agenda-Setting Role of Mainstream Hindi Cinema: the Study of Aamir Khan's Selected Movies
2019-3416-AJMMC 1 The Agenda-Setting Role of Mainstream Hindi Cinema: 2 The Study of Aamir Khan’s Selected Movies 3 4 Bollywood has gained currency with the passage of time and it happens to be the sole 5 entertainment provider for millions of viewers in the country. Hindi films have 6 enriched the people with thought-provoking and value-loaded temperament and as far 7 as Aamir Khan’s movies are concerned it supplied messages and energised cinema 8 goers due to its varied plots, style, ideas or texture of stories, and multi-dimensional 9 characteristics played by him on the silver screen. Aamir Khan’s movies leave an 10 emotional effect on viewers and inculcate something which seems to be lacking in 11 Hindi cinema these days. The primary objective of the paper is to study the three 12 selected movies of Aamir Khan which tend to set the agenda of mainstream Hindi 13 cinema. The present paper is an attempt to study three different movies of Aamir Khan 14 which is inclined to pave the way to set the agenda in accordance with the messages 15 hidden in the themes and plots of these movies under study. The researcher has 16 purposefully selected these movies as Sarfarosh – a suspense-thriller movie, Dil 17 Chahta Hai – a trendsetter movie, and Mangal Pandey – a historical movie, owing to 18 their heterogeneous and multifarious stories. As the selected movies tried to shape 19 public opinion and enlighten viewers due to its wide-ranging plots and themes, the 20 agenda-setting role was unearthed. -
Trends in Celebrity Brand Endorsements on Indian Television
International Journal of Marketing, Financial Services & Management Research Vol.2, No. 1, January 2013, ISSN 2277- 3622 Online available at www.indianresearchjournals.com TRENDS IN CELEBRITY BRAND ENDORSEMENTS ON INDIAN TELEVISION DR. SUSHIL KUMAR RAI*; ASHISH KUMAR SHARMA** * Assistant Professor, Department of Commerce, Faculty of Arts, Science & Commerce, Mody Institute of Technology & Science, Lakshmangarh, Distt. – SIKAR (Rajasthan) INDIA ** Assistant Professor, Department of Commerce, Faculty of Arts, Science & Commerce, Mody Institute of Technology & Science, Lakshmangarh, Distt. – SIKAR (Rajasthan) INDIA __________________________________________________________________ ABSTRACT There has been a tremendous growth in the impact of Television (TV) as a source of revenue for advertisers around the world. As shown by various recent reports, TV has emerged as one of the most effective media for popularising brands owing to its wide reach. Purchasing power of people in most countries including India is moving in an upward direction and this trend is expected to continue in the next few years. Both men and women are no longer averse to buying branded products and services endorsed by well-known celebrities and advertised through TV. The TV is no longer an idiot-box, and, with its „audio-visual‟ feature, is enabling the aam aadmi (common man) to peep into the glamorous world of celebrities. Living a seemingly luxurious life as that of a celebrity is everybody‟s hidden desire, and by adopting the same product/service as endorsed by one‟s favourite celebrity, the consumers „feel‟ like being in the same league as the celebrity. It is but obvious that marketing firms are aware of this inherent desire of people, and so, more and more Indian firms are competing to showcase their celebrity-endorsed brands on TV. -
Indian Woman's Search for Identity Vis a Vis Mainstream Bollywood
Indian Woman’s Search for Identity Vis A Vis Mainstream Bollywood Cinema Michelle Philip, Wilson College, India The European Conference on Film & Documentary 2014 Official Conference Proceedings iafor The International Academic Forum www.iafor.org The search for a purpose in our lives, for an identity which will help us better understand the purpose of our existence has bothered Man for centuries since perhaps the Renaissance. Woman being the Second Sex, the Double oppressed has had things a lot harder than her male counterpart. Filmic representations, either positive or negative, in shaping the Indian woman’s psyche: the voices of these women, their bodies and the spaces they occupy is the subject of this exploration. Replacing the storyteller of yore, movies form the myths we tell ourselves as a culture to, ‘banish contradictions and make the world understandable and therefore more habitable.’ (Claude Levi Strauss). The potential of film as propaganda was recognised as far back as the First World War when it was used to manipulate the masses. In disagreeing with Munni Kabir’s claim that audiences, ‘know that films are not real life’, a film’s potential to interpellate to use an Althusserian term, the individual in subtle ways, forcing him/her to take a certain ‘subject stance’ as a person who has certain values and views, usually reiterating the interests of the ruling class or, in the case of women, reiterating the Patriarchal mind-set, cannot be overlooked. Cinema being the cheapest form of entertainment, viewership is assured, the films acceptance being perhaps, ‘the most visible way in which we stage and perform the drama of self- formation.’ (John Storey, Popular Culture as the Roots and Routes of Cultural Identities) Boys and girls, men and women, emulate their favourite stars-be it hairdos, fashion trends or behaviour. -
Who to Blame for Traffic Congestion?
SUNDAY 2 27 JANUARY 2019 CIITYTY CEENTRENTRE CHENNAI WHO TO BLAME FOR JAYA TV 3:00 pm 24 movie TRAFFIC CONGESTION? 6:30 pm Jaya super dancer 7:30 pm News Cops conduct eviction drive, shopkeepers oppose 8:00 pm Jaya super dancer |AADITYA ANAND M| being conducted. Speaking about this, Nanda a vegetable vendor ast week, the traffi c police de- said, ‘We can sell anything on Lpartment carried out an evic- the pavement as long as we are tion drive at the Mada Streets at KALAIGNAR TV not causing any obstruction to Mylapore by removing encroach- 5:00 PM Movie the pedestrians. But sometimes ments and vendors to ease traffi c during festive seasons when the 8:30 PM Chinnnathirai fl ow and help pedestrians walk Cinema items which we sell increase, we freely. However not many vendors 10:30 PM Thaenum Paalum are forced to occupy the pathway are happy with it and have once 11:00 PM Doctor’s Program and some portion of the road, and again returned to set up their 11:30 PM Songa the offi cials also have to under- shops in the pavements. stand it.’ Speaking to News Today about ‘However, earlier, we used to get the eviction drive, Sub-Inspector prior warning about the eviction of the Mylapore Traffi c Police, and we prepare ourselves accord- P Francis Mary said, ‘The prob- ingly but now they come suddenly VIJAY TV lem of illegal parking and the and if they fi nd us encroaching, encroachments of vendors has they take away all our things 2:00 PM Kalakka Povathu Yaaru been existing for a very long time and leave which is not good,’ he Champions now and we are regularly carry- added.