OBITUARIES in the FARNHAMIAN 2002 Whilst the 2001 Magazine
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Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Shakespeare, William Shakespeare
Shakespeare, William Shakespeare. Julius Caesar The Shakespeare Ralph Richardson, Anthony SRS Caedmon 3 VG/ Text Recording Society; Quayle, John Mills, Alan Bates, 230 Discs VG+ Howard Sackler, dir. Michael Gwynn Anthony And The Shakespeare Anthony Quayle, Pamela Brown, SRS Caedmon 3 VG+ Text Cleopatra Recording Society; Paul Daneman, Jack Gwillim 235 Discs Howard Sackler, dir. Great Scenes The Shakespeare Anthony Quayle, Pamela Brown, TC- Caedmon 1 VG/ Text from Recording Society; Paul Daneman, Jack Gwillim 1183 Disc VG+ Anthony And Howard Sackler, dir. Cleopatra Titus The Shakespeare Anthony Quayle, Maxine SRS Caedmon 3 VG+ Text Andronicus Recording Society; Audley, Michael Horden, Colin 227 Discs Howard Sackler, dir. Blakely, Charles Gray Pericles The Shakespeare Paul Scofield, Felix Aylmer, Judi SRS Caedmon 3 VG+ Text Recording Society; Dench, Miriam Karlin, Charles 237 Discs Howard Sackler, dir. Gray Cymbeline The Shakespeare Claire Bloom, Boris Karloff, SRS- Caedmon 3 VG+ Text Recording Society; Pamela Brown, John Fraser, M- Discs Howard Sackler, dir. Alan Dobie 236 The Comedy The Shakespeare Alec McCowen, Anna Massey, SRS Caedmon 2 VG+ Text Of Errors Recording Society; Harry H. Corbett, Finlay Currie 205- Discs Howard Sackler, dir. S Venus And The Shakespeare Claire Bloom, Max Adrian SRS Caedmon 2 VG+ Text Adonis and A Recording Society; 240 Discs Lover's Howard Sackler, dir. Complaint Troylus And The Shakespeare Diane Cilento, Jeremy Brett, SRS Caedmon 3 VG+ Text Cressida Recording Society; Cyril Cusack, Max Adrian 234 Discs Howard Sackler, dir. King Richard The Shakespeare John Gielgud, Keith Michell and SRS Caedmon 3 VG+ Text II Recording Society; Leo McKern 216 Discs Peter Wood, dir. -
Shakespeare on Audio (CD, Vinyl & Cassette)
Shakespeare on Audio (CD, Vinyl & Cassette) Historical Recordings & Anthologies Shakespeare recordings have been in evidence from the earliest days of the wax cylinder, through the short-playing 78 rpm shellac discs of the 1930s and the long-playing 33 1/3 rpm vinyl discs (LPs) and reel-to-reel tapes of the 1950s, to the widely available audio cassettes, compact discs (CDs), videotapes, and digital recordings of the present. Before Orson Welles’s innovative Mercury Text Records series issued by Columbia Records in 1938, no one had attempted to record full-length audio versions of Shakespeare. Previously only isolated passages from the plays had been available, performed by fabled stage actors such as E.H. Sothern and Julia Marlowe, Herbert Beerbohm-Tree, Ellen Terry and a few others and recorded between 1890 and the First World War. Between the wars, Hamlet’s “O what a rogue and peasant slave…” and “How all occasions do inform…” and Macbeth’s “Is this a dagger…?” were recorded on 78s by such stars as Henry Ainley and John Barrymore, and included with other famous soliloquies and educational intent on Johnston Forbes-Robertson’s two-disc How to Speak Shakespeare (Columbia, 1928). These recordings existed almost entirely for the purpose of preserving a famous actor’s reading of a set speech. The custom of recording speeches and brief duologues by great actors, although partly a matter of technology and packaging (a speech can fill one side of a 78 rpm disk), reflects a cultural reality as well, an attitude toward Shakespeare that sees his plays as predominantly a collection of purple passages and wise saws. -
SHUBERT THEATER, 221-233 West 44Th Street, Manhattan
Landmarks Preservation Commission December 15, 1987; Designation List 198 LP-1378 SHUBERT THEATER, 221-233 West 44th Street, Manhattan. Built 1912-13; architect, Henry B. Herts. Landmark Site: Borough of Manhattan Tax Map Block 1016, Lot 15 in part consisting of the land on which the described building is situated. On June 14 and 15, 1982, the Landmarks Preservation Commission held a pub 1 ic hearing on the proposed designation as a Landmark of the Shubert Theater and the proposed designation of the related Landmark Site (Item No. 74). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many 1 etters and other express ions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Shubert Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in 1912-13, shortly before World War I, to the designs of Henry B. Herts, the Shubert was one of a pair with the Booth, and was among the numerous theaters constructed by the Shuberts, one of the most active and influential families in American theater history. The Shubert was built as a memorial to Sam S. Shubert, leader of the family's theatrical enterprises until his untimely death in a train wreck. -
Harrison's Reports (1961)
. : at the post office at Tori:, the act of March 3, 1879. EnteredHarrison'sas second-class matter January 4, 1921, NewReportsYork, New under Yearly Subscription Rates: 1270 SIXTH AVENUE Published Weekly by Harrison's Reports, Inc., Unitedtt ^ Stateso» $15.00ik nn New York 20, N. Y. Publisher U. S. Insular Possessions. 17.00 p g HARRISON Canada and Mexico 17.00 A Motion Picture Reviewing Service Founder Great Britain, South Devoted Chiefly to the Interests of the Exhibitors WTNN LOEWBNTHA-L, America, Australia, Editor New Zealand, India, Europe, Asia 17.50 T ts Editorial Policy: No Problem Too Big for Its Editorial Establish ed July 1, 1919 35c a Copy Columns, if It is to Benefit the Exhibitor. Circle 7-4G22 A REVIEWING SERVICE FREE FROM THE INFLUENCE OF FILM^ ADVERTISING Vol. XLIII SATURDAY, JANUARY 7, 1961 No. 1 EXHIBITORS STUDY THE 1960 Deborah Kerr captured the best-actress award for FAVORITES OF THE CRITICS her portrayal of the sheepherder's wife in "The Sun- The Committee on Exceptional Films of the downers." Burt Lancaster was named best-actor for National Board of Reviaw of Motion Pictures and his role as the revival preacher, "Elmer Gantry." the New York Film Critics are but two of various On the first best-picture ballot, "Elmer Gantry" re groups who recently announced their opinions of ceived two votes and "Sunrise at Campobello," "Exo- 1960s cinematic offerings. (Continued on Bac\ Page) The National Board's Committee selected "Sons and Lovers" (Twentieth Century-Fox) as the best JACK KIRSCH motion picture of 1960. The board also chose "The The motion picture industry suffered a great loss World of Apu" (Edward Harrison) as the best for' on December 30 when Jack Kirsch died after an ope- eign film shown here during the past year and voted ration for a critical illness. -
School Lists Recor the Recordings
DOCUMENT RESUME TE 000 767 ED 022 775 By- Schreiber. Morris, Ed. FOR ELEMENTARY SCHOOL SECONDARY AN ANNOTATED LIST OFRECORDINGS IN TIC LANGUAGE ARTS SCHOOL COLLEGE National Council of Teachers ofEnglish. Charripaign. IN. Pub Date 64 Note 94p. Available from-National Cound ofTeachers of English. 508 South SixthStreet, Champaign. Illinois 61820 (Stock No. 47906. HC S1.75). EDRS Price MF-S0.50 HC Not Availablefrom MRS. ENGLISH 1)=Ators-Ati:RICAN LITERATURE. AUDIOVISUALAIDS. DRAMA. *ENGLISH INSTRUCTION. TURE FABLES. FICTION. *LANGUAGEARTS. LEGENDS. *LITERATURE.*PHONOGRAPH RECORDS. POETRY. PROSE. SPEECHES The approximately 500 recordings inthis selective annotated list areclassified by sublect matter and educationallevel. A section for elementaryschool lists recor of poetry. folksongs, fairytales. well-known ch4dren's storiesfrom American and w literature, and selections from Americanhistory and social studies.The recordings for both secondary school and collegeinclude American and English prose.poetry. and drama: documentaries: lectures: andspeeches. Availability Information isprovided, and prices (when known) are given.(JS) t . For Elementary School For Secoidary 'School For Colle a a- \ X \ AN ANNOTATED LIST 0 F IN THE LANGUAGE ARTS NATIONAL COUNCIL OF TEACHERSOF tNGLISH U.S. DEPARTMENT OF HEALTH. EDUCATION & WILIAM I OFFICE Of EDUCATION TINS DOCUMENT HAS 1EEN REPIODUCED EXACTLY AS DECEIVED FION THE PERSON 01 016ANI1ATION 0116INATNI6 IT.POINTS OF VIEW 01 OPINIONS 1 STATED DO NOT NECESSAINLY REPIESENT OFFICIAL OFFICE OF EDUCATION POSITION 01 POLICY. i AN ANNOTATED LIST OF RECORDINGS IN I THE LANGUAGE ARTS I For 3 Elementhry School Secondary School College 0 o Compiled and Edited bY g MORRIS SCHREIBER D Prepared for the NCI% by the Committee on an Annotated Recording List a Morris Schreiber Chairman Elizabeth O'Daly u Associate Chairman AnitaDore David Ellison o Blanche Schwartz o NATIONAL COUNCIL OF TEACHERS OF ENGLISH u Champaign, Illinois i d NCTE Committee on Publications James R. -
Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
SHAKESPEARE ON FILM AND TELEVISION IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad January 2012 Introduction This is an annotated guide to moving image materials related to the life and works of William Shakespeare in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. While the guide encompasses a wide variety of items spanning the history of film, TV and video, it does not attempt to list every reference to Shakespeare or every quote from his plays and sonnets which have over the years appeared in hundreds (if not thousands) of motion pictures and TV shows. For titles with only a marginal connection to the Bard or one of his works, the decision what to include and what to leave out was often difficult, even when based on their inclusion or omission from other reference works on the subject (see below). For example, listing every film about ill-fated lovers separated by feuding families or other outside forces, a narrative which can arguably always be traced back to Romeo and Juliet, would be a massive undertaking on its own and as such is outside of the present guide's scope and purpose. Consequently, if looking for a cinematic spin-off, derivative, plot borrowing or a simple citation, and not finding it in the guide, users are advised to contact the Moving Image Reference staff for additional information. How to Use this Guide Entries are grouped by titles of plays and listed chronologically within the group by release/broadcast date. -
Vinyl Records Inventory
Title + Volume Artist/Author publisher Recording Catalog LC number Box number date/Copyrigh Number t date Winfield Winfield Carillon 1 Townley Scott Townley Scott records reads from his own works WORDS FOR Theodore Folkways 1 THE WIND Roethke records John Crowe John Crowe Carillon 1 Ransom reads Ransom records from his own works Ezra Pound Ezra Pound Caedmon 1 reading his poetry Poetas Juan Peñalver 1 Españoles De Garcia Lorca A nuestros dias Juno and The Sean O’Casey Caedmon 1 Paycock Siobhan Mckenna Cyril Cusack Marianne Marianne Carillon 1 Moore reads Moore records from her own works Monuments of Caedmo 1 Early English n Drama Volume one: the wellsprings of drama Death of a Arthur Miller Decca 1 Salesman Arthur Miller Arthur Miller Spoken 1 speaking on and arts reading from “The Crucible” and “Death of a Salesman” John Masefield, John Spoken 1 O.M. reads “The Masefield arts Story of Ossian” The Tragical Christopher Caedmo 1 History of the Life Marlowe n and Death of Doctor Faustus Louis MacNeice Louis Argo 1 reads selected MacNeice poems Louis MacNeice Louis Carillon 1 reads from his own MacNeice records works Robert Lowell Robert Lowell Carillon 1 reads from his own Records works Stanley Kunitz Stanley Kunitz Carillon 1 reads from his own Records works Poems of Lorca, F.G Folkway 1 FEDERICO s GARCIA LORCA Records The four Kennedy- John F. The 1 Nixon debates Kennedy Spoken Word Richards M. Inc. Nixon Ulysses Siobhan Caedmo 1 Soliloquies of McKenna n Molly and Leopold Bloom James Joyce Meeting of the FOLKW 1 James Joyce AYS Society