ON a Roleaward-Winning out Actor Cherry Jones on Getting
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ON A ROLE Award-winning out actor Cherry Jones on getting older, marrying younger, and playing a ‘dude dyke’ on Transparent. BY MERRYN JOHNS AMAZON 60 CURVE JAN/FEB 2016 FEATURES / T H E L- L I S T n a recent piece for the Ne w Yo r k e r , “Never did I think that I’d be playing a indeed, both in the press, and dating Trans- writer Ariel Levy nails Jill Soloway’s dude dyke lesbian poetry professor and hav- parent creator Jill Soloway. Jones adds, re- Transparent as “post-patriarchal tele- ing all my scenes with Gaby Hoffman, with flecting on how she tailored her appearance vision.” She describes Soloway as cre- Jill Soloway,” she enthuses in a slightly South- to reflect Myles’ own unique style, “I even had Iating a radical, freeing work environment ern drawl. Jones, a Bible Belt gay hailing from a haircut, which is as close as my hair would for her actors. She is a feminist director and Paris, Tenn., who miraculously transcended get to Eileen’s. I think the greatest thrill for a “doer.” She doesn’t let obstacles defeat her. her small-town beginnings to become one me is that I get to wear the most comfortable She uses them to create a new aesthetic, a of America’s treasured thespians, says she clothes I’ve ever worn in my career.” new commentary on sexuality, gender, and has “so much respect” for Soloway’s vision, A little less thrilling to Jones was the in- intimacy. Last year, Soloway won an Emmy work, and methodology, which is helping to evitability that she’d have to get naked and for Best Directing in a Comedy Series for revolutionize the role of women in TV, both participate in frank on-screen sex. As an Transparent, and in season two she contin- behind and in front of the camera. admirer of Transparent, Jones had watched ues to spin out unique and unprecedented “There is an episode that takes place at a the show with her wife, Sophie Huber, and storylines, hiring who she wants to hire— fictional Michigan women’s music festival,” wished she could nab a role on it. “And then which means actual talented female actors says Jones, “and you have never seen so many lo and behold, several months later I got a with non-television faces and bodies. What different nude body types in your life. That’s call that Jill wanted me to do this. And so she has referred to as “dick candy” is not wel- the thing about Jill. Usually, if it’s a beautiful we Skyped, and she sort of gave me the arc come on her show. It’s such a relief to women television-looking person, they don’t make of the character, and I said, ‘Let me think everywhere, and to great actors like Cherry the cut. She wants real people and real bod- about this and I’ll get right back to you.’ And Jones, who never in her career fit that bill. ies and real women of all ages. And she really I thought about it and I knew I had to do Jones, who is to the stage what Meryl allows a great deal of freedom on set,” says it. And then my second thought was, I have Streep is to film, is best known in American Jones. “There’s a fair amount of ad-libbing to ask Jill if I have to do any on-camera sex households as U.S. President Allison Tay- around a very structured plot, but it feels in scenes. Because I knew that would be a real lor in the TV series 24—a head of state in a way more like being in rehearsal for a new problem for me. I’m 59, from a small town in perpetual crisis, yet in possession of a moral, play with a company that’s creating the script Tennessee, and I just—I’m from that quaint ethical, and emotional backbone. Jones generation where if I have sex, that’s with won an Emmy for her portrayal, and she’s my partner,” she laughs. “As an actress, since dabbled in small film roles and more there’s only so much one can preserve TV, but to see Jones at her transcendent that’s sacred. best, you must go to Broadway. Thus far, “I called Jill and I basically said, ‘Will her stage roles form a fascinating pan- I be required to do any pussy licking or theon of fierce females: aviatrix, teacher, finger fucking on-screen?’ And there was spinster, Southern belle, madam, saint, a pause and she said, ‘Yeah.’ And I said, and nun—from Tennessee Williams ‘Really?’ And she said, ‘Yeah!’ And I said, to George Bernard Shaw to the best of ‘Well, I cannot do that.’ And there was contemporary feminist and lesbian play- another pause and she said, ‘Really?’ And I wrights. Throughout her illustrious ca- said, ‘Really.’ And she said, ‘Neither giving reer, Jones has picked up five Best Actress nor receiving?’ And I said, ‘Neither giving Tony Award nominations and two wins. nor receiving!’ ” While she has not played an actual les- While Jones knew that—in Soloway’s bian (until now), she has always been out hands—even explicit sex scenes would and proud. When accepting her awards, further the plot and our understanding she has thanked her partners: Mary of the characters, they were just not in O’Connor in 1995, when she won for her scope. Perhaps this dream role would The Heiress (which made Jones the first elude her after all. “Will you make out?” lesbian actor to thank her partner from asked Soloway. “Oh, I’ll make out all day the stage); and Sarah Paulson in 2005, when themselves. It is so creative and so freeing.” and all night,” agreed Jones. she won for Doubt. I’ve been longing for the It was also freeing for Jones to play Lesley In the end, the compromise might even moment when Jones would truly blaze her Mackinaw, a sexy, swaggering older butch have strengthened the storyline, says Jones, way into the lesbian zeitgeist. Perhaps that based loosely on Eileen Myles (also profiled but elsewhere the show is as bold as ever. moment has arrived with her role as a wom- in this issue). Myles, notes Jones, is finally “I tell you, this season…there was a sexual anizing lesbian poetry professor in season receiving mainstream acclaim. “She seems to revolution in the ’60s, and Jill is now includ- two of Transparent. It’s all happened “at a very be everywhere right now. So this is a partic- ing everyone who was left out of that sexual unexpected point in my life,” Jones tells me ularly thrilling time to be playing Eileen.” At revolution, in terms of being present and ac- about a week before her 59th birthday. the time of writing, Myles was everywhere counted for.” JUL/AUGJAN/FEB 20162015 CURVE 61 IN YOUR 40S YOU periencing directly in after a woman reaches a certain age. “After her lifetime. “It blows The Glass Menagerie, I had one more stage START TO FREAK OUT my mind. Never did I role and then nothing,” says Jones. “I had an think—no one my age offer here and there, but they weren’t good BECAUSE YOU SEE YOUR ever thought—it would fits. What I understand, however, is that in happen in our lifetime.” television, not film, older women are being YOUTH ENDING, BUT In August last year, offered any number of fabulous roles. In Jones unexpectedly wed the past, if you were an actress over 50, you BY YOUR 50S YOU’VE her film director girl- could play the psychiatrist, or the judge, or SORT OF MADE PEACE friend, Sophie Huber. the granny. And now you have Christine “ They had met a few Baranski on The Good Wife, any number of WITH THAT, AND THAT’S years earlier through fabulous roles that are popping up.” a shared house in Los Outside of TV, Jones also thinks life gets A WONDERFUL THING Angeles. “We joke that I better. “Talk to any woman over 50, no mat- found Sophie on Craig- ter what the stresses in their lives, they’re able MOST WOMEN DON’T slist,” laughs Jones. Pri- to deal with them in a way that they never or to this relationship, could before. So many of the insecurities fall ANTICIPATE. Jones had never wanted away, and you even get to that point with to marry. “I didn’t want your body. In your 40s, you start to freak It delights Jones that Soloway is adminis- to do what heterosex- out because you see your youth ending, but tering Transgender 101, “so that America can uals did. That was part of the freedom and by the time you’re in your 50s you’ve sort of see what transgender people are up against. joy [of being gay]: You didn’t have to get made peace with that, and that’s a wonderful And that’s what she explores, along with 50 married, you couldn’t get married.” But a few thing most women don’t anticipate. I think other things, in this season. Even the plac- things had changed for Jones. She was older, for most women there just comes a point in es you’d think a transgender person should and she’d lost both of her beloved parents in your 50s and 60s where you feel so much experience sympathy or empathy—it’s not 2010, leaving her with only one real blood more comfortable in your loose skin.” there.