Cambridge University Press 978-1-108-48929-4 — Philip Roth in Context Edited by Maggie Mckinley Index More Information

Total Page:16

File Type:pdf, Size:1020Kb

Cambridge University Press 978-1-108-48929-4 — Philip Roth in Context Edited by Maggie Mckinley Index More Information Cambridge University Press 978-1-108-48929-4 — Philip Roth in Context Edited by Maggie McKinley Index More Information Index Adichie, Chimamanda Ngozi, Conrad, Joseph, , Albert, Elisa, Cooper, James Fenimore, Allen, Mary, American Pastoral (film), DeLillo, Don, , Anderson, Sherwood, , Derrida, Jacques, Anti-Defamation League, , Dos Passos, John, Appelfeld, Aharon, , , –, , , Dostoevsky, Fyodor, , , , , Dreiser, Theodore, , Apple, Sam, Dunham, Lena, Arendt, Hannah, , , Atwood, Margaret, Einstein, Albert, Auster, Paul, , Elegy, , , Ellison, Ralph, , , , , Babel, Isaac, Ellmann, Richard, Bailey, Blake, , Emerson, Ralph Waldo, –, Baraka, Amiri, Englander, Nathan, , Barnes, Julian, Erdrich, Louise, , Barth, John, , , – Barthelme, Donald, Farrell, James T., , Battle of Blood Island, The, Farrow, Mia, Bellow, Saul, , , , , , –, , Fast, Howard, –, , , –, , , Faulkner, William, , , , , Fiedler, Leslie, , Berkshires, The, – Flaubert, Henri, , , , , – Berman, Jeffrey, , Foer, Jonathan Safran, Berman, Shelley, Foucault, Michel, Bloom, Claire, , , , , , , , Frank, Anne. See The Ghost Writer , Franklin, Ruth, Bloom, Harold, , , Freud, Sigmund, , –, –, Bruce, Lenny, , –, Bukiet, Melvin, Gaddis, William, , Caruth, Cathy, – Ghost Writer, The (film), – Cather, Willa, , Golden, Harry, , Chabon, Michael, Goodbye, Columbus (film), , Chaim, Chofetz, Gornick, Vivian, , Cheever, John, –, Great Depression, Chekhov, Anton, , , Civil Rights Movement, , , , Halliday, Lisa, , Coetzee, J.M., Hawthorne, Nathaniel, , , Cold War, , , Hemingway, Ernest, , , , , – © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-48929-4 — Philip Roth in Context Edited by Maggie McKinley Index More Information Index Hobhouse, Janet, , in American Pastoral, –, –, Holub, Miroslav, –, Howe, Irving, , , –, , , , , in Goodbye, Columbus, , , – , , in Indignation, Hrabal, Bohumil, in Nemesis, Human Stain, The (film), – in Portnoy’s Complaint, Humbling, The (film), – in The Counterlife, in The Plot Against America, , Indignation (film), – Riots of , , – Israel, , , , , , –, , , Weequahic, , , , , , , , , –, , –, , James, Henry, , , –, , –, , , O’Brien, Edna, , , , , , , , Oates, Joyce Carol, , , Jameson, Frederic, –, Ocean Hill-Brownsville strike, , Jones, Leroi. See Baraka, Amiri Orwell, George, –, Jong, Erica, , Ozick, Cynthia, , , , Joyce, James, , , Judt, Tony, Paley, Grace, , Pasternak, Boris, Kafka, Franz, , , , –, , –, Patriot Act, , , , Pierpont, Claudia Roth, –, , , , Kazin, Alfred, , , , , , –, , –, Kis, Danilo, , Klíma, Ivan, , , –, Plot Against America, The (miniseries), , Krauss, Nicole, , , , – Kundera, Milan, , , , , , , , Portnoy’s Complaint (film), , Prague, , , – Kureishi, Hanif, Pynchon, Thomas, –, Lacan, Jacques, Rabelais, Francois, Lawrence, D.H., Roth, Bess, , , , , Lee, Hermione, , Roth, Herman, , , –, , , Lelchuk, Alan, , , , Levi, Primo, , Roth, Philip Lewis, Sinclair, and antisemitism, accusations of, , , , Listen Up Philip, , , , , , – Lowell, Robert, and Eastern Europe. See Prague and Halcion, , , , , McCarthy, Mary, , , , and postmodernism, , , , McEwan, Ian, – McGurl, Mark, –, and psychoanalysis, , , –, –, Mailer, Norman, , – Malamud, Bernard, , , , , , , and September , – –, , and the Holocaust, , –, , Melville, Herman, –, , , –, , –, Merkin, Daphne, and Wikipedia, –, – Messud, Claire, and Zionism. See Israel Moore, Lorrie, as Eric Duncan, , , – Morrison, Toni, , , at Bucknell University, , , , , , New Deal, , at Iowa Writers’ Workshop, , , Newark as influence on Roth, , , , , at Princeton University, –, , at Rutgers University, © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-48929-4 — Philip Roth in Context Edited by Maggie McKinley Index More Information Index at University of Chicago, , –, , , Collected Stories , , Goodbye, Columbus, –, , , , , at University of Pennsylvania, –, , , –, , , , , at Yaddo writers’ colony, , , , –, –, , at Yeshiva University symposium, , , , , –, , , , Essays awards, , –, , , –, , “Forty-Five Years On,” back pain, “How Did You Come to Write That Book, bypass surgery, , Anyway?,” – childhood, , –, –, “I Have Fallen in Love with American death, , Names,” , , eightieth birthday celebration, , , “Imagining Jews,” in Et Cetera, , , “My Uchronia,” in London, “Ruthless Intimacy of Fiction, The,” , , interviews “A Conversation with Philip Roth” (), “Some New Jewish Stereotypes,” , , “After Eight Books” (), , “Interview on Zuckerman” (), “Writing About Jews,” , , , “It no longer feels like a great injustice that –, I have to die” (), , “Writing American Fiction,” – “Nemesis Will Be My Last Book” (), Memoirs Facts, The, , , , –, , “No Longer Writing, Philip Roth Still Has –, , , , , , Plenty To Say” (), , –, , , , , , , “On Our Gang” (), , –, “On The Breast” (), Patrimony, , , , , –, , “Philip Roth’s Exact Intent” (), , , , , , , , , , “Should Sane Women Shy Away From , Him at Parties?” (), Novels “Talk with Philip Roth” (), American Pastoral, , , , , , , “The Art of Fiction No. ” (), , , , , –, , , , , , , , , , , , , –, , , , , “The Ghosts of Roth” (), , , –, –, –, , , , “The NBA Winner Talks Back” (), Anatomy Lesson, The, , , , , , –, , , –, –, “To Newark, with Love” (), , –, –, , , “Writing and the Powers That Be” (), Breast, The, , –, –, , , , , , , “Zuckerman’s Alter Brain”(), Counterlife, The, , –, , , , , Paris Review, The, , , , , , , , , , with Le Monde (), , , –, , , –, with Svenska Dagbladet (), , , –, , , , , , –, –, , –, , , , , , with The London Sunday Times (), Deception, , , , , , , , marriages. See Williams, Margaret Martinson , , , , , , , , and Bloom, Claire , , retirement, , , – Dying Animal, The, , , , –, , Works: , , –, , , , , Collected Nonfiction Reading Myself and Others. See Roth, Philip: Everyman, , , , , , –, Essays; Interviews –, , , –, Shop Talk, , , Exit Ghost, , , , , , , , , Why Write?. See Roth, Philip:Essays; , , –, , , , Interviews –, , © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-48929-4 — Philip Roth in Context Edited by Maggie McKinley Index More Information Index Works: (cont.) “The Contest for Aaron Gold,” , Ghost Writer, The, , , , , , , “Whacking Off,” , –, , , –, , “I Always Wanted You to Admire My –, , , –, , , Fasting,” , , , –, “An Actor’s Life for Me,” Great American Novel, The, , , –, “Conversion of the Jews, The,” , , , , – Human Stain, The, xii, , , , , , “Defender of the Faith,” , , –, , –, , , , , , –, , , , , , , “Eli, the Fanatic,” –, , , , , , –, “His Mistress’s Voice,” –, , –, , , “Novotny’s Pain,” Humbling, The, , , –, , , “The Day It Snowed,” , , , , – Writers from the Other Europe series, , , , I Married a Communist, , , , –, , , , , , , , , , Indignation, , , , , –, , Sahl, Mort, , –, , , Salinger, J.D., , , Letting Go, , –, , , , Sartre, Jean-Paul, , –, , Schulz, Bruno, , , , , , My Life as a Man, –, , –, , Showalter, Elaine, –, , , , , , , Sidon, Karel, , , , , , , Singer, Isaac Bashevis, Nemesis, , , –, , –, Six Day War, –, –, , , , , , Smith, Zadie, , Operation Shylock, –, –, –, Solotaroff, Theodore, , –, , , , , –, , Spiegelman, Art, –, , , , , , , Sproul, Barbara, , , –, , , , , , Stern, Richard, Our Gang, , , , , – Styron, William, Plot Against America, The, , –, –, Susann, Jacqueline, , –, , , , , , Swift, Jonathan, –, , , , , – Portnoy’sComplaint, , , , , –, , Tolstoy, Leo, –, , , –, , , , , –, Trilling, Lionel, , –, , , –, , Turgenev, Ivan, –, –, , –, , Twain, Mark, , , , , , , , , , , , Prague Orgy, The, , , , , Ulinich, Anya, –, , , , Updike, John, , , , , , Professor of Desire, The, , , , –, Uris, Leon, , , , , , , , , , , , , Vietnam War, , , Sabbath’s Theater, –, , , , , , , , , , –, , Wallace, David Foster, , – Wharton, Edith, When She Was Good, , , –, , , Whitman, Walt, , , Williams, Margaret Martinson, , , , , Zuckerman Unbound, , , , –, , , , , , , Wolfe, Thomas, , Short Stories Woolf, Virginia, , “A Jewish Patient Begins His Analysis,” World War II, , “Epstein,” , –, , , , Wylie, Philip, “Expect the Vandals,” , “Positive Thinking on Pennsylvania Youngman, Henny, Avenue,” © in this web service Cambridge University Press www.cambridge.org.
Recommended publications
  • Queering Philip Roth: Homosocial Discourse in 'An Actor's
    Queering Philip Roth: homosocial discourse in 'An actor’s life for me', 'Letting go', 'Sabbath’s theater' and the 'American trilogy' Article Accepted Version Brauner, D. (2015) Queering Philip Roth: homosocial discourse in 'An actor’s life for me', 'Letting go', 'Sabbath’s theater' and the 'American trilogy'. Studies in the Novel, 48 (1). pp. 86-106. ISSN 1934-1512 doi: https://doi.org/10.1353/sdn.2016.0003 Available at http://centaur.reading.ac.uk/46066/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1353/sdn.2016.0003 Publisher: John Hopkins University All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online 1 QUEERING PHILIP ROTH: HOMOSOCIAL DISCOURSE IN “AN ACTOR’S LIFE FOR ME, LETTING GO, SABBATH’S THEATER AND THE “AMERICAN TRILOGY”1 DAVID BRAUNER As the editors of Queer Theory and the Jewish Question (2003) point out, “modern Jewish and homosexual identities [have] emerged as traces of each other”, perhaps most conspicuously and tragically in “the ways that Jews ... were powerfully associated with the abjected homosexual” in Nazi propaganda (1, 2). Sander Gilman, among others, has documented the long history
    [Show full text]
  • Nemesis and the Persistence of Tragic Framing: Bucky Cantor As Job, Hebrew Prometheus, And
    1 Nemesis and the Persistence of Tragic Framing: Bucky Cantor as Job, Hebrew Prometheus, and Reverse Oedipus Nicholas Stangherlin ABSTRACT. This article analyzes the protagonist of Nemesis, Eugene “Bucky” Cantor, in order to delineate those elements that define him not only as a Promethean figure, but as a modern incarnation of both Job and Oedipus. The evocative power of these archetypes contributes to establishing the tragic framework of the novel and the heroic status of its protagonist, both of which resist the narrator’s attempt to deconstruct them in the final chapter. The Prometheus archetype is a recurrent presence in Philip Roth’s works and it is in the Nemeses tetralogy that the author further develops the syncretic use of topoi and symbols of Hebrew and Greek mythology and Attic tragedy that had only been hinted at in American Pastoral. If in the Zuckerman novels, particularly in Zuckerman Bound and The Anatomy Lesson, the figure of Prometheus is alluded to with a certain degree of irony, in the American trilogy it acquires a more epic grandeur and tragic gravitas.1 Moreover, in American Pastoral, Roth introduces Jobian themes, which he is able to integrate within the context of the Swede’s Promethean transgression of the boundaries of ethnicity and history. The objective of this article is to analyze the characteristics of the protagonist of Nemesis, Eugene “Bucky” Cantor, in order to define those elements that make him not only a Promethean figure, but a modern incarnation of the biblical Job. Moreover, I will discuss those traits that Bucky shares with the figure of Oedipus; it will be observed how the very co-existence within the protagonist of the intrinsically divergent features of Job, Prometheus and Oedipus contributes to heightening the tragedy of his fall.
    [Show full text]
  • Philip Roth: the American Trilogy PDF Book
    PHILIP ROTH: THE AMERICAN TRILOGY PDF, EPUB, EBOOK Philip Roth,Ross Miller | 1088 pages | 16 Oct 2014 | The Library of America | 9781598531039 | English | New York, United States Philip Roth: The American Trilogy PDF Book The Flower Drum Song. Looking for More Great Reads? The truth about us is endless. A polio epidemic is at the centre of Nemesis , set in Newark, New Jersey, in Roth takes this scenario and spins an amazing tale of race, identity, desire, and hypocrisy that hits the bulls-eye of race relations in America, as well as the dangers of criminalizing speech. This was an insane and very angry time and let me tell you, Roth captures its essence beautifully. Necessary, eloquent, prophetic, masterful, and true. He discusses her as an inspiration for My Life as a Man throughout the book's second half, most completely in the chapter "Girl of My Dreams," which includes this on p. I am not impressed. Seriously, fuck this book. Or, oh, the surreal psychotic satirical hate spewing from the mouth of mystery girl Rita Cohen? The Daily Beast. Book Club: American Pastoral. Published March 5th by Vintage first published Literary Fiction. Can someone really have a better life if he leaves behind his old life and everything he believed were obstacles to his success? I went ahead and lopped off the superfluous page first act think frame story with no end frame. I put the book down dizzy, my head reeling with images and ideas, and I love when that happens. In this book, there are whole sections dedicated to the discussion of how to make leather gloves - just without the diagrams.
    [Show full text]
  • Roth's Graveyards, Narrative Desire, and "Professional Competition with Death"
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 16 (2014) Issue 2 Article 2 Roth's Graveyards, Narrative Desire, and "Professional Competition with Death" Debra Shostak College of Wooster Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Shostak, Debra.
    [Show full text]
  • A New Literary Realism: Artistic Renderings of Ethnicity, Identity, and Sexuality in the Narratives of Philip Roth
    A NEW LITERARY REALISM: ARTISTIC RENDERINGS OF ETHNICITY, IDENTITY, AND SEXUALITY IN THE NARRATIVES OF PHILIP ROTH Marta Krogh Harvell, B.A., B.A., M.A. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS May 2012 APPROVED: James Duban, Major Professor Robert Upchurch, Committee Member James Baird, Committee Member David Holdeman, Chair of the Department of English James D. Meernik, Acting Dean of the Toulouse Graduate School Harvell, Marta Krogh. A New Literary Realism: Artistic Renderings of Ethnicity, Identity, and Sexuality in the Narratives of Philip Roth. Doctor of Philosophy (English), May 2012, 154 pp., bibliography, 246 titles. This dissertation explores Goodbye, Columbus and Five Short Stories (1959), The Ghost Writer (1979), The Counterlife (1986), The Facts (1988), Operation Shylock (1993), Sabbath's Theater (1995),and The Human Stain (2000), arguing that Roth relishes the telling of the story and the search for self within that telling. With attention to narrative technique and its relation to issues surrounding reality and identity, Roth's narratives stress unreliability, causing Roth to create characters searching for a more complex interpretation of self. Chapter I examines Roth’s negotiation of dual identities as Neil Klugman in Goodbye, Columbus feels alienated and displaced from Christianized America. The search for identity and the merging of American Christianity and Judaism remain a focus in Chapter II, which explores the implications of how, in The Ghost Writer, a young Nathan Zuckerman visits his mentor E.I. Lonoff to find him living in what he believes to be a non-Jewish environment—the American wilderness.
    [Show full text]
  • Sex and Sexuality in Philip Roth's Kepesh
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Beyond Imagining: Sex and Sexuality in Philip Roth’s Kepesh Novels by Mike Witcombe Thesis for the degree of Doctor of Philosophy March 2015 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Modern Languages Thesis for the degree of Doctor of Philosophy BEYOND IMAGINING: SEX AND SEXUALITY IN PHILIP ROTH’S KEPESH NOVELS Mike Witcombe This thesis examines three novels written by the Jewish-American author Philip Roth, collectively known as the Kepesh novels: The Breast (1972), The Professor of Desire (1977) and The Dying Animal (2001). Based on a desire to re-evaluate the critical position of these works within Roth’s oeuvre, this thesis offers an analysis of each novel based upon a critical methodology supplied by an examination of the role of fetishism in psychoanalytic theory.
    [Show full text]
  • CULTURE and IDENTITY: the ACADEMIC SETTING in PHILIP ROTH's the HUMAN STAIN and FRANCINE PROSE's BLUE ANGEL Michelle L
    CULTURE AND IDENTITY: THE ACADEMIC SETTING IN PHILIP ROTH’S THE HUMAN STAIN AND FRANCINE PROSE’S BLUE ANGEL Michelle L. Britt A Thesis Submitted to the University of North Carolina at Wilmington in Partial Fulfillment Of the Requirements for the Degree of Master of Arts Department of English University of North Carolina at Wilmington 2003 Approved by Advisory Committee ______________________________ ______________________________ ______________________________ Chair Accepted by ______________________________ Dean, Graduate School TABLE OF CONTENTS ABSTRACT.................................................................................................................. iii ACKNOWLEDGMENTS ..............................................................................................iv DEDICATION ................................................................................................................v INTRODUCTION...........................................................................................................1 CHAPTER ONE............................................................................................................13 CHAPTER TWO...........................................................................................................28 CONCLUSION .............................................................................................................38 WORKS CITED............................................................................................................41 WORKS CONSULTED ................................................................................................43
    [Show full text]
  • Illness and Its Treatment in Philip Roth's Fiction
    Illness and Its Treatment in Philip Roth’s Fiction D. Mesher, San José State University Despite some early successes, Philip Roth only became America’s most important contemporary novelist in the latter half of his career; and, in those later works, illness and its treatment became significant elements, along with Roth’s familiar literary, Jewish, American, and gender and sexual themes. About the same time as this transformation began, Susan Sontag, Roth’s close contemporary—she was born in January, 1933, in New York City, he was born two months later in Newark, New Jersey—published her essay Illness as Metaphor (1978). The timing may have been pure coincidence, but Sontag’s argument about the destructiveness of looking for meaning in disease, and of creating metaphors and interpretations to confirm that meaning seems to have found a home in Roth’s later fiction, something that is all the more remarkable because of Roth’s (and Sontag’s) acutely analytical style.1 Looking for meaning in illness, after all, even more so than concern about mortality generally, has always been a focus of the arts, especially literature. In the Mesopotamian epic of Gilgamesh, for example, the title hero seems to accept that, “as for us men, our days our numbered” after he is told by Enlil, father of the gods, that “everlasting life is not your destiny”; and Gilgamesh is willing to risk that mortal life in battle against enemies such as Humbaba.2 But, when Gilgamesh’s near-double, Enkidu, is killed by disease rather than combat, Gilgamesh is driven to defy the destiny given him by Enlil and to discover the secret of immortality—not to avoid death per se, but to avoid what we might call a “natural” death, and what Gilgamesh thinks Mentalities/Mentalités Volume 26, Number 1, 2014 ISSN- 0111-8854 @2014 Mentalities/Mentalités All material in the Journal is subject to copyright; copyright is held by the journal except where otherwise indicated.
    [Show full text]
  • Glimpses of the Jewish American Predicament in Philip Roth’S Goodbye Columbus
    INTERNATIONAL JOURNAL OF ENGLISH LANGUAGE, LITERATURE Int.J.Eng.Lang.Lit&Trans.StudiesVol.2.Issue. 4.2015 (Oct-Dec) AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS REVIEW ARTICLE Vol.2.Issue 4.,2015 (Oct.-Dec.) GLIMPSES OF THE JEWISH AMERICAN PREDICAMENT IN PHILIP ROTH’S GOODBYE COLUMBUS ROYICHAN ANTONY PhD Research scholar, St. Joseph (Autonomous) College, Bharathidasan University Trichy ABSTRACT One of the most prominently controversial writers in contemporary literature in general and Jewish American literature in particular, Philip Milton Roth, Popularly known as Philip Roth, has produced an extensive and distinct literary corpus consisting of over thirty published books. Spanning over five decades of writing gaining arguably a misrepresented and misinterpreted notoriety , Roth for the most part depends upon his ‘Jewish American upbringing’ and life as a writer, to delve deep into concerns and issues such as the quest for identity, conflict between traditional and contemporary moral values and the socio-moral predicaments in the wake of an assimilation overdrive. Ever since the publication of his first book, Goodbye Columbus, a collection of stories in 1959, to his official announcement of his retirement Roth has made relentless ripples in the great ocean of American literature. He has consistently produced works that addresses Jewish American dilemmas, portraying Jewish American characters in their struggle to reconcile the pressing desire to be fully ‘American’ with a deeply ingrained sense of ‘self identity’. The scatological content in some of his early works and his harsh and satiric portraits of Jewish life in a style that is compelling and controversial, allegedly pornographic and funny, has brought in not only a large scale critical attention, but also cemented his place in the vast arena of American fiction.
    [Show full text]
  • Bibliography for the Study of Phillip Roth's Works
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 16 (2014) Issue 2 Article 14 Bibliography for the Study of Phillip Roth's Works Gustavo Sánchez-Canales Autónoma University Madrid Victoria Aarons Trinity University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Sánchez-Canales, Gustavo; and Aarons, Victoria.
    [Show full text]
  • Introduction to History, Memory, and the Making of Character in Rothâ
    UNIVERSITY PRESS <http://www.thepress.purdue.edu > CLCWeb: Comparative Literature and Culture ISSN 1481-4374 < http://docs.lib.purdue.edu/clcweb > Purdue University Press ©Purdue University CLCWeb: Comparative Literature and Culture , the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." In addition to the publication of articles, the journal publishes review articles of scholarly books and publishes research material in its Library Series. Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Langua- ge Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monog- raph series of Books in Comparative Cultural Studies. Contact: < [email protected] > Volume 16 Issue 2 (June 2014) Article 1 Victoria Aarons and Gustavo Sánchez-Canales, "Introduction to History, Memory, and the Making of Character in Roth's Fiction " <http://docs.lib.purdue.edu/clcweb/vol16/iss2/1> Contents of CLCWeb: Comparative Literature and Culture 16.2 (2014) Thematic Issue History, Memory, and the Making of Character in Roth's Fiction Ed. Gustavo Sánchez-Canales and Victoria Aarons <http://docs.lib.purdue.edu/clcweb/vol16/iss2/1> Victoria Aarons and Gustavo Sánchez-Canales, "Introduction to History, Memory, and the Making of Character in Roth's Fiction " page 2 of 8 CLCWeb: Comparative Literature and Culture 16.2 (2014): <http://docs.lib.purdue.edu/clcweb/vol16/iss2/1> Thematic Issue History, Memory, and the Making of Character in Roth's Fiction .
    [Show full text]
  • Secrecy and Self-Invention: Philip Roth's Postmodern Identity in the Human Stain G. Neelakantan, Indian Institute of Technolog
    Secrecy and Self-Invention: Philip Roth’s Postmodern Identity in The Human Stain G. Neelakantan, Indian Institute of Technology Kanpur1 Philip Roth’s The Human Stain (2000), a fitting final part of the novelist’s re- cent trilogy comprising American Pastoral (1997) and I Married a Communist (1998), dramatizes powerfully the interplay of secrecy and self-transformation that determines human identity. Identity in its varied performative guises had always been a central problematic in Roth’s fiction. For a novelist whose works register forcefully the solidity and specificity of the identifiable material world, a characteristic Roth shares with most nineteenth-century realist writers, the de- constructive turn of the narrative in this novel, which calls into question the es- sentialist notions of self, class, and racial identity, inaugurates a radical shift in direction. This decentering principle, not a wholly unfamiliar strategy in Roth’s works, is notably at work in his earlier novels such as The Anatomy Lesson (1983), The Counterlife (1986), Deception (1990), and Operation Shylock (1993). Telling a poignant tale of men and women driven by despair and angst in contemporary multicultural America, The Human Stain focuses on the constitution of identity and difference by negotiating the definition of self and the distortions it is subject to in the perception of the other.2 Interestingly, the Rothian narrator’s self-ap- pointed role in reclaiming the complex identities of his protagonists by ascribing motives to their actions seems hardly objective because ultimately the images he carves of them are constructs of his own imagination. This constructedness of identity in Roth’s fiction, if a typical postmodern discursive practice, not only disengages from the genre’s characteristic reveling in dissipation and disputation of the self, but contrary to all expectations invests the self with the open-ended- ness of reinvention.
    [Show full text]