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The Limits of Punishment Transitional Justice and Violent Extremism
i n s t i t u t e f o r i n t e g r at e d t r a n s i t i o n s The Limits of Punishment Transitional Justice and Violent Extremism May, 2018 United Nations University – Centre for Policy Research The UNU Centre for Policy Research (UNU-CPR) is a UN-focused think tank based at UNU Centre in Tokyo. UNU-CPR’s mission is to generate policy research that informs major UN policy processes in the fields of peace and security, humanitarian affairs, and global development. i n s t i t u t e f o r i n t e g r at e d t r a n s i t i o n s Institute for Integrated Transitions IFIT’s aim is to help fragile and conflict-affected states achieve more sustainable transitions out of war or authoritarianism by serving as an independent expert resource for locally-led efforts to improve political, economic, social and security conditions. IFIT seeks to transform current practice away from fragmented interventions and toward more integrated solutions that strengthen peace, democracy and human rights in countries attempting to break cycles of conflict or repression. Cover image nigeria. 2017. Maiduguri. After being screened for association with Boko Haram and held in military custody, this child was released into a transit center and the care of the government and Unicef. © Paolo Pellegrin/Magnum Photos. This material has been supported by UK aid from the UK government; the views expressed are those of the authors. -
American Players Theatre August Wilson's FENCES 2019 Study Guide
American Players Theatre Presents August Wilson’s FENCES 2019 Study Guide American Players Theatre / PO Box 819 / Spring Green, WI 53588 www.americanplayers.org August Wilson’s Fences 2019 Study Guide Penumbra Theatre Company’s 2008 Fences Study Guide by Sarah Bellamy excerpted with permission. APT’s Fences Production Section written by Malek Mayo. Photos by Liz Lauren. Photo of Phoebe Werner by Hannah Jo Anderson. THANKS TO THE FOLLOWING SPONSORS FOR MAKING OUR PROGRAM POSSIBLE Associated Bank * Dennis & Naomi Bahcall * Tom & Renee Boldt * Ronni Jones APT Children’s Fund at the Madison Community Foundation * Rob & Mary Gooze * IKI Manufacturing, Inc. * Kohler Foundation, Inc. * Herzfeld Foundation * THANKS ALSO TO OUR MAJOR EDUCATION SPONSORS This project was also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. American Players Theatre’s productions of Twelfth Night and Macbeth are part of Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest. This project is supported by Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation. 2 Special Thanks to Penumbra Theatre Company Access to Penumbra's full study guide collection can be found at https://penumbratheatre.org/study-guides Penumbra Theatre Company occupies a very unique place within American society, and by extension of that, the world. Penumbra was borne out of the Black Arts Movement, a time charged by civic protest and community action. -
Cartels" Under the New German Cartel Statute
Vanderbilt Law Review Volume 11 Issue 2 Issue 2 - A Symposium on Trade Article 1 Regulation and Practices 3-1958 "Cartels" Under the New German Cartel Statute Heinrich Kronstein Follow this and additional works at: https://scholarship.law.vanderbilt.edu/vlr Part of the Labor and Employment Law Commons Recommended Citation Heinrich Kronstein, "Cartels" Under the New German Cartel Statute, 11 Vanderbilt Law Review 271 (1958) Available at: https://scholarship.law.vanderbilt.edu/vlr/vol11/iss2/1 This Symposium is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Law Review by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. VANDERBILT LAW REVIEW VOLUME 11 MARcH, 1958 Nuavim 2 A SYMPOSIUM ON TRADE REGULATION AND PRACTICES "CARTELS" UNDER THE NEW GERMAN CARTEL STATUTE HEINRICH KRONSTEIN* Introduction On January 1, 1958, the "Cartel Statute" of the Federal Republic of Germany' became effective. American interests in this event are threefold: (1) During the past decade Americans have tried to convince the Western world that in an industrial, democratic society legislation of the American antitrust type is imperative. Is the German cartel statute a piece of legislation of this type? (2) The enactment of the statute brings to an end the application of Law No. 56 enacted by the American Military Government on January 28, 1947. The Paris Treaty between the Allied Powers and Germany provided that the Allied "cartel laws," though administered by the German Minister of Economics, should remain in effect until the German legislature could agree on a new statute. -
Fences Study Guide
Pacific Conservatory Theatre Student Matinee Program Presents August Wilson’s Fences Generously sponsored by Franca Bongi-Lockard Nancy K. Johnson A Study Guide for Educators Welcome to the Pacific Conservatory Theatre A NOTE TO THE TEACHER Thank you for bringing your students to PCPA at Allan Hancock College. Here are some helpful hints for your visit to the Marian Theatre. The top priority of our staff is to provide an enjoyable day of live theatre for you and your students. We offer you this study guide as a tool to prepare your students prior to the performance. SUGGESTIONS FOR STUDENT ETIQUETTE Note-able behavior is a vital part of theater for youth. Going to the theater is not a casual event. It is a special occasion. If students are prepared properly, it will be a memorable, educational experience they will remember for years. 1. Have students enter the theater in a single file. Chaperones should be one adult for every ten students. Our ushers will assist you with locating your seats. Please wait until the usher has seated your party before any rearranging of seats to avoid injury and confusion. While seated, teachers should space themselves so they are visible, between every groups of ten students. Teachers and adults must remain with their group during the entire performance. 2. Once seated in the theater, students may go to the bathroom in small groups and with the teacher's permission. Please chaperone younger students. Once the show is over, please remain seated until the House Manager dismisses your school. 3. Please remind your students that we do not permit: - food, gum, drinks, smoking, hats, backpacks or large purses - disruptive talking. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Member Association AFTRA / AEA / SAG Hassan El-Amin Height
Member Association A.F.T.R.A. / A.E.A. / SAG Hassan El-Amin Height: 6’ Weight: 212lb Theatres Roles Directors Resident Ensemble Players August: Osage County Bill Fordham Jackson Gay Murder on the Orient Express Samuel Ratchett Sanford Robbins The Crucible Thomas Putnam Ben Barnes Lettice and Lovage Mr. Bardolph Steve Tague Woman in Mind Andy Jackson Gay Minor Fantastical Kingdom Bernard Mark Lamos Inherit the Wind Rev. Brown Sanford Robbins Fences Troy Maxson Cameron Knight The MountainTop Martin Luther King Jr. Walter Dallas From the Author Of Dax Jade King Carroll A Flea in her Ear Dr. Finache Mark Lamos Twelfth Night Antonio Maria Aitken God of Carnage Michael Novak Kate Buckley Clybourne Park Albert/Kevin Lee E. Ernst The Bells Jim Theresa Rebeck The Elephant Man Dr. Carr Gomm Sanford Robbins Dallas Theatre Center Christmas Carol Jacob Marley Joe Ferrell In the Beginning God / Ensemble Kevin Moriarty It’s a Bird, It’s a Plane, It’s Superman! Perry White Kevin Moriarty Death of a Salesman Uncle Ben Amanda Dehnert Henry IV Northumberland Kevin Moriarty God of Carnage Michael Joe Ferrell King Lear Earl of Kent Kevin Moriarty The Odd Couple Roy Kevin Moriarty Fly (2013) Pirate Jeffery Seller A Raisin in the Sun Bobo Tre Garrett Clybourne Park Albert/Kevin Joel Ferrell Sherlock Holmes King of Bohemia Kevin Moriarty Les Misérables Priest Liesl Tommy Driving Miss Daisy Hoke Colburn Joel Ferrell The Kennedy Center August Wilson 20TH Century Fences Gabriel Kenny Leon Two Trains Running Hambone Isreal Hicks Jitney Booster Gordon Davidson The -
Cartel Enforcement Global Review – September 2020 CARTEL ENFORCEMENT GLOBAL REVIEW – SEPTEMBER 2020
Cartel Enforcement Global review – September 2020 CARTEL ENFORCEMENT GLOBAL REVIEW – SEPTEMBER 2020 Fight against cartels continues to consolidate around the world The period between 2017 and the beginning of 2020 has shown the importance of the prosecution of cartels in the context of global competition law enforcement. Competition authorities are intensifying their initiatives and concluding investigations in strategic sectors such as technology and digital services, construction, transport and mobility services, life sciences, financial services, retail and consumer goods, agriculture, food and energy. In many jurisdictions, fines imposed against participants In the EU, Directive (EU) 2019/1 (ECN+ Directive), in cartels have increased significantly or remained at a aimed at providing competition authorities of high level in the reference period. the Member States with the means to implement competition rules more effectively and to guarantee In 2019, the European Commission imposed cartel the proper functioning of the internal market, should be fines of around EUR1.4 billion. Taking into account fines implemented by Member States by February 2021. of National Competition Authorities, the total fines imposed within the EU (excluding the UK) exceeded The criminal prosecution of cartels continues to be a key EUR4 billion in 2019. factor in many jurisdictions, with particular regard to US, Canada, Australia and Ireland. New Zealand introduced In the US, the amount of fines for cartels, criminal penalties adopting a law that will come into after an important decrease in 2017, rose again force on April 8, 2021. In the UK, the authorities to USD356 million in 2019. continue to seek directors’ disqualification orders in addition to monetary penalties. -
Community in August Wilson and Tony Kushner
FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER By Copyright 2007 Richard Noggle Ph.D., University of Kansas 2007 Submitted to the Department of English and the Faculty of the Graduate School of the University of Kansas In partial fulfillment of the requirements for the degree of Doctor of Philosophy ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date defended ________________ 2 The Dissertation Committee for Richard Noggle certifies that this is the approved version of the following dissertation: FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER Committee: ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date approved _______________ 3 ABSTRACT My study examines the playwrights August Wilson and Tony Kushner as “political” artists whose work, while positing very different definitions of “community,” offers a similar critique of an American tendency toward a kind of misguided, dangerous individualism that precludes “interconnection.” I begin with a look at how “community” is defined by each author through interviews and personal statements. My approach to the plays which follow is thematic as opposed to chronological. The organization, in fact, mirrors a pattern often found in the plays themselves: I begin with individuals who are cut off from their respective communities, turn to individuals who “reconnect” through encounters with communal history and memory, and conclude by examining various “successful” visions of community and examples of communities in crisis and decay. -
After Your Fences! FURNITURE J. B. TETTER's
H.iii, •VBM&fNI KOWr ADVSHTIBS WOW « TOR III TBI I H' I 'ixrr " HATES I i •i.&o ram txas. OSSBATS. MI-A-LIOEl TOWARD NONE AND OHA.R.ITY FOR, A-LL." VOL I. LOWELL, KENT COUNTY. MICH., MARCH 31,1894. NO. 40 AT WlBfEOAR'S had one of the best peach farms in At tho head of one advertisement" HOMEJEWS. Kent couuly; but fulling health neces- wo see the names of Hooker, Hunt &- \ We Fit Your Feet! sitated his selling the homestead, since Co. Th^HH gentlemen have long We Guarantee Our Goods! Albert Jackson's Sufferings which time ho has waited from monthn since ptfoed to their rest, and others Over at Last. to weeks, and weeks to days for the have taken their places. Robert. You Take No Chances! sunimons to a future home. Since Hunter Jr.] was the proprietor of a- DEATH OF MRS. MARGARET E. MOOREsellin. g his farm he resided in the vil- general store. His ad. appears twice Yqu Bring the Feet, lage and bus braved four surgical ope- in the sahfe ^j^per; We Do the Rest. rations in his battle for life. All this N. P. Husled advertises his great •©"Even a Description of The Lowell Cheap Shi»e Nicely Fitted, will Look Well, time he has displayed great courage" variety of nursery tte&. Give us a Triali i curs for Trade, Weekly Star. and fortitude, without a murmur. In another columil ivtlie unnounce- ANOTHER PLEASANT SOCIAL EVENT. Mr. and Mrs. Jackson had no chil- ment of the "Wolverine String Band,"* CEO. -
The European, Middle Eastern and African Antitrust Review 2018
The European, Middle Eastern and African Antitrust Review 2018 Published by Global Competition Review in association with AEQUO Law Firm FBC – Fischer Behar Chen Well Popovici Nit¸u Stoica & Asociat¸ii Baker Botts LLP Orion & Co Quinn Emanuel Urquhart & Sullivan, LLP bpv Hügel Rechtsanwälte Freshfields Bruckhaus Deringer LLP Shearman & Sterling LLP Bruun & Hjejle Gide Loyrette Nouel Simonsen Vogt Wiig AS Cadwalader, Wickersham & Taft LLP Herbert Smith Freehills LLP SZA Schilling, Zutt & Anschütz Cooley Hogan Lovells Rechtsanwalts AG Covington & Burling LLP Kellerhals Carrard Vieira de Almeida & Associados DLA Piper Morgan Lewis & Bockius UK LLP Willkie Farr & Gallagher LLP Dryllerakis & Associates Motieka & Audzevicˇius WilmerHale LLP ELIG, Attorneys-at-Law Norton Rose Fulbright LLP Fatur LLC Oppenländer Rechtsanwälte GCR www.globalcompetitionreview.com GLOBAL COMPETITION REVIEW Germany: Federal Cartel Office Andreas Mundt President Digitalisation and globalisation are triggering an enormous trans- important adjustments with regard to the notification of merger formation process that is challenging not only for the business com- cases that do not meet the established turnover thresholds. Cases munity but also for competition authorities, which have to deal with concerning the acquisition of companies that did not achieve high new markets, new players and new business models. The task of the turnovers in the past may also appear important in terms of their competition authorities is not changing, but the focus is. The Federal economic and competitive value for the purchaser. In those cases, Cartel Office is very well positioned to deal with this. the company’s economic potential can often be better expressed by One focus of our case work will be to keep markets open in the the purchase price. -
2019 Regional Meeting: Stockholm, Sweden Outline: Emerging Issues in Ecommerce Competition, Distribution, Data and Platform Power
3/22/19 Jay L. Himes 2019 Regional Meeting: Stockholm, Sweden Outline: Emerging Issues in Ecommerce Competition, Distribution, Data and Platform Power Online Platforms: A Blessing from Heaven or the Curse of the Devil? “The most innovative and valuable companies of our time are the leading ‘technology platform’ companies: Amazon, Apple, Facebook and Google – a group New York University Professor Scott Galloway simply labels ‘The Four.’ Except for Apple, none of these companies existed before 1990. That they have eclipsed in the public mind—in such a relatively short amount of time—such other tech giants as Microsoft, Oracle, Cisco and Intel is a testament to the remarkable acumen of the founders and leaders of The Four, their highly skilled workforces, and to the economy and society that have enabled them to flourish.” Robert Litan, A Scalpel, Not An Axe (Sept. 2018), https://www.progressivepolicy.org/wp-content/uploads/ 2018/09/PPI_Antitrustand DataLaws_2018.pdf. “What was once a rich selection of blogs and websites has been compressed under the powerful weight of a few dominant platforms. These dominant platforms are able to lock in their position by creating barriers for competitors. They acquire startup challengers, buy up new innovations and hire the industry’s top talent. Add to this the competitive advantage that their user data gives them and we can expect the next 20 years to be far less innovative than the last.” Sir Tim Berners-Lee, Open Letter (Mar. 12, 2018), https://webfoundation.org/ 2018/03/web-birthday-29/. 1 3/22/19 Jay L. Himes 2019 Regional Meeting: Stockholm, Sweden Outline: Emerging Issues in Ecommerce Competition, Distribution, Data and Platform Power I. -
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE AUGUST WILSON’S STUNNING “FENCES” IS AS TIMELY AS IT IS POWERFUL, JAN. 16-FEB. 6 TUCSON, Ariz. (Jan. 6, 2016): Arizona Theatre Company celebrates the new year with a great American classic in August Wilson’s stunning, Pulitzer-Prize winning play, Fences. A vivid, heartfelt exploration of the African-American experience set in the 1950’s, the story remains strikingly relevant today. Performances begin at the Temple of Music & Art, 333 S. Scott Ave., on Jan. 16 and run through Feb. 6. I. Michael and Beth Kasser are Arizona Theatre Company’s 2015-16 Season Sponsors. The Stonewall Foundation is the Production Sponsor. Perhaps the best known of Wilson’s plays and winner of the Tony Award for Best Play, Fences tells the gripping story of sanitation worker Troy Maxson, a star baseball player whose career was blunted by the racism prevalent in pre-Jackie Robinson America. Feeling his world rapidly changing, Troy builds a fence to protect what is familiar and hold off what threatens. Muscular and lyrical, filled with some of the greatest characters and scenes in American Drama, this August Wilson blockbuster shows what can happen when a strong man is robbed of his dreams. Fences, the searing story of a man who stepped up to the plate too many times only to go down swinging, is as American as baseball itself. Called “stunning, explosive and tender” (The Seattle Times), Fences is “August Wilson at his finest” (Boston Herald). “Time has enhanced the luster of the play and it stands apart thanks to its distinctive lyricism and theatricality and its unforgettable central character.