Preview Only Legal Use Requires Purchase

Total Page:16

File Type:pdf, Size:1020Kb

Preview Only Legal Use Requires Purchase ♦ ARRANGERS' ♦ PUBLISHING ♦ COMPANY Traditional arranged by TOM WALLACE Soulfully (swing eighths) J = 84 HOUSE OF THE RISING SUN percussion by TONY McCUTCHEN 2 3 5 Flute/Piccolo Clarinet 162 Alto Sax 162 Tenor Sax Trumpet 1 Trumpet 2&3 F Horn Preview Only Trombone 1&2 Baritone Tuba Legal Use Requires Purchase Bells Xylophone ION MN MI Nib Snare QuadlIN Tom Cymbals Bass Drums Aux. Pere. This Arrangement 0 1991 by ARRANGERS' PUBLISHING CO., INC. International 0 Secured Made in U.S.A. AU Rights Reserved 400002621 111 1111 84088 Flute/Piccolo 1. AMMO AWNIMO Clarinet 1&2 MOM U11111113 Alto Sax 1&2 Tenor Sax C; r- section: r-3-1 11111 ,•••• MIWINIMLAPUMMAI. - MIII ToirMil l====.1111111 ■MINI =•=1•131 WA/IMMII= =MP W=I1CI=111==f !AM= •11=11=I •11W/I=/M/ 0=7 !WE AM/ MOW r all NIIMMI.M111.1 1• , / 1111===MIL7MI=IN ■ /11/1111 AMMINIIII =NAM Trumpet 1 •/.11AMIII/WM=r 1YMNIII=111/ 1=111O=.■1•1 rd■ =MN WMAIMWM=1111=111=IMUIWINIMIOMM,M1111111 =WM; IM■ =11 Mr■ 111•1111MMM INIWE NIMIM1111111 /MOO 'AMMO 111/111=11M WV ...- =WIG I= 1•11111/1111/7-M W Mr1=1 -A11•111 Trumpet 2&3 F Horn 1•11111MINIIII11.71111•1111 ti Trombone 1&2 Previewlirramemossimmissomm: Only Baritone Ilirill•11111111:111111111111killibillE Tuba Legal Use Requireinprwarrawess P urchase sub.mp Bells Xylophone Snare immo mil s sr mtomm wins ■INE Quad/Fri Tom .■ ■ 121111111MIN ■allg . ..... AW .L lizommiimMINEI Mt MN Cymbals 111111111111 IIINEMMEMIEN.1111111111eMNRMI Hass Drums Il :m Emir 11•WkWil.iii1 I/ 11 Kg EIMIN0•IMB1 IE1 I (2) A 14.T . Pere. PP PP PP PP PIP PP If OP 3 12 3^ 13 r3 14 3 =-• (short lays) 3 15 „ Flute/Piccolo Clarinet 1&2 marcato Alto Sax 1&2 marcato 3 Tenor Sax marcato (din.) SOLO: • Trumpet 1 Satan. Trumpet 2 &3 F Horn Trombone 162 Preview Only Baritone Tuba Legal Use Requires Purchase Bells M, =•t2M.T■ /711111■INETIMMIr 171■1■ 11•1 ..... MI& Xylophone Ef.M.Mr/■11 ■=1. .■ M.!! immar. mr. ..... sorr 13 15 Oil NO Id MI Alp plIth ohlo NI Snare MP ii NO Mb Quad [Fri Tom Cymbals one player (opt.) A Bass Drums Aux. Pere. 4 18 19 20 21 22 Flute/Piccolo Clarinet 1&2 Alto Sax 1&2 Tenor Sax Trumpet 1 Trumpet 2&3 F Horn Preview Only Trombone 1&2 BaritoneL egal Use Requires Purchase Tuba Bells Xylophone Snare Quad firi Tom Cymbals Bass Drums Aux. Pere. CONDUCTOR As recorded by THE ROLLING STONES Words and Music by Mick Jagger and Keith Richards 3 PAINT IyT, BLACK sw Arranged by Roland Barrett Slowly J = 76 2 . 6 Driving rock! J = 152 C Flute/C Piccolo - r r Ffirr r• r r LL mf r:N 1312 Clarinet I J J J mf r r r r r r E,6 Alto Saxophone r r r 't mf ■ /7 • 1 J I I J r r r r 0& 136 Trumpets 4 r rn 2 I r. J. • • • mf Horn in F rJ. • J - J • mf r P r 111 • 1 k• I Low Brass & mf Preview Only Woodwinds 6 (J• 2 9. 1, I 0 # 9 e•A Tuba Legal Umf se Requires Purchase Bells only t:N Mallet Percussion (Bells, Xylophone) I • J J J • • J • mf r r -r Rim shots A A A A A A A A I I I I I I I Snare Drum II I Susp. Cym. > > > > To Toms eA Quad-Toms mf Tonal Bass Drums (4 Pitches) H Hold for Quads (Susp. Cym.) Hold for Snare (Hi-Hat) Cymbals — fii 4i Auxiliary Percussion Susp. Cym. (Suspended Cymbal, t:N Tambourine, II / ° --inf. )1 — Cowbell) p — 1 2 3 4 5 6 7 © 1966 (Renewed) ABKCO MUSIC, INC., 85 Fifth Avenue, New York, NY 10003 This Arrangement © 2014 ABKCO MUSIC, INC. All Rights Reserved including Public Performance 42111S To purchase a full-length recording of this piece, go to alfred.com/downloads S./ Fl./Picc. Cl. MI••■ .■•■ - INEW.Y77•1 1INIM.F. 11■7W fit= - JINNI 1•= MM . JAME .1 -11MIIIIMMIL IMM I •■•■■111M1111111nMNIMIN •••••■=111•1 • ,MIMENICSNIMMIMMMIIMIII=IWIIIIIMIMICUM/ .1=1.MMILMIMI 1111111.111 FAMIWASEIRIMINI A. Sax gialIPIIIMM FAMIM FAIIIIMEM11.111.11FAMULIMMM 1 Tpts. 2 MML'IINIIMIMIC711•1•01111CINIMNIIIIIII•1 ■1111■11MICIIMINIII IMIN=NINIIIMINIMIWRIIIMIIIM MIIM=C711•1 11111r 11MEM11■■L 11=1•11•711M1•1111111111■ 1■ ■1•••■•••• NIIIIMINMIN•11= Hn. .1 ,11■INIMINIMN/N =■I ■■ 1 Low Br. & Ww. Preview Only 2 -••■■ =1(10■MINI■11MMV11111111 ■ WON= MIN =MI Mal MI= Tuba 11=.•■" IM.1■• IIMM.•■• AM.!. V Legv al Use Requires Purchase Xylophone only 1111 ■11 itm■ 111rM1,/111•111■ ■=11•11■1 '■11 ' ■■• '=•1/111111S- •M•1•FIE MO. UMW 1111MNIM 4•••• ■•••1.111•111•11••• 'MS* •IM• I f 'NOME, ' ■NNIA, .111=M ■ • •11•111111o• , ■■•■■■••••MAIMIYIIIIIL•11111 Mlt. Perc ■W■■•■i•■••■••••••••■16■111•WIMMI•■••■••■■•••••■• S.D. 11111111., Quads Ern. B.D. (4) Cyms. Aux. Perc. 42111S 10 1 1 12 13 > > Fl./Picc. I r rr QLr> r r• if > • • Cl. r r F 7 r- I if A. Sax. a* > > o r 1 I r r r r o r r r I Tpts. 4 o 2 I • 4_,J I 4 r r r • > rr Hn. rimmTurimirmormomffmormme 1111111•111■ V . > • 1 Is r r> a r I Low Br. r r r if & Ww. '7 • • 1 • $. p 2 ): r r PrI evirJe w OnlI y V I r r if Tuba J J J J. X66 ry J - v • - v - v • - r Legal Use Rif equires Pur(Rollsc for Xyl.h only) ase All Mlt. Perc. IIMIIIIM•1111111•11•V■I■MMEIS■11711MIIIIII711■ 1■ S.D. Quads rs B.D. (4) if Cyms. Tambourine Aux. Perc. IMP DM REPO RIMIN 111110 Cowbell 421115 14 15 if > 16 17 18 19 F1./Picc. Cl. A. Sax. 1 Tpts. 2 Hn. - A A A A - A . 1 II NMI NI =MI wi■mi Low Br. & Ww. 2 Preview Only MINIMEM711■ M•11■1=1[1111. TubaL egal Use R"■11=1111MINIIMCe■q111 uires Purchase MIL Perc. S D MOM 1.111.1 NM MEM 11111111 MEE Mu / Nlf Quads 11X =MINIM I■ =MI X ■ XXX NIM1MI.a111111111MIONIIIIIMININEW 111=1•11EMIMMIllr /110111•1•111•MIIMMINM ■ •11111 ■11 ■ BMX= B.D. (4) Cyms. Aux. Perc. NIMP MID IMO =PIP MIMI MIPS RMIN > 42111S 20 21 22 23 24 25 26 CONDUCTOR — 5 1321 F1./Picc. r imumi limminumm UM111111111MINNIMMININIM Cl. SIM= .. A. Sax. 1.11.11111111111111111111.11M1111111 1 rzwri Tpts. MEI if 2 wig Ae:,r IMO. 2.--- WIWI MA u. =••••=rruormsemmwormw7. WrIV•ZW. - Hn. .111111INIIIINIM••PlINNO MEI A A — 1/41::= A A A MIME= Lamum.. _i■Imt_-mlii...craomnmoomminia.'m•_m•I ar■mmm.m•Aomv M=MNINMI 11111MNI•AM AILAWNOW■NNWIIAWINW•■•111WWEIN M11•1= .mz_-mjmalmrmim■mm..rmihm7•Nnmnpm.m•mwwmmlim 1 ■AININWINIM •=1111IN ■11 ■ ■ MO imviw...s• 111•1■11111•MISMI = 1 1111•11 11 ■11=1•41■■ •411111111■•■11 =1=11 1111••■111111111•■• Low Br. Preview Only IN= & Ww. if — A A A A — A A A A — A or.%timm:r p.- A A A mw .sw- MINNA leNt IN■If AINAT WANT WA > O./ EMI PAILI.M.I1U111.1 IM.1=1111■=1111-7 2 F BMW SAIIMAM. .7M MWMIN M11,7M ■IM' .1.1M iT■NME ME in I ■11,1:■■ • 'FM■ Jr■ i/ Tuba W AN. .••/ MIIIIIIWNWILW■ INIAWNI MAW, IMIW.711=M1 lanna■ ■•■•■■■■•■■••■=1/■■••■■■■•=smnomm■ ■ ■ •■■ 1•1•■ 1111W.=1” 111W.IM^ S!IWII • • • WI ININNINN NNW Legal Use R■••••■■•••••NINFMMIWYeq MENEMu iI■r es PurchasANAe 111111 ■111111M &WINNE • Mlt. Perc. if S.D. I Els P M Quads iP IN NMI ■■■ ■■■ NIN■ ■ PPP ■ rs rs rs B.D. (4) • Cyms. Aux. Perc. 77 421115 27 FF 28 29 30 31 fie 32 33 Fl./Picc. Cl. swa -1=2=- 7. A. Sax. • 1 Tpts. 0,.411 M JEWIEW, .:•■•■•■M INIMP7 ■ mows. ■-■-■...~:= EMS XI/ .111■1!1■" .11.■•••1 .■■• 2 rMI=INI.■•■•IN.M11•Mr JIM . ANNUM Hn. - A 1 Low Br. & Ww. Preview Only 2 TubaL egal Use Requires Purchase Perc. ISM S.D. Quads B.D. (4) =1/1111- NEM=" Cyms. Aux. Perc. IMP IMP 1111111 AIM B1111 RIM p 40 41 36 37 38 39 421115 34 35 CONDUCTOR —7 - A Fl./Picc. Cl. A. Sax. 1 Tpts. 2 Hn. 1 Preview Only Low Br. & Ww. 2 LTuba egal Use Requires Purchase Mlt. Perc. S.D. M iii ■ MEM iii ti i1 Quads B.D. (4) Cyms. Aux. Perc. 42111S 42 43 44 45 ♦ ARRANGERS' ♦ PUBLISHING ♦ COMPANY • by OTIS REDDINC arranged by TOM WALLACE Energetic funk feel J = 124 RESPECT percussion by TONY McCUTCHEN 2 3 13 a - • 6' (short fall) 6 Flute/Piccolo (short all) Clarinet 1-2 Alto Sax 1 -2 Tenor Sax (short fall) ■•••=1•0.= 11111 Trumpet 1 1251 ' MI•••••••• ■■■•■•=1=1LIA• 1••1I•■• W•P■IIIMEM■4••■ Trumpet 2-3 MIMIW MM./MANN= 707 ♦ AM•MPI•ON 11■/■1.••■••111WS,M 111•11 Mao. • ■ •••IM, ■,0 1=1177=1411.•• " W•dh•E 11■• ■■••••7•MU•a•• . W. C■1. I^••~••• ■■■•••=.AM• ft,SNMINM .M.■•• ■■•■.•■=1 =1,,10_il. ■• ■=■•== MOP I■OWN .M411•=11. • mr NNW' Tradim i g? Min (short II) 1/' . F Horn . aWni111111 11111111 'o is "AI Dumbone 1-2 Preview Only (short fall) Baritone LEAD (FUNKY): > Tuba 1■••••• wilmnitimmtrolippill01•11, ~111110111011k. .disam--, Legal Use Requires Purchamismownrar.se11111•1 rem Bells I Xylophone Snare 4-71-,74 J75 Quad/Di Tom Cymbals Bass Drums MM." JIM Aux. Perc. (Tambourine, Cowbell) ff (shake roll) Copyright 0 1966/1967 EAST/MEMPHIS MUSIC, TIME MUSIC CO., INC. and REDWAL MUSIC PUBLISHING CO., INC.
Recommended publications
  • Trade Marks Inter Partes Decision O/047/20
    O-047-20 TRADE MARKS ACT 1994 IN THE MATTER OF: AN APPLICATION (No. 502044) BY GARY BROOKER TO INVALIDATE TRADE MARK No. 1422867: PROCOL HARUM WHICH STANDS IN THE NAME OF KEITH REID Background and pleadings 1. The protagonists to this dispute are the founding members of the music group PROCOL HARUM. They both contributed to the writing1 of the group’s biggest hit and most well-known song, A Whiter Shade of Pale, released in 1967. 2. On 27 April 1990, Mr Reid filed for the trade mark PROCOL HARUM in his sole name. It is registered for “Entertainer services; all included in Class 41”. 3. In his claim to invalidate the registration, Mr Brooker relies on the following grounds: • Section 3(6) of the Trade Marks Act 1994 (“the 1994 Act”), because the filing of the mark by Mr Reid in his sole name constituted an act of bad faith. • Section 5(4)(a) of the 1994 Act, because the use of the mark by Mr Reid is capable of restraint under the common-law tort of passing-off. 4. When the trade mark was filed, the relevant law was contained in the Trade Marks Act 1938. However, as the mark was registered2 before the commencement of the 1994 Act, and in accordance with paragraph 2(1) of Schedule 3 of the 1994 Act, it was transferred to the new register and has effect as if it had been registered under the 1994 Act. Paragraph 18(2) of that schedule also makes clear that the provisions of section 47 of the 1994 Act (grounds for invalidity) apply in equal measure3 to existing registered [under the old law] marks, as it does to marks registered under the 1994 Act: 1 Notwithstanding the outcome of a copyright dispute in which the Supreme Court held that the group’s organist, Matthew Fisher, also made a contribution to the music, the organ part of the song.
    [Show full text]
  • PROCOL HARUM 2014 BIOGRAPHY Procol Harum Are Still Going Strong
    PROCOL HARUM 2014 BIOGRAPHY Procol Harum are still going strong. March 2014 sees a new double CD, Inside/Outside, celebrating over forty years of studio and live recordings. In addition the spring will see a new download-only release, Some Long Road, featuring tracks from the band’s 2012 US tour. Alongside this Procol continue to tour many parts of the world, and are considering options on three continents at the moment. You could not be blamed for thinking that, with the monumental success of Procol's first smash hit, the band just stopped there, like so many others. Even the recently-awarded accolade of ‘most- played single of the past seventy-five years’ has not quelled their need to go forward: hence 2014’s new live album. In the past couple of years they have released ten re-mastered CD albums, plus the 2CD anthology Secrets of the Hive (all generally available in Europe, and sourceable on import); their DVDs In Concert with the Danish National Concert Orchestra and Live at Union Chapel have been widely acclaimed. There’s also a special 4-disc CD/DVD box-set compendium – aptly entitled All this and More – featuring 68 of the band’s many unique compositions: this prompted Classic Rock magazine to observe, ‘it’s small wonder The Who’s Tommy and Queen’s Bohemian Rhapsody can be traced to Procol’s influence’. It could be termed a plethora of Procol. The quality of writing and performance has remained Procol Harum’s gold standard through the gradually-mutating line-ups: each participating musician has kept the ideas flowing and prevented Procol from resting on their laurels.
    [Show full text]
  • 'Echoes in the Night' • Convention Merchandise
    ‘Echoes in the Night’ • convention merchandise Prices in Euros • cash only, please ‘Echoes in the Night’ convention tee-shirt by Schwebebahn artist, Holger 18 Weber: ‘Sixteen Vestal Virgins’ (designed and made in Wuppertal) Procol Harum tour tee-shirt: ‘Perpetual Motion’ 10 Procol Harum tour tee-shirt: ‘Grand Hotel’ top hat design 10 5 Euros each Brooker / Reid: ‘Procol Rarum’ tee-shirt when bought Tee-shirts Tee-shirts with full-price Procol Harum tee-shirt: cartoon of the band by ‘Cookie’ tee-shirt The Ghosts of A Whiter Shade of Pale : 5-star hardback Procol Harum biography 20 by Henry Scott-Irvine The Waiter Brought a Tray – popular Procol concert memoir Books 10 by George Lovell I’m Coming Home DVD: The Paramounts live in Southend, 2005 (NTSC) 10 I’m Coming Home DVD: The Paramounts live in Southend, 2005 (PAL) 10 All This and More : Procol Harum Box Set: 3 CDS, 1 DVD, many rarities and live 20 tracks, 15,000-word book inside The Secrets of the Hive – Procol Harum ‘best of’ 2 CD set on Salvo Records 10 Shine on Brightly re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 A Salty Dog re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Home reissued, re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Broken Barricades re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Live in Edmonton re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Grand Hotel re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Exotic Birds and Fruit re-mastered, lavish artwork, bonus tracks (Salvo Records)
    [Show full text]
  • PROCOL HARUM Am Sonntag, 14.10.2018 Um 20:00 H Im Gasometer Bank Austria Halle Guglgasse 6 1110 Wien Ein
    Der Vorstand der Österreichisch-Britischen Gesellschaft ( ABS ) lädt alle Firmen- und Vorstandsmitglieder der Österreichisch-Britischen Gesellschaft zum Live Konzert mit PROCOL HARUM am Sonntag, 14.10.2018 um 20:00 h im Gasometer Bank Austria Halle Guglgasse 6 1110 Wien ein. Welches ist die meist gespielte Single weltweit der letzten 57 Jahre? Hätten Sie es gewusst? Dem Internet sei dank - somit wissen wir es jetzt alle: "A Whiter Shade of Pale" von Procol Harum, 1967 veröffentlicht. Diesen und viele andere Hits werden wir live erleben. Die englische Kultband aus den 60iger Jahren tritt noch immer (nach einer Unterbrechung) öffentlich auf. Der Gründer und Sänger Gary Brooker ist noch von der Anfangsformation dabei. Gary Brooker und Keith Reid gründeten Procol Harum 1967. Der Bandname soll durch die Falschschreibung aufgrund der telefonischen Übermittlung eines Katzennamens „Procul Harum“ entstanden sein. Procol Harum wurde im Frühjahr 1967 vor allem mit einem Lied bekannt: A Whiter Shade of Pale wurde kurz nach seiner Veröffentlichung 2,5 Millionen Mal und seitdem weltweit mindestens 6 Millionen Mal verkauft. Dieser Erfolg traf die Autoren Brooker und Reid unvorbereitet. Es folgten weitere Hits wie Homburg und A Salty Dog . Auch in den 1970er Jahren hatten Procol Harum Erfolg, unter anderem mit dem Album Grand Hotel . Die Besetzung wechselte – bis auf Brooker, Wilson und Reid – häufig. Die Band veröffentlichte bis zu ihrer Auflösung 1977 zehn Alben, darunter Live with the Edmonton Symphony Orchestra . Sie zeichnete sich durch einfallsreiche, oft an klassischer Musik orientierte Kompositionen aus. Daneben finden sich im Werk von Procol Harum aber auch immer wieder Songs, die stark im Blues verwurzelt sind.
    [Show full text]
  • Repertoire.Pdf
    Elegante ausdrucksstarke Klänge werden Ihrer Veranstaltung einen unverwechsel- baren Charakter verleihen und diese zu einem unvergesslichen Erlebnis machen. Inhaltsverzeichnis Repertoire für besondere Atmosphäre 3 Repertoire für die romantische Trauung 8 Repertoire für die weihnachtliche Stimmung 10 Ingo Herzmaier Fasanturmweg 27g A-8055 Graz 0676-4134939 [email protected] www.saxsolo.at 2 A Whiter Shade Of Pale Gary Brooker / Keith Reid 04:08 Adagio T. Albinoni 03:12 Adelita Traditional 03:23 Against All Odds Phil Collins 02:50 All By Myself Eric Carmen / Serge Rachmaninoff 03:04 Amazing Grace Traditional 03:06 American Patrol Traditional 02:50 Angels Robbie Willams / Guy Chambers 02:21 Another Day In Paradise Phil Collins 02:58 Aquarius James Rado / Gerome Ragni / Galt MacDermot 03:08 As Time Goes By Herman Hupfeld 01:58 Aura Lee Traditional 01:43 Aus Böhmen kommt die Musik Christian Bruhn / Robert Jung 03:51 Autumn Impressions Martin Pfeifer 03:06 Autumn Leaves Jacques Prevert / Johnny Mercer / Joseph Kosma 02:43 Ave Maria J.S. Bach / Charles Gounod 03:53 Ave Maria Franz Schubert 02:26 Bad, Bad Leroy Brown Jim Croce 03:25 Baker Street Gerry Rafferty 02:59 Beauty And The Beast Alan Menken / H. Ashman / T. Rice 03:22 Besame Mucho Consuelo Velazquez 02:55 Blue Eyes Elton John / Gary Osborne 02:24 Blue Moon Richard Rodgers 03:39 Blueberry Hill Al Lewis / Larry Stock / Vincent Rose 03:31 C'est Si Bon Henri Betti / Andre Hornez 04:32 Can You Feel The Love Tonight Elton John 03:16 Can't Help Falling In Love With You George Davis Weiss / Hugo Peretti / Luigi Creatore 03:35 Cherish Robert Bell / James Taylor & Kool & The Gang 02:44 Cielito Lindo Traditional 02:41 Colours Martin Pfeifer 03:52 Colours Of The Wind Alan Menken / Stephen Schwartz 04:50 Copacabana J.
    [Show full text]
  • THE GARY MOORE DISCOGRAPHY (The GM Bible)
    THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb.
    [Show full text]
  • Peter Oxendale Music Services Limited
    PETER OXENDALE MUSIC SERVICES LIMITED ______________________________________________________________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________________________________________________________ ___________________________________________________________________________________________________________________________________________ ___________________________ ____________________________________________________________________________________________________________________________________________________________ 14 THE HIGHWAY SUTTON SURREY SM2 5QT UK TEL:+44(0)20 8395 9280 MOB: +44(0)7710 130777 PETER OXENDALE B.Mus., G.R.S.M., L.R.A.M., A.R.C.M., M.A.E. CONSULTANT AND FORENSIC MUSICOLOGIST CREDENTIALS AND EXPERIENCE I studied at The Royal Academy Of Music and King’s College, London, gaining a Bachelor of Music degree (B.Mus.) and becoming a Graduate of The Royal Schools of Music (GRSM), a Licentiate of The Royal Academy of Music (LRAM), and an Associate of The Royal College of Music (ARCM). I am a Member of The Academy of Experts (MAE). I am listed in the Law Society Directory of Expert Witnesses and the UK Register of Expert Witnesses. I have acted as a consultant musicologist, forensic musicologist
    [Show full text]
  • Ejenseitsde Eits Derdinge Der Dingejen
    EJENSEITSDE EITSDERDINGE DERDINGEJEN Bieten Procol Harum mehr als „A whiter shade of pale“ oder nicht? Einige meinen nicht – ich meine schon. Obwohl es diese Band bei weitem nicht unter meine Top 5 schafft, setzte ich mich für sie ein und schreibe im UMO. Ich bin ganz klar der Meinung, dass Procol Harum mehr Aufmerksamkeit verdienen als sie genießen. Dies ist der Hauptgrund dieses Berichtes. Es ist natürlich schön, wenn gleich eigenen Songs zu schreiben. 1966 Den Namen Paramounts behalten der erste Wurf ein 200%iger Erfolg lernt Gary den Texter Keith Reid die Jungs noch recht lange. wird. Schön im ersten Moment. (geb. 10. Oktober 1946) kennen. Erst vor der Veröffentlichung der Später ist es sicherlich ein Nachteil Mit ihm beginnt er zu schreiben. Um Single tauschen sie ihn gegen für eine Karriere, denn so einen die Sachen aufzunehmen, suchen Procol Harum ein. Immer wieder zu Erfolg zu toppen, kann schwierig bis sie per Inserat in einem Magazin Diskussionen in Internetforen führt unmöglich sein. Daran gemessen Mitmusiker. Dadurch gesellen sich der Ursprung des Names. Es gibt wird man ja immer. So geschehen an der Orgel Matthew Charles zwei Versionen über die Herkunft: ein bei Procol Harum. Fisher (07. März 1946), Ray Royer Katzenname oder eine Ableitung an der Gitarre, Bassist Dave Knights aus dem Lateinischen. Gary Brooker Anfang 1968 spielt Radio London, (28. Juni 1945) und Drummer Bobby erklärt einmal in einem Interview, direkte Konkurrenz zu BBC, einen Song rauf und runter: „A whiter shade of pale“. Die Nachfrage der Zuhörer ist so groß, dass man gleich eine Single presst.
    [Show full text]
  • Disunity in Proco I Harum
    PAGE 11 OFFTHERECORD 'Broken Barricades' Shows Disunity in Proco I Harum ., TONY GABS'lDI Barricadea" and "Playmate of been common to man for een- the Month" are cuts that are turies. Procol Harwn muat not be indicative of Procol Hanam's The theme of man'. sensual ipored by the music lover. 'Ibis desired musical dimension. admiration for the female is Il'oup of musicians is CODIiat- These pieces are more lyrical, personified in "Luskus Delph": antly better than the aVerBle and are composed with .uperb Tulip u.ps, oh luskus delph rock group. The poetry of Keith lecture. The lyrical qualities Your bakinl breath breeds Reid and the compositions of do not exist in Trower's ma- body x. Gary Brooker, when intell'ated, terial. The IUitar player is a are sensitive and awake. With blues oriented player that feels With silken measures try to these lifted artists, Procol uncomfortable in a band that is iUate Harum produces music that not blues oriented. If the iliat- The inside sweetness of your moves my soul. ener is aware of the difference eave. LOOK IIA, NO IIANDB! Procol Harum's .. teat album in style of playilll in "Memorial Peach preserves, your If you we a pall phone in the lib,.4ry 4nd C4n't lind is Broken Burleades. This re- Drive," "50111 for a Dreamer" simmering jewel the ,.eceive7', it'. becauae thne im't one. ThiB phone hili the lease does not radiate the qual- and "Poor Mohammed" (all ,.eceive7' built into it. Wh4t'1l M4 Bell tMnk of nut? ity that the aroup's other re- composed by Trower) is 0b- Hid away like orphans lUiel, leases have.
    [Show full text]
  • Entertainillent Page 10 the Retriever May 14, 1973
    Entertainillent Page 10 The Retriever May 14, 1973 In this, the last issue of the up another victory with my belief that he is the most him. Manassas is sorely. one of the most intellectual Retriever for the semester, I his newest, yet most varied, underrated guitarist in the lacking in the freshness and lyricists in Rock. will review a number of lp's album. One rock critic said business. A fine lp, not to be vitality displayed on the last "Take Me As I Am" Tim which are flooding the racks that "Something/ Anything" missed by "Heat" freaks. Stills album. Maybe he needs a Davis (Metromedia) This is an currently. was 1965 rock at its best. If this "Compartments" Jose long vacation ... album which, unfortunately, "Bloodshot" J. Geils Band is true, then" A Wizard, A True Feliciano (RCA) If you've ever "Still A1ive and Well" will go unnoticed due to the (Atlantic) One of the raun­ Star" is 1967 rock at its best. had a liking for Jose, and Johnny Winter (COL) A very non-famous name on its cover. chiest records I've heard since Side 1 of the new release is always wanted to buy one of his aptly titled lp, which will quash Tim Davis, formerly of The "Let it Bleed" and "Morrison some of the craziest, catchiest, records. (but never did) this is any rumors as to Johnny's Steve Miller Band, has Hotel".- J. Geils and crew have psychedelic music you'll ever the one to get. Jose is assisted ability after his recent assembled a host of blues and obviously got their shit hear.
    [Show full text]
  • Hristmas Quiz 2013 • All the Answers
    ‘B EYOND THE PALE ’ • CHRISTMAS QUIZ 2013 • ALL THE ANSWERS 1.1 Alien poets 8.1 Bass guitar 1.2 Gulped alarmingly 8.2 Hide in a bag 1.3 Hi! Catch a word 8.3 Mantovani and his Music of the Mountains 1.4 Wreath odd hunger 8.4 Nevervoid 8.5 Pekinška Patka 2.1 Copenhagen (6 November 2003) and Cologne (6 March 1968) 8.6 Piccolo 2.2 Helsinki (8 October 2013) and Haarlem (18 November 2007) 8.7 Put on a different track 2.3 Los Angeles (21 September 1973) and Los Angeles (15 August 8.8 Run away to Antarctica 2012) 8.9 Sousaphone 2.4 Redhill (19 July 1997) and Copenhagen (6 November 2003) 9.1 Art-terrorist, The Lone Anti-Hermit 3.1 A 1 9.2 Highbrow blues-rock legends, Procol Harum 3.2 B 2 9.3 Multinational scratch-ensemble, the Palers’ Band 3.3 C 3 9.4 NYC’s finest, Von Gundy’s Time Funnel 3.4 D 4 3.5 E 5 10.1 Doll shank dance 3.6 F 6 10.2 Halo women tonight 3.7 G 7 10.3 Relinquished lama 3.8 H 8 10.4 Terrific custody belch 4.1 A concert in Japan, 2012 11.1 Gary Brooker (voice and piano), Chris Copping (organ), 4.2 An unrecorded gig in Guatemala, 1968 Dave Ball (guitar), Matt Pegg (bass), 4.3 The Isle of Wight Festival, 2006 Ian Wallace (drums) 11.2 Gary Brooker (voice and piano), Josh Phillips (organ), 5.1 Early drummer, Tubs Drubs Geoff Whitehorn (guitar), Chris Copping (bass), 5.2 Erstwhile drummer, Bobby Harrison Bobby Harrison (drums) 5.3 Present drummer, Geoff Dunn 11.3 Or Gary Brooker (voice and piano), Pete Solley (organ), Tim Renwick (guitar), Dave Knights (bass), 6.1 Former jailbait, The Runaways Barrie Wilson (drums) 6.2 Gothic bluesmongers, Procol Harum 6.3 R’n’B acolytes, The Paramounts 12.1 Antonio Costa Barbé (Italy), piano and vocal 12.2 Elizabeth Bryson (USA), guitar 7.1 Gary Brooker 12.3 Jens Anders Ravnaas (Norway), drums 7.2 Geoff Dunn 12.4 Roland Clare (UK), bass guitar 7.3 Geoff Whitehorn 12.5 Thelonious Monk (d.
    [Show full text]
  • Spirit of Nøkken
    evolution of the recorded original. The Commander’s pre-song SPIRIT OF NØKKEN patter sometimes seems bafflingly oblique, but tonight’s SLEEVENOTES reference to “sticking your head inside a silver ball”, and the applause that greets the spooky Kaleidoscope introduction, make “AS WE WALK ACROSS THE BRIDGE WE FEEL THE good sense once you’ve seen ‘Elveharpen’, Drammen’s 2008 SPIRIT OF NØKKEN” interactive riverside art-installation (designed in California, but made in China, where they have the metallurgical know-how to Procol Harum’s previous seven live collections – from Canada blow thirteen-foot spheres). The ‘Living Lenses’ sculpture- (Live in Concert with the Edmonton Symphony Orchestra, 1971 collective treated the Ypsilon suspension-bridge, right by the LP), from their native London (Live at the BBC, 1974 CD, and evening’s venue, as a gigantic harp: sensors capture footsteps Live at the Union Chapel, 2003 DVD), from Utrecht in the crossing its hundred-yard span, and hidden computers relay Netherlands (One More Time, 1992 CD), from their Danish them – mingled with river-sounds and the wind in the wires – to ‘home-from-home’ (Live in Copenhagen, 2001 DVD, and In resonate inside the steel balls. Here they blend with local voices Concert with the Danish National Concert Orchestra and Choir, singing to the legendary shapeshifter, Nøkken, who plays his 2006 CD/DVD) and the download-only collection, One Eye to the Hardanger fiddle in rivers or under waterfalls, and lures un- Future, recorded in Italy in 2007 – have all shown that some- wary listeners into the deeps. Procol Harum, photographing the thing magic persistently happens when the compositions of Gary spheres, were taken by the ghostly keening, and recreated it at Brooker, Keith Reid and co.
    [Show full text]