Translocal Geographies Spaces, Places, Connections
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Aesthetics of Gentrification of Aesthetics Edited by Christoph Lindner and Gerard F
CITIES AND CULTURES Lindner & Sandoval (eds) Aesthetics of Gentrification Edited by Christoph Lindner and Gerard F. Sandoval Aesthetics of Gentrification Seductive Spaces and Exclusive Communities in the Neoliberal City Aesthetics of Gentrification Cities and Cultures Cities and Cultures is an interdisciplinary book series addressing the inter relations between cities and the cultures they produce. The series takes a special interest in the impact of globalization on urban space and cultural production, but remains concerned with all forms of cultural expression and transformation associated with modern and contemporary cities. Series Editor: Christoph Lindner, University College London Advisory Board: Ackbar Abbas, University of California, Irvine Myria Georgiou, London School of Economics and Political Science Derek Gregory, University of British Colombia Mona Harb, American University of Beirut Stephanie Hemelryk Donald, University of Lincoln Shirley Jordan, Queen Mary, University of London Nicole Kalms, Monash University Geofffrey Kantaris, University of Cambrigde Brandi Thompson Summers, University of California, Berkeley Ginette Verstraete, VU University Amsterdam Richard J. Williams, University of Edinburgh Aesthetics of Gentrification Seductive Spaces and Exclusive Communities in the Neoliberal City Edited by Christoph Lindner and Gerard F. Sandoval Amsterdam University Press Cover illustration: Oliver Wainwright Cover design: Coördesign, Leiden Layout: Crius Group, Hulshout isbn 978 94 6372 203 2 eisbn 978 90 4855 117 0 doi 10.5117/9789463722032 nur 758 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/byncnd/3.0) All authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
A Festival of Unexpected New Music February 28March 1St, 2014 Sfjazz Center
SFJAZZ CENTER SFJAZZ MINDS OTHER OTHER 19 MARCH 1ST, 2014 1ST, MARCH A FESTIVAL FEBRUARY 28 FEBRUARY OF UNEXPECTED NEW MUSIC Find Left of the Dial in print or online at sfbg.com WELCOME A FESTIVAL OF UNEXPECTED TO OTHER MINDS 19 NEW MUSIC The 19th Other Minds Festival is 2 Message from the Executive & Artistic Director presented by Other Minds in association 4 Exhibition & Silent Auction with the Djerassi Resident Artists Program and SFJazz Center 11 Opening Night Gala 13 Concert 1 All festival concerts take place in Robert N. Miner Auditorium in the new SFJAZZ Center. 14 Concert 1 Program Notes Congratulations to Randall Kline and SFJAZZ 17 Concert 2 on the successful launch of their new home 19 Concert 2 Program Notes venue. This year, for the fi rst time, the Other Minds Festival focuses exclusively on compos- 20 Other Minds 18 Performers ers from Northern California. 26 Other Minds 18 Composers 35 About Other Minds 36 Festival Supporters 40 About The Festival This booklet © 2014 Other Minds. All rights reserved. Thanks to Adah Bakalinsky for underwriting the printing of our OM 19 program booklet. MESSAGE FROM THE ARTISTIC DIRECTOR WELCOME TO OTHER MINDS 19 Ever since the dawn of “modern music” in the U.S., the San Francisco Bay Area has been a leading force in exploring new territory. In 1914 it was Henry Cowell leading the way with his tone clusters and strumming directly on the strings of the concert grand, then his students Lou Harrison and John Cage in the 30s with their percussion revolution, and the protégés of Robert Erickson in the Fifties with their focus on graphic scores and improvisation, and the SF Tape Music Center’s live electronic pioneers Subotnick, Oliveros, Sender, and others in the Sixties, alongside Terry Riley, Steve Reich and La Monte Young and their new minimalism. -
Donald Byrd Places and Spaces Mp3, Flac, Wma
Donald Byrd Places And Spaces mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Places And Spaces Country: UK Released: 1997 Style: Jazz-Funk MP3 version RAR size: 1323 mb FLAC version RAR size: 1827 mb WMA version RAR size: 1621 mb Rating: 4.6 Votes: 190 Other Formats: AA AIFF XM DXD ASF WAV DTS Tracklist Hide Credits Change (Makes You Want To Hustle) A1 5:07 Written-By – L. Mizell* Wind Parade A2 4:32 Written-By – L. Mizell* (Fallin' Like) Dominoes A3 4:32 Mixed By [Remix] – Steve MaslowWritten-By – Mbaji, Sigidi* Places And Spaces B1 6:16 Written-By – L. & F. Mizell* You And Music B2 5:18 Written-By – L. & F. Mizell* Night Whistler B3 3:40 Written-By – Carter*, L. & F. Mizell* Just My Imagination B4 4:36 Written-By – N.Whitfield / B. Strong* Companies, etc. Record Company – Blue Note Records Manufactured By – United Artists Music And Records Group, Inc. Copyright (c) – United Artists Music And Records Group, Inc. Phonographic Copyright (p) – United Artists Music And Records Group, Inc. Pressed By – Columbia Records Pressing Plant, Santa Maria Recorded At – The Sound Factory Mastered At – Artisan Sound Recorders Published By – Alruby Music, Inc. Published By – Blue Brothers Music Published By – Jobete Music Co., Inc. Credits Arranged By – Larry Mizell Arranged By [Strings], Conductor – Wade Marcus Art Direction – Bob Cato Backing Vocals – Kay Haith, Larry Mizell & Fonce Mizell Clavinet, Trumpet – Fonce Mizell Congas – King Errison* Congas, Percussion – Mayuto Correa Design – Ria Lewerke Drums – Harvey Mason Electric Bass [Fender] -
CONGRESSIONAL RECORD— Extensions of Remarks E190 HON. JOHN K. DELANEY HON. ED PASTOR HON. JOHN CONYERS, JR. HON. JACKIE SPEIER
E190 CONGRESSIONAL RECORD — Extensions of Remarks February 26, 2013 The Roanoke Valley’s many citizens and insti- and related genres including Hard Bop, Soul- at a number of schools including North Caro- tutions are thankful that he chose public serv- Jazz, Fusion and Hip-Bop. Byrd, who was a lina Central University, Rutgers University, ice as the avenue to better his community. cutting-edge academic, was also instrumental Hampton University, Oberlin, New York Uni- Representative GOODLATTE and I are hon- in establishing jazz as a viable course of study versity, Cornell University, Queens College, ored to pay tribute to Chip’s many contribu- in several universities and colleges throughout and Delaware State University. Byrd also tions to our community, our region, and our the nation. served on the Board of the National Jazz nation. He was a courageous public servant. Dr. Byrd was born Donaldson Toussaint Service Organization. He joined the distin- Our thoughts and prayers go out to his wife of L’Ouverture Byrd II in Detroit, Michigan on De- guished ranks of NEA Jazz Masters in 2000, almost 50 years, Emily; his children; grand- cember, 9, 1932. Mr. Byrd learned to play the along with Dr. David Baker and Marian children; friends; and loved ones. May God trumpet while growing up in Detroit, a city McPartland. give them comfort during this difficult time. which produced many other accomplished jazz Unlike most jazz artists who ignored the de- f artists including Barry Harris, Thad and Elvin veloping rap and hip-hop music scenes, Don- Jones, Kenny Burrell, Yusef Lateef, Paul ald Byrd was a major supporter of those HONORING THE FREDERICK HIGH Chambers, Tommy Flanagan and Betty Car- forms. -
Blue Note Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963
Discography Of The Blue Note Label Blue Note was started in New York City in 1938 by Alfred W. Lion. Blue Note recorded jazz only. The following history of the Blue Note record label is from the Blue Note Website (bluenote.com). “In 1925, 16-year old Alfred Lion noticed a concert poster for Sam Wooding's orchestra near his favorite ice-skating arena in his native Berlin, Germany. He'd heard many of his mother's jazz records and began to take an interest in the music, but that night his life was changed. The impact of what he heard live touched a deep passion within him. His thirst for the music temporarily brought him to New York in 1928 where he worked on the docks and slept in Central Park to get closer to the music. On December 23, 1938, Lion attended the celebrated Spirituals to Swing concert at Carnegie Hall. The power, soul and beauty with which boogie woogie piano masters Albert Ammons and Meade Lux Lewis rocked the stage gripped him. Exactly two weeks later, on January 6 at 2 in the afternoon, he brought them into a New York studio to make some recordings. They took turns at the one piano, recording four solos each before relinquishing the bench to the other man. The long session ended with two stunning duets. Blue Note Records was finally a reality. The label's first brochure in May of 1939 carried a statement of purpose that Lion rarely strayed from throughout the many styles and years during which he built one of the greatest jazz record companies in the world. -
A Social and Cultural History of Jazz in Pittsburgh's
“The Crossroads of the World”: A Social and Cultural History of Jazz in Pittsburgh’s Hill District, 1920-1970 by Colter Harper BM, Duquesne University, 2001 MA Ethnomusicology, University of Pittsburgh, 2006 Submitted to the Graduate Faculty of the University of Pittsburgh’s School of Music in partial fulfillment of the requirements for the degree of PhD in Ethnomusicology University of Pittsburgh 2011 i UNIVERSITY OF PITTSBURGH Department of Music This dissertation was presented by Colter Harper It was defended on March 24, 2011 and approved by Dr. Laurence Glasco, Associate Professor, Department of History Dr. Andrew Weintraub, Associate Professor, Department of Music Dr. Bell Yung, Professor, Department of Music Thesis Director: Dr. Nathan Davis, Professor, Department of Music ii Copyright © by Colter Harper 2011 iii “The Crossroads of the World”: A Social and Cultural History of Jazz in Pittsburgh’s Hill District, 1920-1970 Colter Harper, PhD University of Pittsburgh, 2011 This study examines the social life and cultural history of jazz in Pittsburgh’s Hill District. Comprised of the city’s third and fifth wards, the Hill is located on the upward sloping eastern border of downtown that, in the first half of the twentieth century, fostered a thriving social life marked by the intersection of music, entrepreneurship, and a shifting demographic landscape. The scope of this study includes the decades between WWI and the 1968 riots sparked by the assassination of Dr. Martin Luther King—a period that encapsulates the emergence of jazz as an American cultural practice and the development of the urban African American neighborhood. -
Sacred Spaces and Sacred Places
University of Calgary PRISM: University of Calgary's Digital Repository Arts Arts Research & Publications 2008-11 Sacred Spaces and Sacred Places Simmins, Geoffrey VDM Verlag http://www.amazon.com/Sacred-Spaces-Places-Geoffrey-Simmins/dp/3639099311/ref=sr_1_7?ie=UTF8&s=books&qid=1227295210&sr=1-7 http://hdl.handle.net/1880/46834 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca Sacred Spaces and Sacred Places by Geoffrey Simmins, PhD, MDiv Table of Contents Preface ....................................................................................................................................................................5 1. Defining Sacred Spaces and Sacred Places ........................................................................................................7 1.1. Overview of Key Concepts............................................................................................................................7 1.2. Dictionary Definitions of Key Terms ...........................................................................................................7 1.3. Theological Approach....................................................................................................................................8 1.4. Scriptural Precedent .......................................................................................................................................8 1.5. Binary or Unitary Definitions of Sacredness................................................................................................8 -
February 20–March 3, 2019
FEBRUARY 20–MARCH 3, 2019 presented by Stanley Clarke March 3 | Revolution Hall photo by Raj Naik 01 PJF19_Cover.indd 1 1/24/19 6:55 AM C M Y CM MY CY CMY K Living Room • Bedroom • Dining Room • Rugs nwrugs.com Jantzen Beach 2100 N. Hayden Island Dr (503) 285-7847 Tanasbourne 16305 #110 NW Cornell Rd (503) 645-7847 Wilsonville 29735 SW Town Center Lp W (503) 682-7847 Sherman Oaks, CA (Los Angeles) (818) 386-7847 • Agoura Hills, CA (Los Angeles) (818) 706-3333 • Las Vegas, NV - (702) 737-7847 Monday - Saturday: 10AM to 7PM - Sunday: 11AM to 6PM NWRugs_1.indd 2 1/24/19 6:59 AM WELCOME WELCOME The pulse of PDX Jazz as an organization beats in the community, rhythmically throughout the year with impactful performances, education initiatives, and partnerships. The Biamp PDX Jazz Festival is an annual celebration that attracts jazz fans far and wide, exposing them to jazz legends and notably our Portland jazz legacy that we celebrate every night of the year with an incredible and Tsupportive audience, made special by the tireless efforts of resident working musicians and the unique places and spaces they inhabit while on the bandstand. Darrell Grant The 2019 Festival continues a tradition of celebrating America’s rich vibrant jazz history through 80 years of Blue Note Records, founded by two German immigrants, and the rich recorded legacies of Michael Brecker, Nat King Cole, Rahsaan Roland Kirk, Art Blakey, Donald Byrd, Joe Henderson, Hermeto Pascoal, and Grover Washington Jr. We also celebrate with our 2019 Portland Jazz Master Darrell Grant, and boast headline artists traveling to Portland from across the world including Bamako, Rio, Tel Aviv, Montreal, Moscow, Geneva, and Paris. -
Donald Byrd Donald Byrd's Best Mp3, Flac, Wma
Donald Byrd Donald Byrd's Best mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Donald Byrd's Best Country: Australia Released: 1976 MP3 version RAR size: 1790 mb FLAC version RAR size: 1577 mb WMA version RAR size: 1754 mb Rating: 4.4 Votes: 821 Other Formats: WAV VOX MOD FLAC MP2 VQF XM Tracklist A1 Black Byrd 7:18 A2 Flight-time 8:27 A3 Stepping Into Tomorrow 5:10 A4 Rock And Roll Again 6:07 B1 Change (Makes You Want To Hustle) 5:06 B2 Sky High 5:56 B3 Lansanas Priestess 7:43 B4 Street Lady 5:39 Companies, etc. Manufactured By – Festival Records Pty. Ltd. Distributed By – Festival Records Pty. Ltd. Published By – Copyright Control Edited At – United Artists Studios Mastered At – United Artists Studios Credits Art Direction – Ria Lewerke Artwork By [Illustration] – Steve Miller Design – Bill Burks Other [Album Coordinator] – George Butler Producer – Larry Mizell (tracks: A1 to A4, B2 to B4), Larry Mizell & Fonce Mizell (tracks: B1) Sequenced By, Edited By, Mastered By – Bert Agudelo Written-By – Larry Mizell Notes Album sequenced, edited and mastered at United Artists Recording Studio, Los Angeles, California. Produced for Sky High Productions, Inc. Published by Control Manufactured and distributed under license by Festival Records Pty. Limited, Australia. Barcode and Other Identifiers Matrix / Runout (Side A runout): SMX.50145 2A Matrix / Runout (Side B runout): SMX.50146 2A Matrix / Runout (Side A label): SMX50145 Matrix / Runout (Side B label): SMX50146 Other versions Category Artist Title (Format) Label -
Improvised Music in Toronto, 1960-1985 by David Lee a Thesis
Outside the Empire: Improvised Music in Toronto, 1960-1985 by David Lee A Thesis Presented to The University of Guelph In partial fulfilment of requirements for the degree of Doctor of Philosophy in Literary/Theatre Studies in English Guelph, Ontario, Canada © David Lee, June, 2017 ABSTRACT OUTSIDE THE EMPIRE: IMPROVISED MUSIC IN TORONTO 1960-1985 David Lee Advisor: University of Guelph, 2017 Professor A. Heble Outside the Empire is an investigation of the improvised music community in Toronto from 1960 to 1985. Chapter One discusses how, beginning in the 1950s, the modernist sensibility of Toronto’s Painters Eleven collective inspired the formation of the Artists’ Jazz Band (AJB) in 1962. Chapter Two hinges upon bassist/pianist Stuart Broomer’s description of Toronto as “a mediated city,” and highlights the problems of sustaining an experimental musical career in English Canada’s music and media centre. Chapter Three discusses Coda Magazine. By framing jazz as a music of innovation and of social resistance, Coda introduced a level of critical discourse that sharply distinguished the magazine and its “scene” from both the typically conservative Toronto jazz community, and the apolitically modernist scene represented by CCMC and The Music Gallery. Chapter Four discusses how the improvising group CCMC founded the Music Gallery, and in doing so reified a specifically nationalized and racialized discourse around its origins. Chapter Five relates the author’s experience of learning to improvise to George Lipsitz’s definition of community learning via an “alternative academy,” to George E. Lewis’ theory of “sociodidacticism,” and to Tricia Rose’s writings on “flow, layering, and rupture.” Chapter Six positions the critical and musical work of Bill Smith between two different models of music history: one that treats musical development as community- based, and another that attributes innovations to a few exceptional individuals. -
Donald Byrd Street Lady Mp3, Flac, Wma
Donald Byrd Street Lady mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Street Lady Country: US Released: 1973 Style: Soul-Jazz, Jazz-Funk MP3 version RAR size: 1755 mb FLAC version RAR size: 1278 mb WMA version RAR size: 1922 mb Rating: 4.4 Votes: 482 Other Formats: TTA DMF ASF WAV AA RA AHX Tracklist Hide Credits A1 Lansana's Priestess 7:42 A2 Miss Kane 7:35 A3 Sister Love 6:46 B1 Street Lady 5:39 B2 Witch Hunt 9:43 Woman Of The World B3 6:55 Written-By – Edward Gordon Companies, etc. Recorded At – The Sound Factory Produced For – Sky High Productions, Inc. Manufactured By – United Artists Records, Inc. Published By – Alruby Music, Inc. Published By – Jobete Music Co., Inc. Credits Art Direction, Photography [Cover] – Mike Salisbury Bass [Fender] – Chuck Rainey Clavinet, Trumpet – Fonce Mizell Congas – King Errisson Drums – Harvey Mason Engineer [Assistant] – Chuck Davis, John Arias* Engineer [Recording] – John Mills Engineer [Remix] – Chuck Davis, John Arias*, John Mills Executive-Producer – George Butler Flute – Roger Glenn Guitar – David T. Walker Percussion – Stephanie Spruill Photography By [Liner] – Norman Seeff Piano, Electric Piano [Fender Rhodes] – Jerry Peters Producer, Arranged By, Conductor – Larry Mizell Synthesizer [Arp] – Fred Perren* Technician [Technical Director] – Chuck Davis Trumpet, Flugelhorn, Vocals [Solo] – Donald Byrd Vocals, Arranged By [Vocals] – Fonce Mizell, Fred Perren*, Larry Mizell Written-By – Larry Mizell Notes Recording Date: June 13, 14 & 15, 1973. Recorded at Sound Factory, Hollywood,