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Arguing Their World: the Representation of Major Social and Cultural Issues in Edna Ferber’S and Fannie Hurst’S Fiction, 1910-1935
1 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom to The Department of English In partial fulfillment of the reQuirements for the degree of Doctor of Philosophy In the field of English Northeastern University Boston, Massachusetts April 2018 2 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the reQuirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2018 3 ABSTRACT BetWeen the early decades of the twentieth-century and mid-century, Edna Ferber and Fannie Hurst were popular and prolific authors of fiction about American society and culture. Almost a century ago, they were writing about race, immigration, economic disparity, drug addiction, and other issues our society is dealing with today with a reneWed sense of urgency. In spite of their extraordinary popularity, by the time they died within a feW months of each other in 1968, their reputations had fallen into eclipse. This dissertation focuses on Ferber’s and Hurst’s fiction published betWeen approximately 1910 and 1935, the years in Which both authors enjoyed the highest critical and popular esteem. Perhaps because these realistic narratives generally do not engage in the stylistic experimentation of the literary world around them, literary scholars came to undervalue their Work. -
Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber's Giant
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Biodiversity Informatics Jim Crow, Jett Rink, and James Dean 5 Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber’s Giant (1952-1956) J. E. Smyth In December 1954, America’s best-selling historical novelist, Edna Ferber, wrote to director George Stevens emphasizing her continued interest in his production of her latest book, Giant. She believed that Giant’s value lay in its exposure of racial prejudice against Mexican Americans in Texas, and that its racial themes had become “more vital, more prevalent today in the United States than . when I began to write the novel.”1 Ferber hoped that one day Anglo oil millionaires like Bick Benedict and Jett Rink, the originators and perpetu- ators of these inequalities in the economic and social hierarchies of America’s new West, would be “anachronisms like the dear old covered wagons and the California gold-rush boys.”2 Later in May 1955, when shooting first began on the film, Ferber wrote to Henry Ginsberg, producer and co-founder of the inde- pendent film company, Giant Productions, “I don’t quite know why the motion picture presentation of Giant interests and fascinates me much more than the screen career of any of my other novels or plays. That goes for Show Boat, So Big, Cimarron, and many others. Perhaps it is because behind the characters and events in Giant there stands a definite meaning, a purpose.”3 Although Ferber had considered writing a historical novel about Texas as early as 1939, she only started to research the topic seriously after the war. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of June 27 - July 3, 2021 American Graffiti (1973) Cinemax Mon. 4:12 a.m. The Exorcist (1973) TMC Sun. 8 p.m. Father of the Bride (1950) TCM Sun. 3:15 p.m. Finding Nemo (2003) Freeform Sat. 3:10 p.m. Forrest Gump (1994) Paramount Mon. 7 p.m. Paramount Mon. 10 p.m. VH1 Wed. 4 p.m. VH1 Wed. 7:30 p.m. Giant (1956) TCM Mon. 3 a.m. Glory (1989) Encore Sun. 11:32 a.m. Encore Sun. 9 p.m. The Good, the Bad and the Ugly (1967) Sundance Sun. 3:30 p.m. L.A. Confidential (1997) Encore Sun. 7:39 a.m. Encore Sun. 11:06 p.m. The Lady Vanishes (1938) TCM Sun. 3:30 a.m. The Man Who Knew Too Much (1956) TCM Sun. 10:45 a.m. The Man Who Knew Too Much (1934) TCM Sun. 11:15 p.m. Monsieur Hulot's Holiday (1953) TCM Mon. 8:30 p.m. North by Northwest (1959) TCM Sat. 12:15 p.m. Once (2006) Cinemax Mon. 2:44 a.m. Ordinary People (1980) EPIX Tues. 3:45 p.m. Psycho (1960) TCM Sun. 5 p.m. Rear Window (1954) TCM Sat. 7:15 p.m. Saving Private Ryan (1998) BBC America Wed. 8 p.m. BBC America Thur. 4 p.m. Shadow of a Doubt (1943) TCM Sat. 9:15 p.m. -
STUDY GUIDE Inside
McGuire Proscenium Stage / Jan 28 – Mar 19, 2017 by GEORGE S. KAUFMAN and EDNA FERBER directed by RACHEL CHAVKIN STUDY GUIDE Inside THE AUTHORS When Edna met George...and wrote some plays • 3 Selected Chronology on the Life and Times of George S. Kaufman and Edna Ferber • 4 Comments by and about the Authors • 9 THE PLAY Synopsis, Characters and Setting • 13 Comments about the Play • 14 The Barrymores: The (Real) Royal Family of Broadway • 16 Myself as I Think Other See Me by Ethel Barrymore • 16 CULTURAL CONTEXT The Lingo of the Stage • 21 People and Things of the Period • 24 THE GUTHRIE PRODUCTION Notes from the Creative Team • 26 ADDITIONAL INFORMATION For Further Understanding • 28 Play guides are made possible by Guthrie Theater Study Guide Copyright 2016 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Waldusky RESEARCH Stephanie Engel, Carla Steen All rights reserved. With the exception of classroom use by teachers and Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic or mechanical, including ADMINISTRATION 612.225.6000 photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials BOX OFFICE 612.377.2224 or 1.877.44.STAGE TOLL-FREE published herein are written especially for our Guide. Others are reprinted guthrietheater.org • Joseph Haj, artistic director by permission of their publishers. Jo Holcomb: 612.225.6117 | Carla Steen: 612.225.6118 The Guthrie Theater, founded in 1963, is an American center for theater performance, The Guthrie Theater receives support from the National Endowment production, education and professional training. -
OWR0029-Godwin
j.godwin - the ideological rodeo - 4/27/05 - 1 Copyleftists and the Liberation of American Intellectual Property By Jennifer Godwin (written 2002) Let's talk about Eldred vs. Ashcroft. John Ashcroft is the Attorney General and Eric Eldred runs this online etext archive called the Eldritch Press. Eric is suing the government, and this month the case hits the Supreme Court of the United States. The dispute is this: Eldred wants to put etexts online for public consumption, but American copyright law forbids this until decades, and sometimes more than a century, after the work is first created. Thinking this was a bit much, Eldred went ahead and sued, because he believes that endless expansions of copyright protection shrink the public domain at a great cost to the public, both here and abroad. The tug-of-war between the feds and Eldred went all the way to the Supremes. This fall they look at the case, and by extension, American copyright laws, and they'll decide if those laws are structurally unfair. Now don't get me wrong, I like copyrights. I'm a writer, and my brother is an artist, and we'd both like to live by our creativity. But it's not obvious that our heirs should own our creative output in perpetuity. Sure, they can roll around in the cash we bring in during our lifetimes, but should they really own a not-theirs idea outright for, like, ever? What would the world be like if only Edison heirs owned the idea of a light bulb? What if all patents improving the light bulb were j.godwin - the ideological rodeo - 4/27/05 - 2 deemed 'sampling' and therefore an illegal violation of patent law? I think the world would either be darn dark or damn expensive. -
Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber's Giant
Jim Crow, Jett Rink, and James Dean 5 Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber’s Giant (1952-1956) J. E. Smyth In December 1954, America’s best-selling historical novelist, Edna Ferber, wrote to director George Stevens emphasizing her continued interest in his production of her latest book, Giant. She believed that Giant’s value lay in its exposure of racial prejudice against Mexican Americans in Texas, and that its racial themes had become “more vital, more prevalent today in the United States than . when I began to write the novel.”1 Ferber hoped that one day Anglo oil millionaires like Bick Benedict and Jett Rink, the originators and perpetu- ators of these inequalities in the economic and social hierarchies of America’s new West, would be “anachronisms like the dear old covered wagons and the California gold-rush boys.”2 Later in May 1955, when shooting first began on the film, Ferber wrote to Henry Ginsberg, producer and co-founder of the inde- pendent film company, Giant Productions, “I don’t quite know why the motion picture presentation of Giant interests and fascinates me much more than the screen career of any of my other novels or plays. That goes for Show Boat, So Big, Cimarron, and many others. Perhaps it is because behind the characters and events in Giant there stands a definite meaning, a purpose.”3 Although Ferber had considered writing a historical novel about Texas as early as 1939, she only started to research the topic seriously after the war. The wartime and postwar publishing boom on Texas, ranging from George Sessions Perry’s admiring portrait, Texas: A World in Itself (1942), to Carey McWilliams’s study of Mexican Americans, North From Mexico (1949), helped to change her 0026-3079/2007/4803-005$2.50/0 American Studies, 48:3 (Fall 2007): 5-27 5 6 J. -
SASS New York State Cowboy Action Shooting™ Championship
S S !! A i C For Updates, Information and GREAT Offers on the fly-Text SASS to 772937! CCoowwbbooyy CChhrroonniiicclllee g l CCCooowwwCCbbboooywywy CbbCCoohhyhyrr r o CoConSnnhhiiiiirccrcclollolleeeneniiiicccnlllleee ic NNSNoeoovpvveteeemmmmbbbbeeeerrrr 22 2200000001111 0 S - PPPaaaggkgeee 111 NSSoeepvpettememmbbbeerer r2 220001100 uPPaaggee 11 ( E p H N e S r e D T e Cowboy Chroniiclle e o October 2010 P apge 1 o d !! October 2010 Pagae 1 f a g y ~ e T ! 9 R ) A The Cowboy Chronicle I L The Monthly Journal of the Single Action Sh ooting Society ® Vol. 28 No. 2 © Single Action Shooting Society, Inc. February 2015 HEL UVA RUCKUS SASS New York State Cowboy Action Shooting™ Cham2p0ion1sh4ip By Annabelle Bransford, SASS Regulator #11916 allston Spa, NY. Once again, the Circle K Regulators did themselves Bproud as they hosted Heluva Rukus, the SASS NYS Cowboy Action Shooting™ Championship for the four - teenth year in a row. With more than 260 shooters from 19 states and Canada join - ing in the fun on September 19-21, 2014, it was by far the best attended Cowboy Ac - tion Shooting™ match in the Northeast, and the reasons were plain to see! The fun- filled, action-packed stages, world-class props, numerous vendors, beautiful tro - phies, warm hospitality, and lovely fall weather made for a truly enjoyable cowboy weekend for all. Shamrock Sadie (SASS #78511) summed it all up by saying, “This is a shoot not to be missed; everyone needs Travis Spencer (SASS #59583) shows off his Gunfighter skills at The to put Heluva Rukus on their Bucket List.” Homestead, one of several stage fronts built especially for Heluva Rukus 2014. -
Article (774.8Kb)
id ehrow M~derns Popular American Women Writers of the 1920s Edited by LISA BOTSHON & MEREDITH GO(DSMITH --~~~-~--~-~-···-·---·- NORTHEASTERN UNIVERSITY PRESS BOSTON \"Written with a Hard and Ruthless Purpose": Rose Wilder Lane, Edna Ferber, and Middlebrow Regional Fiction DONNA CAMJPJBELL hen Walter Benn Michaels proposed in Our America that "the great Am.erican modernist texts of the '2os must be under W stood as deeply committed to the nativist project of raciaJizing the American" (13), his examination left out popular middlebrow novels such as those by Edna Ferber and Rose Wilder Lane, two writers whose novels both complicate and challenge Michaels's assertions. Close contem poraries Lane (r886-r968) and Ferber (r885-1968) carved out careers in journalism and as professional writers of popular fiction before settling on regional fiction. Starting out as a reporter for the Milwaukee journal, Ferber published her first novel, Dawn O'Hara, in 19II, and in tire following de cade she became famous for several story collections-Roast Beef, Medium (1913), Personality Plus (1914), and Emma McChesney and Company (1915) that examined issues oflabor, urban life, and the "New Woman" through the practical eyes of their heroine, middle-aged clothing saleswoman Emma McChesney. Best known today for her collaborative role in writing the "Little House" series of children's books with her mother, Laura Ingalls Wilder, Rose Wilder Lane was far more celebrated than her mother in the 1910s and 1920s, when she worked as a feature writer for the San Francisco Bulletin and published serial fiction, travel sketches, and bi ographies in Sunset and other magazines. -
WVLO Musical Theatre Company's 56Th Season 2020–2021
BLUE WVLO Musical Theatre Company 56 Years of Hits (1964–2021) 42nd Street 88, 01, 18 High Society 00 Once Upon A Mattress The Addams Family 21 Honk! 07 67, 06, 20 A Funny Thing Happened... How To Succeed... 76, Paint Your Wagon 78 Forum 96 98, 11 Pajama Game 72, 82 Aida 06 H.M.S. Pinafore 69 Pal Joey 77 Annie 84, 12 I Do! I Do! 73, 94 Perfectly Frank 83 Annie Get Your Gun 96 In The Heights 16 Phantom 99 SUBSCRIBE NOW FOR Anything Goes 70, 87, 02 Into The Woods 90 Plaid Tidings 08 Applause 73 Irene 86, 15 Robert & Elizabeth 77 Bells Are Ringing 67, 12 Jesus Christ, Superstar 14 Rodgers & Hart Review 84 Big River 04 Joseph...Dreamcoat 99, 07 Rose Marie 79 WVLO Musical Boy Friend 00, 15 King & I 93 Seven Brides For Seven Breaking Up Is Hard Kismet 70, 91 Brothers 04 To Do 10 Kiss Me, Kate 81, 89, 02 Show Boat 84 Theatre Company's Brigadoon 69, 80 Legally Blonde 20 Singin’ In The Rain 92 Bullets Over Broadway 17 Lovely Ladies, Sister Act 18 Camelot 79, 94 Kind Gentlemen 75 Smokey Joe’s Café 05, 19 56th Season Carousel 72, 98 Mamma Mia 19 Some Enchanted Evening Catch Me If You Can 17 Mame 83, 06 85 2020–2021 Cats 09 Man Of La Mancha 83, 92 Something Rotten! 21 Sound Of Music 78, 89, 11 Chorus Line 04, 17 Me And My Girl 97 We invite you to SUBSCRIBE NOW for the new season to Cinderella 20 Merry Widow 72, 91 South Pacific 69, 79, 88, 97 ensure good seating for the dates that you would like. -
Rutgers University Press
Rutgers University Press Chapter Title: The Same Show Boat? Edna Ferber’s Interracial Ideal Book Title: The White Negress Book Subtitle: Literature, Minstrelsy, and the Black-Jewish Imaginary Book Author(s): LORI HARRISON-KAHAN Published by: Rutgers University Press . (2011) Stable URL: http://www.jstor.org/stable/j.ctt5hhz60.6 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Rutgers University Press is collaborating with JSTOR to digitize, preserve and extend access to The White Negress. http://www.jstor.org This content downloaded from 138.110.87.58 on Thu, 04 Feb 2016 19:17:51 UTC All use subject to JSTOR Terms and Conditions 2 / Te Same Show Boat? Edna Ferber’s Interracial Ideal While the heterogeneity of the early-twentieth-century stage opened spaces for the construction of new models of racial and gender identity, popular literature of the time ofers another venue for exploring such shifing ideologies as they relate to the black-Jewish imaginary. Te work of Jewish American writer Edna Ferber bridges the realms of literature and mass entertainment, and it was in minstrelsy that Ferber found one of her earliest sources of creative inspiration. -
Biracial" People in Film 1903-2015 Charles Lawrence Gray Marquette University
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects In Plain Sight: Changing Representations of "Biracial" People in Film 1903-2015 Charles Lawrence Gray Marquette University Recommended Citation Gray, Charles Lawrence, "In Plain Sight: Changing Representations of "Biracial" People in Film 1903-2015" (2016). Dissertations (2009 -). 682. http://epublications.marquette.edu/dissertations_mu/682 IN PLAIN SIGHT: CHANGING REPRESENTATIONS OF “BIRACIAL” PEOPLE IN FILM 1903-2015 by Charles L. Gray, B.F.A., M.A. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, In Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy (Educational Policy and Leadership) Milwaukee, Wisconsin December 2016 ABSTRACT IN PLAIN SIGHT: CHANGING REPRESENTATIONS OF “BIRACIAL” PEOPLE IN FILM 1903-2015 Charles L. Gray, B.F.A., M.A. Marquette University, 2016 Rooted in slavery, the United States in both law and custom has a long history of adhering to the one drop rule–the stipulation that any amount of African ancestry constitutes an individual as black. Given this history, decidedly mixed race people have been subjected to a number of degrading stereotypes. In examining the three broad themes of the tragic mulatto, racial passing, and racelessness in cinema, this dissertation asks to what extent film representations of mixed race characters have had the capacity to educate audiences beyond stereotypes. Although a number of film scholars and critics have analyzed mixed race characters in American cinema, there is no treatment spanning the last century that comprehensively analyzes each film’s capacity to diminish racism. i ACKNOWLEDGMENTS Charles L. -
Saratoga Drama Group Saratoga Drama Group Presents Board of Directors 2001-2002
Saratogapresents Drama Group September - October 2001 Saratoga Drama Group Saratoga Drama Group presents Board of Directors 2001-2002 Leslie Hardy Tamel, Chairperson Lynn Haydis, Vice Chairperson Julia Thomas, Recording Secretary Michael Johnson, Corresponding Secretary Music and Lyrics by Tim Reynolds, Treasurer Stephen Sondheim Kathy Burch Lucy Haab Book by Geri Carlson Sauls Hugh Wheeler Ed Sengstack Karen DeHart, Alternate Suggested by a film by Ingmar Bergman Ted Kopulos, Alternate C. Michael Traw, Alternate visit our web page at http://www.sdg.to Directed by C. Michael Traw Orchestra Direction by Jean Narunsky Vocal Direction by Anita Hsiung Carey In Memoriam Choreographed by Andrea Heaberlin Produced by Roberta Savage & Tim Reynolds September 15 - October 13, 2001 Saratoga Civic Theater Linda Wallitner 13777 Fruitvale Avenue Saratoga, California (408) 264-3110 Gene Pincus Produced by special arrangement with and all authorized performance materials supplied by Music Theatre International, 421 West 54th Street, New York, NY 10019 Cast of Characters Musical Numbers Listed in order of appearance. Mr. Lindquist ...............................................................................Chris Frye Mrs. Nordstrom .................................................................Victoria Graham Mrs. Anderssen .................................................................... Laura Stanford ..................................................................... Michael Johnson Mr. Erlanson The action takes place in Sweden at the turn