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Boston Symphony Orchestra Concert Programs, Season 27,1907-1908, Trip
CARNEGIE HALL - - NEW YORK Twenty-second Season in New York DR. KARL MUCK, Conductor fnigrammra of % FIRST CONCERT THURSDAY EVENING, NOVEMBER 7 AT 8.15 PRECISELY AND THK FIRST MATINEE SATURDAY AFTERNOON, NOVEMBER 9 AT 2.30 PRECISELY WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE PUBLISHED BY C. A. ELLIS, MANAGER : Piano. Used and indorsed by Reisenauer, Neitzel, Burmeister, Gabrilowitsch, Nordica, Campanari, Bispham, and many other noted artists, will be used by TERESA CARRENO during her tour of the United States this season. The Everett piano has been played recently under the baton of the following famous conductors Theodore Thomas Franz Kneisel Dr. Karl Muck Fritz Scheel Walter Damrosch Frank Damrosch Frederick Stock F. Van Der Stucken Wassily Safonoff Emil Oberhoffer Wilhelm Gericke Emil Paur Felix Weingartner REPRESENTED BY THE JOHN CHURCH COMPANY . 37 West 32d Street, New York Boston Symphony Orchestra PERSONNEL TWENTY-SEVENTH SEASON, 1907-1908 Dr. KARL MUCK, Conductor First Violins. Wendling, Carl, Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Czerwonky, R. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. < Second Violins. • Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Rennert, B. Eichler, J. Tischer-Zeitz, H Kuntz, A. Swornsbourne, W. Goldstein, S. Kurth, R. Goldstein, H. Violas. Ferir, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. t Violoncellos. Warnke, H. Nagel, R. Barth, C. Loefner, E. Heberlein, H. Keller, J. Kautzenbach, A. Nast, L. -
THE INCIDENTAL MUSIC of BEETHOVEN THESIS Presented To
Z 2 THE INCIDENTAL MUSIC OF BEETHOVEN THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Theodore J. Albrecht, B. M. E. Denton, Texas May, 1969 TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS. .................. iv Chapter I. INTRODUCTION............... ............. II. EGMONT.................... ......... 0 0 05 Historical Background Egmont: Synopsis Egmont: the Music III. KONIG STEPHAN, DIE RUINEN VON ATHEN, DIE WEIHE DES HAUSES................. .......... 39 Historical Background K*niq Stephan: Synopsis K'nig Stephan: the Music Die Ruinen von Athen: Synopsis Die Ruinen von Athen: the Music Die Weihe des Hauses: the Play and the Music IV. THE LATER PLAYS......................-.-...121 Tarpe.ja: Historical Background Tarpeja: the Music Die gute Nachricht: Historical Background Die gute Nachricht: the Music Leonore Prohaska: Historical Background Leonore Prohaska: the Music Die Ehrenpforten: Historical Background Die Ehrenpforten: the Music Wilhelm Tell: Historical Background Wilhelm Tell: the Music V. CONCLUSION,...................... .......... 143 BIBLIOGRAPHY.....................................-..145 iii LIST OF ILLUSTRATIONS Figure Page 1. Egmont, Overture, bars 28-32 . , . 17 2. Egmont, Overture, bars 82-85 . , . 17 3. Overture, bars 295-298 , . , . 18 4. Number 1, bars 1-6 . 19 5. Elgmpnt, Number 1, bars 16-18 . 19 Eqm 20 6. EEqgmont, gmont, Number 1, bars 30-37 . Egmont, 7. Number 1, bars 87-91 . 20 Egmont,Eqm 8. Number 2, bars 1-4 . 21 Egmon t, 9. Number 2, bars 9-12. 22 Egmont,, 10. Number 2, bars 27-29 . 22 23 11. Eqmont, Number 2, bar 32 . Egmont, 12. Number 2, bars 71-75 . 23 Egmont,, 13. -
Messe E-Moll WAB 27 Zweite Fassung/Second Version 1882
Anton BRUCKNER Messe e-Moll WAB 27 Zweite Fassung/Second version 1882 Coro (SSAATTBB) 2 Oboi, 2 Clarinetti, 2 Fagotti, 4 Corni, 2 Trombe, 3 Tromboni herausgegeben von/edited by Dagmar Glüxam Urtext Partitur/Full score C Carus 27.093 Inhalt / Contents Vorwort 4 Foreword 8 Abbildungen 12 Kyrie (Coro SSAATTBB) 14 Gloria (Coro) 20 Credo (Coro) 32 Sanctus (Coro) 49 Benedictus (Coro SSATTBB) 55 Agnus Dei (Coro SSAATTBB) 63 Kritischer Bericht 73 Zu diesem Werk liegt folgendes Aufführungsmaterial vor: Partitur (Carus 27.093), Klavierauszug (Carus 27.093/03), Klavierauszug XL Großdruck (Carus 27.093/04), Chorpartitur (Carus 27.093/05), komplettes Orchestermaterial (Carus 27.093/19). The following performance material is available: full score (Carus 27.093), vocal score (Carus 27.093/03), vocal score XL in larger print (Carus 27.093/04), choral score (Carus 27.093/05), complete orchestral material (Carus 27.093/19). Carus 27.093 3 Vorwort Als Anton Bruckner (1824–1896) zwischen August und November C-Dur (WAB 31) für vierstimmigen gemischten Chor a cappella 1866 seine Messe in e-Moll (WAB 27) komponierte, konnte er (1. Fassung 1835–1843, 2. Fassung 1891) oder der Windhaager bereits eine langjährige Erfahrung als Kirchenmusiker aufweisen und Messe in C-Dur für Alt, zwei Hörner und Orgel (WAB 25; 1842) auch auf ein überaus umfangreiches kirchenmusikalisches Œuvre können hier etwa die Messe ohne Gloria in d-Moll („Kronstorfer zurückblicken.1 Schon als Kind wurde er durch seinen musikbe- Messe“; WAB 146, 1844) für vierstimmigen gemischten Chor a geisterten Vater und Schullehrer Anton Bruckner (1791–1837) zur cappella oder das Requiem für vierstimmigen Männerchor und Mitwirkung – u. -
¥T1 Id -'F- L~R~J Was That Performance of " Tannhauser" in 1863 Which, According ~.'Tkon"-"'1
rro te above literally the lyric initial theme of the symphony arming for III. Scherzo: Sehr schnell (very fast), A minor, 3/ 4 thus with battle" : Trio: Etwas langsamer (a little slower), F major, 3/ 4 , two per IV_ Finale : B ~wegt, do ch nicht schnell (with motion but not fast), nat is here eJC..tof. E major, alla breve any emen "'t;" DOC" ,~::;; OG~LL ~ ~ ,----. t only the IVa; $; 4'3 3.7 IrS· k11 J pelr Sh'/Jd I p VIOl.1NS x: .. The symphony is scored for two each of flutes, oboes, clarinets, Late advan and bassoons, four horns, three trumpets, three trombones, two Ir'* fJrtD Iqr\J t"VI!t ~6IhJq;;j &J J I # tenor-tubas and two bass-tubas ("Wagner-Tuben"), contrabass not of the ) " \.....:...-. ,. > J Poco '" POc.O C.R.E5C.. tuba, timpani, and strings. climax. A only direct The launching of this melodic arrow by the bows of the violins lsic moves is sharpened by Bruckner's indication to play "with the point." Overture in G minor cribe or to The second subj ect is the simplest of simpl e ideas, transformed Few, if any, of the great composers were so late in maturing ;kn er here by the co mposer's mastery of orchestration into a chorale of utter as Bruckn er. The overture in G minor remains, if compared to ~me ntation genius. It may be nothing more than "an exercise in modulating any of the nine symphonies, a transitional if not a student produc i, pi::.::icato. cadences," technicall y speaking, but one that no student could tion. -
The 20 Crucial Compositions of Anton Bruckner Alonso Delarte Published by Alonso Delarte at Smashwords Copyright 2010 Alonso Delarte
The 20 Crucial Compositions of Anton Bruckner Alonso Delarte Published by Alonso Delarte at Smashwords Copyright 2010 Alonso Delarte Smashwords Edition, License Notes This eBook is licensed for your personal enjoyment only. This eBook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this author. 11. Symphony No. 6 in A major (1879) Repertoire formation is a funny business. Musical merit is one factor, certainly, but often not the only factor or even the most important one. With any composer, there are pieces which are rarely heard, yet when they are heard, people wonder why they have never heard it before, since they are such good pieces of music. And so, with Bruckner, it is somewhat of a puzzlement that the Sixth Symphony is so rarely heard despite being so well-done and so fascinating, whereas the Fourth Symphony, with its various flaws and problems, is one of Bruckner's most popular. Various reasons are given for this, such as that Bruckner was trying too hard to pare down his conception to a smaller scale, or the predominance of the Bruckner rhythm (2 + 3 or 3 + 2 in the time-space of 2 + 2) in the first movement in overlapping triplets of different note values. -
Le Corsaire Overture, Op. 21
Any time Joshua Bell makes an appearance, it’s guaranteed to be impressive! I can’t wait to hear him perform the monumental Brahms Violin Concerto alongside some fireworks for the orchestra. It’s a don’t-miss evening! EMILY GLOVER, NCS VIOLIN Le Corsaire Overture, Op. 21 HECTOR BERLIOZ BORN December 11, 1803, in Côte-Saint-André, France; died March 8, 1869, in Paris PREMIERE Composed 1844, revised before 1852; first performance January 19, 1845, in Paris, conducted by the composer OVERVIEW The Random House Dictionary defines “corsair” both as “a pirate” and as “a ship used for piracy.” Berlioz encountered one of the former on a wild, stormy sea voyage in 1831 from Marseilles to Livorno, on his way to install himself in Rome as winner of the Prix de Rome. The grizzled old buccaneer claimed to be a Venetian seaman who had piloted the ship of Lord Byron during the poet’s adventures in the Adriatic and the Greek archipelago, and his fantastic tales helped the young composer keep his mind off the danger aboard the tossing vessel. They landed safely, but the experience of that storm and the image of Lord Byron painted by the corsair stayed with him. When Berlioz arrived in Rome, he immersed himself in Byron’s poem The Corsair, reading much of it in, of all places, St. Peter’s Basilica. “During the fierce summer heat I spent whole days there ... drinking in that burning poetry,” he wrote in his Memoirs. It was also at that time that word reached him that his fiancée in Paris, Camile Moke, had thrown him over in favor of another suitor. -
UNICORN RECORDS 27-29 York Road, Waterloo, London SE1. Based on a Bruckner Bust by Franz S
in its traditions, he grew up in Australia, wnere ,,-- , '''''' ~ . ... "'·.... --- I I""' I~ - J - , --I It"'I.-'"I"" ... e ..........""':.._,...•• r (1862) of Bruckner is due to be issued by Calder Requiem aeternam (Grant them eternal rest) his love of this open, developing world became (Day of wrath) & Boyars in autumn 1970. Dies irae Moderato, E flat major reflected in the clarity of approach and execu Domine Jesu Christe (Lord Jesus Christ) F major tion that has marked his career as a conductor_ The Requiem in d minor was recorded in Hostias et preces (Sacrifices of praise and prayers to Thee) e minor He stems from the schools of Eugene Holy Trinity, Brompton, London, on 28 May Quam olim Abrahae (As Thou once didst promise to Abraham) March d minor Goossens, Rafael Kubelik and Carlo Zecchi , and and 1 June 1970. Sanctus (Holy, holy, holy, Lord God of Hosts) holds the Conductor's Diploma of the Paris The Four Orchestral Pieces were recorded in Benedictus (Blessed is He) Conservatoire, though he himself freely admits Barking Assembly Hall, London, on 1 July 1970. Agnus Dei (Lamb of God) that the greatest influence on his musical Producer: Dr. Robert Simpson Requiem aeternam (Grant them eternal rest) development has been the friendship and Engineer: Brian Snelling Cum sanctis tuis (With Thy saints forever) encouragement which Furtwa'ngler showed him; A DOLBY SOUND SYSTEM !RECORDING Sleeve printed by Richard Davis Ltd . Cover design by Justin Michmann Photograph of Hans-Hubert Schonzeler UNICORN RECORDS 27-29 York Road, Waterloo, London SE1. based on a Bruckner bust by Franz S. -
Chicago Symphony Orchestra Tuesday Evening Radio Programs on Wfmt Extended Through June 2021
FROM THE CSO’S ARCHIVES: THE FIRST 130 YEARS — CHICAGO SYMPHONY ORCHESTRA TUESDAY EVENING RADIO PROGRAMS ON WFMT EXTENDED THROUGH JUNE 2021 CHICAGO – March 25, 2021 – The Chicago Symphony Orchestra Association (CSOA) and WFMT (Chicago’s Classical Music Station) announce the extension of Chicago Symphony Orchestra (CSO) Tuesday evening radio broadcasts From the CSO’s Archives: The First 130 Years through June 2021. Prepared with support from the Rosenthal Archives of the Chicago Symphony Orchestra Association, the broadcast series is part of the Orchestra’s 130th season and focuses on its extensive discography, featuring Grammy Award-winning releases, as well as recordings highlighting virtually every era in CSO history. Programs in the series are broadcast weekly on Tuesday evenings from 8:00 p.m. to 10:00 p.m. (Central Time) and will be available to listeners on WFMT (98.7 FM) and streaming on wfmt.com and the WFMT app (wfmt.com/app). More information about CSOradio broadcasts, including the nationally syndicated series that airs weekly on Sundays on WFMT, is also available at cso.org/radio. Program highlights for the first six broadcasts in April and May 2021 are below. Details for the remainder of the broadcasts in this series will be posted on cso.org/radio. April 6, 2021: Benny Goodman in Nielsen and Weber In the 1960s, legendary clarinetist Benny Goodman performed with the Chicago Symphony Orchestra and recorded concertos by Nielsen and Weber. This program also includes overtures by Weber and Nielsen’s Second Symphony, and a jazzy encore from Goodman, known as the “King of Swing,” performing Fred Fisher’s, “Chicago (That Toddlin’ Town).” April 13, 2021: Celebrating Victor Aitay A member of the Chicago Symphony Orchestra for 50 seasons, Victor Aitay (1921-2012) attended the Franz Liszt Royal Academy in his native Hungary, where Béla Bartók, Zoltán Kodály and Leo Weiner were on faculty. -
Nineteenth Century Sacred Music: Bruckner and the Rise of the Cäcilien-Verein
Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Spring 2020 Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein Nicholas Bygate Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the Music Commons Recommended Citation Bygate, Nicholas, "Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein" (2020). WWU Graduate School Collection. 955. https://cedar.wwu.edu/wwuet/955 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein By Nicholas Bygate Accepted in Partial Completion of the Requirements for the Degree Master of Music ADVISORY COMMITTEE Chair, Dr. Bertil van Boer Dr. Timothy Fitzpatrick Dr. Ryan Dudenbostel GRADUATE SCHOOL David L. Patrick, Interim Dean Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non- exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work and does not infringe or violate any rights of others. I warrant that I have obtained written permissions from the owner of any third party copyrighted material included in these files. -
Sunday Playlist
October 20, 2019: (Full-page version) Close Window “I was obliged to be industrious. Whoever is equally industrious will succeed equally well.” — Johann Sebastian Bach Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Buy 00:01 Chopin Barcarolle in F sharp, Op. 60 Sviatoslav Richter Orfeo 491 981 4011790491127 Awake! Now! Buy Amsterdam Combattimento 00:11 Wassenaer Concerto in A NM Classics 92030 N/A Now! Consort/Vriend Buy Cypress Performing 00:21 Beethoven String Quartet No. 14 in C sharp minor, Op. 131 Cypress String Quartet n/a 666449766121 Now! Arts Association Buy 01:01 Brahms Academic Festival Overture, Op.80 Black Dyke Band/Childs Naxos 8.570726 74731307276 Now! Buy 01:11 Handel Suite in G minor for piano Keith Jarrett ECM 1530 781182153028 Now! Buy 01:22 Kalinnikov Symphony No. 1 in G minor Scottish National Orchestra/Jarvi Chandos 8611 5014682861120 Now! Buy Reference 02:01 Alfven Swedish Rhapsody No. 1, Op. 19 "Midsummer Vigil" Minnesota Orchestra/Oue 80 030911108021 Now! Recordings Buy Laird/Houghton/Brown/Acad. 02:14 Vivaldi Concerto in D for 2 Trumpets & Violin, RV 563 Philips 412 892 028941289223 Now! SMF/Marriner Buy 02:22 Debussy Images for Orchestra London Symphony/Previn EMI 47001 n/a Now! Buy 03:01 Martucci Symphony No. 1 in D minor, Op. 75 Philharmonia/d'Avalos ASV 675 5011975067528 Now! Buy 03:43 Schubert Impromptu in F minor, D. 935 No. 4 Alfred Brendel Philips 456 727 028945672724 Now! Buy 03:50 Purcell The Fairy Queen: Suite from Act 4 Concert of Nations/Savall Auvidis 8583 3298490085837 Now! Buy 04:00 Pierné Viennoise Loire Philharmonic/Derveaux EMI Classics 63950 077776395029 Now! Buy 04:11 Elgar In the South (Alassio), Op. -
(( Romantic ) Scherzo (From Symphony N° Q) Overture In
SYMPHONY N 4 (( ROMANTIC ) SCHERZO (FROM SYMPHONY N° Q) .J'\I\.• OVERTURE IN GMINOR .J'\I\.• LOVRO VON MATACIC PHILHARMONIA ORCHESTRA Angel Album 3548 B (35359-360) A N T 0 N B R u c K N E R 824 - '8 9 6 b y ~1 i c h a e I nOS e B o rn in 1926, Mich ael Rose was educated at Marlbor ouKh, stu di ed m o dem langua ges at O x fo rd (Ma"d"l en C olle"e) , and s erved a s an infant cy offic er du ring the war. In a d d i tion to writing about mu.8lc IIlnd c o mposing it, h e has d one special B . B . C . bro adcasts and ha s contribute d notes o n operas presented at the Edinburgh F estiv al. RU C KNER ?" said Brahms. "That's a small vi ll age in Up per Austria, and evidence of s wi ndle which wi ll be forgotten a year his hum ble peasant background coloure d hi s or two afte r I'm dead." Bue Wa gner: personality to the e nd of his life. At the age of ~ "The re is only one compos er whose 17, he took up the profe ssion of his father a nd idea s approach chos e of Beethove n, and that IS grandfathe r as assistanc s chool-teacher in the ciny Bruckner." Thus the two gre at protagonists of village of Windhaag. Hi s first posts were humili 19th Cenc ury musical conflict lend authority co a ating and overworked; but when he was 21 he ob controve rsy which concinues to this day ; pe rhaps tained a rathe r more conge nial appointme nc at there is no composer who se arc arous es sharper Sc. -
Concerts Conducted by Carl Schuricht Including Music of Anton Bruckner (1912-1965) Original Source
Concerts conducted by Carl Schuricht including music of Anton Bruckner (1912-1965) Original source : http://carlschuricht.com/concert.htm Important Dates 3 July 1880 : Carl Adolph Schuricht was born at Danzig (Gdansk) into a family of organ-builders. His father, Carl Conrad Schuricht was born on 27 January 1856. He was an organ-builder and worked at his father's factory. He died on 9 June 1880 (3 weeks before his son was born !) when he tried to help an employee fallen into the sea, in the bay of Danzig. His mother, Amanda Ludowika Alwine Wusinowska was a well-known Polish Oratorio singer (1847-1935) . She didn't re-marry after her husband's death. 1886 : Began piano and violin lessons at the age of 6. Studied at the « Friedrichs Realgymnasium » in Berlin. 1891 : Began to compose at the age of 11. 1892 : Studied at the « Königliches Realgymnasium » in Wiesbaden. Written the music and the librettos for 2 Operas. 1895 : Started conducting at the age of 15. 1901-1902 : 1st professional job as « Korrepetitor » at the « Stadttheater » of Mainz. 1902 : Won a composition prize from the Kuszynski Foundation, and awarded a scholarship by Franz von Mendelssohn. Allowed him to continue his studies at the « Berliner Musikhochschule » (« der Königlichten Hochschule für Musik ») under Ernst Rudorff, piano ; Heinrich van Eyken (and not Engelbert Humperdink) , composition ; and, later, Max Reger in Leipzig. His musical compositions were published mostly by Drei-Lilien-Verlag, Berlin. Opus 1 : Piano Sonata in F minor. Opus 2 : « Herbst-Stücke » (Opuscules for autumn) for piano and orchestra. Opus 3 : « Fünf Lieder » (5 Songs) .