Programme Archive

Total Page:16

File Type:pdf, Size:1020Kb

Programme Archive Programme Archive DATE NOTES or TITLE PROGRAMME CONDUCTOR Vaughan Williams: Five Mystical Songs Serenade to Music 23 March 2019 Music and Mysticism Finzi: God is Gone Up + Eclogue Mark Jordan Tavener: Song for Athene Parry: Blest Pair of Sirens 26 January 2019 Choral Workshop Mozart: Requiem Mark Jordan & Alex Aitken 08 December 2018 Christmas with MK Chorale Festive family concert of carols old and new…. Mark Jordan Gjeilo: Sunrise Mass 17 November 2018 Northern Lights Vasks: Pater Noster Mark Jordan Grieg: Holberg Suite 27 June 2018 Rossini: Petite Messe Solennelle Mark Jordan Handel: Coronation Anthems 1-3 17 March 2018 Kings & Crowns Mark Jordan D'Astorga: Stabat Mater 27 January 2018 Choral Workshop Jenkins: The Armed Man Mark Jordan & Alex Aitken 16 December 2017 Christmas with MK Chorale Festive family concert of carols old and new…. Janet Lincé 19 November 2017 (Joint Concert with Danesborough Chorus) Brahms: Ein deutsches Requiem Ian Smith (Danesborough) Duruflé: Requiem Duruflé: Quatre Motets sur des thèmes grégoriens 24 June 2017 A Duruflé Feast Saint-Saens: Ave Maria Victoria Ely Duparc: L'invitation au voyage Gounod: Avant quitter ces lieux Duruflé: Suite Opus 5 Bernstein: Chichester Psalms Vaughan Williams: Festival Te Deum 18 March 2017 Inspiring Spring Elgar: Give unto the Lord Victoria Ely Britten: Te Deum in C & Antiphon Holst: Short Festival Te Deum Family concert of Christmas music, readings & 17 December 2016 Christmas with the Chorale Victoria Ely carols for choir and audience Puccini: Messa di Gloria Verdi: Pater Noster; 26 November 2016 Verdi: Prelude Act III La Traviata & Va Pensiero Victoria Ely Puccini: Crisantemi & Nessun Dorma Bizet: Au fond du Temple Saint Rutter: The Sprig of Thyme Wood: Waltzing Matilda Meader: Shenandoa 02 July 2016 Folk Fantasia Victoria Ely Gilmore: Ton Thé Mendelssohn: Drei Volkslieder Peterson-Berger: Stemning Vivaldi: Gloria 19 March 2016 McDowall: Ave Maris Stella Victoria Ely Britten: Simple Symphony Family concert of Christmas music, readings & 13 December 2015 Christmas with the Chorale Victoria Ely carols for choir and audience Vaughan Williams: A Sea Symphony 22 November 2015 (Joint Concert with Danesborough Chorus) Ian Smith (Danesborough) Elgar: Cello Concerto Faure: Requiem Parry: Crossing the bar 28 March 2015 Musical Reflections on Easter Ireland: Greater love hath no man Victoria Ely Finzi: Lo, the full final sacrifice Vaughan Williams: Five Mystical Songs 20 December 2014 Christmas with the Chorale Festive music for all the family Oliver Neal Parker 16 November 2014 (Joint Concert with Danesborough Chorus) Bach: Mass in B minor Oliver Neal Parker Orff: Carmina Burana Poulenc: Flute Sonata 21 June 2014 Forte for Forty! Vaughan Williams: Antiphon Oliver Neal Parker Hadley: My beloved spake John Byron Poem 29 March 2014 Rachmaninov: Vespers Oliver Neal Parker 14 December 2013 Christmas with Chorale Festive music for choir and audience Hilary Davan Wetton Verdi: Requiem 17 November 2013 (Joint Concert with Danesborough Chorus) Wagner: Prelude to Die Meistersinger Ian Smith (Danesborough) & Ride of the Valkyries 07 September 2013 Choral Workshop Tallis: Spem in Alium Tom Appleton Allegri: Miserere Lotti: Crucifixus Purcell: Hear my prayer 15 June 2013 Out of Darkness Cometh Light Tom Appleton Handel: Dixit Dominus Purcell: Dido & Aeneas excerpts Bach: St John Passion excerpts Tallis: Why fum'th in sight; E'en like the hunted hind; Let God Arise; Expend, O Lord; Come Holy Ghost Eternal God; O come in one to praise the Lord; God grant with grace 29 March 2013 Mantua Tour, Italy Byrd: Mass for Four Voices Tom Appleton Monteverdi: Adoramus te Christe; Cantate Domino Palestrina: Sicut cervus; Exsultate Deo Victoria: Missa pro Defunctis Britten: Rejoice in the Lamb, Ballad of Heroes, 16 March 2013 Auden, Britten & Chums Hymn to St Cecilia. Tom Appleton Solos: Cabaret Songs, On this Island Film: Night Mail Mozart: Mass in C Minor, Ave Verum Mozart Konzert 20 January 2013 Corpus, Tom Appleton (Joint Concert with Danesborough Chorus) Eine kleine Nachtmusik, Exsultate Jublilate Britten: A Ceremony of Carols Vaughan Williams: Fantasia on Christmas Carols 01 December 2012 A Concert for Advent Tom Appleton Selection of music for choir, audience, harp and brass Rutter: Birthday Madrigals 23 June 2012 Shakespeare in Song Shearing: Songs & Sonnets Tom Appleton Vaughan Williams: Three Shakespeare Songs Fauré: Requiem 25 February 2012 Tom Appleton Duruflé: Requiem 17 December 2011 It's Christmas! Festive music & fun for choir and audience Tom Appleton Orff: Carmina Burana 13 November 2011 (Joint Concert with Danesborough Chorus) Ian Smith (Danesborough) Dvorak: New World Symphony Todd: Mass in Blue + various jazz pieces inc. 18 June 2011 Over the rainbow, Blue moon, Let's do it, and Tom Appleton I got rhythm 19 March 2011 Brahms: Requiem Tom Appleton 18 December 2010 Christmas with the Chorale Christmas music for all the family Tom Appleton Gershwin: Porgy & Bess (concert version) Porgy & Bess Mussorgsky: Boris Godunov, 14 November 2010 Stuart Dunlop (Joint Concert with Danesborough Chorus) Prologue & Coronation Scene Prokofiev: Romeo & Juliet Suite 2 Britten: Jubilate Deo; Ceremony of Carols selection 12 June 2010 Jubilation! Bernstein: Chichester Psalms Stuart Dunlop Janacek: Lord's Prayer Goodall: Jubilate Deo 20 March 2010 Bach: St John Passion Stuart Dunlop 19 December 2009 An Old English Christmas Festive music for choir & audience Stuart Dunlop 22 November 2009 (Joint Concert with Danesborough Chorus) Elgar: The Dream of Gerontius Ian Smith (Danesborough) Jenkins: The Armed Man Bernstein: West Side Story & The Best of all Possible Worlds; 13 June 2009 More Classics Live! Stuart Dunlop Copeland: Simple Gifts & Ching-a-Ring-Chaw Fauré: Cantique de Jean Racine Barber: Sure on this Shining Night Sing in the City! Singing workshop inc. music 25 April 2009 Stuart Dunlop Blast those blues away such as West Side Story Mozart: Church Sonata in C Major; Laudate 21 March 2009 Strictly Mozart Dominium from Vesperae Solennes de Stuart Dunlop Confessore; Missa Brevis in D Minor; Requiem 23 November 2008 Porgy & Bess Gershwin: Porgy & Bess Concert Version Fauré: Requiem 14 June 2008 Classics Live! Popular opera choruses Stuart Dunlop Les Miserables medley etc. Vivaldi: Gloria + Concerto for Two Trumpets 08 March 2008 Celebrate! Stuart Dunlop Handel: Dettingen Te Deum 15 December 2007 Christmas with the Chorale Festive music for choir & audience Stuart Dunlop Belshazzar's Feast Walton: Belshazzar's Feast 25 November 2007 Ian Smith (Danesborough) (Joint Concert with Danesborough Chorus) Ireland: These things shall be 21 July 2007 MK Proms in the Park Various Stephen Bell Dvorak: Gypsy Songs Castelnuovo-Teseco: Romancero Gitano 17 June 2007 A Sultry Summer Evening Barber: Sure on this shining night Stuart Dunlop The monk and his cat Brahms: Gypsy Songs Howard Charles 28 April 2007 Bring us your voices! A day of singing for everyone to enjoy (Director of City Music Services) Stravinsky: Mass & Octet for Winds 24 March 2007 Rites in Spring Schubert: arr. Brahms Ellens Gesang Stuart Dunlop Bruckner: Mass in E Minor 19 November 2006 (Joint Concert with Danesborough Chorus) Beethoven: Missa Solemnis Stuart Dunlop 16 November 2006 Christmas with the Chorale Festive music for choir & audience Stuart Dunlop Hilary Davan Wetton 15 July 2006 MK Proms in the Park Various (Founder) Britten: Hymn to St Cecilia Bailey: I can still make you out Tippett: Five Negro Spirtuals Mozart: Exsultate jubilate Bruckner: Locus iste & Ave Maria Casals: O vos omnes 17 June 2006 A Bouquet of Summer Sounds Donizetti: Come Paride vezzuoso Stuart Dunlop Mozart: Voi che sapete Quilter: Go, lovely rose Mayeri: Marigold Porter: Night and Day Gershwin: I got rhythm Arien & Hartburg: Over the rainbow 02 April 2006 Messiah with a difference Mozart: his setting of Handel's Messiah Stuart Dunlop 15 & 17 December 2005 Christmas with the Chorale Christmas music for choir and audience Stuart Dunlop 20 November 2005 (Joint Concert with Danesborough Chorus) Elgar: Scenes from the Saga of King Olaf Ian Smith (Danesborough) Hilary Davan Wetton 16 July 2005 MK Proms in the Park Various (Founder) 11 June 2005 Rossini: Petite Messe Solennelle Stuart Dunlop Hilary Davan Wetton 20 March 2005 Palm Sunday Passion Bach: St John Passion (Founder) 16 & 18 December 2004 Christmas Concert Christmas music for choir & audience John Gibbons Khachaturian: Onedin Line theme Sounds of the Seas 31 October 2004 Hovhaness: And God created great whales John Gibbons (Joint Concert with Danesborough Chorus) Vaughan Williams: A Sea Symphony Haydn: The Heavens are telling & Insane et Vanae Curae Parry: Blest Pair of Sirens Fauré: Cantique de Jean Racine 17 July 2004 Chorale Classics Vaughan Williams: Toward the Unknown Region John Gibbons Handel: Hallelujah Chorus Brahms: How lovely are thy dwellings Mascagni: Easter Hymn Mozart: Ave verum corpus Ode to Joy (30th Anniversary Gala Concert) Beethoven: Ninth Symphony 02 May 2004 John Gibbons With the Royal Philharmonic Orchestra Walton: Gloria 31 January 2004 Come & Sing Event Haydn: The Creation John Gibbons 16 & 18 December 2003 Christmas Music from the Chorale Christmas music for choir and audience John Gibbons Christmas choral music & carols for all 13 December 2003 Christmas Concert John Gibbons the family 26 October 2003 (Joint Concert with Danesborough Chorus) Verdi: Requiem Ian Smith (Danesborough) Ramirez: Misa Criolla Mozart: Ouverture 'The Magic Carpet' Hovhaness: O for a shout of sacred joy Toch:
Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 27,1907-1908, Trip
    CARNEGIE HALL - - NEW YORK Twenty-second Season in New York DR. KARL MUCK, Conductor fnigrammra of % FIRST CONCERT THURSDAY EVENING, NOVEMBER 7 AT 8.15 PRECISELY AND THK FIRST MATINEE SATURDAY AFTERNOON, NOVEMBER 9 AT 2.30 PRECISELY WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE PUBLISHED BY C. A. ELLIS, MANAGER : Piano. Used and indorsed by Reisenauer, Neitzel, Burmeister, Gabrilowitsch, Nordica, Campanari, Bispham, and many other noted artists, will be used by TERESA CARRENO during her tour of the United States this season. The Everett piano has been played recently under the baton of the following famous conductors Theodore Thomas Franz Kneisel Dr. Karl Muck Fritz Scheel Walter Damrosch Frank Damrosch Frederick Stock F. Van Der Stucken Wassily Safonoff Emil Oberhoffer Wilhelm Gericke Emil Paur Felix Weingartner REPRESENTED BY THE JOHN CHURCH COMPANY . 37 West 32d Street, New York Boston Symphony Orchestra PERSONNEL TWENTY-SEVENTH SEASON, 1907-1908 Dr. KARL MUCK, Conductor First Violins. Wendling, Carl, Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Czerwonky, R. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. < Second Violins. • Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Rennert, B. Eichler, J. Tischer-Zeitz, H Kuntz, A. Swornsbourne, W. Goldstein, S. Kurth, R. Goldstein, H. Violas. Ferir, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. t Violoncellos. Warnke, H. Nagel, R. Barth, C. Loefner, E. Heberlein, H. Keller, J. Kautzenbach, A. Nast, L.
    [Show full text]
  • THE INCIDENTAL MUSIC of BEETHOVEN THESIS Presented To
    Z 2 THE INCIDENTAL MUSIC OF BEETHOVEN THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Theodore J. Albrecht, B. M. E. Denton, Texas May, 1969 TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS. .................. iv Chapter I. INTRODUCTION............... ............. II. EGMONT.................... ......... 0 0 05 Historical Background Egmont: Synopsis Egmont: the Music III. KONIG STEPHAN, DIE RUINEN VON ATHEN, DIE WEIHE DES HAUSES................. .......... 39 Historical Background K*niq Stephan: Synopsis K'nig Stephan: the Music Die Ruinen von Athen: Synopsis Die Ruinen von Athen: the Music Die Weihe des Hauses: the Play and the Music IV. THE LATER PLAYS......................-.-...121 Tarpe.ja: Historical Background Tarpeja: the Music Die gute Nachricht: Historical Background Die gute Nachricht: the Music Leonore Prohaska: Historical Background Leonore Prohaska: the Music Die Ehrenpforten: Historical Background Die Ehrenpforten: the Music Wilhelm Tell: Historical Background Wilhelm Tell: the Music V. CONCLUSION,...................... .......... 143 BIBLIOGRAPHY.....................................-..145 iii LIST OF ILLUSTRATIONS Figure Page 1. Egmont, Overture, bars 28-32 . , . 17 2. Egmont, Overture, bars 82-85 . , . 17 3. Overture, bars 295-298 , . , . 18 4. Number 1, bars 1-6 . 19 5. Elgmpnt, Number 1, bars 16-18 . 19 Eqm 20 6. EEqgmont, gmont, Number 1, bars 30-37 . Egmont, 7. Number 1, bars 87-91 . 20 Egmont,Eqm 8. Number 2, bars 1-4 . 21 Egmon t, 9. Number 2, bars 9-12. 22 Egmont,, 10. Number 2, bars 27-29 . 22 23 11. Eqmont, Number 2, bar 32 . Egmont, 12. Number 2, bars 71-75 . 23 Egmont,, 13.
    [Show full text]
  • Messe E-Moll WAB 27 Zweite Fassung/Second Version 1882
    Anton BRUCKNER Messe e-Moll WAB 27 Zweite Fassung/Second version 1882 Coro (SSAATTBB) 2 Oboi, 2 Clarinetti, 2 Fagotti, 4 Corni, 2 Trombe, 3 Tromboni herausgegeben von/edited by Dagmar Glüxam Urtext Partitur/Full score C Carus 27.093 Inhalt / Contents Vorwort 4 Foreword 8 Abbildungen 12 Kyrie (Coro SSAATTBB) 14 Gloria (Coro) 20 Credo (Coro) 32 Sanctus (Coro) 49 Benedictus (Coro SSATTBB) 55 Agnus Dei (Coro SSAATTBB) 63 Kritischer Bericht 73 Zu diesem Werk liegt folgendes Aufführungsmaterial vor: Partitur (Carus 27.093), Klavierauszug (Carus 27.093/03), Klavierauszug XL Großdruck (Carus 27.093/04), Chorpartitur (Carus 27.093/05), komplettes Orchestermaterial (Carus 27.093/19). The following performance material is available: full score (Carus 27.093), vocal score (Carus 27.093/03), vocal score XL in larger print (Carus 27.093/04), choral score (Carus 27.093/05), complete orchestral material (Carus 27.093/19). Carus 27.093 3 Vorwort Als Anton Bruckner (1824–1896) zwischen August und November C-Dur (WAB 31) für vierstimmigen gemischten Chor a cappella 1866 seine Messe in e-Moll (WAB 27) komponierte, konnte er (1. Fassung 1835–1843, 2. Fassung 1891) oder der Windhaager bereits eine langjährige Erfahrung als Kirchenmusiker aufweisen und Messe in C-Dur für Alt, zwei Hörner und Orgel (WAB 25; 1842) auch auf ein überaus umfangreiches kirchenmusikalisches Œuvre können hier etwa die Messe ohne Gloria in d-Moll („Kronstorfer zurückblicken.1 Schon als Kind wurde er durch seinen musikbe- Messe“; WAB 146, 1844) für vierstimmigen gemischten Chor a geisterten Vater und Schullehrer Anton Bruckner (1791–1837) zur cappella oder das Requiem für vierstimmigen Männerchor und Mitwirkung – u.
    [Show full text]
  • ¥T1 Id -'F- L~R~J Was That Performance of " Tannhauser" in 1863 Which, According ~.'Tkon"-"'1
    rro te above literally the lyric initial theme of the symphony arming for III. Scherzo: Sehr schnell (very fast), A minor, 3/ 4 thus with­ battle" : Trio: Etwas langsamer (a little slower), F major, 3/ 4 , two per­ IV_ Finale : B ~wegt, do ch nicht schnell (with motion but not fast), nat is here eJC..tof. E major, alla breve any emen­ "'t;" DOC" ,~::;; OG~LL ~ ~ ,----. t only the IVa; $; 4'3 3.7 IrS· k11 J pelr Sh'/Jd I p VIOl.1NS x: .. The symphony is scored for two each of flutes, oboes, clarinets, Late advan­ and bassoons, four horns, three trumpets, three trombones, two Ir'* fJrtD Iqr\J t"VI!t ~6IhJq;;j &J J I # tenor-tubas and two bass-tubas ("Wagner-Tuben"), contrabass­ not of the ) " \.....:...-. ,. > J Poco '" POc.O C.R.E5C.. tuba, timpani, and strings. climax. A only direct The launching of this melodic arrow by the bows of the violins lsic moves is sharpened by Bruckner's indication to play "with the point." Overture in G minor cribe or to The second subj ect is the simplest of simpl e ideas, transformed Few, if any, of the great composers were so late in maturing ;kn er here by the co mposer's mastery of orchestration into a chorale of utter as Bruckn er. The overture in G minor remains, if compared to ~me ntation genius. It may be nothing more than "an exercise in modulating any of the nine symphonies, a transitional if not a student produc­ i, pi::.::icato. cadences," technicall y speaking, but one that no student could tion.
    [Show full text]
  • The 20 Crucial Compositions of Anton Bruckner Alonso Delarte Published by Alonso Delarte at Smashwords Copyright 2010 Alonso Delarte
    The 20 Crucial Compositions of Anton Bruckner Alonso Delarte Published by Alonso Delarte at Smashwords Copyright 2010 Alonso Delarte Smashwords Edition, License Notes This eBook is licensed for your personal enjoyment only. This eBook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this author. 11. Symphony No. 6 in A major (1879) Repertoire formation is a funny business. Musical merit is one factor, certainly, but often not the only factor or even the most important one. With any composer, there are pieces which are rarely heard, yet when they are heard, people wonder why they have never heard it before, since they are such good pieces of music. And so, with Bruckner, it is somewhat of a puzzlement that the Sixth Symphony is so rarely heard despite being so well-done and so fascinating, whereas the Fourth Symphony, with its various flaws and problems, is one of Bruckner's most popular. Various reasons are given for this, such as that Bruckner was trying too hard to pare down his conception to a smaller scale, or the predominance of the Bruckner rhythm (2 + 3 or 3 + 2 in the time-space of 2 + 2) in the first movement in overlapping triplets of different note values.
    [Show full text]
  • Le Corsaire Overture, Op. 21
    Any time Joshua Bell makes an appearance, it’s guaranteed to be impressive! I can’t wait to hear him perform the monumental Brahms Violin Concerto alongside some fireworks for the orchestra. It’s a don’t-miss evening! EMILY GLOVER, NCS VIOLIN Le Corsaire Overture, Op. 21 HECTOR BERLIOZ BORN December 11, 1803, in Côte-Saint-André, France; died March 8, 1869, in Paris PREMIERE Composed 1844, revised before 1852; first performance January 19, 1845, in Paris, conducted by the composer OVERVIEW The Random House Dictionary defines “corsair” both as “a pirate” and as “a ship used for piracy.” Berlioz encountered one of the former on a wild, stormy sea voyage in 1831 from Marseilles to Livorno, on his way to install himself in Rome as winner of the Prix de Rome. The grizzled old buccaneer claimed to be a Venetian seaman who had piloted the ship of Lord Byron during the poet’s adventures in the Adriatic and the Greek archipelago, and his fantastic tales helped the young composer keep his mind off the danger aboard the tossing vessel. They landed safely, but the experience of that storm and the image of Lord Byron painted by the corsair stayed with him. When Berlioz arrived in Rome, he immersed himself in Byron’s poem The Corsair, reading much of it in, of all places, St. Peter’s Basilica. “During the fierce summer heat I spent whole days there ... drinking in that burning poetry,” he wrote in his Memoirs. It was also at that time that word reached him that his fiancée in Paris, Camile Moke, had thrown him over in favor of another suitor.
    [Show full text]
  • UNICORN RECORDS 27-29 York Road, Waterloo, London SE1. Based on a Bruckner Bust by Franz S
    in its traditions, he grew up in Australia, wnere ,,-- , '''''' ~ . ... "'·.... --- I I""' I~ - J - , --I It"'I.-'"I"" ... e ..........""':.._,...•• r (1862) of Bruckner is due to be issued by Calder Requiem aeternam (Grant them eternal rest) his love of this open, developing world became (Day of wrath) & Boyars in autumn 1970. Dies irae Moderato, E flat major reflected in the clarity of approach and execu­ Domine Jesu Christe (Lord Jesus Christ) F major tion that has marked his career as a conductor_ The Requiem in d minor was recorded in Hostias et preces (Sacrifices of praise and prayers to Thee) e minor He stems from the schools of Eugene Holy Trinity, Brompton, London, on 28 May Quam olim Abrahae (As Thou once didst promise to Abraham) March d minor Goossens, Rafael Kubelik and Carlo Zecchi , and and 1 June 1970. Sanctus (Holy, holy, holy, Lord God of Hosts) holds the Conductor's Diploma of the Paris The Four Orchestral Pieces were recorded in Benedictus (Blessed is He) Conservatoire, though he himself freely admits Barking Assembly Hall, London, on 1 July 1970. Agnus Dei (Lamb of God) that the greatest influence on his musical Producer: Dr. Robert Simpson Requiem aeternam (Grant them eternal rest) development has been the friendship and Engineer: Brian Snelling Cum sanctis tuis (With Thy saints forever) encouragement which Furtwa'ngler showed him; A DOLBY SOUND SYSTEM !RECORDING Sleeve printed by Richard Davis Ltd . Cover design by Justin Michmann Photograph of Hans-Hubert Schonzeler UNICORN RECORDS 27-29 York Road, Waterloo, London SE1. based on a Bruckner bust by Franz S.
    [Show full text]
  • Chicago Symphony Orchestra Tuesday Evening Radio Programs on Wfmt Extended Through June 2021
    FROM THE CSO’S ARCHIVES: THE FIRST 130 YEARS — CHICAGO SYMPHONY ORCHESTRA TUESDAY EVENING RADIO PROGRAMS ON WFMT EXTENDED THROUGH JUNE 2021 CHICAGO – March 25, 2021 – The Chicago Symphony Orchestra Association (CSOA) and WFMT (Chicago’s Classical Music Station) announce the extension of Chicago Symphony Orchestra (CSO) Tuesday evening radio broadcasts From the CSO’s Archives: The First 130 Years through June 2021. Prepared with support from the Rosenthal Archives of the Chicago Symphony Orchestra Association, the broadcast series is part of the Orchestra’s 130th season and focuses on its extensive discography, featuring Grammy Award-winning releases, as well as recordings highlighting virtually every era in CSO history. Programs in the series are broadcast weekly on Tuesday evenings from 8:00 p.m. to 10:00 p.m. (Central Time) and will be available to listeners on WFMT (98.7 FM) and streaming on wfmt.com and the WFMT app (wfmt.com/app). More information about CSOradio broadcasts, including the nationally syndicated series that airs weekly on Sundays on WFMT, is also available at cso.org/radio. Program highlights for the first six broadcasts in April and May 2021 are below. Details for the remainder of the broadcasts in this series will be posted on cso.org/radio. April 6, 2021: Benny Goodman in Nielsen and Weber In the 1960s, legendary clarinetist Benny Goodman performed with the Chicago Symphony Orchestra and recorded concertos by Nielsen and Weber. This program also includes overtures by Weber and Nielsen’s Second Symphony, and a jazzy encore from Goodman, known as the “King of Swing,” performing Fred Fisher’s, “Chicago (That Toddlin’ Town).” April 13, 2021: Celebrating Victor Aitay A member of the Chicago Symphony Orchestra for 50 seasons, Victor Aitay (1921-2012) attended the Franz Liszt Royal Academy in his native Hungary, where Béla Bartók, Zoltán Kodály and Leo Weiner were on faculty.
    [Show full text]
  • Nineteenth Century Sacred Music: Bruckner and the Rise of the Cäcilien-Verein
    Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Spring 2020 Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein Nicholas Bygate Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the Music Commons Recommended Citation Bygate, Nicholas, "Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein" (2020). WWU Graduate School Collection. 955. https://cedar.wwu.edu/wwuet/955 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein By Nicholas Bygate Accepted in Partial Completion of the Requirements for the Degree Master of Music ADVISORY COMMITTEE Chair, Dr. Bertil van Boer Dr. Timothy Fitzpatrick Dr. Ryan Dudenbostel GRADUATE SCHOOL David L. Patrick, Interim Dean Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non- exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work and does not infringe or violate any rights of others. I warrant that I have obtained written permissions from the owner of any third party copyrighted material included in these files.
    [Show full text]
  • Sunday Playlist
    October 20, 2019: (Full-page version) Close Window “I was obliged to be industrious. Whoever is equally industrious will succeed equally well.” — Johann Sebastian Bach Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Buy 00:01 Chopin Barcarolle in F sharp, Op. 60 Sviatoslav Richter Orfeo 491 981 4011790491127 Awake! Now! Buy Amsterdam Combattimento 00:11 Wassenaer Concerto in A NM Classics 92030 N/A Now! Consort/Vriend Buy Cypress Performing 00:21 Beethoven String Quartet No. 14 in C sharp minor, Op. 131 Cypress String Quartet n/a 666449766121 Now! Arts Association Buy 01:01 Brahms Academic Festival Overture, Op.80 Black Dyke Band/Childs Naxos 8.570726 74731307276 Now! Buy 01:11 Handel Suite in G minor for piano Keith Jarrett ECM 1530 781182153028 Now! Buy 01:22 Kalinnikov Symphony No. 1 in G minor Scottish National Orchestra/Jarvi Chandos 8611 5014682861120 Now! Buy Reference 02:01 Alfven Swedish Rhapsody No. 1, Op. 19 "Midsummer Vigil" Minnesota Orchestra/Oue 80 030911108021 Now! Recordings Buy Laird/Houghton/Brown/Acad. 02:14 Vivaldi Concerto in D for 2 Trumpets & Violin, RV 563 Philips 412 892 028941289223 Now! SMF/Marriner Buy 02:22 Debussy Images for Orchestra London Symphony/Previn EMI 47001 n/a Now! Buy 03:01 Martucci Symphony No. 1 in D minor, Op. 75 Philharmonia/d'Avalos ASV 675 5011975067528 Now! Buy 03:43 Schubert Impromptu in F minor, D. 935 No. 4 Alfred Brendel Philips 456 727 028945672724 Now! Buy 03:50 Purcell The Fairy Queen: Suite from Act 4 Concert of Nations/Savall Auvidis 8583 3298490085837 Now! Buy 04:00 Pierné Viennoise Loire Philharmonic/Derveaux EMI Classics 63950 077776395029 Now! Buy 04:11 Elgar In the South (Alassio), Op.
    [Show full text]
  • (( Romantic ) Scherzo (From Symphony N° Q) Overture In
    SYMPHONY N 4 (( ROMANTIC ) SCHERZO (FROM SYMPHONY N° Q) .J'\I\.• OVERTURE IN GMINOR .J'\I\.• LOVRO VON MATACIC PHILHARMONIA ORCHESTRA Angel Album 3548 B (35359-360) A N T 0 N B R u c K N E R 824 - '8 9 6 b y ~1 i c h a e I nOS e B o rn in 1926, Mich ael Rose was educated at Marlbor ouKh, stu di ed m o dem langua ges at O x fo rd (Ma"d"l en C olle"e) , and s erved a s an infant cy offic er du ring the war. In a d d i tion to writing about mu.8lc IIlnd c o mposing it, h e has d one special B . B . C . bro adcasts and ha s contribute d notes o n operas presented at the Edinburgh F estiv al. RU C KNER ?" said Brahms. "That's a small vi ll age in Up per Austria, and evidence of s wi ndle which wi ll be forgotten a year his hum ble peasant background coloure d hi s or two afte r I'm dead." Bue Wa gner: personality to the e nd of his life. At the age of ~ "The re is only one compos er whose 17, he took up the profe ssion of his father a nd idea s approach chos e of Beethove n, and that IS grandfathe r as assistanc s chool-teacher in the ciny Bruckner." Thus the two gre at protagonists of village of Windhaag. Hi s first posts were humili­ 19th Cenc ury musical conflict lend authority co a ating and overworked; but when he was 21 he ob­ controve rsy which concinues to this day ; pe rhaps tained a rathe r more conge nial appointme nc at there is no composer who se arc arous es sharper Sc.
    [Show full text]
  • Concerts Conducted by Carl Schuricht Including Music of Anton Bruckner (1912-1965) Original Source
    Concerts conducted by Carl Schuricht including music of Anton Bruckner (1912-1965) Original source : http://carlschuricht.com/concert.htm Important Dates 3 July 1880 : Carl Adolph Schuricht was born at Danzig (Gdansk) into a family of organ-builders. His father, Carl Conrad Schuricht was born on 27 January 1856. He was an organ-builder and worked at his father's factory. He died on 9 June 1880 (3 weeks before his son was born !) when he tried to help an employee fallen into the sea, in the bay of Danzig. His mother, Amanda Ludowika Alwine Wusinowska was a well-known Polish Oratorio singer (1847-1935) . She didn't re-marry after her husband's death. 1886 : Began piano and violin lessons at the age of 6. Studied at the « Friedrichs Realgymnasium » in Berlin. 1891 : Began to compose at the age of 11. 1892 : Studied at the « Königliches Realgymnasium » in Wiesbaden. Written the music and the librettos for 2 Operas. 1895 : Started conducting at the age of 15. 1901-1902 : 1st professional job as « Korrepetitor » at the « Stadttheater » of Mainz. 1902 : Won a composition prize from the Kuszynski Foundation, and awarded a scholarship by Franz von Mendelssohn. Allowed him to continue his studies at the « Berliner Musikhochschule » (« der Königlichten Hochschule für Musik ») under Ernst Rudorff, piano ; Heinrich van Eyken (and not Engelbert Humperdink) , composition ; and, later, Max Reger in Leipzig. His musical compositions were published mostly by Drei-Lilien-Verlag, Berlin. Opus 1 : Piano Sonata in F minor. Opus 2 : « Herbst-Stücke » (Opuscules for autumn) for piano and orchestra. Opus 3 : « Fünf Lieder » (5 Songs) .
    [Show full text]