A Finding Aid to the Byron Gallery Records, Circa 1950S-1991, Bulk 1960-1971, in the Archives of American Art
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LOUISE NEVELSON SELECTED GROUP EXHIBITIONS 2018 Epic Abstraction
LOUISE NEVELSON SELECTED GROUP EXHIBITIONS 2018 Epic Abstraction: Pollock to Herrera, The Met Fifth Avenue, New York, opened December 17, 2018. Eye to I: Self-Portraits from 1900 to Today, National Portrait Gallery, Washington, D.C., November 4, 2018– August 18, 2019. Kindred Spirits: Louise Nevelson & Dorothy Hood, Museum of Fine Arts, Houston, November 3, 2018– February 3, 2019. The Masters: Art Students League Teachers and Their Students, Hirschl & Adler, New York, October 18– December 1, 2018. (Catalogue) Summer Group Show, Pace Gallery, Seoul, June 5–August 11, 2018. LeWitt, Nevelson, Pendleton Part II, Pace Gallery, Geneva, May 16–July 13, 2018. Dark Place of Dreams: Louise Nevelson with Chakaia Booker, Lauren Fensterstock and Kate Gilmore, Museum of Contemporary Art Jacksonville, A Cultural Institute of University of North Florida, April 28– September 2, 2018. (Catalogue) LeWitt, Nevelson, Pendleton, Pace Gallery, Geneva, March 21–May 4, 2018. 2017 Louise Nevelson: Selected Group Exhibitions 2 Function to Freedom: Quilts and Abstract Expressions, Sara Kay Gallery, New York, December 1, 2017– January 13, 2018. Black and White: Louise Nevelson/Pedro Guerrero, Farnsworth Art Museum, Rockland, Maine, October 6, 2017–April 1, 2018. American Sculpture: Sotheby’s Beyond Limits, Chatsworth, Derbyshire, United Kingdom, September 15– November 12, 2017. Vaginal Davis & Louise Nevelson: Chimera, Invisible-Exports, New York, September 8–October 22, 2017. 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Pittsburgh, July 22–December 31, 2017. To Distribute and Multiply: The Feibes & Schmitt Gift, The Hyde Collection, Glens Falls, New York, opens on June 10, 2017. Multiple Impressions, Talley Dunn Gallery, Dallas, June 10–August 5, 2017. -
DONALD JUDD Born 1928 in Excelsior Springs, Missouri
This document was updated January 6, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. DONALD JUDD Born 1928 in Excelsior Springs, Missouri. Died 1994 in New York City. SOLO EXHIBITIONS 1957 Don Judd, Panoras Gallery, New York, NY, June 24 – July 6, 1957. 1963–1964 Don Judd, Green Gallery, New York, NY, December 17, 1963 – January 11, 1964. 1966 Don Judd, Leo Castelli Gallery, 4 East 77th Street, New York, NY, February 5 – March 2, 1966. Donald Judd Visiting Artist, Hopkins Center Art Galleries, Dartmouth College, Hanover, NH, July 16 – August 9, 1966. 1968 Don Judd, The Whitney Museum of American Art, New York, NY, February 26 – March 24, 1968 [catalogue]. Don Judd, Irving Blum Gallery, Los Angeles, CA, May 7 – June 1, 1968. 1969 Don Judd, Leo Castelli Gallery, 4 East 77th Street, New York, NY, January 4 – 25, 1969. Don Judd: Structures, Galerie Ileana Sonnabend, Paris, France, May 6 – 29, 1969. New Works, Galerie Bischofberger, Zürich, Switzerland, May – June 1969. Don Judd, Galerie Rudolf Zwirner, Cologne, Germany, June 4 – 30, 1969. Donald Judd, Irving Blum Gallery, Los Angeles, CA, September 16 – November 1, 1969. 1970 Don Judd, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, January 16 – March 1, 1970; traveled to Folkwang Museum, Essen, Germany, April 11 – May 10, 1970; Kunstverein Hannover, Germany, June 20 – August 2, 1970; and Whitechapel Art Gallery, London, United Kingdom, September 29 – November 1, 1970 [catalogue]. Don Judd, The Helman Gallery, St. Louis, MO, April 3 – 29, 1970. Don Judd, Leo Castelli Gallery, 4 East 77th Street, and 108th Street Warehouse, New York, NY, April 11 – May 9, 1970. -
The Pamphlet Files 1
The Pamphlet Files 1 The Pamphlet Files The Pamphlet Files were established as an original resource, part of the Library’s traditional and strong interest in the preservation of ephemera. Some of the material in these files dates back to the late nineteenth century. The Pamphlet Files are often the only record that a gallery or organization existed. They are not catalogued, and there are no references to them in our online catalogue. The files include exhibition brochures, fliers, small exhibition catalogues, gallery announcements, newsletters and other ephemera relating predominately to New York City and state galleries, museums, colleges and universities, professional associations, foundations, non-profit organizations, and other arts organizations. In addition, there are files for one-time arts events and movements, such as “New York State Exposition” and “Art for Peace.” Unless otherwise noted, all files originated from one of the five boroughs of New York City. The list of entries is arranged in alphabetical order; for galleries that have a given name and a surname, i.e. “Martha Jackson Gallery,” the entry will be alphabetized according to the first name. [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [X] [Y] [Z] Harriet Burdock Art & Architecture Collection ***Entries arranged by Serena Jimenez Updated and edited by Lauren Stark, 2010 The Pamphlet Files 2 A • A/D • A & M ARTWORKS • AARGAUER KUNSTHAUS • AARON BERMAN GALLERY • AARON FABER GALLERY • AARON FURMAN • ABC NO RIO • ABINGDON SQUARE PAINTERS • ACA GALLERY, 26 W. 8th St. & 52 W. -
Large Scale : Fabricating Sculpture in the 1960S and 1970S / Jonathan Lippincott
Large ScaLe Large ScaLe Fabricating ScuLpture in the 1960s and 1970s Jonathan d. Lippincott princeton architecturaL press, new York Published by Princeton Architectural Press 37 East Seventh Street New York, New York 10003 For a free catalog of books, call 1.800.722.6657. Visit our website at www.papress.com. © 2010 Jonathan D. Lippincott All rights reserved Printed and bound in China 13 12 11 10 4 3 2 1 First edition No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. Every reasonable attempt has been made to identify owners of copyright. Errors or omissions will be corrected in subsequent editions. All images © Roxanne Everett / Lippincott’s, LLC, unless otherwise noted. All artwork © the artist or estate as noted. Front cover: Clement Meadmore, Split Ring, 1969, with William Leonard, Don Lippincott, and Roxanne Everett. (One of an edition of two. Cor-Ten steel. 11'6" x 11'6" x 11'. Portland Art Museum, OR. Cover art © Meadmore Sculptures, LLC / Licensed by VAGA, New York, NY. Photograph by George Tassian, from the catalog Monumental Art, courtesy of the Contemporary Arts Center, Cincinnati. OH.) Back cover: Robert Murray, Athabasca, 1965–67, with Eddie Giza during fabrication. (Cor-Ten steel painted Van Dyke Brown. 144" x 216" x 96". The Gallery, Stratford, ON. Art © Robert Murray.) Frontispiece: Claes Oldenburg comparing his model to the large-scale Clothespin, 1976. (Cor-Ten steel, stainless steel. 45' x 12'31/4" x 4'6" [13.72 x 3.74 x 1.37 m]. -
A Finding Aid to the James Graham & Sons Gallery Records, 1815, 1821
A Finding Aid to the James Graham & Sons Gallery Records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s, in the Archives of American Art Sarah Haug Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund May 25, 2012 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 2 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Alphabetical Files, 1902-1999, circa 1896 (bulk 1955-1986).................... 6 Series 2: Exhibition Files, 1947-2004, 1912.......................................................... 31 Series 3: Artists' -
Sol Lewitt Biography
SOL LEWITT BIOGRAPHY BORN 1928-2007, Hartford, CT SELECTED SOLO EXHIBITIONS 2018 By Hand: Sol LeWitt; The Mattatuck Museum; Waterbury, CT Sol LeWitt Wall Drawings: Expanding a Legacy; Yale University Art Gallery; New Haven, CT Sol LeWitt: Between the Lines; Fondazione Carriero; Milan, Italy Sol LeWitt: Progression Towers ; Miami Design District & Institute of Contemporary Art; Miami, FL Sol LeWitt; Honor Fraser; Los Angeles, CA Sol LeWitt: 1 + 1 = 1 Million; Vito Schnabel Gallery; St. Moritz, Switzerland Sol LeWitt: Large Gouaches; Paula Cooper Gallery; New York, NY 2016 Sol LeWitt; Paula Cooper Gallery; New York, NY Sol LeWitt; Cardi Gallery; Milan, Italy Sol LeWitt: Seven Weeks, Seven Wall Drawings; Barbara Krakow Gallery; Boston, MA 2015 Soll LeWitt in Connecticut; James Barron; Kent, CT Sol LeWitt: 17 Wall Drawings 1970-2015; Fundacion Botin; Santander, Spain Sol LeWitt; Noire Gallery; Cappella del Brichetto, San Sebastiano, Italy Sol LeWitt: Wall Drawings, Grids on Color; Konrad Fischer Galerie; Dusseldorf, Germany Sol LeWitt: Wall Drawings, Grids on Black and White; Konrad Fischer Galerie; Berlin, Germany Sol LeWitt: Structures & Related Works on Paper 1968-2005; Barbara Krakow Gallery; Boston, MA Sol LeWitt: 40 Years at Annemarie Verna Gallery Part I; Annemarie Verna; Zurich, Switzerland Sol LeWitt; GalerÃa Elvira González; Madrid, Spain 2014 Sol LeWitt: Creating Place; Asheville Art Museum; Asheville, NC Sol LeWitt: Wall Drawing #370; The Metropolitan Museum of Art; New York, NY Sol LeWitt: Your Mind is Exactly at that Line; Art Gallery of New South Wales; Sydney, Australia Sol LeWitt: Prints; Pace Prints; New York, NY Sol LeWitt: Horizontal Progressions; Pace Gallery; New York, NY 2013 Sol LeWitt: Cut Torn Folded Ripped; James Cohan Gallery; New York, NY Sol LeWitt: Shaping Ideas; Laurie M. -
Richard Tuttle
RICHARD TUTTLE born 1941, Rahway, New Jersey lives and works in New York, NY and Abiquiú, NM EDUCATION 1963 Trinity College, Hartford, Connecticut, BA SELECTED SOLO / TWO PERSON EXHIBITIONS (* Indicates a publication) 2022 *What is the Object?, Bard Graduate Center, New York, NY 2021 Nine Stepping Stones, David Kordansky Gallery, Los Angeles, CA 2020 Stories, I-XX, Galerie Greta Meert, Brussels, Belgium TheStars, Modern Art, London, England 2019 Days, Muses and Stars, Pace Gallery, New York, NY *Basis, 70s Drawings, Pace Gallery, New York, NY Introduction to Practice, M Woods Museum, Beijing, China Double Corners and Colored Wood¸ Pace Gallery, Beijing, China 2018 For Ourselves As Well As For Others, Pace Gallery, Geneva, Switzerland 8 of Hachi, Tomio Koyama Gallery, Tokyo, Japan Intersections: Richard Tuttle. It Seems Like It’s Going To Be, The Phillips Collection, Washington, D.C. Thoughts of Trees, Pace Gallery, Seoul, South Korea 2017 100 Epigrams, Pace Prints, New York, NY Light and Color, Kunstmuseum aan Zee, Oostend, Belgium Books, Multiples, Prints, Writings and New Projects, Galerie Christian Lethert, Cologne, Germany The Critical Edge, Pace London, England My Birthday Puzzle, Modern Art, London, England De Hallen Haarlem, Haarlem, Netherlands [email protected] www.davidkordanskygallery.com T: 323.935.3030 F: 323.935.3031 2016 *Both/And Richard Tuttle Print and Cloth, Oklahoma State University Museum of Art, Stillwater, OK *Al Cielo de Noche de Lima / To the Night Sky of Lima, Proyecto AMIL and Museo de Arte de -
STEPHEN ANTONAKOS Laconia, Greece 1926 — New York 2013
STEPHEN ANTONAKOS Laconia, Greece 1926 — New York 2013 Antonakos’s work with neon since 1960 has lent the medium new perceptual and formal meanings in hundreds of gallery and museum exhibitions first in New York and then internationally. His use of spare, complete and incomplete geometric neon forms has ranged from direct 3-D indoor installations to painted Canvases, Walls, the well known back- lit Panels with painted or gold surfaces, his Rooms and Chapels. Starting in the 1970s he installed over 55 architecturally-scaled permanent Public Works in the USA, Europe, Israel, and Japan. Throughout, he conceived work in relation to its site — its scale, proportions, and character — and to the space that it shares with the viewer. He called his art, “real things in real spaces,” intending it to be seen without reference to anything outside the immediate visual and kinetic experience. Colored pencil drawings on paper and vellum, often in series, have been a major, rich practice since the 1950s; as has his extensive work with collage. Other major practices include the conceptual Packages, small-edition Artist’s Books, silver and white Reliefs, prints, and — since 2011 — several series of framed and 3-D Gold Works. Antonakos was born in the small Greek village of Agios Nikolaos in 1926 and moved to New York with his family in 1930. In the late 1940s, after returning from the US Army, he established his first studio in New York’s fur district. From the early 1960s forward, until the end in 2013, he worked in studios in Soho. EXHIBITIONS 2018 to 2019 “Antonakos: The Room Chapel” Curated by Elaine Mehelakes — Allentown Art Museum, Allentown, PA, May 6, 2018 - May 5, 2019 2018 “Antonakos: Proscenium” Curated by Helaine Posner — Neuberger Museum of Art, SUNY Purchase, NY, Jan. -
A Finding Aid to the Betty Parsons Gallery Records and Personal Papers, 1916-1991, Bulk 1946-1983, in the Archives of American Art
A Finding Aid to the Betty Parsons Gallery Records and Personal Papers, 1916-1991, bulk 1946-1983, in the Archives of American Art Kathleen Brown, Jennifer Meehan, and Stephanie Ashley Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation. 2010, 2019 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 4 Arrangement..................................................................................................................... 6 Names and Subjects ...................................................................................................... 6 Container Listing ............................................................................................................. 8 Series 1: Artists Files, 1935-1983............................................................................ 8 Series 2: Exhibition Files, 1941-1983................................................................... -
DONALD JUDD Born 1928 in Excelsior Springs, Missouri
Judd Foundation 101 Spring Street, New York NY 10012 Telephone 212 219 2747 Fax 212 219 3125 104 South Highland Avenue, Marfa TX 79843 Telephone 432 729 4406 Fax 432 729 4614 juddfoundation.org This document was updated January 11, 2021. For reference only and not for purposes of publication. For more information, please contact Judd Foundation. DONALD JUDD Born 1928 in Excelsior Springs, Missouri. Died 1994 in New York City. SELECTED EXHIBITION HISTORY SOLO EXHIBITIONS 1957 Don Judd, Panoras Gallery, New York, NY, June 24–July 6, 1957. 1963–1964 Don Judd, Green Gallery, New York, NY, December 17, 1963–January 11, 1964. 1966 Don Judd, Leo Castelli Gallery, 4 East 77th Street, New York, NY, February 5–March 2, 1966. Donald Judd Visiting Artist, Hopkins Center Art Galleries, Dartmouth College, Hanover, NH, July 16–August 9, 1966. 1968 Don Judd, The Whitney Museum of American Art, New York, NY, February 26–March 24, 1968 (extended through April 14, 1968) [catalogue]. Don Judd, Irving Blum Gallery, Los Angeles, CA, May 7–June 1, 1968. 1969 Don Judd, Leo Castelli Gallery, 4 East 77th Street, New York, NY, January 4–25, 1969. Don Judd: Structures, Galerie Ileana Sonnabend, Paris, France, May 6–29, 1969 [catalogue]. New Works, Galerie Bischofberger, Zürich, Switzerland, May–June 1969. Don Judd, Galerie Rudolf Zwirner, Cologne, Germany, June 4–30, 1969. Donald Judd, Irving Blum Gallery, Los Angeles, CA, September 16–November 1, 1969. 1970 Don Judd, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, January 16–March 1, 1970; traveled to Folkwang Museum, Essen, Germany, April 11–May 10, 1970; Kunstverein Hannover, Germany, June 20–August 2, 1970; and Whitechapel Art Gallery, London, United Kingdom, September 29–November 1, 1970 [catalogue]. -
Galleria Dell'ariete Records, 1955-1993
http://oac.cdlib.org/findaid/ark:/13030/c8b27w2m No online items Finding aid for the Galleria dell'Ariete records, 1955-1993 Alan Tomlinson and Annette Leddy Finding aid for the Galleria 990058 1 dell'Ariete records, 1955-1993 Descriptive Summary Title: Galleria dell'Ariete records Date (inclusive): 1955-1993 Number: 990058 Creator/Collector: Galleria dell'Ariete Physical Description: 46.43 Linear Feet(88 boxes; 2 flatfile folders) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: The complete business records of the Galleria dell'Ariete of Milan, Italy, from 1955, when it opened, through its closing in the mid-1980s. It was among the most important galleries in Italy for contemporary art, and had extensive connections with dealers, collectors, artists, and critics in Europe, the United States, and Japan. The archive documents these connections through correspondence, business and financial papers, catalogs, press clippings, and an extensive photographic record. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is primarily in Italian and English Biographical/Historical note Beatrice Monti della Corte opened the Galleria dell'Ariete at Via San Andrea, 5, Milan, Italy in 1955, when she was twenty-five years old, principally as a showplace for modern art-her first major exhibition at the gallery was of lithographs and engravings by Picasso-though the formal statutes of the company state that its object is 'il commercio in generale di opere d'arte antiche e moderne'. -
Sol Lewitt Biography
P A U L A C O O P E R G A L L E R Y SOL LEWITT Selected Biography Born: 1928, Hartford, CT Died: 2007, New York, NY Education: 1949, B.F.A., Syracuse University Selected One-Person Exhibitions: 2021 “Sol LeWitt: Eight Unit Cube (No. 7402),” Institute of Contemporary Art, Miami, FL (4/14/21— ongoing) 2020 “Sol LeWitt: Forms Derived from a Cube in Two and Three Dimension, and One Wall Work,” Krakow Witkin Gallery, Boston, MA (1/8 – 2/29/20) “Sol LeWitt,” Reykjavík Art Museum, Reykjavík, Iceland (2/15–5/24/20) 2019 “Sol LeWitt: Structures”, Massachusetts Museum of Contemporary Art, North Adams, MA (5/28/17 – 7/12/19) “Sol LeWitt: Lines, Forms, Volumes 1970s to Present,” Alfonso Artiaco, Napoli, Italy (9/10— 11/2/19) “Book as a System: The Artists’ Books of Sol LeWitt,” Printed Matter, New York, NY (6/28— 9/29/19) “One Wall, One Work,” Krakow Witkin Gallery, Boston, MA (3/30—5/4/19) “Sol LeWitt,” Perrotin, Shanghai, China (3/22—5/25/19) 2018 “Sol LeWitt: Large Gouaches,” Paula Cooper Gallery, New York, NY (11/3—12/15/18) “Sol LeWitt: Lines in All Directions,” Mignoni Gallery, New York, NY (11/1/18—2/9/19) “Black Cubes: Sol LeWitt,” The Modern Institute, Glaskow, Scotland (4/20—5/26/18) “By Hand: Sol LeWitt,” Mattatuck Museum, Waterbury, CT (4/8—6/10/18) “Sol LeWitt Wall Drawings: Expanding a Legacy," Yale University Art Gallery, New Haven, CT (3/2/18—1/27/19) “Sol LeWitt,” Honor Fraser Gallery, Los Angeles, CA (2/17—5/12/18) 2017 “Sol LeWitt Between the Lines,” Fondazione Carriero, Milan, Italy (11/17/17—6/23/18) “Sol LeWitt: Progression