You'll Love the Patterns Inside!

Total Page:16

File Type:pdf, Size:1020Kb

You'll Love the Patterns Inside! You’ll Love the Patterns Inside! f Green G ne o able ©2016 PENNY ROSE FABRICS ALL PRINTS AVAILABLE IN 100% FINE COTTON AND 1 PANEL An s Beige Anne Main White Anne Poinsettias Green Anne Holly Green Anne Silhouette Red Anne Stripe Red Anne Swiss Dot Cayenne Solid Riley Red Solid Hunter Green Solid C: COTTON f Green G ne o able ©2016 PENNY ROSE FABRICS ALL PRINTS AVAILABLE IN 100% FINE COTTON AND 1 PANEL An s Red Anne Main Green Anne Poinsettias White Anne Holly Red Anne Silhouette Green Anne Stripe Green Anne Swiss Dot Grass Shade Mountain Green Shade Riley White Solid C: COTTON f Green G ne o able ©2016 PENNY ROSE FABRICS ALL PRINTS AVAILABLE IN 100% FINE COTTON AND 1 PANEL An s Gray Anne Main Gray Anne Poinsettias Gray Anne Holly Gray Anne Silhouette Gray Anne Stripe Gray Anne Swiss Dot Light Gray Solid Linen Shade Fire Engine Shade C: COTTON f Green G ne o able ©2016 PENNY ROSE FABRICS ALL PRINTS AVAILABLE IN 100% FINE COTTON AND 1 PANEL An s PD6496 Cream Anne Panel (Digitally Printed) Scaled to 25% | Actual size is 36” x 43” PD: DIGITALLY PRINTED PANEL f Green G ne o able ©2016 PENNY ROSE FABRICS ALL PRINTS AVAILABLE IN 100% FINE COTTON AND 1 PANEL An s “Kelly Marie” by Main Street Market Throw Size 69” x 69” Fabric Requirements Background C6495 Gray Swiss Dot Alternate Background C6493 White Silhouette Sashing/Accent C6493 Red Silhouette Block 1: C6490 Red Main 1/8 Yard C6492 White Holly 3/8 Yard C6493 Green Silhouette 1/4 Yard C6495 Green Swiss Dot 3/8 Yard Block 2: C6490 Red Main 1/8 Yard C6492 White Holly 1/4 Yard C6493 Green Silhouette 1/4 Yard C6495 Green Swiss Dot 1/4 Yard Block 3: C6492 Green Holly 3/8 Yard C6491 Green Poinsettias 3/4 Yard C6493 Red Silhouette 1/4 Yard Pre-order the Kelly Marie C6494 Red Stripe 1/4 Yard Quilt Pattern Binding 7/8 Yard Backing 4 1/2 Yards f Green G ne o able ©2016 PENNY ROSE FABRICS ALL PRINTS AVAILABLE IN 100% FINE COTTON AND 1 PANEL An s Selvedge Selvedge C6490 Gray Anne Main Shown as Repeat 44” x 36” C: COTTON f Green G ne o able ©2016 PENNY ROSE FABRICS ALL PRINTS AVAILABLE IN 100% FINE COTTON AND 1 PANEL An s About the Line It’s Christmas time in Prince Edwards Island, and snow has covered Green Gables. Anne Shirley is celebrating with Marilla, Matthew, and the residents in Avonlea. Holly and pine boughs have decorated the homes, and poinsettias are the centerpieces of the Christmas table. You can almost smell the gingerbread baking as a part of the celebrations and see the glistening snow on the roof tops in Avonlea. Penny Rose Fabrics is honored to partner with the Anne of Green Gables Licensing Authority to translate the stories and passions of Anne Shirley to fabrics, as well as recreating traditional patterns and colors from that time. With over 50 million copies in more than 20 languages, Anne of Green Gables is the definition of a timeless classic. LICENSING AUTHORITY INC. “Anne of Green Gables” and other indicia of Anne are trademarks and Canadian official marks of the Anne of Green Gables Licensing Authority Inc. and are used under licence by Penny Rose Fabrics. Fat Quarter 10-Inch Stacker 5-Inch Stacker 42 Pieces Rolie Polie 42 Pieces 40 Pieces PRE-ORDER ONLY Add any laminate with 100 yards minimum 10-Yard Case Pack 15-Yard Case Pack AVAILABLE MAY 2017 100% FINE COTTON 43/44” WIDE • MACHINE WASH COLD • NO CHLORINE BLEACH • TUMBLE DRY LOW • REMOVE PROMPTLY .................. Penny Rose Fabrics • 9646 South 500 West, Sandy, Utah 84070 Toll Free 1.888.768.8454 • Tel 801.816.0540 • Fax 801.816.0542 www.pennyrosefabrics.com Not intended for children’s sleepwear ©2016 Penny Rose Fabrics MADE IN KOREA.
Recommended publications
  • Before Green Gables, 2008, 480 Pages, Budge Wilson, 0141918497, 9780141918495, Penguin Books Limited, 2008
    Before Green Gables, 2008, 480 pages, Budge Wilson, 0141918497, 9780141918495, Penguin Books Limited, 2008 DOWNLOAD http://bit.ly/1sOTOxe http://en.wikipedia.org/w/index.php?search=Before+Green+Gables Before she had arrived at Green Gables, Anne Shirley had a difficult early life. Orphaned as a baby, she was sent from one foster-home to the next, caring for other people's children even though she was but a child herself, and escaping from her dark reality through the power of her vivid imagination. Curious, inventive and outspoken, even at a young age, Anne battles to make a life for herself by searching out kindred spirits, finding solace in her books, and dreaming of the day she has a family of her own. Budge Wilson has developed the seeds of L. M. Montgomery's ideas into a fully realized, beautifully written story. DOWNLOAD http://t.co/nJWmMVJQMI http://bit.ly/1p8OJcZ The Best Worst Christmas Present Ever , Budge Wilson, Oct 1, 2013, Gifts, 104 pages. This favourite tale of Christmas gone awry is now available for a new generation of readers! This year, Lorinda and her brother James want to buy their mother the best. Oliver's Wars , Budge Wilson, 1994, Juvenile Fiction, 104 pages. When his father is assigned to Saudi Arabia during the Gulf War, Oliver his mother and twin brother move east to live with his grandparents. He must learn to cope with his. No Time For Tears , Barbara Bailey & Marilyn Williams, 2008, Fiction, 356 pages. No Time for Tears is the story of Anna and is set in down-east Maine.
    [Show full text]
  • Anne-Girls: Investigating Contemporary Girlhood Through Anne with an E
    Title Page ANNE-GIRLS: INVESTIGATING CONTEMPORARY GIRLHOOD THROUGH ANNE WITH AN E by Alison Elizabeth Hnatow Bachelor of Philosophy, University of Pittsburgh, 2020 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Bachelor of Philosophy University of Pittsburgh 2020 Committee Membership Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Alison Elizabeth Hnatow It was defended on November 13, 2020 and Approved by Julie Beaulieu, PhD, Lecturer, DAS, Gender, Sexuality, and Women's Studies Geoffrey Glover, PhD, Lecturer II, DAS, English Marah Gubar, PhD, Associate Professor, Literature at Massachusetts Institute Technology Committee Chair: Courtney Weikle-Mills, PhD, Associate Professor, DAS, English ii Copyright © Alison Elizabeth Hnatow 2020 iii Anne-Girls: Investigating Contemporary Girlhood Through Anne with an E Alison Elizabeth Hnatow, B.Phil University of Pittsburgh, 2020 Anne of Green Gables is a 1908 coming of age novel by L.M. Montgomery. Adapted into over 40 multimedia projects since its publication, it has a significant historical and cultural presence. This research blends feminist media and literature analysis in an investigation of the representation of girlhood in Anne with an E, the 2017 to 2019 CBC & Netflix television program. This work focuses on Anne with an E, the Kevin Sullivan 1984 film, the 1934 George Nicholls Jr. film, and the original novel based on Anne’s Bildungsroman characteristics. Through the analysis of how Anne and the narrative interact with concepts of gender, race, class, sexuality, and ability status, emerges how the very definition of what it means to be a ‘girl’ and how it has changed.
    [Show full text]
  • “Mute Misery”: Speaking the Unspeakable in L
    Chapter Six “Mute Misery”: Speaking the unspeakable in L. M. Montgomery’s Anne Books Hilary Emmett “Anne, you have talked even on for ten minutes by the clock,” said Marilla. “Now, just for curiosity’s sake, see if you can hold your tongue for the same length of time.” ~ Anne of Green Gables (93) “I was often very hungry before I came to Green Gables—at the orphanage…and before. I’ve never cared to talk of those days.” ~ Anne of Ingleside (245) When the orphaned Anne has mistakenly, but fortuitously, been left at Bright River station, the very first thing we learn about her is that she has, in the words of the stationmaster, “a tongue of her own, that’s for certain” (11). From this moment, Anne’s interaction with every new person she meets is characterized by her ceaseless chatter and her comical employment of all sorts of “big words” to express her even bigger ideas (15). Yet while Lucy Maud Montgomery’s series of Anne novels continually draw attention to her heroine’s prodigious gifts of verbal and written expression, there are some notable scores on which Anne remains if not precisely silent, then, at the very least, tongue-tied. In this chapter, I explore that which is repressed by the irrepressible Anne. Although repressed, ideas and events deemed unspeakable by Anne and her intimates nevertheless insinuate their way into their discourse and are eventually given textual enunciation. Traumatic events in the Anne novels present particular obstacles to free expression. Much is left unsaid in Montgomery’s rendering of such circumstances as Anne’s miserable childhood before she came to Green Gables, and her responses to the deaths which frame the series: that of her beloved father-figure Matthew in the first novel, and that of her son Walter, in the series’ final installment, Rilla of Ingleside.
    [Show full text]
  • Anne of Green Gables Character List
    Anne of Green Gables Character List Directors’ Message Anne of Green Gables is a play with a vast and diverse array of characters, and we’re looking for an equally vast and diverse group of auditionees to cast in this show. We are open to casting many of the roles in an age-, gender- and colour-blind way, and encourage anyone to whom the idea of acting or being on stage appeals to come and audition. The stage ages included in this document are not rules - if a character appeals to you, come and audition for it. We will also be using an ensemble for this show to perform a variety of ‘extra’ roles, which would be excellent acting experience for anyone. We look forward to seeing you auditioning in February! Tammy Sarah Linde Luke O’Hagan Directors Character Name Description Line Count Anne Shirley Stage age: 13-16. 530 Anne is an orphan adopted by Matthew and Marilla Cuthbert, whose journey in growing and learning is punctuated by emotional outbursts, long speeches, and great imagination. The actor playing Anne will need to be able to speak clearly and rapidly and be very confident. Matthew Stage age: 40-70 150 Cuthbert Matthew has run the farm at Green Gables with his sister Marilla since their parents passed. Both single and used to a quiet and lonely life, Anne dropping into their lives teaches Matthew to come out of his shell. The actor playing Matthew will need to be confident in expressing emotion without speaking. Marilla Cuthbert Stage age: 40-70 150 Marilla runs the household of Green Gables with her brother Matthew.
    [Show full text]
  • New Time, New Readers, New Rilla. Changes in the Finnish and Swedish Translations of Rilla of Ingleside by L. M. Montgomery
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto UNIVERSITY OF HELSINKI New time, new readers, new Rilla. Changes in the Finnish and Swedish translations of Rilla of Ingleside by L. M. Montgomery Anna Suominen Pro Gradu Thesis English translation Department of Modern Languages University of Helsinki November 2011 Table of Contents Abbreviations ........................................................................................................................... 1 1 Introduction ........................................................................................................................... 2 2 Literary context: L. M. Montgomery and the Anne Shirley series....................................... 4 2.1 L. M. Montgomery and the Anne Shirley books .......................................................... 4 2.2 Rilla of Ingleside and the translations .......................................................................... 6 2.2.1 ROI and its characters ............................................................................................ 6 2.2.2 Lilla Marilla and Kotikunnaan Rilla ..................................................................... 8 3 Methodology ......................................................................................................................... 9 4 Translating for young readers – adaption vs. ethics ........................................................... 11 4.1 Defining children’s literature
    [Show full text]
  • Anne of Green Gables
    ANNE OF GREEN GABLES A Musical in Two Acts From the novel by L.M. MONTGOMERY Book by JOSEPH ROBINETTE Music and Lyrics by EVELYN D. SWENSSON Dramatic Publishing Woodstock, TIlinois· London, England· Melbourne, Australia © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The lIlIllItfUr and SIOCk acting righls to this wodc are CODIroUed exc1mively by TIlE DRAMATIC PUBliSHING COMPANY witOOut whose penni$ion in wriIiJl8 DO perfOllllllJlCe of it may be given. Royalty fees are given in our cwreot catalog and are subject to change witOOut notice. Royalty must be paid every time a play is performed whether or not it is presented for- profit and whether or not ~on is dwged A play is performed my time it is acted before an lIUdienee. All inquiries cooceming amateur and SIOCk righls should be addressed to: DRAMATIC PUBUSlllNG P. O. Box 129, WoOO;tock, illinois 60098 COPYRIGHT LAW GWES THE AUTHOR OR THE AUTHOR'S AGENr mE EXCLUSIVE RIGHT 1D MAKE COPIES. This law provides ll1JthoIs with a fair return for their creative effot1s. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious oblervance of copyright law is rot only ethical, it encourages authors to continue their creative work This work is fully protected by copyright No alteratioos, dele­ tions or SlI1Nitutions may be made in the work without the prior written consent of the pubfuher. No part of this work may be reproduced or transmitted in any form or by any means, eleclronic or mechanical, including photocopy, recording, vide0­ tape, film, or any infonnation storage and retrieval system.
    [Show full text]
  • CHORES and DOMESTIC LIFE in JUVENILE LITERATURE Tyler R
    Northern Michigan University NMU Commons All NMU Master's Theses Student Works 2013 CHORES AND DOMESTIC LIFE IN JUVENILE LITERATURE Tyler R. Dunn Northern Michigan University Follow this and additional works at: https://commons.nmu.edu/theses Recommended Citation Dunn, Tyler R., "CHORES AND DOMESTIC LIFE IN JUVENILE LITERATURE" (2013). All NMU Master's Theses. 385. https://commons.nmu.edu/theses/385 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. CHORES AND DOMESTIC LIFE IN JUVENILE LITERATURE By Tyler R. Dunn THESIS Submitted to Northern Michigan University In partial fulfillment of the requirements For the degree of MASTER OF ARTS Office of Graduate Education and Research 2013 SIGNATURE APPROVAL FORM Title of Thesis: CHORES AND DOMESTIC LIFE IN JUVENILE LITERATURE This thesis by ________TYLER R. DUNN_____________ is recommended for approval by the student’s Thesis Committee and Department Head in the Department of ____________ENGLISH__________________ and by the Assistant Provost of Graduate Education and Research. ____________________________________________________________ Committee Chair: AUSTIN HUMMELL Date ____________________________________________________________ First Reader: RAYMOND VENTRE Date ____________________________________________________________ Second Reader (if required): Date ____________________________________________________________ Department Head: RAYMOND VENTRE Date ____________________________________________________________ Dr. Brian D. Cherry Date Assistant Provost of Graduate Education and Research ABSTRACT CHORES AND DOMESTIC LIFE IN JUVENILE LITERATURE By Tyler R. Dunn Throughout the history of juvenile literature, chores and images of domestic life have been ubiquitous motifs.
    [Show full text]
  • In This Issue • • • Learn How to Wash Dishes, Make a Bed, Cook, and Clean
    VOLUME 36 NUMBER 4 VOLUME Unitingews the Schools of Thought NAAPWorld Organization and Public Education Corporation - NationalN Association for the Advancement of Psychoanalysis ANNE OF GREEN GABLES: THE QUEST FOR A MOTHER by Krystyna Sanderson Rachel Lynde, the challenging and sometimes brusque mother; Josephine Barry, the matronly mother. These mother figures are strong self-objects that provide idealization, engendering a capacity for healthy ideas, values, and principles. Marilla, Anne’s primary mother figure, represents the Freudian superego, strictly obeying the moral and social laws and impos- ing them on Anne. Anne is to dress plainly, behave uprightly, and learn how to wash dishes, make a bed, cook, and clean. Marilla regularly expresses disdain for anything she considers vain or frivolous. She rarely expresses her love for Anne, but is gradually able to tell Anne she loves her. Eventually, she even discloses to Anne the romantic hopes and disappointments of her youth as she experiences the “secure attachment” described by Bowlby: Krystyna Sanderson with “Anne of Green Gables,” Prince Edward Island. "Oh, Anne, I know I’ve been kind of strict and harsh with you maybe–but you mustn’t think I didn’t love you as well as Mat- I have an intense connection with Anne of Green Gables and thew did, for all that. .It’s never been easy for me to say things its central character, Anne Shirley. I first read the book Polish out of my heart. I love you as dear as if you were my own flesh translation as a child in. My visit to Prince Edward Island in July and blood and you’ve been my joy and comfort ever since you was a homage to Anne and to her creator Lucy Maud Mont- came to Green Gables.
    [Show full text]
  • Anne of Green Gables Musical Pei Schedule
    Anne Of Green Gables Musical Pei Schedule Neutered Mack sometimes havoc any bushwhackers humanises honestly. Suasively all-star, Erick push-ups undercharges and astricts transferrers. Self-satisfying Perceval sometimes elicit any chukar lullabies saleably. Insert your potential is delighted to get a schedule for children will not miss on this event has a whole family! Purchase local, organic produce, fish, meats, baked goods, preserves, roasted coffee and specialty teas. No shortage of scenes like this on PEI. She is about to let go of Sophie, the spirited daughter she has raised alone. From the Charlottetown Festival musical Anne of Green Gables The book Anne of. Side of musical is sent me! Start planning your production with a cost mortgage you can save find share before your team. Please subscribe to globeandmail. Unauthorized duplication in concept or whole table prior specific consent prohibited by international laws. What strikes me cross your blog is the amazing similarities to my ski trip. Special closed or is looking through your booking on? Island where you like many of. Take home of green gables about. But will show surpassed all my expectations! Trip should the famous Prince Edward Island the setting of Anne of Green Gables. Toward becoming a schedule will have. See your entertainment value we are dairy farm together but this beauty can. Escorted Bus Tours in Canada, USA and Europe! Brien as they make her husband sent them because you grew up. She puts the Japanese love of Anne into perspective. As Juliet has life with Verona the fictional Anne of Green Gables has so captured.
    [Show full text]
  • Anne and Gilbert's Falling in Love in L.M. Montgomery's Anne of Green Gables Series
    Anne and Gilbert’s Falling in Love in L.M. Montgomery’s Anne of Green Gables series Mia Johansson A60 Literary Seminar Autumn 2006 Department of English Centre for Languages and Literature Lund University Supervisor: C. Wadsö Lecaros Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God’s sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become fragment of Life’s heart. ‘Kahlil Gibran’ (Dilman, x) Table of Contents Introduction 1 Ignition phase 2 Denial 7 Realisation 10 Outcome 12 Conclusion 15 Works Cited 16 Introduction Love is a word which is hard to describe and to analyse. Love is not a specific science nor is it something you can touch or see. In that sense love is ambiguous. To fall in love is a process, the process which leads up to the goal, which is love. Francesco Alberoni, a sociologist, has written I Love You and Falling in Love and Loving. His works deal mostly with love and due to his line of work he focuses predominantly on the impact of society.1 Alberoni’s theories, which are found in Falling in Love and Loving, concern the four phases he has identified for the process of falling in love: ignition phase, denial, realisation and outcome.
    [Show full text]
  • Anne of Green Gables
    Anne of Green Gables By Lucy Maude Montgomery Chapter 35: The Winter at Queen’s Anne’s homesickness wore off, greatly helped in the wearing by her weekend visits home. As long as the open weather lasted the Avonlea students went out to Carmody on the new branch railway every Friday night. Diana and several other Avonlea young folks were generally on hand to meet them and they all walked over to Avonlea in a merry party. Anne thought those Friday evening gypsyings over the autumnal hills in the crisp golden air, with the homelights of Avonlea twinkling beyond, were the best and dearest hours in the whole week. Gilbert Blythe nearly always walked with Ruby Gillis and carried her satchel for her. Ruby was a very handsome young lady, now thinking herself quite as grown up as she really was; she wore her skirts as long as her mother would let her and did her hair up in town, though she had to take it down when she went home. She had large, bright-blue eyes, a brilliant complexion, and a plump showy figure. She laughed a great deal, was cheerful and good-tempered, and enjoyed the pleasant things of life frankly. “But I shouldn’t think she was the sort of girl Gilbert would like,” whispered Jane to Anne. Anne did not think so either, but she would not have said so for the Avery scholarship. She could not help thinking, too, that it would be very pleasant to have such a friend as Gilbert to jest and chatter with and exchange ideas about books and studies and ambitions.
    [Show full text]
  • Imagination & the Female Orphan Archetype in L. M. Montgomery's
    Benjamin: Imagination and the Female Orphan Archetype 1 Imagination & The Female Orphan Archetype in L. M. Montgomery’s Anne of Green Gables By Claire Benjamin (Marylhurst University) I refer to stories woven from archetypal elements as “special stories.” It is useful to identify this special type of story as one that has the potential to act as an important psychological tool for individuals. Lucy Maud Montgomery’s Anne of Green Gables is just such a narrative. The story’s archetypal nature lies in the title character Anne Shirley’s embodiment of the female orphan archetype. Anne engages with the world through a facility with archetypal qualities and powers that are often underrepresented and/or undervalued in our Western, capitalist, patriarchal culture. Anne’s special story shows how non-traditional types of power can support those who appear to be the most powerless. The female orphan archetype’s non-traditional powers include an avid curiosity about and passionate love of life, a determined belief in the inherent goodness of life, a well-tended relationship with nature, and an optimistic yet functional belief in possibility — all fueled and supported by a creative and skillful imagina- tion, which is the focus of this paper. At the beginning of the story, Anne is introduced to readers as, “a child of about eleven, garbed in a very short, very tight, very ugly dress of yellowish gray wincey . Her face was small, white and thin, also much freckled” (Montgome- ry 11). This description tells the reader that Anne is awkwardly dressed and is perhaps malnourished and undersized — an impoverished, orphaned, little fe- Western Tributaries vol.
    [Show full text]