An Introduction to TEX and LATEX
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Typesetting Classical Greek Philology Could Not find Anything Really Suitable for Her
276 TUGboat, Volume 23 (2002), No. 3/4 professor of classical Greek in a nearby classical high Philology school, was complaining that she could not typeset her class tests in Greek, as she could do in Latin. I stated that with LATEX she should not have any The teubner LATEX package: difficulty, but when I started searching on CTAN,I Typesetting classical Greek philology could not find anything really suitable for her. At Claudio Beccari that time I found only the excellent Greek fonts de- signed by Silvio Levy [1] in 1987 but for a variety of Abstract reasons I did not find them satisfactory for the New The teubner package provides support for typeset- Font Selection Scheme that had been introduced in LAT X in 1994. ting classical Greek philological texts with LATEX, E including textual and rhythmic verse. The special Thus, starting from Levy’s fonts, I designed signs and glyphs made available by this package may many other different families, series, and shapes, also be useful for typesetting philological texts with and added new glyphs. This eventually resulted in other alphabets. my CB Greek fonts that now have been available on CTAN for some years. Many Greek users and schol- 1 Introduction ars began to use them, giving me valuable feedback In this paper a relatively large package is described regarding corrections some shapes, and, even more that allows the setting into type of philological texts, important, making them more useful for the com- particularly those written about Greek literature or munity of people who typeset in Greek — both in poetry. -
On-The-Fly Garbage Collection: an Exercise in Cooperation
8. HoIn, B.K.P. Determining lightness from an image. Comptr. Graphics and Image Processing 3, 4(Dec. 1974), 277-299. 9. Huffman, D.A. Impossible objects as nonsense sentences. In Machine Intelligence 6, B. Meltzer and D. Michie, Eds., Edinburgh U. Press, Edinburgh, 1971, pp. 295-323. 10. Mackworth, A.K. Consistency in networks of relations. Artif. Intell. 8, 1(1977), 99-118. I1. Marr, D. Simple memory: A theory for archicortex. Philos. Trans. Operating R.S. Gaines Roy. Soc. B. 252 (1971), 23-81. Systems Editor 12. Marr, D., and Poggio, T. Cooperative computation of stereo disparity. A.I. Memo 364, A.I. Lab., M.I.T., Cambridge, Mass., 1976. On-the-Fly Garbage 13. Minsky, M., and Papert, S. Perceptrons. M.I.T. Press, Cambridge, Mass., 1968. Collection: An Exercise in 14. Montanari, U. Networks of constraints: Fundamental properties and applications to picture processing. Inform. Sci. 7, 2(April 1974), Cooperation 95-132. 15. Rosenfeld, A., Hummel, R., and Zucker, S.W. Scene labelling by relaxation operations. IEEE Trans. Systems, Man, and Cybernetics Edsger W. Dijkstra SMC-6, 6(June 1976), 420-433. Burroughs Corporation 16. Sussman, G.J., and McDermott, D.V. From PLANNER to CONNIVER--a genetic approach. Proc. AFIPS 1972 FJCC, Vol. 41, AFIPS Press, Montvale, N.J., pp. 1171-1179. Leslie Lamport 17. Sussman, G.J., and Stallman, R.M. Forward reasoning and SRI International dependency-directed backtracking in a system for computer-aided circuit analysis. A.I. Memo 380, A.I. Lab., M.I.T., Cambridge, Mass., 1976. A.J. Martin, C.S. -
The File Cmfonts.Fdd for Use with Latex2ε
The file cmfonts.fdd for use with LATEX 2".∗ Frank Mittelbach Rainer Sch¨opf 2019/12/16 This file is maintained byA theLTEX Project team. Bug reports can be opened (category latex) at https://latex-project.org/bugs.html. 1 Introduction This file contains the external font information needed to load the Computer Modern fonts designed by Don Knuth and distributed with TEX. From this file all .fd files (font definition files) for the Computer Modern fonts, both with old encoding (OT1) and Cork encoding (T1) are generated. The Cork encoded fonts are known under the name ec fonts. 2 Customization If you plan to install the AMS font package or if you have it already installed, please note that within this package there are additional sizes of the Computer Modern symbol and math italic fonts. With the release of LATEX 2", these AMS `extracm' fonts have been included in the LATEX font set. Therefore, the math .fd files produced here assume the presence of these AMS extensions. For text fonts in T1 encoding, the directive new selects the new (version 1.2) DC fonts. For the text fonts in OT1 and U encoding, the optional docstrip directive ori selects a conservatively generated set of font definition files, which means that only the basic font sizes coming with an old LATEX 2.09 installation are included into the \DeclareFontShape commands. However, on many installations, people have added missing sizes by scaling up or down available Metafont sources. For example, the Computer Modern Roman italic font cmti is only available in the sizes 7, 8, 9, and 10pt. -
Arxiv:1909.05204V3 [Cs.DC] 6 Feb 2020
Cogsworth: Byzantine View Synchronization Oded Naor, Technion and Calibra Mathieu Baudet, Calibra Dahlia Malkhi, Calibra Alexander Spiegelman, VMware Research Most methods for Byzantine fault tolerance (BFT) in the partial synchrony setting divide the local state of the nodes into views, and the transition from one view to the next dictates a leader change. In order to provide liveness, all honest nodes need to stay in the same view for a sufficiently long time. This requires view synchronization, a requisite of BFT that we extract and formally define here. Existing approaches for Byzantine view synchronization incur quadratic communication (in n, the number of parties). A cascade of O(n) view changes may thus result in O(n3) communication complexity. This paper presents a new Byzantine view synchronization algorithm named Cogsworth, that has optimistically linear communication complexity and constant latency. Faced with benign failures, Cogsworth has expected linear communication and constant latency. The result here serves as an important step towards reaching solutions that have overall quadratic communication, the known lower bound on Byzantine fault tolerant consensus. Cogsworth is particularly useful for a family of BFT protocols that already exhibit linear communication under various circumstances, but suffer quadratic overhead due to view synchro- nization. 1. INTRODUCTION Logical synchronization is a requisite for progress to be made in asynchronous state machine repli- cation (SMR). Previous Byzantine fault tolerant (BFT) synchronization mechanisms incur quadratic message complexities, frequently dominating over the linear cost of the consensus cores of BFT so- lutions. In this work, we define the view synchronization problem and provide the first solution in the Byzantine setting, whose latency is bounded and communication cost is linear, under a broad set of scenarios. -
Surviving the TEX Font Encoding Mess Understanding The
Surviving the TEX font encoding mess Understanding the world of TEX fonts and mastering the basics of fontinst Ulrik Vieth Taco Hoekwater · EuroT X ’99 Heidelberg E · FAMOUS QUOTE: English is useful because it is a mess. Since English is a mess, it maps well onto the problem space, which is also a mess, which we call reality. Similary, Perl was designed to be a mess, though in the nicests of all possible ways. | LARRY WALL COROLLARY: TEX fonts are mess, as they are a product of reality. Similary, fontinst is a mess, not necessarily by design, but because it has to cope with the mess we call reality. Contents I Overview of TEX font technology II Installation TEX fonts with fontinst III Overview of math fonts EuroT X ’99 Heidelberg 24. September 1999 3 E · · I Overview of TEX font technology What is a font? What is a virtual font? • Font file formats and conversion utilities • Font attributes and classifications • Font selection schemes • Font naming schemes • Font encodings • What’s in a standard font? What’s in an expert font? • Font installation considerations • Why the need for reencoding? • Which raw font encoding to use? • What’s needed to set up fonts for use with T X? • E EuroT X ’99 Heidelberg 24. September 1999 4 E · · What is a font? in technical terms: • – fonts have many different representations depending on the point of view – TEX typesetter: fonts metrics (TFM) and nothing else – DVI driver: virtual fonts (VF), bitmaps fonts(PK), outline fonts (PFA/PFB or TTF) – PostScript: Type 1 (outlines), Type 3 (anything), Type 42 fonts (embedded TTF) in general terms: • – fonts are collections of glyphs (characters, symbols) of a particular design – fonts are organized into families, series and individual shapes – glyphs may be accessed either by character code or by symbolic names – encoding of glyphs may be fixed or controllable by encoding vectors font information consists of: • – metric information (glyph metrics and global parameters) – some representation of glyph shapes (bitmaps or outlines) EuroT X ’99 Heidelberg 24. -
The Pdftex Users Manual
PDFTEX users manual Hàn Thê Thành Sebastian Rahtz Hans Hagen Hartmut Henkel Contents 1 Introduction 9 Character translation 2 About PDF 10 Limitations of PDFTEX 3 Getting started 4 Macro packages supporting PDFTEX Abbreviations 5 Setting up fonts Examples of HZ and protruding 6 Formal syntax specification Additional PDF keys 7 New primitives Colophon 8 Graphics and color GNU Free Documentation License 1 Introduction The main purpose of the pdfTEX project is to create and maintain an extension of TEX that can produce pdf directly from TEX source files and improve/enhance the result of TEX typesetting with the help of pdf. When pdf output is not selected, pdfTEX produces normal dvi output, otherwise it generates pdf output that looks identical to the dvi output. An important aspect of this project is to investigate alternative justification algorithms (e. g. a font expansion algorithm akin to the hz micro--typography algorithm by Prof. Hermann Zapf), optionally making use of multiple master fonts. pdfTEX is based on the original TEX sources and Web2c, and has been successfully compiled on Unix, Win32 and MSDos systems. It is under active development, with new features trickling in. Great care is taken to keep new pdfTEX versions backward compatible with earlier ones. For some years there has been a ‘moderate’ successor to TEX available, called ε-TEX. Because mainstream macro packages such as LATEX have started supporting this welcome extension, pdfTEX also is available as pdfeTEX. Although in this document we will speak of pdfTEX, we advise users to use pdfeTEX when available.That way they get the best of all worlds and are ready for the future. -
Mathematical Writing by Donald E. Knuth, Tracy Larrabee, and Paul M
Mathematical Writing by Donald E. Knuth, Tracy Larrabee, and Paul M. Roberts This report is based on a course of the same name given at Stanford University during autumn quarter, 1987. Here's the catalog description: CS 209. Mathematical Writing|Issues of technical writing and the ef- fective presentation of mathematics and computer science. Preparation of theses, papers, books, and \literate" computer programs. A term paper on a topic of your choice; this paper may be used for credit in another course. The first three lectures were a \minicourse" that summarized the basics. About two hundred people attended those three sessions, which were devoted primarily to a discussion of the points in x1 of this report. An exercise (x2) and a suggested solution (x3) were also part of the minicourse. The remaining 28 lectures covered these and other issues in depth. We saw many examples of \before" and \after" from manuscripts in progress. We learned how to avoid excessive subscripts and superscripts. We discussed the documentation of algorithms, com- puter programs, and user manuals. We considered the process of refereeing and editing. We studied how to make effective diagrams and tables, and how to find appropriate quota- tions to spice up a text. Some of the material duplicated some of what would be discussed in writing classes offered by the English department, but the vast majority of the lectures were devoted to issues that are specific to mathematics and/or computer science. Guest lectures by Herb Wilf (University of Pennsylvania), Jeff Ullman (Stanford), Leslie Lamport (Digital Equipment Corporation), Nils Nilsson (Stanford), Mary-Claire van Leunen (Digital Equipment Corporation), Rosalie Stemer (San Francisco Chronicle), and Paul Halmos (University of Santa Clara), were a special highlight as each of these outstanding authors presented their own perspectives on the problems of mathematical communication. -
Miktex Manual Revision 2.0 (Miktex 2.0) December 2000
MiKTEX Manual Revision 2.0 (MiKTEX 2.0) December 2000 Christian Schenk <[email protected]> Copyright c 2000 Christian Schenk Permission is granted to make and distribute verbatim copies of this manual provided the copyright notice and this permission notice are preserved on all copies. Permission is granted to copy and distribute modified versions of this manual under the con- ditions for verbatim copying, provided that the entire resulting derived work is distributed under the terms of a permission notice identical to this one. Permission is granted to copy and distribute translations of this manual into another lan- guage, under the above conditions for modified versions, except that this permission notice may be stated in a translation approved by the Free Software Foundation. Chapter 1: What is MiKTEX? 1 1 What is MiKTEX? 1.1 MiKTEX Features MiKTEX is a TEX distribution for Windows (95/98/NT/2000). Its main features include: • Native Windows implementation with support for long file names. • On-the-fly generation of missing fonts. • TDS (TEX directory structure) compliant. • Open Source. • Advanced TEX compiler features: -TEX can insert source file information (aka source specials) into the DVI file. This feature improves Editor/Previewer interaction. -TEX is able to read compressed (gzipped) input files. - The input encoding can be changed via TCX tables. • Previewer features: - Supports graphics (PostScript, BMP, WMF, TPIC, . .) - Supports colored text (through color specials) - Supports PostScript fonts - Supports TrueType fonts - Understands HyperTEX(html:) specials - Understands source (src:) specials - Customizable magnifying glasses • MiKTEX is network friendly: - integrates into a heterogeneous TEX environment - supports UNC file names - supports multiple TEXMF directory trees - uses a file name database for efficient file access - Setup Wizard can be run unattended The MiKTEX distribution consists of the following components: • TEX: The traditional TEX compiler. -
About Basictex-2021
About BasicTeX-2021 Richard Koch January 2, 2021 1 Introduction Most TeX distributions for Mac OS X are based on TeX Live, the reference edition of TeX produced by TeX User Groups across the world. Among these is MacTeX, which installs the full TeX Live as well as front ends, Ghostscript, and other utilities | everything needed to use TeX on the Mac. To obtain it, go to http://tug.org/mactex. 2 Basic TeX BasicTeX (92 MB) is an installation package for Mac OS X based on TeX Live 2021. Unlike MacTeX, this package is deliberately small. Yet it contains all of the standard tools needed to write TeX documents, including TeX, LaTeX, pdfTeX, MetaFont, dvips, MetaPost, and XeTeX. It would be dangerous to construct a new distribution by going directly to CTAN or the Web and collecting useful style files, fonts and so forth. Such a distribution would run into support issues as the creators move on to other projects. Luckily, the TeX Live install script has its own notion of \installation packages" and collections of such packages to make \installation schemes." BasicTeX is constructed by running the TeX Live install script and choosing the \small" scheme. Thus it is a subset of the full TeX Live with exactly the TeX Live directory structure and configuration scripts. Moreover, BasicTeX contains tlmgr, the TeX Live Manager software introduced in TeX Live 2008, which can install additional packages over the network. So it will be easy for users to add missing packages if needed. Since it is important that the install package come directly from the standard TeX Live distribution, I'm going to explain exactly how I installed TeX to produce the install package. -
The Latex2ε Package Ccfonts
The LATEX 2" package ccfonts Walter Schmidt∗ (v1.2 { 2020/03/25) Contents 1 Prerequisites 1 2 Using the package 2 2.1 Package options . 3 2.2 Font encoding . 3 3 Known problems 3 4 NFSS classification of the Concrete typefaces 4 5 Implementation 4 5.1 Font setup for text mode . 4 5.2 Options . 5 5.2.1 Standard leading . 5 5.2.2 The option exscale .................. 5 5.2.3 The option slantedGreek ............... 6 5.3 The option boldsans ...................... 6 5.3.1 Processing options . 6 5.4 Font setup for math mode . 6 5.5 Initialization . 7 1 Prerequisites In order to make use of the package ccfonts, the following fonts and .fd files are required: ∗[email protected] 1 • The Concrete text fonts with traditional encoding (CTAN: fonts/ concrete/) • The Concrete text fonts with European encoding (CTAN: fonts/ ecc/) • The mathematical Concrete fonts (CTAN: fonts/concmath/) • The .fd files for the traditional and mathematical Concrete fonts (CTAN: macros/latex/contrib/supported/concmath/) • The .fd files for the European Concrete fonts, which are distributed and installed in conjunction with the ccfonts package On CTAN the fonts are available in METAFONT format. The Concrete typefaces are also provided in Type1 format from Micropress Inc, see <http://www.micropress-inc.com>. 2 Using the package The LATEX macro package ccfonts supports typesetting with the font fam- ily `Concrete'. Loading this package through \usepackage{ccfonts} will effect the following: • The default roman font family is changed to ccr, i.e. Concrete. • The default leading (\baselineskip) for the font sizes 8{12 pt is increased slightly. -
Verification and Specification of Concurrent Programs
Verification and Specification of Concurrent Programs Leslie Lamport 16 November 1993 To appear in the proceedings of a REX Workshop held in The Netherlands in June, 1993. Verification and Specification of Concurrent Programs Leslie Lamport Digital Equipment Corporation Systems Research Center Abstract. I explore the history of, and lessons learned from, eighteen years of assertional methods for specifying and verifying concurrent pro- grams. I then propose a Utopian future in which mathematics prevails. Keywords. Assertional methods, fairness, formal methods, mathemat- ics, Owicki-Gries method, temporal logic, TLA. Table of Contents 1 A Brief and Rather Biased History of State-Based Methods for Verifying Concurrent Systems .................. 2 1.1 From Floyd to Owicki and Gries, and Beyond ........... 2 1.2Temporal Logic ............................ 4 1.3 Unity ................................. 5 2 An Even Briefer and More Biased History of State-Based Specification Methods for Concurrent Systems ......... 6 2.1 Axiomatic Specifications ....................... 6 2.2 Operational Specifications ...................... 7 2.3 Finite-State Methods ........................ 8 3 What We Have Learned ........................ 8 3.1 Not Sequential vs. Concurrent, but Functional vs. Reactive ... 8 3.2Invariance Under Stuttering ..................... 8 3.3 The Definitions of Safety and Liveness ............... 9 3.4 Fairness is Machine Closure ..................... 10 3.5 Hiding is Existential Quantification ................ 10 3.6 Specification Methods that Don’t Work .............. 11 3.7 Specification Methods that Work for the Wrong Reason ..... 12 4 Other Methods ............................. 14 5 A Brief Advertisement for My Approach to State-Based Ver- ification and Specification of Concurrent Systems ....... 16 5.1 The Power of Formal Mathematics ................. 16 5.2Specifying Programs with Mathematical Formulas ........ 17 5.3 TLA ................................. -
P Font-Change Q UV 3
p font•change q UV Version 2015.2 Macros to Change Text & Math fonts in TEX 45 Beautiful Variants 3 Amit Raj Dhawan [email protected] September 2, 2015 This work had been released under Creative Commons Attribution-Share Alike 3.0 Unported License on July 19, 2010. You are free to Share (to copy, distribute and transmit the work) and to Remix (to adapt the work) provided you follow the Attribution and Share Alike guidelines of the licence. For the full licence text, please visit: http://creativecommons.org/licenses/by-sa/3.0/legalcode. 4 When I reach the destination, more than I realize that I have realized the goal, I am occupied with the reminiscences of the journey. It strikes to me again and again, ‘‘Isn’t the journey to the goal the real attainment of the goal?’’ In this way even if I miss goal, I still have attained goal. Contents Introduction .................................................................................. 1 Usage .................................................................................. 1 Example ............................................................................... 3 AMS Symbols .......................................................................... 3 Available Weights ...................................................................... 5 Warning ............................................................................... 5 Charter ....................................................................................... 6 Utopia .......................................................................................