DOCSLIB.ORG

Newest Releases REVIEW RECORDING of the MONTH

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Newest Releases REVIEW RECORDING of the MONTH Google Search Custom Search selling Internationaly Schubert sonatas Piano solo and duet Newest Releases Searching Musicweb Review Archive Resources Articles Seen & Heard Jazz reviews Message Board Announcements About Musicweb Site Map Founder: Len Mullenger Classical Editor: Rob Barnett REVIEW Some items Plain text for smartphones & printers to consider RECORDING OF THE MONTH Ludwig van BEETHOVEN (1770­1827) Gerard Hoffnung CDs Symphony No. 5 in C minor, Op. 67 (1807) [31.21] Symphony No. 7 in A major, Op. 92 (1812) [39.55] Pittsburgh Symphony Orchestra/Manfred Honeck Advertising on rec. live, 5­7 December 2014, Heinz Hall for the Performing Musicweb Arts, Pittsburgh, PA, USA REFERENCE RECORDINGS FR­718 SACD [71.27] This new Beethoven release from the Pittsburgh Symphony Orchestra under music director Manfred Honeck is the fourth in Reference Recordings ‘Pittsburgh Live’ series. Honeck has Free classical music concerts at his disposal one of the world’s finest orchestras. I still Donate and by Gothenburg Symphony recall an account of Olympian majesty they gave of Mahler get a free CD Orchestra. Symphony No. 5 at the Philharmonie during the Berlin Musikfest 2011 2011 on the 10th anniversary of the 9/11 New Releases RECORDING OF THE MONTH terrorist attacks on the World Trade Center. Support us financially by purchasing this from Commenced in 1800 Beethoven’s epic cycle of nine is revered as the composer’s greatest legacy to music culture with each symphony inhabiting its own individual world. Honeck explains “the name Beethoven holds an unbelievable fascination ­ and this is undoubtedly true for conductors who encounter all nine of the symphonies in the course of their own careers.” With such an outstanding choice of complete Beethoven cycles in the record catalogue it is difficult to Moravec ­ Twelfth Night Recital settle on one specific set. There are a few conductors who have recorded more than one cycle with 15%off £17.21 (until Dec 7) Karajan having recorded four. The complete sets that I reach for most often are from the Berliner Philharmoniker/Claudio Abbado on Deutsche Grammophon; Berliner Philharmoniker/André Cluytens on EMI; Wiener Philharmoniker/Karl Böhm on Deutsche Grammophon; Berliner Philharmoniker/Herbert von Karajan on Deutsche Grammophon (1961/62 cycle) and the 2013 release from the Symphonieorchester des Bayerischen Rundfunks/Mariss Jansons on BR Klassik. Scrupulous by nature this conductor has also made serious study of these works making a number of small modifications in these readings. Interestingly he notes that in recent years there have been relatively few recordings released in the USA of these two symphonies. Honeck has researched the last time the Pittsburgh Symphony Orchestra recorded the Fifth Symphony which was in 1965 and the Seventh Symphony even earlier in 1962 both under William Steinberg. Using a large orchestra one senses an elevated level of musical intelligence together with an unyielding structural coherence that produces impressively selected tempi, dynamic contrasts and moulding of phrase. These are mightily Katerina Englichová ­ harp compelling performances, buoyantly rhythmic with plenty of thrust when required. Striking too is the 15%0ff £10.83 (until Dec 7) penetrating lyricism and level of emotional intensity. The full bodied tone of the brass registers strongly as does the unified strength and expression of the strings especially the rich, dark timbre of the cellos and basses so crucial in providing a rock­solid foundation. Completed in 1808 the manuscript score of Symphony No. 5 in C minor is inscribed with a dedication to both Prince Lobkowitz and Count Rasumovsky. The English novelist E.M. Forster wrote of this work “the most sublime noise that has ever penetrated into the ear of man” and for good reason. Ever since its 1808 première in Vienna it has remained one of the most enduringly admired works of classical music. This live recording is fresh, incisive and authoritative. Marked Allegro con brio in the heroic opening movement the Pittsburgh players are bold and exhilarating with no want of biting intensity. One of my favourite movements in all Beethoven symphonies is the gloriously romantic Andante con moto in Clarinet transcriptions which Honeck displays splendid rhythmic control, painting a beautiful compassionate mood, revealing a Jonathan Cohler slightly sorrowful undertone. Honeck brings the same level of spine­tingling engagement to the slow Ongaku Records movement as his fellow countryman Karajan and his Berlin players in their 1962 Jesus Christus Kirche, Berlin account on Deutsche Grammophon. The third movement Allegro feels bold and highly spirited and the triumphant Finale: Allegro overflows with dauntless drama together with a martial swagger. The Symphony No. 7 in A major and the Symphony No. 8 in F major were both completed in 1812. Dedicated to Count Moritz von Fries the Seventh enjoyed great success at its 1813 première in Vienna. It was Wagner who famously described the symphony as the “apotheosis of the dance.” In Honeck's assured hands the extended opening Poco sostenuto ­ Vivace is irresistible in its compelling buoyancy and heroic power. There is an austere beauty to the much admired Allegretto together with a sacred feel to the undertow. Infectious is the sense of uplifting joy afforded to the dance rhythms of the Scherzo. The bold and unruly Finale is magnificently uplifting and moves forward with unrelenting energy. No matter how much drama Honeck and his Pittsburgh players give I have yet to hear a performance to equal the dramatic intensity that Wilhelm Furtwängler and the Berliner Philharmoniker Sibelius Symphonies gave to their live recording from October/November 1943 at the (Alte) Philharmonie, Berlin. Maazel 4CDs + Blu­ray audio In the booklet a twelve page essay ‘Looking Behind the Notes’ by Manfred Honeck is a most fascinating Special Price £36.75 read providing considerable insights and detail from the conductor’s perspective. On this hybrid SACD Musicweb sells played on my standard unit I am delighted with the sonics provided by the Soundmirror recording the following team. There is excellent clarity and considerable detail is revealed with good presence and balance. labels Acte Préalable Outstandingly performed and recorded this special Reference Recordings release can sit comfortably Altus alongside the finest recordings in the catalogue. Arcodiva Atoll Michael Cookson CDAccord Cameo Classics Previous review: Brian Reinhart Hallé Hortus Lyrita Nimbus Prima voce Red Priest Redcliffe Retrospective Saydisc Sheva Toccata Classics Wyastone Follow us on Twitter Subscribe our free weekly RVW A Sea Symphony ­ Elder review listing sample Sample: See what you will get Editorial Board MusicWeb Classical Editor Rob Barnett Seen & Heard Editor Emeritus Bill Kenny Editor in Chief Stan Metzger MusicWeb Webmaster David Barker MusicWeb Founder Len Mullenger Shostakovich Symphony 10 Nelson Verdi Requiem RECORDING OF THE MONTH Dvorak Opera Premiere BEST SELLER Grieg, Mendelssohn sonatas Would you like a hyperlinked weekly summary of the CDs we have reviewed? Click for further details Sample: See what you will get Editorial Board MusicWeb Classical Editor Rob Barnett Seen & Heard Editor Emeritus Bill Kenny Editor in Chief Stan Metzger MusicWeb Webmaster David Barker MusicWeb Founder Len Mullenger .
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Summer
    m^^^^j^^fjSjmggU ^^If0jisdii^ Accompanist to Boston Symphony Orchestra Berkshire Festival • Berkshire Music Center and to these Tanglewood 1971 artists Leonard Bernstein • Arthur Fiedler • Byron Janis • Ruth Laredo Seiji Ozawa • Gunther SchuIIer • Michael Tilson Thomas • Earl Wild BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 TANGLEWOOD 1971 SEIJI OZAWA, GUNTHER SCHULLER Artistic Directors LEONARD BERNSTEIN Advisor THIRTY-FOURTH BERKSHIRE FESTIVAL THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President ABRAM T. COLLIER HENRY A. LAUGHLIN PHILIP K. ALLEN Vice-President MRS HARRIS FAHNESTOCK EDWARD G. MURRAY ROBERT H. GARDINER Vice-President THEODORE P. FERRIS JOHN T. NOONAN JOHN L. THORNDIKE Treasurer FRANCIS W. HATCH MRS JAMES H. PERKINS ALLEN G. BARRY HAROLD D. HODGKINSON IRVING W. RABB RICHARD P. CHAPMAN E. MORTON JENNINGS JR SIDNEY STONEMAN EDWARD M. KENNEDY TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. ERWIN D. CANHAM Chairman HENRY B. DEWEY LAWRENCE K. MILLER VERNON ALDEN Vice-Chairman RICHARD A. EHRLICH FRANK E. MORRIS LEONARD KAPLAN Secretary/ BYRON K. ELLIOTT MRS STEPHEN V. C. MORRIS HAZEN H. AYER ARCHIE C. EPPS III JOHN T. G. NICHOLS MRS FRANK G. ALLEN PAUL FROMM LOUVILLE NILES ROBERT C. ALSOP CARLTON P. FULLER DAVID R. POKROSS LEO L. BERANEK MRS ALBERT GOODHUE MRS BROOKS POTTER DAVID W. BERNSTEIN MRS JOHN L. GRANDIN HERBERT W. PRATT MRS CURTIS B. BROOKS STEPHEN W. GRANT MRS FAIRFIELD E. RAYMOND J. CARTER BROWN SAMUEL A. GROVES PAUL C. REARDON MRS LOUIS W.
    [Show full text]
  • William Steinberg Conducting the Pittsburgh Symphony Orchestra - Till Eulenspiegel's Merry Pranks, Op
    William Steinberg Bolero, La Valse, Pavane Pour Une Infante Defunte mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Bolero, La Valse, Pavane Pour Une Infante Defunte Country: UK Released: 1959 Style: Impressionist MP3 version RAR size: 1841 mb FLAC version RAR size: 1290 mb WMA version RAR size: 1716 mb Rating: 4.8 Votes: 202 Other Formats: DTS APE MP1 AA AC3 XM AIFF Tracklist Hide Credits Bolero A1 –William Steinberg Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra Pavane Pour Une Infante Defunte B1 –W. Steinberg* Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra La Valse B2 –W. Steinberg* Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra Companies, etc. Printed By – Garrod & Lofthouse Ltd. Other versions Category Artist Title (Format) Label Category Country Year William Steinberg Conducting William Steinberg The Pittsburgh Symphony Conducting The Orchestra / Maurice Ravel - Capitol P8475 Pittsburgh P8475 US 1959 Bolero, La Valse, Pavane Pour Records Symphony Orchestra Une Infante Defunte (LP, / Maurice Ravel Album, Mono) Related Music albums to Bolero, La Valse, Pavane Pour Une Infante Defunte by William Steinberg Mendelssohn - Bruch - Nathan Milstein, The Pittsburgh Symphony Orchestra, William Steinberg - Concerto In E Minor Op. 64, Concerto No.1 In G Minor, Op. 26 Beethoven / Steinberg Conducting The Pittsburgh Symphony Orchestra - Beethoven Symphony No. 7 Strauss : William Steinberg Conducting The Pittsburgh Symphony Orchestra - Till Eulenspiegel's Merry Pranks, Op. 28 / Death And Transfiguration, Op. 24 Milstein, Pittsburgh Symphony Orchestra, Steinberg, Tchaikovsky - Violin Concerto In D Major Steinberg Conducts The Pittsburgh Symphony Orchestra - Beethoven - Symphony No. 6 "Pastoral" William Steinberg Conducting The Pittsburgh Symphony Orchestra - Symphony No.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1961-1962
    Music Shed — Tanglewood Lenox, Massachusetts Thursday, August 2, 1962, at 8:00 For the Benefit of the Berkshire Music Center THE BOSTON POPS ARTHUR FIEDLER, Conductor Soloist EARL WILD, Piano PROGRAM *The Stars and Stripes Forever Sousa *Suite from "Le Cid" Massenet Castiliane — Aragonaise — Aubade — Navarraise #Mein Lebenslauf ist Lieb' und Lust, Waltzes Josef Strauss Pines of Rome Respighi I. The Pines of the Villa Borghese II. The Pines near a Catacomb III. The Pines of the Janiculum IV. The Pines of the Appian Way Intermission *Concerto in F for Piano and Orchestra Gershwin I. Allegro II. Adagio; Andante con moto III. Allegro agitato Soloist: Earl Wild *Selection from "West Side Story" Bernstein I Feel Pretty — Maria — Something's Coming — Tonight — One Hand, One Heart — Cool — A-mer-i-ca Mr. Wild plays the Baldwin Piano Baldwin Piano *RCA Victor Recording Special Event at Tanglewood Thursday, August 23 A GALA EVENING of Performances by the Students For the Benefit of the Berkshire Music Center ORDER OF EVENTS 4 :00 Chamber Music in the Theatre 5 :00 Music by Tanglewood Composers in the Chamber Music Hall 6:00 Picnic Hour 7 :00 Tanglewood Choir on the Main House Porch 8 :00 The Berkshire Music Center Orchestra Concert in the Shed In Mahler's Third Symphony, with the Festival Chorus and Florence Kopleff, Contralto Conductor—Richard Burgin Admission tickets . (All seats unreserved except boxes) $2.50 — Box Seats $5.00 Grounds open for admission at 3 :00 p.m. REMAINING FESTIVAL CONCERTS (The final concerts of Charles Munch as Music Director of the Boston Symphony Orchestra) EVENINGS — 8 :00 P.M.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs
    m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 89, 1969-1970
    SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON FRIDAY — SATURDAY 12 TUESDAY A 5 EIGHTY-NINTH SEASON 1969-1970 I£a#i/> Exquisite Sound .. From the palaces f of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made mm in the original design. The //.' w¥ ear^y instruments shown in y drawings on the tomb of m Rameses II (1292-1225 B.C.) were richly decorated but mm lacked the fore-pillar. Later the "Kinner" developed by the Sr Hebrews took the form as we |Jr know it today. The pedal harp ||F was invented about 1720 by a Wr Bavarian named Hochbrucker and mm through this ingenious device it be- W came possible to play in eight major f and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Assistant Conductor EIGHTY-NINTH SEASON 1969-1970 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President ANDREW HEISKELL PHILIP K.
    [Show full text]
  • ACRL News Issue (B) of College & Research Libraries
    News from the Field ACQUISITIONS There is also a complete set of all publica­ tions of the Nonesuch Press, one of the finest • On September 27 Archbishop Fulton John commercial presses of all time, and 67 books Sheen, dedicated the Sheen Room to house his published by the Golden Cockerell Press, in­ personal and public archives which he has giv­ cluding its four-volume edition of The Canter­ en to St. Bernard’s Seminary, Rochester, bury Tales illustrated by Eric Gill and a spe­ N.Y. These consist of books and pamphlets cially bound copy of Keats’ Endymion. which he has written since 1925; about 1,500 There is a copy of Thomas Browne’s Urne tapes of sermons, retreats, lectures, and infor­ Buriall illustrated by Paul Nash, one of the mal talks; phono-recordings and TV tapes of most notable books published by Cassell in the “Life Is Worth Living” series, 1951-1957; London in the 1920s, and a copy of the ex­ radio and TV tapes of the Catholic Hour broad­ tremely rare translation of Homer’s Odyssey by casts, 1930-1952; newspaper clippings and T. E. Lawrence (of Arabia), privately pub­ photographs; correspondence and memorabilia. lished by Bruce Rogers and Emery Walker. The dedication of the Sheen Room marked There are books from the Gregynog Press, the the beginning of a major library renovation for Eragny Press, and the Vale Press, many in un­ the 83-year-old seminary to house its 80,000- usually fine special bindings. plus-volume collection. The Sheen Archives The collection includes many books by fol­ have not yet been cataloged and will be subject lowers of the tradition of printing as a fine art, to standard archival practices.
    [Show full text]
  • PROGRAM NOTES Gustav Mahler Symphony No. 1 in D Major
    PROGRAM NOTES by Phillip Huscher Gustav Mahler Born July 7, 1860, Kalischt, Bohemia. Died May 18, 1911, Vienna, Austria. Symphony No. 1 in D Major Mahler did most of the work on his First Symphony in February and March of 1888, incorporating music that had been written much earlier. He revised the score on several occasions. The first performance was given on November 20, 1889, in Budapest, with the composer conducting. The score calls for four flutes and three piccolos, four oboes and english horn, four clarinets, two E-flat clarinets and bass clarinet, three bassoons and contrabassoon, seven horns, four trumpets, three trombones and tuba, timpani, bass drum, cymbals, triangle, tam-tam, harp, and strings. Performance time is approximately fifty-seven minutes. The Chicago Symphony Orchestra's first subscription concert performances of Mahler's First Symphony were given at Orchestra Hall on November 6 and 7, 1914, with Frederick Stock conducting. Our most recent subscription concert performances were given on April 5, 6, 7, and 10, 2007, with Gustavo Dudamel conducting. The Orchestra first performed this symphony at the Ravinia Festival on July 19, 1949, with William Steinberg conducting, and most recently on June 24, 2005, with James Conlon conducting. When Alma Schindler first met Gustav Mahler, whom she later married, she could only remember how much she had disliked his First Symphony. She wasn't alone. The history of this symphony, even into relatively recent times, is one of misunderstanding and rejection. The first performance, in Budapest in 1889, was greeted with indifference, bewilderment, and, in the words of the local critic, "a small, but, for all that, audible element of opposition." Mahler seldom understood the animosity his music aroused.
    [Show full text]
  • Michael Tilson Thomas and the San Francisco
    Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / FEBRUARY 12, 2020 (High resolution images are available for download from the San Francisco Symphony’s Online Photo Library. MICHAEL TILSON THOMAS AND THE SAN FRANCISCO SYMPHONY EMBARK ON FINAL TOUR OF NEW YORK AND EUROPE TOGETHER WITH PERFORMANCES IN EIGHT COUNTRIES, MARCH 17–APRIL 7, 2020 Tour begins with two performances at New York’s Carnegie Hall March 17 & 18 featuring Stravinsky’s The Firebird, Saint-Saëns’ Cello Concerto No. 1 with Gautier Capuçon, the New York Premiere of San Francisco Symphony and Carnegie Hall Co-Commission I Still Dance by John Adams, and Mahler’s Symphony No. 6 European tour performances feature Pianist Daniil Trifonov in London, Hamburg, Berlin, and Vienna; and Cellist Gautier Capuçon in Munich, Amsterdam, Antwerp, Luxembourg, Lyon, and Paris SAN FRANCISCO, CA—Music Director Michael Tilson Thomas (MTT) and the San Francisco Symphony (SFS) embark on their final tour of New York and Europe together before MTT concludes his distinguished 25-year tenure as Music Director at the end of the 2019–20 season. The tour begins with two concerts at New York’s Carnegie Hall March 17–18, and continues with 14 performances in ten cities across Europe, March 21–April 7. The March 17 performance at Carnegie Hall features the New York premiere of John Adams’ new composition, I Still Dance, co-commissioned by the San Francisco Symphony and Carnegie Hall. An explosive eight-minute work written in a single movement, I Still Dance features densely interwoven parts that are driven forward by propulsive arpeggiated figures.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 91, 1971-1972, Subscription
    BOSTON SYMPHONY rYI?fT4T3CTT? A FOUNDED IN 1881 BY HENRY LEE HIGGINSON THURSDAY A 5 FRIDAY -SATURDAY 14 TUESDAY A 7 NINETY-FIRST SEASON 1971-1972 ADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN ERWIN D. CANHAM EDWARD G. MURRAY RICHARD P. CHAPMAN JOHN T. NOONAN ABRAM T. COLLIER MRS JAMES H. PERKINS MRS HARRIS FAHNESTOCK IRVING W. RABB THEODORE P.
    [Show full text]
  • Pittsburgh Symphony Orchestra Manfred Honeck, Conductor Till Fellner, Piano
    Sunday, May 19, 2019 at 3:00 pm Symphonic Masters Pittsburgh Symphony Orchestra Manfred Honeck, Conductor Till Fellner, Piano BEETHOVEN Piano Concerto No. 5 in E-flat major (“Emperor”) The Program (1809) Allegro Adagio un poco mosso Rondo: Allegro Mr. Fellner will perform Beethoven’s cadenza. Intermission MAHLER Symphony No. 5 in C-sharp minor (1901–02) Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt Stürmisch bewegt. Mit größter Vehemenz Scherzo. Kräftig, nicht zu schnell Adagietto. Sehr langsam Rondo-Finale. Allegro Please make certain all your electronic devices are switched off. These programs are supported by the Leon Levy Fund for Symphonic Masters. Symphonic Masters is made possible in part by endowment support from UBS. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. The Pittsburgh Symphony Orchestra tour performance is sponsored by BNY Mellon. Steinway Piano David Geffen Hall Great Performers Support is provided by Rita E. and Gustave M. Hauser, The Shubert Foundation, The Katzenberger Foundation, Inc., Audrey Love Charitable Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Endowment support for Symphonic Masters is provided by the Leon Levy Fund Endowment support is also provided by UBS Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Visit LCGreatPerformers.org for information on the 2019/20 season of Great Performers.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 90, 1970-1971
    ' S88t^^ : HI • BOSTON SYMPHONY ORCHE STRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON FRIDAY -SATURDAY 22 1970-1971 NINETIETH ANNIVERSARY SEASON STRADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L. THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN RICHARD P. CHAPMAN EDWARD G. MURRAY ABRAM T. COLLIER JOHN T. NOONAN MRS HARRIS FAHNESTOCK MRS JAMES H. PERKINS THEODORE P. FERRIS IRVING W. RABB SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B. CABOT EDWARD A.
    [Show full text]
  • For Immediate Release / June 23, 2020 Michael Tilson Thomas Named Officer in the Ordre Des Arts Et Des Lettres
    Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / JUNE 23, 2020 Click here for a selection of downloadable images from the ceremony MICHAEL TILSON THOMAS NAMED OFFICER IN THE ORDRE DES ARTS ET DES LETTRES SAN FRANCISCO, CA—On Monday, June 22, Music Director of the San Francisco Symphony Michael Tilson Thomas (MTT) was named an Officer in the French Ordre des Arts et des Lettres (Order of Arts and Letters), the second of three grades recognized in the Ordre des Arts et des Lettres, awarded to distinguished artists who have made significant contributions to furthering the arts in France and throughout the world. Previously a Chevalier (Knight) in the Ordre des Arts et des Lettres of France, this promotion to Officer recognizes MTT’s continued contributions to global culture and the vast impact he has had during his 25 years as Music Director of the San Francisco Symphony. “By promoting Michael Tilson Thomas to the rank of Officer in the Ordre des Arts et des Lettres, France celebrates an immense artist, unanimously recognized by the Parisian public, who worked hard to promote French music composers in the United States. As a universal language, music brings people together and MTT’s work shows the essential role of culture in the Franco-American friendship.” - Emmanuel Lebrun-Damiens, Consul General of France, San Francisco MTT has frequently visited and guest conducted the major French orchestras and has regularly appeared at the premier French concert halls both on tour with the San Francisco Symphony and with the London Symphony Orchestra, among others.
    [Show full text]