Congress Empowers Gandhi with Complete^Authority
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Monarch of the Microphone: a Maurice Elwin Discography by A
MONARCH OF THE MICROPHONE A Maurice Elwin Discography by A. G. Kozak mauriceelwin.com Public Working Draft Version 0.2.2 (Updated July 22, 2021) Monarch of the Microphone: A Maurice Elwin Discography by A. G. Kozak is licensed under Attribution-NonCommercial-NoDerivatives 4.0 International https://orcid.org/0000-0002-8307-9716 DOI 10.5281/zenodo.4939404 Many thanks to Jonathan Holmes for providing me with the signed photograph of Maurice Elwin that graces the front page of this discography. TABLE OF CONTENTS Introduction Reference List Abbreviations Discography 1916-1922 1925 1926 1927 1928 1929 1930 1931 1932 1933 1934 1935 1936 Difficult to Date: Homochord Little Marvel & Fairy Parlophone Pathé Actuelle and Derivative Labels Rex Solex Sterno Trusound Unconfirmed: Bert and Bob (Decca) Creighton and Laughton (Decca) Other Decca Groups Parlophone Groups Melody Boys (Homochord) Mellow and Rich (Broadcast) Other Possible Recordings Recordings Not By Elwin Appendix: Conventions Used in This Discography 1 INTRODUCTION I started this Maurice Elwin discography on January 31, 2021, at a time when a possible abatement of the global pandemic was in sight, in the expectation that it would be a few months before the bittersweet leisure afforded me by the crisis might be interrupted by my resuming my former activities. It was always my intention to publish it, as I have done, as a working draft on Elwin’s 125th birthday (June 14, 2021). The task was daunting, as I had reason to believe that Elwin might prove to be the second most prolific British singer of his era — a claim borne out so far by my research. -
Hollywood and France, 1914-1945 Louise G
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2011 Vive la Différence: Hollywood and France, 1914-1945 Louise G. Hilton Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Hilton, Louise G., "Vive la Différence: Hollywood and France, 1914-1945" (2011). LSU Master's Theses. 1206. https://digitalcommons.lsu.edu/gradschool_theses/1206 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. VIVE LA DIFFÉRENCE: HOLLYWOOD AND FRANCE, 1914-1945 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by Louise G. Hilton B. A., Louisiana State University, 2004 May 2011 ACKNOWLEDGEMENTS I wish, first of all, to thank my thesis advisor, Dr. Charles Shindo, for his counsel and infinite patience during the time I spent working on this project. Dr. Karl Roider also deserves heartfelt thanks for his unflagging support throughout my studies at LSU and for his agreeing to be a member of my thesis committee. I extend my appreciation to Dr. William Clark for giving of his valuable time to be a part of my committee. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
STEAD Off to the Pictures Page Proof.Pdf
Off to the Pictures STEAD 9780748694884 PRINT.indd 1 04/03/2016 13:29 STEAD 9780748694884 PRINT.indd 2 04/03/2016 13:29 Off to the Pictures Cinema-going, Women’s Writing and Movie Culture in Interwar Britain Lisa Stead STEAD 9780748694884 PRINT.indd 3 04/03/2016 13:29 Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: www.edinburghuniversitypress.com © Lisa Stead, 2016 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9488 4 (hardback) ISBN 978 0 7486 9489 1 (webready PDF) ISBN 978 1 4744 1395 4 (epub) The right of Lisa Stead to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). STEAD 9780748694884 PRINT.indd 4 04/03/2016 13:29 Contents List of Figures vi Acknowledgements vii Introduction 1 1 Off to the Pictures: Cinema, Fiction and Interwar Culture 8 2 Screen Fantasies: Tie-ins and the Short Story 32 3 Middlebrow Modernity: Class, Cinema-going and Selfhood 69 4 Wander, Watch, Repeat: Jean Rhys and Cinema 93 5 Film Talk: C. -
~~·-11 8: 15 P.M.-Address.' · Enviable Record "To
·Intereollegiate Press Member of I Hand," by and College Humor North Carolina CoUegiate The central Press Association ;he fact that Mail Service ~lp everyone He still ex Published Weekly by the Students of Wake Forest CoDege ;o all today. • ;he platform taking part Ten Cents Per Copy ~o. WAKE FOREST, N.C., SATURDAY, MARCH 15, 1929'30 IS making it Vol. 13, 20 :Jroadcastlng Training School ·Petition· Circulated About (_s_PEA_KsT_o A_LuM_NI __l Pan-Hellenic Scholarship To Be Held. Here Campus A~ks _For Kitchin During. Next Week As Next President Here -Cup Won By Kappa Alpha Two Times ·In Succession ---------------------------+ Alpha Pi Delta Is Run I . BryanT ells About PETITIONERS ASK FOR ner-up for the Pa:t;t F ACUI:.TY PERSONNEL OF ALuMNus .As PRESIDENT 1 I First Frats Here Hellenic Cup SCHOOL NOTED IN STATE Qualifications for New President Importance of Fraternities As Central Association and Various GENERAL AVERAGE IS Included; Will Be Presented An Aspect of College Life General Board Departments AN INCREASE OVER 1928 Sponsor Sessions To Trustees Shown By Dean A petition drafted by friends of Dean D. B. Bryan, in an address de Pitt Allen, President of Greek The Central Associational Training [TLY Dr. Thurman D. Kitchin requesting livered at the annual award of the School to be held here under the· FRANCIS PENDLETON GAINES, Council, Gives History of Cup the board of trustees to elect him inter-fraternity scholarship cup by the ~ET" auspic~s of the Central Association president of the institution was cir M.A., Ph.D., Litt.D. and Organization and the various departments of the Pan-Hellenic Council here Tuesday j culated among the facult·Y and stu Dr. -
Cicle Raoul Walsh Mostra De Cinema Palestí Cicle Expressionisme Alemany
Cicle Raoul Walsh Cicle expressionisme alemany Mostra de cinema palestí núm. 147 Novembre 2008 1009-307-44374 Temps Moderns 147 Novembre 2008.indd 1 29/10/08 11:54:35 Sumari 2 Editorial 4 La pel·lícula de la història. Sang al pijama per Francesc M. Rotger 5 Entrevista a l’actriu mexicana Maya Zapata. “El treball és la meva trinxera” per Xicu Lluy 8 Bandes de so. Ed Shearmur: un home desaprofitat? per Házael González 9 Les famílies es passegen per Sant Sebastià per Iñaki Revesado 14 Mario Monicelli: comèdia per a un temps de crisi per Elsa González Zorn 19 La butaca per Antònia Pizà 22 Pepe Tauste, Breakfast at Tiffany’s? per Toni Roca temps moderns papers de cinema 24 Neal Hefti, in memoriam Edició mensual Novembre 2008 Núm. 147 per ABABS 25 Els homes de bona voluntat per Pere Antoni Pons 26 La mort d’Eddie Felson Edita per Antoni Figuera Centre de Cultura ”SA NOSTRA” Carrer Concepció, 12 07012 Palma Telèfon 971 725 210 Fax 971 713 757 [email protected] 30 El primer combat de Paul Newman: Somebody up there likes me (Marcado por el odio, Robert Wise; 1956) Director per Xavier Jiménez Jaume Vidal 36 Mostra de cinema palestí Secretari Redacció Miquel Pasqual 38 Aquells meravellosos, i violents, anys vint per Guillem Fiol Pons Assessorament lingüístic i traduccions Jeroni Salom i Martí Martorell 42 Passió clarivident dins la Passió cega de Raoul Walsh per Joan Ferrer Miserol Consell de redacció 44 Raoul Walsh Francisca Niell, Eva Mulet i Josep Carles Romaguera per Martí Martorell Fotografies 50 Al principi era la fosca, una forma de publicitat cinematogràfica (1924-1978) Arxiu Centre de Cultura per Maria del Mar Matas Pastor Disseny maqueta / portada 56 Cinema a ”SA NOSTRA” Santamà diseña Les pel·lícules del mes de novembre Maquetació Jaume Vidal i Fortesa Imprimeix Gràfiques Planisi, SA Dipòsit Legal: PM 648-1994 Temps Moderns no comparteix, necessàriament, l’opinió dels seus col·la- boradors. -
100 YEARS at the PHOENIX Archive of an Oxford Cinema 1913 – 2013
100 YEARS AT THE PHOENIX Archive of an Oxford Cinema 1913 – 2013 Hiu M Chan Dedicated to the Phoenix and Oxford with love This archive is part of a post-graduate research project and so is work-in-progress. While every effort has been made to weed out errors and inconsistencies – derived from the source material (newspaper microfi che archives) – some will have inevitably slipped through. If you spot any errors and omissions please get in touch via the website http://phoenixcentenary.wordpress.com and we will update the database. The publishers are not responsible for the verifi cation of the entries; that is my remit. Thank you. Hiu M Chan and the Phoenix Centenary Project Published in conjunction with the centenary of the Oxford Phoenix Picture, 57 Walton Street, Oxford OX2 6AE © Hiu M Chan, 2013 All right reserved No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form by any means, electronic or mechanical, without prior written permission of the author. ISBN 978-0-9567405-5-7 Design: Nick Withers Associate Editor: James Harrison Film lists typeset in Helvetica Neue Digitally printed and bound in England by Charlesworth Press, Wakefi eld, Yorkshire A special limited hardback edition was also published exclusively for use in the cinema on the 100th anniversary, 15th March 2013. For further details, research feedback, or to input any updates, corrections or amendments please contact: www.hiuandfi lm.com Oxfordfolio, 100A Cowley Road, Oxford OX4 1JE Preface 15th March 2013 marks the 100th anniversary of the Phoenix Picturehouse Cinema in Oxford. -
Catalogue of the Stories and Plays Owned by Fox Film Corporation
Glass 2Lj7n9>^ Book jVLuEjl Gofwright N° COPYRIGHT BEPOSti: Scanned from the collections of The Library of Congress Packard Campus for Audio Visual Conservation www.loc.gov/avconservation Motion Picture and Television Reading Room www.loc.gov/rr/mopic Recorded Sound Reference Center www.loc.gov/rr/record CATALOGUE OF THE STORIES AND PLAYS OWNED BY FOX FILM CORPORATION HARLEY L. CLARKE President WINFIELD SHEEHAN Vice-President and General Manager SOL M. WURTZEL General Superintendent ALBERT LEWIS Story Editor i 9 3 i TIMES-MIRROR PRESS 118 SOUTH BROADWAY • LOS ANGELES CALIFORNIA 1 151 * |15 Copyright, 193 Fox Film Corporation Los Angeles, Calif. D£c 16 mi ©CIA 45509 Number Foreword This volume contains a complete list of all of the literary prop- erties owned by Fox Film Corporation, on the 1st day of September, 1931. It will be supplemented, from time to time, by pamphlets that will compile the same information as to stories and plays sub- sequently acquired. These pamphlets, when issued to the holder of this book, should be attached to the inside of the back cover in the pocket provided for that purpose. In many instances one or more adaptations and continuities, with and without dialogue, are available for use in connection with a story or play, although no separate listing of these has been attempted. Following a colloquialism generally used in the motion picture industry, a story is referred to in this catalogue as being "original" when it was written especially for Fox Film Corporation by an employee or especially for use in motion pictures and not published either in a periodical or as a book. -
Motion Picture Reviews (1930)
MOTION PICTUPE PEVIEW.S WOMEN'S UNIVERSITY CLUB LOS ANGELES, CALIF 1930 Digitized by the Internet Archive in 2016 with funding from Media History Digital Library h tt ps ://a rc h i ve . o rg/d eta i I s/m ot i o n p i ct u re revO 0wo m e The following reviews are written particularly to give an idea of the suitability of the pictures as entertainment for children and adolescents. The age limits are, of course, purely autocratic, but as some limitations were necessary these were chosen, and it is thought that parents can adapt the information to meet the special require- ments of individual children. We wish to call attention also to the few outstanding productions which the committee found of special interest as adult entertainment. It is generally believed that encouragement of fine pictures will be the method of bringing more to the screen, and at the same time our own motion picture attendance may be made more enjoyable. Of such films we recommend “Disraeli,” “Hallelujah,” and “Seven Days Leave.” For children we recommend “So This is College.” Mrs. John Vruwink, General Chairman. Mrs. George Ryall, Mrs. Harold VanMetre, Chairman of Previews. Vice-Chairman. THE BATTLE OF PARIS. Gert- the South from the stage play by Booth rude Lawrence. Direction by Rob- Tarkington and Harry Leon Wilson. It is musical drama of professional gamb- ert Storey. All dialogue with mus- a lers on the old Mississippi River boats ical interpolations. Paramount. about 1850, and the romantic and excit- Melodrama set in the streets and dives ing tale is unfolded with beautiful South- of Paris’ Latin Quarter.