A Guide to Audio-Frequency Induction Loop Systems Contents
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Switched-Mode Power Supply - Wikipedia, the Free Encyclopedia
Switched-mode power supply - Wikipedia, the free encyclopedia Log in / create account Article Discussion Read Edit Switched-mode power supply From Wikipedia, the free encyclopedia For other uses, see Switch (disambiguation). Navigation A switched-mode power supply (switching-mode Main page power supply, SMPS, or simply switcher) is an Contents electronic power supply that incorporates a switching Featured content regulator in order to be highly efficient in the Current events conversion of electrical power. Like other types of Random article power supplies, an SMPS transfers power from a Donate to Wikipedia source like the electrical power grid to a load (e.g., a personal computer) while converting voltage and Interaction current characteristics. An SMPS is usually employed to efficiently provide a regulated output voltage, Help typically at a level different from the input voltage. About Wikipedia Unlike a linear power supply, the pass transistor of a Community portal switching mode supply switches very quickly (typically Recent changes between 50 kHz and 1 MHz) between full-on and full- Interior view of an ATX SMPS: below Contact Wikipedia off states, which minimizes wasted energy. Voltage A: input EMI filtering; A: bridge rectifier; regulation is provided by varying the ratio of on to off B: input filter capacitors; Toolbox time. In contrast, a linear power supply must dissipate Between B and C: primary side heat sink; the excess voltage to regulate the output. This higher C: transformer; What links here Between C and D: secondary side heat sink; efficiency is the chief advantage of a switched-mode Related changes D: output filter coil; power supply. -
Introduction to Audio Acoustics, Speakers and Audio Terminology
White paper Introduction to audio Acoustics, speakers and audio terminology OCTOBER 2017 Table of contents 1. Introduction 3 2. Audio frequency 3 2.1 Audible frequencies 3 2.2 Sampling frequency 3 2.3 Frequency and wavelength 3 3. Acoustics and room dimensions 4 3.1 Echoes 4 3.2 The impact of room dimensions 4 3.3 Professional solutions for neutral room acoustics 4 4. Measures of sound 5 4.1 Human sound perception and phon 5 4.2 Watts 6 4.3 Decibels 6 4.4 Sound pressure level 7 5. Dynamic range, compression and loudness 7 6. Speakers 8 6.1 Polar response 8 6.2 Speaker sensitivity 9 6.3 Speaker types 9 6.3.1 The hi-fi speaker 9 6.3.2 The horn speaker 9 6.3.3 The background music speaker 10 6.4 Placement of speakers 10 6.4.1 The cluster placement 10 6.4.2 The wall placement 11 6.4.3 The ceiling placement 11 6.5 AXIS Site Designer 11 1. Introduction The audio quality that we can experience in a certain room is affected by a number of things, for example, the signal processing done on the audio, the quality of the speaker and its components, and the placement of the speaker. The properties of the room itself, such as reflection, absorption and diffusion, are also central. If you have ever been to a concert hall, you might have noticed that the ceiling and the walls had been adapted to optimize the audio experience. This document provides an overview of basic audio terminology and of the properties that affect the audio quality in a room. -
Corel DESIGNER
Mains Harmonics REO (UK) LTD, Units 2 - 4 Callow Hill Road, Craven Arms Business Park, Craven Arms, Shropshire SY7 8NT UK Tel: 01588 673411 Fax: 01588 672718 REO UK LTD Email: sales@ reo.co.uk W ebsite: www.reo.co.uk Contents W hat are mains harmonics? 1 2 Mains harmonics are voltages and/or Harmonics with numbers that are divisible W hat are mains harmonics? currents that occur in an AC mains by three (3rd, 6th, 9th, 12th, 15th, etc.) are 2 electricity power supply at multiples of the called zero sequence harmonics, because nominal mains frequency. 'Even-order' the fields they cause in a three-phase AC harmonic frequencies are those that occur motor are stationary 2 they do not rotate. How do mains harmonics occur? 3 at even-numbered multiples of the Odd-numbered 'zero-sequence' harmonics nominal mains frequency, whereas 'odd- (3rd, 9th, 15th, etc.) are called triplens. order' harmonics occur at odd-numbered W hy are harmonics an increasingly important issue? 7 multiples, as shown in Table 1. Table 1 Some examples of harmonics for four common AC power supply frequencies How mains harmonics cause harm 9 Harmonic Number Even Odd 16.667Hz 50Hz 60Hz 400Hz Order Order Relevant standards and codes on mains harmonics 28 1 (the fundamental 16.667Hz 50Hz 60Hz 400Hz mains frequency) Likely sources of harmonic interference 33 2 33.333 100 120 800 3 50 150 180 1.2kHz The influence of the mains distribution systems impedance 35 4 66.667 200 240 1.6kHz 5 83.333 250 300 2kHz 6 100 300 360 2.4kHz How can harmonics be detected and measured 37 7 116.667 350 420 2.8kHz 8 133.333 400 480 3.2kHz Testing for immunity to harmonically distorted mains supplies 42 9 150 450 540 3.6kHz 10 166.667 500 600 4kHz Prevention and avoidance measures 42 11 183.333 550 660 4.4kHz 12 200 600 720 4.8kHz 13 216.667 650 780 5.2kHz Harmonic mitigation products from REO 61 14 233.333 700 840 5.6kHz 15 250 750 900 6kHz References and further reading 63 ...etc.. -
Checking out the Power Supply the Power Supply Must Be Carefully Checked out a Good Many Australian-Made Sets from the Mid 1930S-1950 Era
Checking out the power supply The power supply must be carefully checked out a good many Australian-made sets from the mid 1930s-1950 era. Fig.1 before switching on a vintage radio. The shows a typical circuit configura- components most likely to be at fault are the tion but there are other variations. electrolytic capacitors, most of which should be For example, some rectifiers re- quire a cathode voltage of 6.3V AC, replaced as a matter of course. not 5V. Similarly, not all radio valves use Although only a few parts are in- (equivalent to 570 volts, centre- 6.3V heater supplies. There are volved, the power supply is a com- tapped). 2.5V valves, 4V valves and 12V mon source of problems in vintage The 5V and 6.3V AC supplies are valves in some late model sets. In radios. It should be carefully check- wired straight from the trans- these radios, the low tension ed out before power is applied, as a former to the filaments and voltages on the transformer will be fault here can quickly cause heaters. However, the high tension different — but that's about all. damage to critical components. supply must be rectified to give a The high tension voltage will still be Most mains-operated valve high-tension DC supply for the well in excess of 250 volts. radios have three separate secon- anodes and screens for the various The output from the rectifier dary windings on the power receiving and output valves. A valve will not be pure DC but does transformer. -
Car Electronics Resource Center
Car Electronics Resource Center Satellite Radio Installation Guide Difficulty Level: Easy to Moderate Average Installation Time: 1-2 Hours Tools and Supplies Needed: In This Guide: Satellite radio installa- tion involves installing an antenna and satellite radio tuner. Receivers that are “Sirius XM Ready” provide the control of the tuner. Otherwise, a separate control panel can be installed to Sockets or Open Zip Ties Side Cutters control the satellite tuner independent End Wrenches of the receiver. Use an FM transmit- ter, AUX input, or a direct connection method to connect the tuner’s audio output to the vehicle’s sound system. Panel Removal Tools Utility Knife Phillips Screwdriver Electrical Tape Important Blue Painter’s Tape Before You Begin (protects dash surfaces) This content has not been verified by Amazon for accuracy, completeness, or otherwise. Consult your vehicle’s owner’s manual and the product’s Product Owner’s Manual manual before attempting an installation. Contact Installation Manual(s) the product’s manufacturer or consult a Mobile 1 2 3 Electronics Certified Professional installer if you are uncertain about how to properly install your product. Amazon attempts to be as accurate Towel as possible, however, because of the number of (protects console) vehicles and products available to consumers, it is not possible to provide detailed installation steps that apply universally to all vehicles and products. Amazon does not warrant that product descriptions or other content of this site is accurate, complete, reliable, current, or error-free. Read all instructions carefully Disconnect the negative battery cable Protect interior surfaces Further, Amazon disclaims any warranties, express or implied, as further set forth in the ‘Conditions of Use’ for Amazon.com. -
Tube Ultragain T1953
Users Manual ENGLISH Version 1.2 December 2002 T1953 TUBE ULTRAGAIN TUBE ULTRAGAIN T1953 SAFETY INSTRUCTIONS CAUTION: To reduce the risk of electric shock, do not remove the cover (or back). No user serviceable parts inside; refer servicing to qualified personnel. WARNING: To reduce the risk of fire or electric shock, do not expose this appliance to rain or moisture. This symbol, wherever it appears, This symbol, wherever it appears, alerts alerts you to the presence of you to important operating and mainte- uninsulated dangerous voltage inside nance instructions in the accompanying the enclosurevoltage that may be literature. Read the manual. sufficient to constitute a risk of shock. DETAILED SAFETY INSTRUCTIONS: All the safety and operation instructions should be read before the appliance is operated. Retain Instructions: The safety and operating instructions should be retained for future reference. Heed Warnings: All warnings on the appliance and in the operating instructions should be adhered to. Follow instructions: All operation and user instructions should be followed. Water and Moisture: The appliance should not be used near water (e.g. near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool etc.). Ventilation: The appliance should be situated so that its location or position does not interfere with its proper ventilation. For example, the appliance should not be situated on a bed, sofa, rug, or similar surface that may block the ventilation openings, or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings. -
Quality of Piano Tones
THE JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA Volume 34 Number 6 JUNE. 1962 Quality of Piano Tones HARVEY FLETCIIER,E. DONNEL• BLACKHAM,AND RICIIARD STRATTON Brigham Young University, Provo, Utah (ReceivedNovember 27, 1961) A synthesizerwas constructedto producesimultaneously 100 pure toneswith meansfor controllingthe intensity and frequencyof each one of them. The piano toneswere analyzedby conventionalapparatus and methodsand the analysisset into the synthesizer.The analysiswas consideredcorrect only when a jury of eight listenerscould not tell which were real and which were synthetictones. Various kinds of synthetictones were presented to the jury for comparisonwith real tones.A numberof thesewere judged to have better quality than the real tones.According to thesetests synthesized piano-like tones were produced when the attack time was lessthan 0.01 sec.The decaycan be as long as 20 secfor the lower notes and be lessthan 1 secfor the very high ones.The best quality is producedwhen the partials decreasein level at the rate of 2 db per 100-cpsincrease in the frequencyof the partial. The partialsbelow middle C must be inharmonicin frequencyto be piano-like. INTRODUCTION synthesizer,and (4) the frequencychanger. To these HISpaper isa reportof our efforts tofind an ob- facilitieshave been added, a sonograph,an analyzer, a jectivedescription of the qualityof pianotones as single-tracktape recorder,a 5-track tape recorder,and understoodby musicians,and also to try to find syn- other apparatususually available in electronicresearch thetic toneswhich are consideredby them to be better laboratories.A block diagram of the arrangementis than real-piano tones. shownin Fig. 1. The usual statement found in text books is that the pitch of a tone is determinedby the frequencyof EQUIPMENT vibration,the loudnessby the intensityof the vibration, 1. -
AUDIO and CONNECTIVITY AUDIO and CONNECTIVITY Learn How to Operate the Vehicle’S Audio System
AUDIO AND CONNECTIVITY AUDIO AND CONNECTIVITY Learn how to operate the vehicle’s audio system. Basic Audio Operation Connect audio devices and operate buttons and displays for the audio system. USB Port Connect a USB flash drive or other audio device, such as an iPod or iPhone®. Install the flash drive or cable connector to the USB port. iPod and iPhone are trademarks of Apple, Inc. State or local laws may prohibit the operation of handheld electronic devices while operating a vehicle. Auxiliary Input Jack Connect standard audio devices with a 1/8-inch (3.5 mm) stereo miniplug. 1. Open the AUX cover. 2. Insert the miniplug attached to the audio device into the jack. The audio system switches to AUX mode. Use the device to control the audio. AC Power Outlet* The outlet can supply power for appliances up to 115 volts that are rated 150 watts or less when the engine is running. 1. Open the socket cover located on the driver’s side rear door. 2. Slightly plug in the appliance, turn it 90 degrees clockwise, then push it in all the way. NOTICE Do not use the AC power outlet for electric appliances that require high initial peak wattage or medical equipment devices. *if equipped AUDIO AND CONNECTIVITY Accessory Power Sockets Open the socket cover to use power when the vehicle is on. Power sockets are located in the front console and the driver’s side rear cargo area. NOTICE Do not insert an automotive type cigarette lighter element. This can overheat the power socket. -
A Pocket-Sized Introduction to Acoustics Keith Attenborough, Michiel Postema
A pocket-sized introduction to acoustics Keith Attenborough, Michiel Postema To cite this version: Keith Attenborough, Michiel Postema. A pocket-sized introduction to acoustics. The Univerisity of Hull, 80 p., 2008, 978-90-812588-2-1. hal-03188302 HAL Id: hal-03188302 https://hal.archives-ouvertes.fr/hal-03188302 Submitted on 6 Apr 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. A pocket-sized introduction to acoustics Prof. Dr. Keith Attenborough Dr. Michiel Postema Department of Engineering The University of Hull 2 ISBN 978-90-812588-2-1 °c 2008 K. Attenborough, M. Postema. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechan- ical, photocopying, recording or otherwise, without the prior written permission of the authors. Publisher: Michiel Postema, Bergschenhoek Printed in England by The University of Hull Typesetting system: LATEX 2" Contents 1 Acoustics and ultrasonics 5 2 Mass on a spring 7 3 Wave equation in fluid 9 4 Sound speed -
Class D14 Recording, Communication, Or Information Retrieval D14 - 1 Equipment
CLASS D14 RECORDING, COMMUNICATION, OR INFORMATION RETRIEVAL D14 - 1 EQUIPMENT D14 RECORDING, COMMUNICATION, OR INFORMATION RETRIEVAL EQUIPMENT 300 COMPUTER, DATA PROCESSOR 346 ..And keypad EQUIPMENT 347 ...Housing flared at one end 301 .Mainframe, central data 348 .Hard drive for personal computer processing or server type 349 ..Tower type 302 ..Freestanding console 350 ...And wheels 303 ...And paper printout 351 ...Flared or protruding base 304 ...Provision for seated operator 352 ....Footed (e.g., extended foot 305 ....And monitor members) 306 .....Plural 353 ..Housing includes texture 307 ...And monitor 354 ...Vertical 308 ..Cabinet 355 ...Horizontal 309 ...Drum unit 356 .Peripheral equipment 310 ...Plural identical units 357 ..Converter or interface 311 ...And horizontal louver detail 358 ..Transmitter or receiving unit 312 ...And vertical louver detail 359 ..Perforated media reader or 313 ..Rack mounted or stacked type perforator 314 .Desktop type 360 ...Tape specific 315 ..Laptop type 361 ..Tape reader or drive 316 ...Swivel display support 362 ...Desk top type 317 ...Combined with camera 363 ..Disc drive or reader 318 ...And touch type cursor pad 364 ...Library cabinet type 319 ...Provision for compact disc 365 ...Desk top (e.g., CD-ROM, etc.) 366 ....And distended tray or 320 ...Distended or keyboard type compartment 321 ...Front loading 367 ....Module type 322 ....Screen attached at rear edge 368 ....Front loading 323 ...Side loading 369 .....Provision for plural disc 324 ....And handle or extending 370 ..Media loader or copier -
Automatic Guitar Tuner Group 1
University of Central Florida Automatic Guitar Tuner Group 1 Trenton Ahrens, Alex Capo, Ernesto Wong 12-4-2014 EEL4919 Fall 2014 Group 1 - Trenton Ahrens, Alex Capo, Ernesto Wong Table of Contents 1 Executive Summary ....................................................................................... 1 2 Project Description ......................................................................................... 2 2.1 Motivation ................................................................................................ 2 2.2 Objectives ................................................................................................ 3 2.2.1 Tuning Time ...................................................................................... 3 2.2.2 Accuracy ........................................................................................... 3 2.2.3 Convenience ..................................................................................... 4 2.2.4 Budget .............................................................................................. 4 2.2.5 Experience ........................................................................................ 4 2.2.6 Knowledge Gain................................................................................ 4 2.3 Project Requirements and Specifications ................................................ 4 2.3.1 Accuracy ........................................................................................... 5 2.3.2 Tuning Preference ........................................................................... -
An FFT-Ifft Combination Based Transfer Function Approach to Improve Effectiveness of Vehicle In- Cab Sound Quality Assessment
An FFT-iFFT combination based transfer function approach to improve effectiveness of vehicle in- cab sound quality assessment. Rajeev Kumar B R Robert Bosch Engineering and Business Solutions Pvt Ltd, India. Sumanth Hegde Robert Bosch Engineering and Business Solutions Pvt Ltd, India. Ganesh R Iyer Robert Bosch Engineering and Business Solutions Pvt Ltd, India. Guruthangaraj Radhakrishnan Robert Bosch Engineering and Business Solutions Pvt Ltd, India. Summary Customer comfort related to a pleasing sound quality is key-towards achieving a competitive edge, specifically in the automotive industry today. This is more critical for vehicles falling into passenger car segments, specifically in the M1, M2 and M3 vehicle categories. With more focus towards NVH, it is important to also consider the “design for NVH” aspect in addition to fulfilling the primary requirements of performance, durability and legislative needs. With increasing focus towards electrification, the focus is also shifting towards improving the overall vehicle sound quality, be it, powertrain noise, operational sounds (such as door closure), or even improving the sound quality of the car-multimedia systems. The study conducted in this paper, details how in cab sound quality can be front-loaded much earlier into the design. This has been illustrated with use of a simplified FFT-iFFT based approach to improve sound quality of vehicle multimedia systems. The audio quality tuning for car-multimedia system requires engineers to tune the hardware/amplifiers through rigorous audio jury tests within the cabin for different audio filter (Equalizer) settings. There is a huge dependency on vehicle cabin, as the cabin acoustic properties significantly affects the sound quality perception for a specific car multimedia audio filter settings.