Thousands Turn out for Porn Filn1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Women, Sexuality, and Postfeminism in Post-Growth Japan
Consuming Pleasures: Women, Sexuality, and Postfeminism in Post-Growth Japan (快楽を消費する:成長後の日本における女性、セクシュアリティ、 そしてポストフェミニズム) ハンブルトン アレクサンドラ メイ Alexandra May Hambleton 論文の内容の要旨 論文題目 Consuming Pleasures: Women, Sexuality, and Postfeminism in Post- Growth Japan (快楽を消費する:成長後の日本における女性、 セクシュアリティ、そしてポストフェミニズム) 氏名 HAMBLETON Alexandra May In Japan, as a result of an education system and mainstream media that denies women active sexualities, and the limited success of second wave feminism, the rhetoric of women’s right to sexual pleasure never gained a strong foothold. Second wave feminism made great inroads into legislation, but widespread cultural change remained elusive— particularly in regards to female sexuality. This dissertation is a study of representations of female sexuality in post-growth neoliberal Japan. Based on more than two years of fieldwork conducted in the Tokyo area and discourse analysis of various media I question why feminist conceptualizations of women’s right to pleasure have failed to make inroads in a Japan that clings to a pronatalist, pro-growth ideology as the result of growing anxiety over the country’s economy and future. I examine women’s magazine anan, alternative sex education providers, and the growing number of female-friendly pleasure product companies who are working to change perceptions of female sexuality and contemplate whether their work can be considered feminist. This sector—an example of what Andi Zeisler (2016) has termed “marketplace feminism” may be thoroughly commercialized, yet it also offers a space in which women may explore discourses of sex and pleasure that were not previously available. In Chapter 1, I examine the social conditions of contemporary Japan that deny female pleasure and explain how second wave feminism failed to address desire. -
THE SUMMER EDITION of TECHNICIAN, N.C. STATES STUDENT NEWSPAP U 6%
THE SUMMER EDITION OF TECHNICIAN, N.C. STATES STUDENT NEWSPAP u 6% £3 . VOLUME LXX,NUMBER 95 ' WEDNESDAY. AUGUST 2. 1989 NOW THE NATiON'S LARGEST THFilCE-WEEKLY UP FRONT: TPLAT ‘OLD RELIABLE’ BIAS PAGE 3' r ‘ ,- NEWS: CREDIBILITY OF ‘FOULS’ COREY: AT LONG LAST, A REALJOB PASET ' ' r ”Mural Fouls' wartspgyeEs usqj drugs.” Ewt‘~ ~ :25,x, 2.3::‘533mm:~("422.35% 353'f“. RAMSEY: LAWYERS AND STOOGES PAGE 8 ' a , ~ ' In this one-newspaper town, the ‘Old Reliable’ is MONTGOMERY: STUDENTS’ the only way to get the poop, and that’s bad REACTIONS news. 899PL‘HOpiniorT,1 page 3. ' PAGE‘iO “ Ammo» 5mm /./ KARLE. KNUDSEN ATIURNEYAT LM v r “on Bills TECHNICIANhopseveral positions ' " - ‘ ' w Are m" “' available for the Fall semester. Getting Harder To Pay? Interested? Give one of our kind- CRIMINAL LAW 1y editors a (2:11] at 737-2411. Do You Need A New Tennis Racquet. Stereo, Computer Software/Hardware, PERSONAL INJURY 0r Dorm Refrigerator? WRONGFUL DEATH Auto rode“. lien" WW?“ {In Haw a... LECHMERE 5 West Hargett St. WESTG ROVE TOWER Jess for Western at Beltline STUDENTS! (919) 859-2100 [Fun and Part Timej *.Fully Furnished A Competitive Wages A Employee Discount * Security Personnel ...(On regular and sale items) A Tuition Assistance Laundry Facilities ABORTION to 18 weeks A Flexible Schedules A Employee Referral Bonuses * Easy Access to RTP When You Need A Paid Time Off Care and A Career Preparation Experience Understanding Apply in person or call during store hours for *Free bus to NCSU more information! * From $325 78 1-5550 6254 Glenwood Avenue, Raleigh (Located in Pleasant Valley Promenade) * Short and long- 3613 HAWORTH DR. -
Harmful Effects of Pornography 2016 Reference Guide
Harmful Effects of Pornography 2016 Reference Guide fightthenewdrug.org COPYRIGHT © 2015 by Fight the New Drug, Inc. ALL RIGHTS RESERVED A certified resource of Fight the New Drug. Fight the New Drug is a 501(c)(3) Non-Profit and was established in March 2009. Please email [email protected] or call us at 385.313.8629 with any questions. Heart — 2.1 How Pornography Warps Expectations.................................................41 2.2 How Pornography Warps Expectations of Sex......................................44 2.3 How Pornography Impacts Partner’s Mental & Emotional Health ......................................46 2.4 How Pornography Changes Perceptions of Partners ................................49 2.5 How Pornography Influences Contents Acquired Sexual Tastes .................................51 2.6 How Pornography Impacts Sexual Intimacy ........................................... 53 2.7 How Pornography Impacts Relationships & Families .............................. 55 Brain 2.8 How Pornography Encourages Objectification ........................................... 58 — 2.9 How Pornography Use Decreases 1.1 Understanding the Brain’s Interest in Actual Partners Reward Center ............................................. 3 & Actual Sex ............................................... 59 1.2 How Pornography Alters 2.10 How Pornography Can Lead Sexual Tastes ................................................. 5 to Physical Danger for Partners .................... 60 1.3 Pornography Induced Erectile Dysfunction (ED) ........................................... -
Financial Aid Delay Upsets Students
University of Missouri, St. Louis IRL @ UMSL Current (1980s) Student Newspapers 1-20-1983 Current, January 20, 1983 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current1980s Recommended Citation University of Missouri-St. Louis, "Current, January 20, 1983" (1983). Current (1980s). 82. https://irl.umsl.edu/current1980s/82 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1980s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Jan. 20, 1983 · UNIVERSITY OF MISSOURI-SAINT LOUIS Issue 440 Financial aid delay upsets students October, he became somewhat Richard Stillwagon, director funds in October; late changes in Jeff Kuchno It was the late notification of concerned when November rolled of student financial aid in Mis financial aid eligibility require- ' . no funds available that irked around and he realized that his souri, pointed out that some ments made by the federal Seibel the most. David Seibel was expecting to check had not arrived. students occasionally confuse government; and a new data pro see some good news about his $300 "1 went to [the Office of Stu tentative eligibility notices with cessing system used in Jefferson "It's a great inconvenience," financial aid check when he dent] Financial Aid and they told an actual award. City to process the information said Seibel, who added that he opened a letter from the Mis me that if I'm eligible, I'll get p "Students did not understand on eligible students. -
Overcoming Violence Against Women and Girls the International Campaign to Eradicate a Worldwide Problem
Overcoming Violence against Women and Girls The International Campaign to Eradicate a Worldwide Problem MICHAELL. PENN AND RAHELNARDOS in collaboration with William S. Hatcher and Mary K. Radpour of the Authenticity Project ROWMAN & LITTLEFIELD PUBLISHERS, INC. Lanham Boulder New York 9 Oxford ROWAN & LITTLEFIELD PUBLISHERS, INC. Published in the United States of America by Rowman & Littlefield Publishers, Inc. A Member of the Rowman & Littlefield Publishing Group 4720 Boston Way, Lanham, Maryland 20706 www.rowmanlittle field.com PO Box 317 Oxford OX2 9RU, UK Copyright 0 2003 by Rowman & Littlefield Publishers, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data PeM, Michael L., 1958- Overcoming violence against women and girls : the international campaign to eradicate a worldwide problem / Michael L. Penn and Rahel Nardos. p. cm. Includes bibliographical references and index. ISBN 0-7425-2499-X (cloth : alk. paper) - ISBN 0-7425-2500-7 (pbk. : a. paper) 1. Womeu-Violence against. 2. Sex discrimination against women. 3. Women-Violence against-Prevention. 4. Sex discriminationagainst women-Prevention. I. Nardos, Rahel. II. Title. HQ1237 .P45 2003 362,88'082--dc21 2002010307 Printed in the United States of America @ TMThepaper -
Freibert, Finley
Citation: Freibert, Finley. “A Remembrance of Shan Sayles an Innovative Showman and Key Figure in the History of Gay Public Life.” Physique Pictorial: Official Quarterly of the Bob Mizer Foundation, no. 49 (Summer 2019), 85-89. Summary: This article presents a microhistory of Shan Sayles’ entrepreneurship in film exhibition that involved both arthouse and exploitation cinemas. Covering the years up to around 1970, it also functions as a commemoration for Sayles with particular focus on the gay films he acquired for his theaters across the country in the late 1960s and early 1970s. The article was commissioned by the Bob Mizer Foundation for their relaunch of Mizer’s Physique Pictorial as an expansion on my article for The Advocate entitled “Commemorating Two Forgotten Figures of Stonewall-Era Gay Film.” While some of the broader points echo from The Advocate article, this piece does not focus on Monroe Beehler, and instead includes additional original research fleshing out Sayles’ beginnings in arthouse exhibition as well as his later business practices. As of this writing, Physique Pictorial 49 is out-of-print. Note: New figures have been added to the original article text for illustration purposes. Page numbers for the original article text have been preserved from the original. Article text: A Remembrance of Shan Sayles an Innovative Showman and Key Figure in the History of Gay Public Life Author: Finley Freibert On August 19, 2018, San Francisco’s Nob Hill Theatre, one of America’s oldest venues for gay-oriented adult entertainment, shuttered its doors. This unfortunate event marked a culmination of the demise of public venues of pornography that had been sought by public decency campaigns since the mid-20th century and later urban renewal imperatives since the late 1970s. -
The Illegality of Pornographic Film As Prostitution
Minnesota Journal of Law & Inequality Volume 13 Issue 2 Article 2 December 1995 Sex for Money is Sex for Money: The Illegality of Pornographic Film as Prostitution Sarah H. Garb Follow this and additional works at: https://lawandinequality.org/ Recommended Citation Sarah H. Garb, Sex for Money is Sex for Money: The Illegality of Pornographic Film as Prostitution, 13(2) LAW & INEQ. 281 (1995). Available at: https://scholarship.law.umn.edu/lawineq/vol13/iss2/2 Minnesota Journal of Law & Inequality is published by the University of Minnesota Libraries Publishing. Sex for Money Is Sex for Money: The Illegality of Pornographic Film as Prostitution Sarah H. Garb* I live in a country where if you film any act of humiliation or torture, and if the victim is a woman, the film is both entertain- ment and it is protected speech. - Andrea Dworkin' Introduction The debate over pornography continues to divide the feminist movement. There is little consensus about whether pornography should be criminalized: some call the regulation of pornography censorship, 2 others denounce the very existence of pornography as a violation of the civil rights of women, 3 and there are numerous varying positions along this continuum. This article introduces a viable alternative method for elimi- nating one aspect of the pornography industry,4 pornographic film. A carefully drafted prostitution statute directed at the process of pornographic ifimmaking could circumvent First Amendment con- * Sarah H. Garb will receive her J.D. from the University of Minnesota Law School in May of 1996. She would like to thank the board and staff of volume 13.2 for their assistance in bringing this article to its present state, especially Maureen Cavanaugh, Carla Hensley, Kim Otte, Scott Wolfson, and Carlos Nan. -
Connolly .Indd
Matt Connolly Solidification and Flux on the “Gay White Way”: Gay Porn Theaters in Post-Stonewall New York City Abstract This paper traces the exhibition strategies of two gay porn theaters in New York City from 1969-1973: the 55th Street Playhouse and the Eros I. It draws upon contemporaneous advertising and trade press to reconstruct these histories, and does so in the pursuit of two interconnected goals. First, by analyzing two venues whose exhibition protocols shifted over the course of this time period, this paper seeks a more nuanced understanding of how gay porn theaters established, maintained, and augmented their market identities. Second, it attempts to use these shifts to consider more broadly what role exhibition practices played in the shaping of gay men’s experiences within the porn theater itself – a key site of spectatorial, erotic, and social engagement. The 1970s saw the proliferation of theaters in major my conclusions in some ways, but that will also urban centers specializing in the exhibition of gay provide the opportunity to investigate exhibition pornography.1 Buoyed by both seismic shifts in spaces within a city that is central to histories of both LGBT visibility in the wake of the 1969 Stonewall LGBT culture and pornographic exhibition.3 I will riots and larger trends in industry, law, and culture track two Manhattan theaters across this time period that increasingly brought pornography of all stripes to observe what films they screened and how they into the mainstream, these theaters provided a public advertised their releases: the 55th Street Playhouse venue for audiences of primarily gay men to view gay and the Eros I. -
Guitar TAB Anthology
Guitar TAB Anthology Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 1-4706-1100-7 ISBN-13: 978-1-4706-1100-2 Cover photo used by permission Album art: The Who Sings My Generation © 1965 MCA Records • A Quick One © 1966 MCA Records • The Who Sell Out © 1967 MCA Records • Tommy © 1969 MCA Records • Live at Leeds © 1970 MCA Records • Who’s Next © 1971 MCA Records • Meaty Beaty Big and Bouncy © 1971 MCA International • Quadrophenia © 1973 MCA Records • The Who by Numbers © 1975 MCA Records • Who Are You © 1978 MCA Records • Face Dances © 1981 MCA Records • It’s Hard © 1982 MCA Records CONTENTS Title Album Page 5:15 ................................... Quadrophenia ............................... 4 Baba O’Riley ........................... Who’s Next ................................ 15 Bargain ................................ Who’s Next ................................ 22 Behind Blue Eyes ....................... Who’s Next ................................ 35 Eminence Front ........................ It’s Hard ................................... 42 Happy Jack ............................ 1966 single ................................ 48 I Can See for Miles -
The Political Economy of Independent Film: a Case Study of Kevin Smith Films
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 The Political Economy of Independent Films: A Case Study of Kevin Smith Films Grace Kathleen Keenan Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION THE POLITICAL ECONOMY OF INDEPENDENT FILMS: A CASE STUDY OF KEVIN SMITH FILMS By GRACE KATHLEEN KEENAN A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Arts in Media Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Thesis of Grace Kathleen Keenan defended on April 9, 2009. ____________________________________ Jennifer M. Proffitt Professor Directing Thesis ____________________________________ Stephen D. McDowell Committee Member ____________________________________ Andrew Opel Committee Member __________________________________________________ Stephen D. McDowell, Chair, Department of Communication __________________________________________________ Gary R. Heald, Interim Dean, College of Communication The Graduate School has verified and approved the above named committee members. ii For my parents, who have always seen me as their shining star iii ACKNOWLEGEMENTS Dr. Proffitt: Without your dedication to learning and students, this thesis would have been impossible. You truly have the patience of an angel. Much love. Dad: How do you put up with me? Thank you for all your emotional and financial support. Mom: You are always striving to understand. I think I get that from you. Newton Hazelbaker: Again, how do you put up with me? Thank you for your absolute and unconditional love. Laura Clements: Perhaps the most fun person I’ve ever met. -
Roxbox by Artist (Hed) Planet Earth 2 Play Feat
RoxBox by Artist (Hed) Planet Earth 2 Play Feat. Thomas Jules & Bartender Jucxi D Blackout Careless Whisper Other Side 2 Unlimited 10 Years No Limit Actions & Motives 20 Fingers Beautiful Short Dick Man Drug Of Choice 21 Demands Fix Me Give Me A Minute Fix Me (Acoustic) 2Pac Shoot It Out Changes Through The Iris Dear Mama Wasteland How Do You Want It 10,000 Maniacs Until The End Of Time Because The Night 2Pac Feat Dr. Dre Candy Everybody Wants California Love Like The Weather 2Pac Feat. Dr Dre More Than This California Love These Are The Days 2Pac Feat. Elton John Trouble Me Ghetto Gospel 101 Dalmations 2Pac Feat. Eminem Cruella De Vil One Day At A Time 10cc 2Pac Feat. Notorious B.I.G. Dreadlock Holiday Runnin' Good Morning Judge 3 Doors Down I'm Not In Love Away From The Sun The Things We Do For Love Be Like That Things We Do For Love Behind Those Eyes 112 Citizen Soldier Dance With Me Duck & Run Peaches & Cream Every Time You Go Right Here For You Here By Me U Already Know Here Without You 112 Feat. Ludacris It's Not My Time (I Won't Go) Hot & Wet Kryptonite 112 Feat. Super Cat Landing In London Na Na Na Let Me Be Myself 12 Gauge Let Me Go Dunkie Butt Live For Today 12 Stones Loser Arms Of A Stranger Road I'm On Far Away When I'm Gone Shadows When You're Young We Are One 3 Of A Kind 1910 Fruitgum Co. -
Pete Townshend أغنية قائمة
Pete Townshend أغنية قائمة The Acid Queen A Quick One, While He's Away The Good's Gone The Real Me The Punk and the Godfather The Ox Go to the Mirror! The Seeker Baba O'Riley Behind Blue Eyes Miracle Cure New Song Mary-Anne with the Shaky Hand Much Too Much Old Red Wine Melancholia Our Love Was Naked Eye Sensation Sister Disco Sparks The Dirty Jobs Smash the Mirror Sea and Sand So Sad About Us Sunrise Tattoo The Rock Welcome They Are All in Love There's a Doctor Time Is Passing Underture Too Much of Anything Water Who Are You I Can't Explain Relay The Who's Tommy جيلي My Generation Slip Kid Pinball Wizard Squeeze Box The Kids Are Alright انظر لي، اشعر بي (أغنية) We're Not Gonna Take It Let's See Action Give Blood Face the Face Substitute Magic Bus Drowned Amazing Journey Blue, Red and Grey 5:15 Christmas Bargain Bell Boy Circles 1921 The Song Is Over A Legal Matter Tommy Can You Hear Me? Cut My Hair Doctor Jimmy Do You Think It's Alright? Dreaming from the Waist Call Me Lightning Run, Run, Run Quadrophenia Out in the Street Pure and Easy Sally Simpson Rael 2 Relax Rael 1 In a Hand or a Face It's Not True Don't Know Myself Is It in My Head? Imagine a Man I Can't Reach You See Me, Feel Me Getting in Tune Going Mobile Helpless Dancer Glittering Girl How Many Friends Glow Girl I'm Free However Much I Booze I Can See for Miles Pictures of Lily Won't Get Fooled Again Odorono Love on the Air Anyway Anyhow Anywhere Join Together Jaguar La-La-La-Lies Love Ain't for Keeping Overture Love, Reign o'er Me I've Had Enough I Am The Sea I've Known No War I'm One Disguises Dogs English Boy Happy Jack I'm a Boy It's a Boy Long Live Rock Put the Money Down Instant Party Mixture.