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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Grade 8 ELA Module 3A, Unit 1, Lesson 3
Grade 8: Module 3A: Unit 1: Lesson 3 Close Reading: Louie’s Change of Heart This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Exempt third-party content is indicated by the footer: © (name of copyright holder). Used by permission and not subject to Creative Commons license. GRADE 8: MODULE 3A: UNIT 1: LESSON 3 Close Reading: Louie’s Change of Heart Long-Term Targets Addressed (Based on NYSP12 ELA CCLS) I can cite text-based evidence that provides the strongest support for an analysis of informational text. (RI.8.1) I can analyze how an author develops and contrasts the points of view of characters and narrators in a literary text. (RL 7.6) I can write narrative texts about real or imagined experiences using relevant details and event sequences that make sense. (W 7.3) Supporting Learning Targets Ongoing Assessment • I can use a Frayer Model to deepen my understanding of words in Unbroken. • Unbroken structured notes, pages 6–12 (from • I can analyze the impact of word choice on meaning and tone in Unbroken. homework) • I can cite evidence that supports my analysis of Unbroken • Text-dependent questions Agenda Teaching Notes 1. Opening • In this lesson, students deepen their understanding of the term resilient, a key vocabulary word and A. Engaging the Reader: Frayer Model (10 minutes) character trait that enables Louie to survive his ordeal. In the Opening of this lesson, there is a B. Reviewing Learning Targets (2 minutes) suggested example (Gabby Giffords) to share with students. Based on your students’ background 2. -
Schaumburg Area Map with Attractions and Restaurants
N WILKE RD N W I L K SCHAUMBURG E R D Lake Arlington PALATINE Visitor Visitors Map Center Schaumburg ARLINGTON Convention Center HEIGHTS IKEA ROLLING MEADOWS HOFFMAN ESTATES Woodfield Mall SCHAUMBURG SCHAUMBURG ELK GROVE VILLAGE 390 W THORNDALE AVE Chicago O’Hare 390 MI E THORNDALE AVE T T Intl. Airport E HANOVER PARK ITASCA L DR ROSELLE WOOD DALE Doownttoowwnw ItascItascaa Eaglewood Golf Course BLOOMINGDALE Schaumburg Community Map F.indd 1 4/11/19 5:05 PM DINING THINGS TO DO FOX AND HOUND PUNCH BOWL SOCIAL F7 WESTWOOD SAKE SUSHI & GRILL F9 MAGGIANO’S LITTLE ITALY F7 AL LARSON PRAIRIE PUMP IT UP F5 AFRICAN SPORTS TAVERN F5 1100 American Ln. TAVERN & TAP E7 697 E. Golf Rd. INDIAN 1901 E. Woodfield Rd. MIDDLE EASTERN SEAFOOD CENTER FOR THE ARTS G6 1230 N. Roselle Rd. STREETS OF WOODFIELD 1416 N. Roselle Rd. (224) 836-9080 1385 N. Meacham Rd. (847) 885-5033 (847) 240-5600 201 Schaumburg Ct. (847) 885-7867 601 N. Martingale Rd. BISI AFRICAN (847) 884-6821 punchbowlsocial.com (847) 969-9500 sakesushigrill.com BAWARCHI BIRYANIS G6 maggianos.com PITA HOUSE F6 BONEFISH GRILL G6 (847) 895-3600 pumpitupparty.com (630) 954-7338 RESTAURANT G6 foxandhound.com westwoodtavern.com 855 E. Schaumburg Rd. 300 W. Higgins Rd. 180 S. Roselle Rd. prairiecenter.org shopthestreetsofwoodfield.com 853 S. Roselle Rd. RAINFOREST CAFE F7 SAKURA SUSHI F5 (847) 524-3007 MORETTI’S RISTORANTE (847) 352-4750 (847) 534-0679 PUNCH BOWL SOCIAL F7 5 Woodfield Mall #D121 175 W. Golf Rd. E7 1100 American Ln. (847) 466-5425 GAMEWORKS WILDBERRY bawarchischaumburg.com & PIZZERIA pitahouse.com bonefishgrill.com ATCHER ISLAND AMC LOEWS THEATER F7 bisirestaurant.com ENTERTAINMENT F7 (847) 619-1900 PANCAKES & CAFE E7 (847) 252-2505 1893 Walden Office Sq. -
1 DICKSON LEW LOUIE Office: 510-352-8885 Mobile: 510-384-4229 [email protected] [email protected] May 4, 2020
DICKSON LEW LOUIE Office: 510-352-8885 Mobile: 510-384-4229 [email protected] [email protected] May 4, 2020 PROFESSIONAL/ACADEMIC POSITIONS University of California, Davis (2012- present] - Lecturer/Visiting Assistant Professor of Management San Francisco State University (2015-present) - Lecturer, Executive MBA Program, College of Business Time Capsule Press, LLC (2008-present) - President and CEO Louie & Associates (1999-present) - Principal The ClearLake Group (2012-18) - Colleague San Francisco Chronicle (2002-2006) - Strategic Planning Director (newsroom) (2003-06) - Advertising Business Manager (2002-03) San Jose Mercury News (1998-1999) - Business Development and Planning Manager (1998-99) - Advertising Business Manager (1998) Harvard Business School, Harvard University (1996-98) - Research Associate Los Angeles Times/Times Mirror Company (1983-95) - Corporate Financial Planning Manager, Times Mirror Newspaper Group, (1994-95) - Circulation Planning Manager, Los Angeles Times (1989-1994) - Senior Financial Planning Analyst, Los Angeles Times (1988-1999) - Financial Planning Analyst, Los Angeles Times (1984-88) - Financial Planning Intern, Los Angeles Times (1983) California State University, Hayward (Summer 1984) - Lecturer, Department of Accounting 1 Arthur Young & Company, CPAs (1980-82- Staff auditor and tax accountant, San Francisco Office (1980-82) EDUCATION University of Chicago, MBA, Marketing, Finance, and Statistics, 1984. California State University, Hayward, BS, Business Administration (Accounting option), minor, Mass Communications (Journalism), with high honors, 1980. EXECUTIVE EDUCATION Building and Leveraging Brand Equity, Wharton School of Commerce, University of Pennsylvania, May 1996. Leading Product Development, Harvard Business School, Harvard University, June 1997. Executive Leadership Program, Media Management Institute, Kellogg School of Management and Medill School of Journalism, Northwestern University, Spring 2002. Disney Institute, Disney’s Approach to Leadership Excellence, Disneyland, Anaheim, California, July 2017. -
Murder-Suicide Ruled in Shooting a Homicide-Suicide Label Has Been Pinned on the Deaths Monday Morning of an Estranged St
-* •* J 112th Year, No: 17 ST. JOHNS, MICHIGAN - THURSDAY, AUGUST 17, 1967 2 SECTIONS - 32 PAGES 15 Cents Murder-suicide ruled in shooting A homicide-suicide label has been pinned on the deaths Monday morning of an estranged St. Johns couple whose divorce Victims had become, final less than an hour before the fatal shooting. The victims of the marital tragedy were: *Mrs Alice Shivley, 25, who was shot through the heart with a 45-caliber pistol bullet. •Russell L. Shivley, 32, who shot himself with the same gun minutes after shooting his wife. He died at Clinton Memorial Hospital about 1 1/2 hqurs after the shooting incident. The scene of the tragedy was Mrsy Shivley's home at 211 E. en name, Alice Hackett. Lincoln Street, at the corner Police reconstructed the of Oakland Street and across events this way. Lincoln from the Federal-Mo gul plant. It happened about AFTER LEAVING court in the 11:05 a.m. Monday. divorce hearing Monday morn ing, Mrs Shivley —now Alice POLICE OFFICER Lyle Hackett again—was driven home French said Mr Shivley appar by her mother, Mrs Ruth Pat ently shot himself just as he terson of 1013 1/2 S. Church (French) arrived at the home Street, Police said Mrs Shlv1 in answer to a call about a ley wanted to pick up some shooting phoned in fromtheFed- papers at her Lincoln Street eral-Mogul plant. He found Mr home. Shivley seriously wounded and She got out of the car and lying on the floor of a garage went in the front door* Mrs MRS ALICE SHIVLEY adjacent to -• the i house on the Patterson got out of-'the car east side. -
In This Lesson, Students Are Introduced to the Three Functions of Government
(c) Constitutional Rights Foundation www.crf-usa.org Unit III: Authority LESSON 2: THE TIRED KING Overview OBJECTIVES In this lesson, students are introduced to the three functions of Students will be able to: government (legislative, judicial, and executive) through a story about an overworked king who must handle all the tasks of gov- • Identify the three functions ernment. Next, students are given descriptions of the three func- of government. tions of government and asked to match tasks to departments • Sort a list of governmental (lawmakers, executives, and judges). Finally, students create job tasks into executive, judi- descriptions for lawmakers, executives, and judges. cial, and legislative. PREPARATION STANDARDS ADDRESSED • Handout A: The Tired National Civics Standard 5: Understands the major char- King—1 per student acteristics of systems of shared powers and of parliamen- • Handout B: King Louie’s tary systems. Level III (Grade 6–8) (1) Understands the pri- Letters—Cut out 1 letter mary responsibilities of each branch of government in a sys- per pair of students and tem of shared powers (e.g., legislative, executive, judicial) and place the letters in King ways in which each branch shares the powers and functions Louie’s basket. of the other branches. • Handout C: In Your Own California History Social Science Content Standard 5.7: Words (Optional)—1 per Students describe the people and events associated with student the development of the U.S. Constitution and analyze the • King Louie’s Basket—A Constitution’s significance as the foundation of the container to hold the let- American republic. (4) Understand how the Constitution is ters designed to secure our liberty by both empowering and limit- • King Louie’s Signs ing central government and compare the powers granted to • Sample Letters—Cut out citizens, Congress, the president, and the Supreme Court the three letters. -
The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
AL Boston Group Dining Menus
Group Dining Prime Steaks, Fresh Seafood & Much More Our chefs have created menus featuring their signature items that will provide a true Abe & Louie dining experience “Boston’s Most Popular Restaurant”…..Zagat 2013 793 Boylston Street Boston, MA 02116 Sales Office 617-425-5206 AbeAndLouies.com | 617-425-5206 | [email protected] 793 Boylston Street Boston, MA 02116 Group Dining Our Group Event Sales Office is ready to assist you at anytime, whether you are planning a business luncheon or dinner, company meeting, birthday party, wedding reception, employee or client recognition, pharmaceutical sales meeting or any sort of social gathering Danielle Knight, Sales Manager [email protected] Office: 617-425-5206 Direct: 617-784-4055 Fax: 866-853-1197 Office address: 581 Boylston St. #403 Boston, MA 02116 Group Dining Locations Louie, Louie Room Private seated events up to 100 guests Private reception style events up to 125 guests Louie Wine Alcove Group dining area for events up to 30 guests Louie Window Alcove Group dining area for events up to 30 guests Louie Mirror Alcove Group dining area for events up to 40 guests Louie Group Dining Area Non-private group dining areas for 10 to 25 guests in our restaurant Board Room Private seated events for up to 30 guests Private reception style events up to 30 guests AbeAndLouies.com | 617-425-5206 | [email protected] 793 Boylston Street Boston, MA 02116 Louie’s Brunch Menu (Available Saturdays and Sundays11:30am till 4pm) Starter Course Fresh -
New Films from Germany
amherstcinema FEB - APR 28 Amity St. Amherst, MA 01002 • www.amherstcinema.org • 413.253.2547 2020 See something different! In addition to the special events in this newsletter, Amherst Cinema shows current-release film on four screens every day. Visit amherstcinema.org and join our weekly e-newsletter for the latest offerings. films of Kelly Reichardt In anticipation of the March 2020 opening of her new movie, FIRST COW, Amherst Cinema is pleased to present four films from the back catalog of director Kelly Reichardt. Reichardt's dramas are small-scale symphonies; alchemical transmogrifications of the ordinary into gripping cinematic experiences. Often collaborating with the same creatives across multiple pictures, such as actor Michelle Williams and writer Jonathan Raymond, Reichardt's films turn the WENDY AND LUCY lens on those in some way at the margins of American communities. Be it a woman living out of her car in WENDY AND LUCY, a group of lost 1840s pioneers in MEEK'S CUTOFF, a reclusive ranch hand in CERTAIN WOMEN, or a hand-to-mouth ex-hippie in OLD JOY, Reichardt's characters, regardless of life circumstances, are deeply and richly human. There may be no other living filmmaker who so fully realizes Roger Ebert's assertion that "movies are the most powerful empathy machine in all the arts." All of which is to say nothing of her films' painterly cinematography, naturalistic and immersive sound design, and Reichardt's knack of scouting the perfect space for every scene, often in the wilds of the Pacific Northwest. Reichardt and her work have been honored at the Cannes Film Festival, the Venice Film Festival, the BFI MEEK'S CUTOFF London Film Festival, the Film Independent Spirit Awards, and more. -
Luke Yeager, MD (PGY-3); Angela Dunn, DO
THE UNIVERSITY of NEW MEXICO INTERNAL MEDICINE The effects of a surrogate provider system for asynchronous computerized notifications of test results in a primary care resident clinic Michael Louie, MD (PGY-3); Luke Yeager, MD (PGY-3); Angela Dunn, DO PROBLEM & BACKGROUND RESULTS Termed “view alerts,” computerized notifications are the primary way information such as test A total of 12,225 view alerts were reviewed but only 10.3% were found to be actionable. results or nursing concerns are conveyed to the provider asynchronously (Fig. 1). These actionable alerts were further categorized into Lab Results, Imaging Results and Within the Veteran Affairs (VA) system, 37% of primary care providers report at least one Nursing Notes (Fig. 2). We found that a surrogate provider shortened the time to response of patient missed test result within the previous two weeks leading to a diagnostic delay8. a view alert by more than 50% from a resident or intern physician and increasing the One study showed that VA providers received 58 “view alerts” per day2 with providers percentage of view alerts that were first addressed by a resident (Fig. 3 and 4). The surrogate spending an average of 69 minutes processing these view alerts3 with an estimated 7% of provider also decreased the percentage of alerts by two-thirds that the attending physician abnormal laboratory and imaging being missed4. responded to first. However, this did not necessarily lead to appropriate management as a In a study of 1196 critical imaging results sent through computerized notifications, 92 results large amount of actionable view alerts (almost doubled in amount while the surrogate (7.7%) had no follow-up at 4 weeks after transmission even after being sent to ≥ 1 provider. -
House Committee on Judiciary & Civil Jurisprudence Hb 19
PUBLIC COMMENTS HB 19 HOUSE COMMITTEE ON JUDICIARY & CIVIL JURISPRUDENCE Hearing Date: March 9, 2021 10:00 AM Michael Gerke SELF Missouri City, TX This bill rewards bad actors. That is, companies who fail to train and properly hire drivers get to be dismissed from a case against them. This is a disincentive to do things the right way. And those companies who do hiring, training and safety the proper way, are placed at an economic disadvantage to those who do not. Bad bill. Texans lose on this one. Jason Boorstein Self Dallas, TX I became very concerned after reading the text of this bill. The bill aims to hurt individuals driving on our roads. I am concerned about commercial vehicles from Texas, other States and Countries getting a pass in Texas if they hurt or kill someone. I am concerned that if this bill passes, companies have less incentive to investigate bad drivers, self police their company, train and discipline. Please consider tabling this bill so that we can investigate the real ramification to Texans. Thank you. Guy Choate Webb, Stokes & Sparks, LLP San Angelo, TX I speak in opposition to this Bill. Texas highways would be made less safe by protecting the companies that put profits over safety as they put unsafe trucks and drivers on the road. Large trucks are disproportionately responsible for carnage on Texas highways. Trucking companies need more scrutiny, not less. Trucks do not have to be dangerous and truck drivers do not have to cause crashes. Good companies do not have the type of crashes that routinely plague Texas highways.