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Musicology at Eastman Annual Newsletter of the Musicology Department
Musicology at Eastman Annual Newsletter of the Musicology Department Fall 2015 Rochester, New York Women and Music dedicated to the career and influence A Word from the Chair of Suzanne Cusick, with whom they both worked when they were all at The University of Virginia. I am honored once again this Patrick Macey’s long work on Josquin’s chansons was year to be able to greet all reflected in the publication of his erudite but performer- the friends and alumni of the friendly volume of the composer’s six-voice works for the Musicology Department at New Josquin Edition (vol. 30). Reaching beyond our dis- Eastman. It has been a year cipline, Patrick prepared an essay for a published cata- of great accomplishment for logue at the High Museum in Atlanta on the occasion of the department but also one an exhibition of panels from Luca della Robbia’s organ of great change. I am pleased loft for the Duomo in Florence. With great personal re- to be able to share here some gret, I also have to report that Patrick has announced his of the highlights. retirement after this academic year. While I am excited By any measure, Ralph for him as he begins a new (and freer) chapter of his life, I Locke has had an extraordi- will miss his daily wisdom, guidance, and friendship. nary year. His newest book, Michael Anderson won his second ASCAP-Deems Tay- Music and the Exotic from lor/Virgil Thomson award, this time for his article in the Renaissance to Mozart, JAMS (66/3) “The One Who Comes After Me: John the came out from Cambridge University Press, a prequel of Baptist, Christian Time, and Symbolic Musical Tech- sorts to his highly successful Musical Exoticism: Images niques.” He has also just published The Singing Irish: A and Reflections (2009). -
Western Music, Cosmic Meaning, and the Great War
Western Music, Cosmic Meaning, and the Great War Charles A. O’Connor III Georgetown University he ancient Greeks thought that mathematical laws governed music and the universe, producing the T unheard “music of the spheres” from planetary revolutions, and they thought that audible music reflected the physical and spiritual harmony of the entire world.1 Greek bards celebrated their gods and heroes in music, and Aristotle believed that music affected moral behavior.2 The Israelites claimed that David’s harp cured the madness of Saul and their trumpets toppled the walls of Jericho.3 This intimate relationship between music and the universe has permeated Western culture through the ages. In Shakespeare’s The Merchant of Venice, Lorenzo invites Jessica to hear “the sound of music” on a moonlit night: Look how the floor of heaven Is thick inlaid with pattens of bright gold: There is not the smallest orb which thou behold’st But in his motion like an angel sings, Still quiring to the young-eyed cherubins; Such harmony is in immortal souls But whilst the muddy vesture of decay Doth grossly close it in, we cannot hear it.4 Because music is thoroughly ingrained in Western culture, it can provide a unique insight into the evolving Western perception of the universe—the worldview held by the composer as well as the 1 E.g., Pythagoras, Plato, and Ptolemy. J. Peter Burkholder, Donald Jay Grout, and Claude V. Palisca, A History of Western Music, 9th ed. (New York: W. W. Norton, 2014), 9-14; Plato, Republic, 10 (617). 2 Burkholder, Grout, and Palisca, A History of Western Music, 14; Aristotle, Politics, 8 (1340a-b); Odyssey, 8 (62-82). -
Gabrielle Cornish 268 Alexander St., Apt
Gabrielle Cornish 268 Alexander St., Apt. 4 • Rochester, NY 14607 (607) 738-6757 • [email protected] www.gabriellecornish.com EDUCATION Expected 2020 Ph.D. in Musicology, Eastman School of Music, University of Rochester Dissertation: “Sounding Socialist, Sounding Modern: Music, Sound, and Everyday Life in the Soviet Union, 1956-1975” Committee: Lisa Jakelski (chair), Holly Watkins, Matthew Lenoe 2016 M.A. in Musicology, Eastman School of Music, University of Rochester 2013 B.A. in Russian Studies and Music, cum laude, University of Rochester PUBLICATIONS In Progress “Sounding the Gulag: Toward a Sonic History of the Soviet Labor Camps” Forthcoming “Music and the Making of the Cosmonaut Everyman,” Journal of Musicology 36, no. 4 (2019). 2018 “Listening to the Beautiful Game: The Sounds of the 2018 World Cup,” Sounding Out!, 2 July 2018. 2015 Review of Rachmaninoff’s Complete Songs: A Companion with Texts and Translations, by Richard D. Sylvester, in Slavic and East European Journal 59, no. 4 (Winter 2015): 639-40. SELECTED FELLOWSHIPS AND AWARDS 2018 Music and Letters Trust Grant 2018 Charles Warren Fox Award, Eastman School of Music 2018 Teaching Assistant Prize for Excellence in Teaching, Eastman School of Music 2018 Edward Peck Curtis Award for Excellence in Teaching by a Graduate Student, University of Rochester 2017 – 2018 Cohen-Tucker Dissertation Research Fellowship, Association for Slavic, East European, and Eurasian Studies 2017 Glenn Watkins Traveling Fellowship, Eastman School of Music 2017 Herbert Lawrence Sadinsky Memorial Prize, University of Rochester Department of History 2017 Jerald C. Graue Fellowship, Eastman School of Music 2017 Charles Warren Fox Award, Eastman School of Music 2016 Kathryn W. -
Gabrielle Cornish 268 Alexander St., Apt
Gabrielle Cornish 268 Alexander St., Apt. 4 • Rochester, NY 14607 (607) 738-6757 • [email protected] www.gabriellecornish.com EDUCATION Expected May 2020 Ph.D. in Musicology, Eastman School of Music, University of Rochester Dissertation: “Sounding Socialist, Sounding Modern: Music, Technology, and Everyday Life in the Soviet Union, 1956-1975” Committee: Lisa Jakelski (chair), Holly Watkins, Matthew Lenoe 2016 M.A. in Musicology, Eastman School of Music, University of Rochester 2013 B.A. in Russian Studies and Music, cum laude, University of Rochester PUBLICATIONS Peer-Reviewed Articles 2019 “Music and the Making of the Cosmonaut Everyman,” Journal of Musicology 36, no. 4 (forthcoming Fall 2019). Under Review “Sounding the Gulag: Toward a Sonic History of the Soviet Labor Camps,” submitted to Kritika In Progress “Synthesized Socialism: The Politics of Timbre in the Early Cold War,” to be submitted in Fall 2020 Essays and Chapters In Progress “Cybernetic Disco Party; or, Mapping a Geography of the Soviet Underground,” invited contribution to Russia and Its Others: Transnational Musical Encounters, eds. Pauline Fairclough, Simon Morrison, and Peter Schmelz (Bloomington: Indiana University Press) Reviews 2015 Review of Rachmaninoff’s Complete Songs: A Companion with Texts and Translations, by Richard D. Sylvester, in Slavic and East European Journal 59, no. 4 (2015): 639–40. 2015 Review of Leningrad: Siege and Symphony, by Brian Moynahan, in ARSC Journal 46, no. 2 (2015): 328–29. Updated August 2019 Cornish | CV 2 SELECTED FELLOWSHIPS AND AWARDS Fellowships 2019 – 2020 Mellon/ACLS Dissertation Completion Fellowship, American Council of Learned Societies 2019 – 2020 Alvin H. Johnson AMS 50 Dissertation Fellowship, American Musicological Society (accepted on non-stipendiary basis) 2019 – 2020 Cohen-Tucker Dissertation Completion Fellowship, Association for Slavic, East European, and Eurasian Studies (declined) 2019 – 2020 Elsa B. -
Woman and Music in First World War London
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Now We've Got Our Khaki On: Woman And Music In First World War London Vanessa Williams University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons, Music Commons, and the Women's Studies Commons Recommended Citation Williams, Vanessa, "Now We've Got Our Khaki On: Woman And Music In First World War London" (2017). Publicly Accessible Penn Dissertations. 2635. https://repository.upenn.edu/edissertations/2635 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2635 For more information, please contact [email protected]. Now We've Got Our Khaki On: Woman And Music In First World War London Abstract Scholarship on British perspectives on the First World War now consistently incorporates reflections on wartime labor on the Home Front, particularly on women’s roles as nurses, factory workers, philanthropists, and care-givers. However, the creative work that produced the War’s popular culture—the material and affective labor of artists and audience members—is still largely absent: artistic responses to the conflict are studied chiefly through masterpieces of elite culture that conveyed appropriately elegiac affects of mourning and that continue to perpetuate modern conceptions of the War as a monolith of male martyrdom and heroism. This dissertation bridges this gap, situating women’s music-making within contemporary national debates over the political, economic, and social ramifications of women’s wartime work. During the First World War, the affective labor of musical performance and consumption became entwined with medical care, education, social control, and anxieties over wartime gender and class roles. -
The William H. Riker University Award For
UN IVERS IT Y 0 F R 0 CHESTER 0 N E HUNDRED SIXTY-SEC 0 N D COMMENCEMENT MAY 2012 Introduction, 4 Honorary Awards, 5 Honor Societies and Awards, 12 Doctoral Degree Candidates, 16 University Council on Graduate Studies, 16 Doctor of Philosophy, 16 School of Nursing, 17 Doctor of Nursing Practice, 17 Eastman School of Music, 18 Doctor of Musical Arts, 18 Margaret Warner Graduate School of Education and Human Development, 18 Doctor of Education, 18 Degree Candidates, 19 School of Arts and Sciences, 19 Bachelor of Arts, 19 Bachelor of Science, 25 Master of Arts, 2 7 Master of Science, 28 Edmund A. Hajim School of Engineering and Applied Sciences, 29 Bachelor of Arts, 29 Bachelor of Science, 29 M aster of Science, 30 Eastman School of Music, 32 Bachelor of Music, 32 Master of Arts, 33 Master of Music, 33 School of Medicine and Dentistry, 34 Master of Arts, 34 Master of Science, 34 Master of Public Health, 34 Doctor of M edicine and Doctor of Philosophy, 34 Doctor of M edicine and Doctor of Philosophy with Distinction in Research, 34 Doctor of M edicine with Distinction in Research and with Distinction in Community Service, 34 Doctor of M edicine with Distinction in Research, 35 Doctor of Medicine with Distinction in Community Service, 35 Doctor of M edicine, 35 William E. Simon Graduate School of Business Administration, 36 School of Nursing, 37 Bachelor of Science, 37 M aster of Science, 3 8 Margaret Warner Graduate School of Education and Human Development, 39 Master of Science, 39 The Genesee, 41 Campus Map, 42 Introduction ARich Tradition at Rochester The commencement season has always stood out as the of the University, and two silver bands are engraved with the "supreme festival" on Rochester's acauemic calendar, Arthur names of the University's presidents. -
Advancing Metadata Practice
Advancing Metadata Practice: Quality, Openness, Interoperability 2017 Proceedings of the International Conference on Dublin Core and Metadata Applications 26-29 October 2017 Published by: Dublin Core Metadata Initiative (DCMI) A project of ASIS&T ISSN: 1939-1366 (Online) WORKSHOPS DC-1, Dublin, Ohio USA: 1-3 March 1995 DC-2, Warwick, UK: 1-3 April 1996 DC-3, Dublin, Ohio, USA: 24-25 September 1996 DC-4, Canberra, Australia: 3-5 March 1997 DC-5, Helsinki, Finland: 6-8 October 1997 DC-6, Washington, D.C., USA: 2-4 November 1998 DC-7, Frankfurt, Germany: 25-27 October 1999 DC-8, Ottawa, Canada: 4-6 October 2000 CONFERENCES DC-2001, Tokyo, Japan: 22-26 October 2001 DC-2002, Florence, Italy: 14-17 October 2002 DC-2003, Seattle, Washington, U.S.A.: 28 September - 2 October 2003 DC-2004, Shanghai, China: 10-14 October 2004 DC-2005, Leganés (Madrid), Spain: 12-15 September 2005 DC-2006, ManZanillo, Colima, Mexico: 3-6 October 2006 DC-2007, Singapore: 27-31 August 2007 DC-2008, Berlin, Germany: 22-26 September 2008 DC-2009, Seoul, Korea: 12-16 October 2009 DC-2010, Pittsburgh, Pennsylvania, USA: 20-22 October 2010 DC-2011, The Hague, The Netherlands: 21-23 September 2011 DC-2012, Kuching, Sarawak, Malaysia: 3-7 September 2012 DC-2013, Lisbon, Portugal: 2-6 September 2013 DC-2014, Austin, Texas, USA, 8-11 October 2014 DC-2015, São Paulo, Brazil: 1-4 September 2015 DC-2016, Copenhagen, Denmark: 13-16 October 2016 DC-2017, Washington, DC, USA: 26-29 October 2017 © DCMI 2017 Copyright for individual articles is retained by the authors with first publication rights granted to DCMI for publication in print and electronic proceedings.