Asner, TV's Blustery Lou Grant, Dies
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Mary, Roseanne, and Carrie: Television and Fictional Feminism by Rachael Horowitz Television, As a Cultural Expression, Is Uniqu
Mary, Roseanne, and Carrie: Television and Fictional Feminism By Rachael Horowitz Television, as a cultural expression, is unique in that it enjoys relatively few boundaries in terms of who receives its messages. Few other art forms share television's ability to cross racial, class and cultural divisions. As an expression of social interactions and social change, social norms and social deviations, television's widespread impact on the true “general public” is unparalleled. For these reasons, the cultural power of television is undeniable. It stands as one of the few unifying experiences for Americans. John Fiske's Media Matters discusses the role of race and gender in US politics, and more specifically, how these issues are informed by the media. He writes, “Television often acts like a relay station: it rarely originates topics of public interest (though it may repress them); rather, what it does is give them high visibility, energize them, and direct or redirect their general orientation before relaying them out again into public circulation.” 1 This process occurred with the topic of feminism, and is exemplified by the most iconic females of recent television history. TV women inevitably represent a strain of diluted feminism. As with any serious subject matter packaged for mass consumption, certain shortcuts emerge that diminish and simplify the original message. In turn, what viewers do see is that much more significant. What the TV writers choose to show people undoubtedly has a significant impact on the understanding of American female identity. In Where the Girls Are , Susan Douglas emphasizes the effect popular culture has on American girls. -
Fact Or Fiction: Hollywood Looks at the News
FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth. -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
Emmy Award-Winning Actor and Activist Edward Asner to Speak at the University of Dayton on Oct
University of Dayton eCommons News Releases Marketing and Communications 10-4-1993 Emmy Award-Winning Actor and Activist Edward Asner to Speak at the University of Dayton on Oct. 14 Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation "Emmy Award-Winning Actor and Activist Edward Asner to Speak at the University of Dayton on Oct. 14" (1993). News Releases. 7806. https://ecommons.udayton.edu/news_rls/7806 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. 70A(l) The University of Dayton News Release Oct. 4, 1993 Contact: Candace Stuart EMMY AWARD-WINNING ACTOR AND ACTIVIST EDWARD ASNER TO SPEAK AT THE UNIVERSITY OF DAYTON ON OCT. 14 DAYTON, Ohio -- Edward Asner, the acclaimed actor and activist who portrayed the popular TV character Lou Grant on "The Mary Tyler Moore Show" and the dramatic series "Lou Grant," will speak at the University of Dayton at 8 p.m. Thursday, Oct. 14, in the ballroom of the Kennedy Union on campus. The lecture, titled "Morality and Freedom of Speech in the Media," is free and open to the public. As the gruff but good-hearted Lou Grant, Asner symbolized many of the ideals of journalism, both as a no-fluff television producer in the comedy "The Mary Tyler Moore Show" and as an ethical city editor in "Lou Grant." He won five Emmy awards for his Lou Grant portrayals and added two more to his collection for roles in "Rich Man, Poor Man" and "Roots." "I fear the Lou Grants of this world are a dying breed, a species failing to adapt to a rapidly changing environment," Asner wrote in the prologue to Unreliable Sources: A Guide to Detecting Bias in the News Media by journalists Martin Lee and Norman Solomon. -
2Friday 1Thursday 3Saturday 4Sunday 5Monday 6Tuesday 7Wednesday 8Thursday 9Friday 10Saturday
JULY 2021 1THURSDAY 2FRIDAY DAYTIME THEME: DAYTIME THEME: TCM BIRTHDAY TRIBUTE: WILLIAM WYLER KEEPING THE KIDS BUSY PRIMETIME THEME: PRIMETIME THEME: SELVIS FRIDAY NIGHT NEO-NOIR Seeing Double 8:00 PM Harper (‘66) 8:00 PM Kissin’ Cousins (‘64) 10:15 PM Point Blank (‘67) 10:00 PM Double Trouble (‘67) 12:00 AM Warning Shot (‘67) 12:00 AM Clambake (‘67) 2:00 AM Live A Little, Love a Little (‘68) 3SATURDAY 4SUNDAY DAYTIME THEME: DAYTIME THEME: SATURDAY MATINEE HAPPY INDEPENDENCE DAY PRIMETIME THEME: PRIMETIME THEME: GABLE GOES WEST HAPPY INDEPENDENCE DAY 8:00 PM The Misfits (‘61) 8:00 PM Yankee Doodle Dandy (‘42) 10:15 PM The Tall Men (‘55) 10:15 PM 1776 (‘72) JULY JailhouseThes Stranger’s Rock(‘57) Return (‘33) S STAR OF THE MONTH: Elvis 5MONDAY 6TUESDAY 7WEDNESDAY P TCM SPOTLIGHT: Star Signs DAYTIME THEME: DAYTIME AND PRIMETIME THEME(S): DAYTIME THEME: MEET CUTES DAYTIME THEME: TY HARDIN TCM PREMIERE PRIMETIME THEME: SOMETHING ON THE SIDE PRIMETIME THEME: DIRECTED BY BRIAN DE PALMA PRIMETIME THEME: THE GREAT AMERICAN MIDDLE TWITTER EVENTS 8:00 PM The Bonfire of the Vanities (‘90) PSTAR SIGNS Small Town Dramas NOT AVAILABLE IN CANADA 10:15 PM Obsession (‘76) Fire Signs 8:00 PM Peyton Place (‘57) 12:00 AM Sisters (‘72) 8:00 PM The Cincinnati Kid (‘65) 10:45 PM Picnic (‘55) 1:45 AM Blow Out (‘81) (Steeve McQueen – Aries) 12:45 AM East of Eden (‘55) 4:00 AM Body Double (‘84) 10:00 PM The Long Long Trailer (‘59) 3:00 AM Kings Row (‘42) (Lucille Ball – Leo) 5:15 AM Our Town (‘40) 12:00 AM The Bad and the Beautiful (‘52) (Kirk Douglas–Sagittarius) -
Gene Kearney Papers, 1932-1979 (Collection PASC.207)
http://oac.cdlib.org/findaid/ark:/13030/kt7d5nf5r2 No online items Finding Aid for the Gene Kearney Papers, 1932-1979 (Collection PASC.207) Finding aid prepared by J. Vera and J. Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2001 The Regents of the University of California. All rights reserved. Finding Aid for the Gene Kearney PASC.207 1 Papers, 1932-1979 (Collection PASC.207) Title: Gene Kearney papers Collection number: PASC.207 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 7.5 linear ft.(15 boxes.) Date (inclusive): 1932-1979 Abstract: Gene Kearney was a writer, director, producer, and actor in various television programs and motion pictures. Collection consists of scripts, production information and clippings related to his career. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Kearney, Gene R Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Portions of this collection are restricted. Consult finding aid for additional information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. -
Palms to Pines Scenic Byway Corridor Management Plan
Palms to Pines Scenic Byway Corridor Management Plan PALMS TO PINES STATE SCENIC HIGHWAY CALIFORNIA STATE ROUTES 243 AND 74 June 2012 This document was produced by USDA Forest Service Recreation Solutions Enterprise Team with support from the Federal Highway Administration and in partnership with the USDA Forest Service Pacific Southwest Region, the Bureau of Land Management, the California Department of Transportation, California State University, Chico Research Foundation and many local partners. The USDA, the BLM, FHWA and State of California are equal opportunity providers and employers. In accordance with Federal law, U.S. Department of Agriculture policy and U.S. Department of Interior policy, this institution is prohibited from discriminating on the basis of race, color, national origin, sex, age or disability. (Not all prohibited bases apply to all programs.) To file a complaint of discrimination, write USDA, Director, Office of Civil Rights, Room 326-W, Whitten Building, 1400 Independence Avenue, SW, Washington, DC 20250-9410 or call (202) 720- 5964 (voice and TDD). Table of Contents Chapter 1 – The Palms to Pines Scenic Byway .........................................................................1 Introduction ................................................................................................................................. 1 Benefits of National Scenic Byway Designation .......................................................................... 2 Corridor Management Planning ................................................................................................. -
Elvis Quarterly 89 Ned
UEPS QUARTERLY 89 Driemaandelijks / Trimestriel januari-februari-maart 2009 / Afgiftekantoor Antwerpen X - erk. nr.: 708328 januari-februari-maart 2009 / Afgiftekantoor Antwerpen X - erk. nr.: Driemaandelijks / Trimestriel The United Elvis Presley Society is officieel erkend door Elvis en Elvis Presley Enterprises (EPE) sedert 1961 The United Elvis Presley Society Elvis Quarterly Franstalige afdeling: Driemaandelijks tijdschrift Jean-Claude Piret - Colette Deboodt januari-februari-maart 2009 Rue Lumsonry 2ème Avenue 218 Afgiftekantoor: Antwerpen X - 8/1143 5651 Tarcienne Verantwoordelijk uitgever: tel/fax 071 214983 Hubert Vindevogel e.mail: [email protected] Pijlstraat 15 2070 Zwijndrecht Rekeningnummers: tel/fax: 03 2529222 UEPS (lidgelden, concerten) e-mail: [email protected] 068-2040050-70 www.ueps.be TCB (boetiek): Voorzitter: 220-0981888-90 Hubert Vindevogel Secretariaat: Nederland: Martha Dubois Giro 2730496 (op naam van Hubert Vindevogel) IBAN: BE34 220098188890 – BIC GEBABEBB (boetiek) Medewerkers: IBAN: BE60 068204005070 – BIC GCCCBEBB (lidgelden – concerten) Tina Argyl Cecile Bauwens Showroom: Daniel Berthet American Dream Leo Bruynseels Dorp West 13 Colette Deboodt 2070 Zwijndrecht Pierre De Meuter tel: 03 2529089 (open op donderdag, vrijdag en zaterdag van 10 tot 18 uur Marc Duytschaever - Eerste zondag van elke maand van 13 tot 18 uur) Dominique Flandroit Marijke Lombaert Abonnementen België Tommy Peeters 1 jaar lidmaatschap: 18 € (vier maal Elvis Quarterly) Jean-Claude Piret 2 jaar: 32 € (acht maal Elvis Quarterly) Veerle -
New on DVD & Blu-Ray
New On DVD & Blu-Ray The Magnificent Seven Collection The Magnificent Seven Academy Award® Winner* Yul Brynner stars in the landmark western that launched the film careers of Steve McQueen, Charles Bronson and James Coburn. Tired of being ravaged by marauding bandits, a small Mexican village seeks help from seven American gunfighters. Set against Elmer Bernstein’s Oscar® Nominated** score, director John Sturges’ thrilling adventure belongs in any Blu-ray collection. Return of the Magnificent Seven Yul Brynner rides tall in the saddle in this sensational sequel to The Magnificent Seven! Brynner rounds up the most unlikely septet of gunfighters—Warren Oates, Claude Akins and Robert Fuller among them—to search for their compatriot who has been taken hostage by a band of desperados. Guns of the Magnificent Seven This fast-moving western stars Oscar® Winner* George Kennedy as the revered—and feared—gunslinger Chris Adams! When a Mexican revolutionary is captured, his associates hire Adams to break him out of prison to restore hope to the people. After recruiting six experts in guns, knives, ropes and explosives, Adams leads his band of mercenaries on an adventure that will pit them against their most formidable enemy yet! *1967: Supporting Actor, Cool Hand Luke. The Magnificent Seven Ride! This rousing conclusion to the legendary Magnificent Seven series stars Lee Van Cleef as Chris Adams. Now married and working for the law, Adams’ settled life is turned upside-down when his wife is killed. Tracking the gunmen, he finds a plundered border town whose widowed women are under attack by ruthless marauders. -
Introduction to the Complete Directory to Prime Time Network and Cable TV Shows
Broo_9780345497734_2p_fm_r1.qxp 7/31/07 10:32 AM Page ix INTRODUCTION In the following pages we present, in a sin- eral headings. For example, newscasts are gle volume, a lifetime (or several lifetimes) of summarized under News, movie series under television series, from the brash new medium Movies and sports coverage under Football, of the 1940s to the explosion of choice in the Boxing, Wrestling, etc. All other series are 2000s. More than 6,500 series can be found arranged by title in alphabetical order. There here, from I Love Lucy to Everybody Loves is a comprehensive index at the back to every Raymond, The Arthur Murray [Dance] Party cast member, plus appendixes showing an- to Dancing with the Stars, E/R to ER (both nual network schedules at a glance, the top with George Clooney!), Lost in Space to Lost 30 rated series each season, Emmy Awards on Earth to Lost Civilizations to simply Lost. and other information. Since the listings are alphabetical, Milton Network series are defined as those fed out Berle and The Mind of Mencia are next-door by broadcast or cable networks and seen si- neighbors, as are Gilligan’s Island and The multaneously across most of the country. Gilmore Girls. There’s also proof that good Broadcast networks covered are ABC, CBS, ideas don’t fade away, they just keep coming NBC, Fox, CW, MyNetworkTV, ION (for- back in new duds. American Idol, meet merly PAX) and the dear, departed DuMont, Arthur Godfrey’s Talent Scouts. UPN and WB. We both work, or have worked, in the TV Original cable series are listed in two dif- industry, care about its history, and have ferent ways. -
Havre Daily News Havre Daily News - News You Can Use Tickets on Sale to See Asner Perform with MAT by Tim Leeds
Tickets on sale to see Asner perform with MAT - Havre Daily News Havre Daily News - News you can use Tickets on sale to see Asner perform with MAT By Tim Leeds Courtesy Photo A poster advertises Ed Asner's appearing in "God Help Us" in Havre in October. Tickets are on sale for the production, which features MAT actors Jay Pyette and Kate Hagen. The tickests, $25 for adults and $20 for students, seniors and members of the military, are on sale at Bear Paw Meats, Computer Center, fivehead's and online at http://www.mtactors.com. The play is running with evening shows Oct. 12-13 and matinees Oct. 13-14. The local acting troupe announced that tickets are on sale for the chance to see a legendary Hollywood actor performing with troupe members in Havre. Montana Actors' Theatre announced Monday that tickets for "God Help Us" starring Ed Asner and featuring MAT veterans Jay Pyette and Kate Hagen are available online at http://www.mtactors.com as well at fivehead's, Computer Center and Bear Paw Meats. The tickets are $25 for adults and $20 for students, seniors and members of the military. Evening performances are scheduled for Oct. 12-13 and matinees Oct. 13-14 Pyette said the actor coming to Havre happened after he connected with Asner's daughter and agent, Liza Asner, who is producing the play. Samuel Warren Joseph and Phil Proctor wrote the play, a comedy about political tensions in modern times, updated for the Havre performance to include up-to-date references. -
Pa Thin and the Ai
)ieS; Police, VS Officials the Authors. pa thin and the Ai. Is! more than s and Today serials To Set Policy al SAN magazines, Apo 35 JOSE, CALIFORNIA, WEDNESDAY, NOVEMBER 7, 1962 I. 50 No 36 "Mule Team," Ii. TEVE tault was not that 01 fraterni, eqUI11,1 mu I Ci01,111N gatherings '1',, daiter the circumstances men. "We are resolved that tas disperse noisy, unruly wrote members of the fraternal male', .1 state student:.. These occasions radio, surrounding Halloween's student, iklets and ad. were in line and were not resiaa, acre marked by drinking, violence, overall; riot and to determine an hale," declared the chief. "In fact. defiance of the police and arrests. Leads policy for future preven- Over effective at Nixon some fraternity members took Brown time. we expresed the San Jose "At that ,,,n of such incidents, a group of charge of dispersing the crowd." that the school administra- rf public rela- . opinion .-;.1S administrators, student lead- Dean Benz commended ASH tion should take a stronger position rid taught by President Bill Hauck and Inter- in dealing with delinquent students. :e also ers and San Jose police will as- taught fraternity Council President Dave We still feel that way. - semble in the recreation room of article writ. -Point; lA Loomis for assisting the police. Mid that the At Gains The editorial advocated Allen Hall at 3:30 p.m. today. , he suffered a administration "get tough with col- gan, NOT ISOLATED ISk BETTY 1,URRANO Republican, by 249,638 to 000 votes to Ralph Richardson's San Jose Police Chief Ray as disable, Chief Blackmore pointed out that legiate offenders and keep them Edmund G.