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Movie Mirror Book
WHO’S WHO ON THE SCREEN Edited by C h a r l e s D o n a l d F o x AND M i l t o n L. S i l v e r Published by ROSS PUBLISHING CO., I n c . NEW YORK CITY t y v 3. 67 5 5 . ? i S.06 COPYRIGHT 1920 by ROSS PUBLISHING CO., Inc New York A ll rights reserved | o fit & Vi HA -■ y.t* 2iOi5^ aiblsa TO e host of motion picture “fans” the world ovi a prince among whom is Oswald Swinney Low sley, M. D. this volume is dedicated with high appreciation of their support of the world’s most popular amusement INTRODUCTION N compiling and editing this volume the editors did so feeling that their work would answer a popular demand. I Interest in biographies of stars of the screen has al ways been at high pitch, so, in offering these concise his tories the thought aimed at by the editors was not literary achievement, but only a desire to present to the Motion Picture Enthusiast a short but interesting resume of the careers of the screen’s most popular players, rather than a detailed story. It is the editors’ earnest hope that this volume, which is a forerunner of a series of motion picture publications, meets with the approval of the Motion Picture “ Fan” to whom it is dedicated. THE EDITORS “ The Maples” Greenwich, Conn., April, 1920. whole world is scene of PARAMOUNT ! PICTURES W ho's Who on the Screcti THE WHOLE WORLD IS SCENE OF PARAMOUNT PICTURES With motion picture productions becoming more masterful each year, with such superb productions as “The Copperhead, “Male and Female, Ireasure Island” and “ On With the Dance” being offered for screen presentation, the public is awakening to a desire to know more of where these and many other of the I ara- mount Pictures are made. -
A Historical Study of the Tulane and Crescent Theatres of New Orleans, Louisiana: 1897-1937
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1963 A Historical Study of the Tulane and Crescent Theatres of New Orleans, Louisiana: 1897-1937. Sadie Faye edwards Head Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Head, Sadie Faye edwards, "A Historical Study of the Tulane and Crescent Theatres of New Orleans, Louisiana: 1897-1937." (1963). LSU Historical Dissertations and Theses. 885. https://digitalcommons.lsu.edu/gradschool_disstheses/885 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been 64—5045 microfilmed exactly as received HEAD, Sadie Faye Edwards, 1929- A HISTORICAL STUDY OF THE TULANE AND CRESCENT THEATRES OF NEW ORLEANS, LOUISIANA: 1897-1937. Louisiana State University, Ph.D., 1963 Speech—Theater University Microfilms, Inc., Ann Arbor, Michigan A HISTORICAL STUDY OF THE TULANE AID CRESCENT THEATRES OF NEW ORLEANS, LOUISIANA: 1897-1937 A Dissertation Subnit ted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial flilfUlasent of the requirements for the degree of Doctor of Philosophy in The Department of Speech hy Sadie Faye -
* Omslag Between Stillness PB:DEF
FILM CULTURE IN TRANSITION Between Stillness and Motion FILM, PHOTOGRAPHY, ALGORITHMS EDITED BY EIVIND RØSSAAK Amsterdam University Press Between Stillness and Motion Between Stillness and Motion Film,Photography,Algorithms Edited by Eivind Røssaak The publication of this book is made possible by a grant from the Norwegian Research Council. Front cover illustration: Tobias Rehberger, On Otto, film still (Kim Basinger watching The Lady from Shanghai), . Courtesy Fondazione Prada, Milan Back cover illustration: Still from Gregg Biermann’s Spherical Coordinates () Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn (paperback) isbn (hardcover) e-isbn nur © E. Røssaak / Amsterdam University Press, All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents Acknowledgements Introduction The Still/Moving Field: An Introduction Eivind Røssaak Philosophies of Motion The Play between Still and Moving Images: Nineteenth-Century “Philosophical Toys” and Their Discourse Tom Gunning Digital Technics Beyond the “Last Machine”: Thinking Digital Media with Hollis Frampton Mark B.N. Hansen The Use of Freeze and Slide Motion The Figure of Visual Standstill in R.W. Fassbinder’sFilms Christa Blümlinger TheTemporalitiesoftheNarrativeSlideMotionFilm -
American Fiction, 1911-1920 Reel Listing
American Fiction, 1911-1920 Reel Listing The Autobiography of a woman alone. One issue. New York, London: D. Appleton and Company. [Philadelphia, Pennsylvania] The Curtis Publishing 1911 Company. c1919 MN-0600.1; viii, 376, [8] p. 20 cm. MN-0601.6; [2], 382, [2] p. (last 2 p. blank) : ill. (1 Reel: 1, No. 1 col.) 20 cm. Reel: 2, No. 6 The confessions of an inconstant man. New York, London: D. Appleton and Company. Reed & Carnrick. 1914 The so-so stories. MN-0600.2; [10], 178, [4] p. (last 3 p. blank), [4] Jersey City, New Jersey: Reed and Carnrick. [c1914] leaves of plates : ill. 20 cm. MN-0601.7; 104 p. ill. 19 cm. Reel: 1, No. 2 Reel: 2, No. 7 The empty house. A.P.H. (Arthur Platt Howard), b.1869. New York: Macmillan. 1917 The man who bucked up. MN-0600.3; 301 p. : ill. 20 cm. Garden City, New York: Doubleday, Page and Reel: 1, No. 3 Company. 1912 MN-0602.1; [6], 279, [1] p. 20 cm. The Girl with the rosewood crutches. Reel: 3, No. 1 New York: McBride, Nast and Company. 1912 MN-0600.4; [14], 267, [7] p. (first 4 p. and last 7 p. Abbott, Avery. blank), [1] leaf of plates : 1 col. ill. 20 cm. Captain Martha Mary. Reel: 1, No. 4 New York: The Century Company. 1912 MN-0602.2; [10], 211, [3] p. (last 3 p. blank), [1] leaf Gone West. of plates : ill. 18 cm. New York: Alfred A. Knopf. 1919 Reel: 3, No. 2 MN-0600.5; 103, [1] p. -
San Diego Public Library New Additions June 2008
MAYOR JERRY SANDERS San Diego Public Library New Additions June 2008 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABANI Abani, Christopher. Song for night : a novella FIC/ABATE Abate, Carmine, 1954- Between two seas FIC/ABERCROMBIE Abercrombie, Joe. Before they are hanged FIC/ABRAHAMS Abrahams, Peter Delusion FIC/ABRAMS Abrams, Douglas Carlton. The lost diary of Don Juan : an account of the true arts of passion and the perilous adventure FIC/ACOSTA Acosta, Marta. Happy hour at Casa Dracula FIC/ALBERT Albert, Elisa, 1978- The book of Dahlia : a novel [MYST] FIC/ALBERT Albert, Susan Wittig. Bleeding hearts [MYST] FIC/ALBERT Albert, Susan Wittig. Nightshade FIC/ALBOM Albom, Mitch, 1958- For one more day FIC/ALLEN Allen, Sarah Addison. The sugar queen FIC/ALTSCHUL Altschul, Andrew Foster. Lady Lazarus FIC/ALVAREZ Alvarez, Julia. How the García girls lost their accents FIC/ANDREWS Andrews, Mary Kay, 1954- Deep dish FIC/ANDREWS Andrews, V. C. (Virginia C.) Falling stars FIC/ANDREWS Andrews, V. C. (Virginia C.) Lightning strikes FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARMSTRONG Armstrong, Kelley. Bitten [MYST] FIC/ATHERTON Atherton, Nancy. Aunt Dimity : vampire hunter [MYST] FIC/ATHERTON Atherton, Nancy. Aunt Dimity and the deep blue sea FIC/ATWOOD Atwood, Margaret Eleanor, 1939- The handmaid's tale [MYST] FIC/AULT Ault, Sandi.