The Early Greeks

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October 15, 2014 •Knossos, the Minoans, the Minotaur, and the Mystery •Homework: •Geography of Greece Quia due tomorrow 35° 17′ 52.66″ N, 25° 9′ 47.36″ E What do we know about the Geography of Greece? A. Surrounded by a lot of water (Ionian, Med., Aegean) and mountains B. Lots of little islands Early Greek communities grew up independent! C. Very little farmlands Instead of farming they turn to fishing But how did the people start colonizing the island of Crete? Why did they leave the mainland? Could it all be just a legend with no place to base it out of?? King Minos Zeus & Europa = Minos’s Parents What was the name of the civilization that lived here? • Minoans - named after King Minos who received his name from Minos Kalokarinos the first archaeologist to excavate in Crete. • 2800BCE King Minos Deal with Poseidon helps create the Minotaur Death of the Minotaur (Theseus – Athens) Thanks for the cool story, but what were they really about? •Main Idea – The Minoans earned their living by building ships and trading! The Minoans • Minoan Civilization began in the capital city of Knossos on the island of Crete around 2800 B.C.E. • 1st civilization in the region that later became Greece. • Knossos from an aerial view A Back in the Day Song & Knossos • Recreatio n of Knossos Entering the Front Gates of Knossos Touring Knossos Touring Knossos The remains of a mansion Touring Knossos Part of a Palace Touring Knossos Entering a Temple Tomb Inside the Temple An altar and tablets with scribe writing Touring Knossos Entering the Throne Room of King Minos The Antechamber to the Throne Room The Antechamber to the Throne Room The Throne Room The Throne Room Touring the Palace Royal Villa & Fresco Touring the Palace Touring the Palace Queen’s Bathroom and Storage Room.

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Ruins of the Temple of Heracles at Agrigento in Sicily. (Wikimedia Commons
Ruins of the Temple of Heracles at Agrigento in Sicily. (Wikimedia Commons. Photo by José Luiz) ERCULES (also known as Heracles) tually overpowered it (Figure 3) and their own master. With their appetites Hhad been told by the oracle at Delphi brought it to Greece. This labour of satisfied Heracles was able to control that if he accomplished the tasks set for Her acles might reflect the subjugation them (Figure 4) and with his way of him by Eurystheus, the king of Mycenae, of the Minoan civilization on Crete by dealing with them they were no further he would gain immortality. Part I dealt conquerors from Greece in about 1450 trouble. with the first six of these labours and BC. The Ninth Labour was to obtain Part II will deal with the remaining six. The Eighth Labour was to capture Hippolyte’s girdle. Hippolyte was the The Seventh Labour was to capture the four wild mares that belonged to queen of the Amazons, who were female the Cretan bull. This was a large bull Diomedes, who ruled the fierce tribe of warriors in Asia Minor. The word ‘ama - that terrorized the people of Crete. (Fig - the Bistones in Thrace. The horses lived zon’ means ‘no breast’, and these women ure 1 – map) Some say it was the bull on human flesh and terrorized the had their right breast cut off when they that carried Europa on its back from country. Heracles gathered a band of were young so that they were better Phoenicia to Crete. Others say it was volunteers and went to Thrace.
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Mary Reid Kelley L the Minotaur Trilogy
Mary Reid Kelley l The Minotaur Trilogy 12. March, 2016 - 16. April, 2016 Arratia Beer is pleased to present The Minotaur Trilogy, the first solo exhibition by Mary Reid Kelley with the gallery. Working primarily in video, Mary Reid Kelley’s meticulously composed scripts contest conventions of written language and spoken word, fluctuating between comic and tragic interpretation. Often parodically borrowing structure from Alexander Pope’s heroic couplets or the anapestic meter of Lewis Carroll, the videos fractured narratives reflect their characters’ deluded, perilous states. In her videos the artist usually plays all the roles, disguised through a distinctive monochromatic palette, wigs and heavy make-up. Made in collaboration with Patrick Kelley, her videos are elaborate constructions which include live-action performance; props and set design; drawing, graphic animation and printed word. Comprised by three films – Priapus Agonistes (2013), Swinburne’s Pasiphae (2014) and The Thong of Dionysus (2015) – The Minotaur Trilogy explores the mythological creature’s tragic family tree. The trilogy fuses classical drama, modern literature and contemporary pop culture into razor-sharp observations on gender, class, and urban development. They satirize the promise of progress through dense layering of cultural references ranging from Southern church socials and Women’s Magazines to Borges and Baudelaire. Priapus Agonistes condenses elements of Greek drama and mythology with details of the church volleyball tournaments that the artist witnessed as a child. The Minotaur is re-imagined as a lost daughter in a labyrinthine gymnasium basement, her sacrifices coming in the form of members of the losing volleyball team. Like Jorge Luis Borges’ portrait of the Minotaur as anti-hero in The House of Asterion, the Minotaur of Priapus Agonistes is hopelessly lost in an environment of repetitive space, using the murdered sacrifices as landmarks to help her navigate a path to the lavatory.
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Mary Reid Kelley Reimagines Mythology from a Woman's Point Of
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GRADE 6: MODULE 1: UNIT 2: LESSON 12 Theseus and the Minotaur
GRADE 6: MODULE 1: UNIT 2: LESSON 12 Theseus and the Minotaur Prince Theseus was greatly loved by his father, King Egeus. Theseus, however, was much too brave and active a young man to spend all his time talking about the past with his father. His ambition was to perform other, more heroic deeds. One morning, Prince Theseus awoke to sobs and screams of woe—from the king’s palace, from the streets, and from the temples. He put on his clothes as quickly as he could and, hastening to the king, inquired what it all meant. “Alas!” quoth King Egeus. “This is the saddest anniversary of the year. It is the day when we draw lots to see which of the youths and maidens of Athens shall go to be devoured by the horrible Minotaur!” “The Minotaur!” exclaimed Prince Theseus; and, like a brave young prince as he was, he put his hand to the hilt of his sword. “What kind of a monster may that be? Is it not possible to slay him?” But King Egeus shook his head and explained. In the island of Crete there lived a dreadful monster, called a Minotaur, shaped partly like a man and partly like a bull. But King Minos of Crete built a habitation for the Minotaur and took care of his health and comfort. A few years before, there had been a war between the city of Athens and the island of Crete, in which the Athenians were beaten. They could only beg for peace if they agreed to seven young men and seven maidens, every year, to be devoured by the pet monster of the cruel King Minos.
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Forces Setup Victory
Forces SPECIAL RULES Player 1 VILLAGERS Hero: Heracles The villagers have a defence stat of 2. THE MINOTAUR’S RETURN Troops: Hoplites, Spartiates RUN FOR YOUR LIFE ! Player 2 The villagers are too stunned to defend Monster: Minotaure themselves or run. But Heracles can get them out 2 Troops: Chiens des enfers, Guerriers des enfers of their torpor, screaming at them. As a simple action, he may discard an Art of War card to move two villagers from one square away, or one villager from two squares away. Board : Ruins Setup GARD ! Heracles was watching the beast in the distance as it bellowed in front of a terrified villager. The poor man was backed against a Heracles gets the Guard skill for this scenario. wall without any way out. He knew it was hopeless and that was Place 1-3 ruined columns in each ruins area. written on his face. REINFORCEMENTS As if to confirm, the Minotaur charged, head down, and impaled When a troop is destroyed it reappears the villager on one of his horns. He then shook himself as if to get Place Heracles, the Minotaur, the Hell Hounds and the automatically its side’s coloured area without spending activation card. rid of a fly. The disarticulated body of the man fell wetly a few Hell Warriors at their starting point as indicated on the meters away. He was, mercifully, dead already. At least Heracles was hoping he was. A pack of hell hounds, drawn by the slaughter, map. fought over the corpse in a roaring concert, pulling it in all directions until a wet crunch gave way.
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The Helmholtz, the Doctor, the Minotaur, and the Labyrinth
Volume 34 Number 2 Article 7 4-15-2016 The Helmholtz, the Doctor, the Minotaur, and the Labyrinth Buket Akgün Istanbul University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Akgün, Buket (2016) "The Helmholtz, the Doctor, the Minotaur, and the Labyrinth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 34 : No. 2 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol34/iss2/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Compares the use and resolution of Minotaur and Labyrinth themes and imagery, and the identification of the Theseus hero-figure with the monster, in Victor Pelevin’s novel The Helmet of Horror and the sixth season Doctor Who episode “The God Complex.” Additional Keywords Doctor Who (television show); Labyrinths in literature; Minotaur (Greek myth); Pelevin, Victor.
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Hybrid Monsters
HYBRID MONSTERS IN THE CLASSICAL WORLD THE NATURE AND FUNCTION OF HYBRID MONSTERS IN GREEK MYTHOLOGY, LITERATURE AND ART by Liane Posthumus Thesis presented in partial fulfilment of the requirements for the degree Master of Philosophy in Ancient Cultures at the University of Stellenbosch Supervisor: Prof. J.C. Thom Co-supervisor: Dr. S. Thom Faculty of Arts and Social Sciences Department of Ancient Studies March 2011 Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the authorship owner thereof (unless to the extent explicitly otherwise stated) and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Date: 28 February 2011 Copyright © 2010 University of Stellenbosch All rights reserved i ABSTRACT The aim of this thesis is to explore the purpose of monster figures by investigating the relationship between these creatures and the cultures in which they are generated. It focuses specifically on the human-animal hybrid monsters in the mythology, literature and art of ancient Greece. It attempts to answer the question of the purpose of these monsters by looking specifically at the nature of man- horse monsters and the ways in which their dichotomous internal and external composition challenged the cultural taxonomy of ancient Greece. It also looks at the function of monsters in a ritual context and how the Theseus myth, as initiation myth, and the Minotaur, as hybrid monster, conforms to the expectations of ritual monsters. The investigation starts by considering the history and uses of the term “monster” in an attempt to arrive at a reasonable definition of monstrosity.
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Theseus and the Minotaur
Theseus and the Minotaur Once upon a time, a long time ago, there lived a king named Minos. King Minos lived on a lovely island called Crete. He had a powerful navy, a beautiful daughter, and a beautiful and rather large palace. Still, now and then, King Minos grew bored. Whenever the King was bored, he took his navy and attacked Athens, a town on the other side of the sea. The people of Athens soon grew tired of the bully, King Minos. All the people of Athens agreed that something had to be done. Athens tried to make friends with King Minos, but nothing seemed to work. In desperation, the king of Athens offered King Minos a deal. If Minos would leave Athens alone, Athens would send seven Athenian boys and seven Athenian girls to Crete every nine years to be eaten by the Minotaur. The Minotaur was a horrible monster that lived in the centre of a huge maze on the island of Crete. King Minos loved that old monster. He did like to give his monster a treat to eat now and then. King Minos knew his people would prefer he fed his monster Athenian children as a treat rather than the children of Crete. King Minos took the deal. Nine years passed swiftly. It was just about time for Athens to send seven boys and seven girls to Crete to be eaten by the Minotaur. Everyone in Athens was crying. Prince Theseus of Athens was very young. He knew that a deal was a deal. Still, he was sure it was wrong to send small children to be eaten by a monster just to avoid a battle with King Minos.
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Theseus and the Minotaur. Part 1
1 Theseus and the Minotaur. Part 1 King Minos of Crete was a powerful man, feared by the rulers of the lands around him. When he demanded goods or men for his great armies, they felt they had to agree. When he demanded they send tributes to honour him, they sent them without question. It was the only way they could stop him going to war with them. But his demands on Athens became too much for them to bare. King Minos had a great palace built for himself. Inside this palace, Minos had built a giant maze, a Labyrinth, and, at the centre of the maze, he kept a terrifying creature, - the Minotaur. Now this was no ordinary animal; it was a monster, half man and half bull. It was powerful, and savage and it loved to eat the flesh of the humans who had been shut into the labyrinth by King Minos. They would wander through the maze, completely lost, until at last they came face to face with the Minotaur. Not a great way to die really. As for Athens, Minos demanded that every year the King send him seven young men and seven young women. "Why do we send these young people to Crete every year?" Theseus asked his father, the King of Athens. "And why is it that none of them ever return?" "Because if we did not send them, Minos would wage war on us and it is a war that we would not win," said King Aegeus. "And they do not return because they do not go to Crete as slaves.
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King Minos Reemerging in the U.S
Ancient Archetype King Minos Reemerging in the U.S. Psyche Katherine Bailes, JD PhD • Review the mythic character of King Minos • Identify the results of his “refusal of the call to adventure” in Campbell’s monomyth, including substitution in the rituals of sacrifice and regicide Objectives • Investigate other characters related to the King and his story • Observe the archetypal energy of the story and where it might appear in our political environment today Crete • The Minoan culture located on what is now known as the Island of Crete, was one of art and beauty. • During 3,000 – 1,500 BCE there were populated and rich palace-centered communities. • There is archeological evidence of a goddess centered religion valuing such characteristics as floral decoration, music, dance and cyclic rituals. • The character of King Minos appeared from outside the culture, in later stories from the Greeks that lent a more masculine element, including battles, heroes, monster- slaying and vast merchant navies. • Various historians such as Apollodorus and Plutarch, referred to Minos as a King of Crete and he was later portrayed as such in classical art, theater and poetry. Europa: mother of Minos • Princess Europa was the daughter of the Phoenician king, Agenor. • She was seduced by Zeus in the form of a snow white bull and brought across the sea to the island of Crete. Ovid’s Metamorphoses Book 2, 846-875. • Here we are introduced to the divine symbol of the snow white bull, beautiful enough to seduce a young woman, and the fragile beauty of the princess succumbing. • Once deposited in Crete, Europa had three sons by Zeus, including Minos, who were raised by their step-father, Asterion (the name later given to the minotaur).
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Treasure Chest for Theseus
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Culture and Values Day 2 Handout No. 3A Theseus and the Minotaur
Culture and Values Day 2 Handout No. 3a Theseus and the Minotaur Athens had been at war with Crete. Although the war was over, Minos (King of Crete), ruled the seas and Athens had to pay an awful tribute as a condition for peace. Minos sought revenge for the death of his son and demanded that every nine years the Athenians send him fourteen of their children - 7 girls and 7 boys. Once in Crete, the young men and women were sent into the maze-like labyrinth to face the deadly Minotaur who was half man, half bull. Each year the children were selected by lot, and as all of Athens mourned they set sail for Crete on a ship with black sails. Theseus, the son of Aegeus (King of Athens), was very brave and had had many adventures already. Theseus resolved to become one of the young men chosen, so that he might slay the Minotaur and put an end to the horrible sacrifice. Aegeus reluctantly agreed to let Theseus go, and asked that Theseus change the sails to white for the journey home if he was successful in his plan to kill the Minotaur. When the fourteen arrived in Crete, they were entertained at the enormous and colourful palace of Minos (at Knossos). The next day, they were to be sent into the intricate mazes of the labyrinth, home of the deadly Minotaur, from which there was no escape. That night at dinner, listening to the exploits and adventures of Theseus, Ariadne - daughter of King Minos - fell in love with him.
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