Poor Man)S Pudding and Rich Man)S Crumbs
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Character and the Space of Clarel
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online Character and the Space of Clarel MICHAEL JONIK Cornell University Needs be my soul, Purged by the desert’s subtle air From bookish vapors, now is heir To nature’s influx of control; (NN Clarel 1.1.67–70) Character and the Impersonal rom Ahab to Bartleby, and Isabel to Billy Budd, Melville’s characters seem unmoored from personhood, cast into the “whelming sea” of the Fimpersonal or the inhuman (NN Clarel 4.35.33).1 In Clarel: A Poem and Pilgrimage in the Holy Land, they are not so much characters in the traditional literary sense—that is, individual “persons” who move through settings and perform a set of characteristics—as they are a series of intertwined “personae” whose characteristics blur with the space of the poem. As in his other works, Melville’s characterization in Clarel is a process not of developing distinct persons but of opening a transactive space in which human characteristics can become unbound and thus permeable to the extra-personal. Yet in Clarel, given the symbolically charged landscape of the Holy Land, Melville’s emptying out of character also involves a forceful deromanticization of the landscape. Melville postulates a world in which traditional guarantees of human value are removed, and wherein the traditional barriers that divide self and nature and the human and inhuman are rendered inconsequential. Melville gestures past Romantic conceptions of landscape and self into an uncertain post- Darwinian territory in which the sublime education is no longer an ecstatic self-abandonment but one of suspension and doubt. -
A Girardian Reading of Herman Melville's Billy Budd, Sailor James Mcbride
University of Maryland Law Journal of Race, Religion, Gender and Class Volume 3 | Issue 2 Article 6 Revisiting a Seminal Text of the Law & Literature Movement: A Girardian Reading of Herman Melville's Billy Budd, Sailor James McBride Follow this and additional works at: http://digitalcommons.law.umaryland.edu/rrgc Part of the English Language and Literature Commons Recommended Citation James McBride, Revisiting a Seminal Text of the Law & Literature Movement: A Girardian Reading of Herman Melville's Billy Budd, Sailor, 3 U. Md. L.J. Race Relig. Gender & Class 285 (2003). Available at: http://digitalcommons.law.umaryland.edu/rrgc/vol3/iss2/6 This Article is brought to you for free and open access by DigitalCommons@UM Carey Law. It has been accepted for inclusion in University of Maryland Law Journal of Race, Religion, Gender and Class by an authorized administrator of DigitalCommons@UM Carey Law. For more information, please contact [email protected]. REVISITING A SEMINAL TEXT OF THE LAW & LITERATURE MOVEMENT: A GIRARDIAN READING OF HERMAN MELVILLE'S BILL Y BUDD, SAILOR* James McBride, J.D., Ph.D.** Ay, there is a mystery; but, to use a scriptural phrase, it is a "mystery of iniquity," a matter for psychologic theologians to discuss. But what has a military court to do with it? -Captain Vere in Herman Melville, Billy Budd, Sailor' All writers on the science of policy are agreed, and they agree with experience, that all governments must frequently infringe the rules of justice to support themselves; that truth must give way to dissimulation, honesty to convenience, and humanity itself to the reigning of interest. -
Israel Potter Deported Rodrigo Lazo
Israel Potter Deported Rodrigo Lazo Leviathan, Volume 22, Number 1, March 2020, pp. 146-165 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/lvn.2020.0009 For additional information about this article https://muse.jhu.edu/article/750720 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Israel Potter Deported RODRIGO LAZO University of California, Irvine This lecture aims to break down the walls separating fields of study by inter- preting Israel Potter in relation to concerns about migration and transnational labor that are common in Latino/a/x and trans-American studies. Turning away from a critical emphasis on the book’s dedication to the Bunker Hill Monu- ment as a response to national US mythology, I consider Potter’s movement away from home and his status as a refugee to engage questions of national belonging. Israel Potter is an important book for those who study migration in the Americas and the transatlantic dimensions of the age of revolutions. In the spirit of C.L.R. James’s commitment to reading Melville through “the world we live in,” I argue that Israel Potter’s condition as a migrant subject who is denied national reintegration at the end of his life shares structural similarities to recent governmental efforts to detain and deport migrants, some of whom have lived in the United States for years. begin with profound gratitude to the conference organizing committee for inviting me to deliver this lecture. Your kindness inspires me, partic- I ularly because I can think of many Melville scholars whose work would merit this distinction, and so I am humbled. -
Bartleby the Scrivener, Billy Budd, and I and My Chimney
Bartleby the Scrivener, Billy Budd, and I and My Chimney by Herman Melville AN ELECTRONIC CLASSICS SERIES PUBLICATION Bartleby the Scrivener, Billy Budd, and I and My Chimney by Herman Melville is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsyl- vania State University nor Jim Manis, Editor, nor any- one associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. Bartleby the Scrivener, Billy Budd, and I and My Chimney by Herman Melville, The Electronic Classics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Department of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis Copyright © 2011 - 2012 The Pennsylvania State University is an equal opportunity university. Contents Bartleby the Scrivener ............. 4 Billy Budd............................. 42 I and My Chimney ............. 140 Bartleby the Scrivener Bartleby the Scrivener Chapter 1 I AM A RATHER ELDERLY MAN. -
U·M·I University Microfilms International a Bell & Howell Information Company 300 North Zeeb Road
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adverselyaffect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrightmaterial had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. M148106-1346 USA 313/761-4700 800/521-0600 Order Number 9429649 Subversive dialogues: Melville's intertextual strategies and nineteenth-century American ideologies Shin, Moonsu, Ph.D. University of Hawaii, 1994 V·M·I 300 N. -
Bartleby, the Scrivener a Story of Wall Street
33171 03 0020-0050.ps 4/26/06 12:42 PM Page 20 HERMAN MELVILLE [1819–1891] Bartleby, the Scrivener A Story of Wall Street Born in New York City, the second son of well-established, affluent parents, Herman Melville (1819–1891) lived comfortably until he was eleven, when his father went bankrupt and moved the family to Al- bany. After his father’s death in 1832, Melville left school to work. In 1839 he sailed as a merchant seaman to Liverpool, and in 1841 as a whaleman to the South Pacific. On his return to the United States in 1844, he began immediately to write about his sea adventures. He wrote at an extraordinary pace, producing seven novels in six years, beginning with Typee (1846) and Omoo (1847), about the South Seas, and including Moby-Dick (1851) and Pierre (1852). The early novels were well-received, but Moby-Dick, now recognized as a masterpiece, was misunderstood and Pierre was considered a total failure. During this period Melville had married Elizabeth Shaw, daughter of the chief justice of Massachusetts; in 1850 the couple bought a farm near Pitts- field, Massachusetts, where the writer became close friends with Nathaniel Hawthorne. Despite serious financial problems and a slight nervous breakdown, Melville published stories and sketches in maga- zines — several of the best, including “Bartleby, the Scrivener” and “Benito Cereno,” were collected in The Piazza Tales (1856) — as well as the novels Israel Potter (1855) and The Confidence Man (1857) before turning almost exclusively to poetry for thirty years. Needing money, he sold the farm and worked as a customs inspector in New York City for twenty years; when his wife received a small inheritance he was able to retire. -
Melville 2014 Syllabus
English 243.301: Melville and the World T/Th, 1:30-3:00 Fisher-Bennett 141 Adam Lewis [email protected] Office: McNeil Center 215 Office Hours: T/Th, 3:00-4:00, or by appointment (3355 Woodland Walk, across Walnut from FBH) COURSE DESCRIPTION Herman Melville traveled widely throughout the world, from the Pacific Islands and the Mediterranean to the streets of New York City and London. How does Melville’s writing critically and creatively map the world of the nineteenth century? In this seminar we will read a selection of Melville’s novels, including Moby-Dick, as well as some short fiction and poetry, with an eye toward the geographical, cultural, and political contexts in which he wrote them. In this course we will consider how Melville’s writing takes up and engages popular and mass culture, American expansion and war, and conflicts over race and slavery, as well as issues of religion, sexuality, and labor. REQUIRED TEXTS Books available at Penn Book Center. Purchase these editions so we’re all on the same page. Herman Melville, Typee: A Peep at Polynesian Life (Penguin, 1996) HM, Moby-Dick (Norton Critical Edition, 2002) HM, Billy Budd and Other Stories (Penguin, 1986) HM, Israel Potter: His Fifty Years of Exile (Penguin, 2008) HM, The Confidence-Man: His Masquerade (Oxford, 1999) *Additional required and supplemental readings, websites, and other media will be available through the Canvas course site. Required readings on Canvas marked below by [C] ASSIGMENTS & GRADING Attendance & Participation (30%) – Class meetings will be seminar-style and therefore require everyone’s active presence. -
Melville's Carnival Neighborhood
MELVILLE’S CARNIVAL NEIGHBORHOOD WYN KELLEY Massachusetts Institute of Technology Treatments of the relationship between Nathaniel Hawthorne and Herman Melville have tended to focus on it as a failed friendship or aborted romance —as inspiring in Melville hopes and longings that Hawthorne could never fulfill. Viewed as a relationship between neighbors, not only friends or lovers, and seen through the prism of unconsidered works like Melville’s Israel Potter (1854-5, 1855) and “The Encantadas” (1854, 1856), the connection might look slightly different. For as neighbors Hawthorne and Melville may have found opportunities for greater freedom, fluidity, and festivity than friendship or love could always offer. Taking place in the carnival neighborhood of their redoubtable friend, Sarah Huyler Morewood, Hawthorne’s and Melville’s relationship may have explored some of her subversive energies as well. KEY WORDS : Herman Melville, Nathaniel Hawthorne, male friendship, carnival, Ralph Waldo Emerson, Mikhail Bakhtin, Sarah Morewood, Israel Potter , “The Encantadas”. La vecindad carnavalera de Melville Los estudios sobre la relación entre Nathaniel Hawthorne y Herman Melville han tendido a analizarla como una amistad fallida o como un romance abortado que quizás generó en Melville esperanzas y deseos que Hawthorne simplemente no podía satisfacer. Pero si la entendemos como una relación entre vecinos —y no solo entre amigos o amantes—, y la observamos a través de algunas de las obras menos estudiadas de Melville tales como Israel Potter (1854-5, 1855) y “Las Encantadas” (1854, 1856), la conexión entre ambos desvela nuevos matices. Pues como vecinos, Hawthorne y Melville pueden haber gozado de oportunidades para una mayor libertad, una mayor fluidez y un espíritu más festivo que la proporcionada por la amistad o el amor. -
Billy Budd, Bartleby, and Other Stories 1St Edition PDF Book
BILLY BUDD, BARTLEBY, AND OTHER STORIES 1ST EDITION PDF, EPUB, EBOOK Herman Melville | 9780143107606 | | | | | Billy Budd, Bartleby, and Other Stories 1st edition PDF Book More information about this seller Contact this seller 4. These short stories are long. But if you're interested in reading some Melville, this collection would make a great starting point. A penitential bird, indeed, fitly haunting the shores of the clinkered Encantadas, whereon tormented Job himself might have well sat down and scraped himself with potsherds. Couldn't a finding of guilt with extenuating circumstances be rendered? You see how gentle I am, sir. The reader has to shoulder this burden and push on if they are to earn the rights of insight. Seller Inventory ABZ Related Articles. Melville writes beautifully. In a word, it's intense. The other three pieces are good but less smotheringly brilliant. Toll, in his excellent "Six Frigates" W. Features Find your next read From: Agroplant GmbH, Antiquariat www. Billy, a handsome young sailor, has been impressed into the British Navy where he incurs the jealousy or instinctive dislike of an officer. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. Welcome back. Condition: Fair. When writing about the ocean Melville gives the reader a chance to feel what concerns the ocean. During his lifetime, Melville published nine novels, a collection of tales, and four volumes of poetry, along with various uncollected tales, poems, and reviews. I suppose it's well done, there's lots of tension, and the reveal takes a while, but by the time it came, I didn't care anymore. -
Herman Melville and the History of American Law
University at Buffalo School of Law Digital Commons @ University at Buffalo School of Law Journal Articles Faculty Scholarship Fall 1-1-2004 The Accidental Legal Historian: Herman Melville and the History of American Law Alfred S. Konefsky University at Buffalo School of Law Follow this and additional works at: https://digitalcommons.law.buffalo.edu/journal_articles Part of the Legal History Commons Recommended Citation Alfred S. Konefsky, The Accidental Legal Historian: Herman Melville and the History of American Law, 52 Buff. L. Rev. 1179 (2004). Available at: https://digitalcommons.law.buffalo.edu/journal_articles/810 This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Journal Articles by an authorized administrator of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. The Accidental Legal Historian: Herman Melville and the History of American Law ALFRED S. KONEFSKYt While Herman Melville has been variously described as an existentialist, a socialist, Marxist, democrat, social democrat, conservative, liberal, radical, reactionary, mod- ernist, and postmodernist,' he has not to my knowledge t University at Buffalo Distinguished Professor, School of Law, State University of New York at Buffalo. First, I thank Joyce Farrell for her care and patience with the manuscript and, in particular, her ability to convince recalcitrant computer spell-check programs that the words Melville used actually existed and were also really spelled that way. Second, I thank a number of years of students in my Melville and the Law seminar for constantly bringing fresh ideas to the course, a tribute both to them and Melville. -
Character and the Space of Clarel
Character and the space of Clarel Article (Unspecified) Jonik, Michael (2011) Character and the space of Clarel. Leviathan: A Journal of Melville Studies, 13 (3). pp. 67-84. ISSN 1525-6995 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/42605/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk Character and the Space of Clarel MICHAEL JONIK Cornell University Needs be my soul, Purged by the desert’s subtle air From bookish vapors, now -
Israel Potter His Fifty Years of Exile 1St Edition Pdf, Epub, Ebook
ISRAEL POTTER HIS FIFTY YEARS OF EXILE 1ST EDITION PDF, EPUB, EBOOK Herman Melville | 9780143105237 | | | | | Israel Potter His Fifty Years of Exile 1st edition PDF Book Enlarge cover. That must be a pretty sad, f Around the time that Melville wrote, or began to write Israel Potter , legend has it that he was in pretty dire financial straits. Melville created in Israel Potter the first American Ulysses. But long ago it faded out of print--himself out of being--his name out of memory. Melville, between outrageous experiments, writes a rather straight-forward biography of a forgotten Revolutionary War hero - and the result is hilariously funny. No doubt Israel is uniquely unphilosophical among Melville's protagonists, even stubbornly so. Potter's adventures are fast paced and peopled with many historical figures of the time think of Forest Gump set in , making the story appealing to anyone who simply wants to be entertained, yet there is a great deal of art in the book as well. Each subsequent novel, including Moby Dick, sold less well than its predecessor. Historical semi-fiction, partly rewriting a real published autobiography of an obscure Revolutionary War soldier named Israel Potter, though freely adding to it, bringing in both scenes taken from history books that Potter wasn't really involved in and mixing in pure fiction, with swashbuckling sea battles, prison escapes, secret passages, comic set pieces, meetings with historical figures Ben Franklin, John Paul Jones, Ethan Allen - I generally don't like that sort of thing, but here it was kind of fun. Shipping and insurance charges are additional.