DOCSLIB.ORG

THE BASS MUSEUM of ART 2100 Collins Avenue Miami Beach, FL 33139

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THE BASS MUSEUM of ART 2100 Collins Avenue Miami Beach, FL 33139 THE BASS MUSEUM OF ART 2100 Collins Avenue Miami Beach, FL 33139 www.thebass.org JOHNTHE AKOMFRAH: Purple MAY BASS 6 – AUG 23, 2020 Presented in dialogue with selections from the collection and recent acquisitions, Akomfrah’s monumental video installation, Purple, is dedicated to exploring the effects of climate change as a central concept. Commissioned by a consortium of five international museums, including ICA Boston, Purple is a six-channel video installation that digitally sequences hundreds of hours of both archival and newly produced videos and images to create an honest meditation on the effects of climate change, exploring the complex relationship between humans and the environment they inhabit. Projected onto six monumental screens and occupying the entire Muss gallery, the largest gallery at The Bass, these images will be installed with an immersive five-movement symphonic sound score and enveloped entirely, floor to ceiling, in the color purple- a hue that combines the coldness of blue and the warmth of red and symbolizes the complexity of every living being. Purple is also the traditional color of mourning in Ghana, a reference to Akomfrah’s home. Filmed in 10 countries, Akomfrah digitally fuses vignettes of stunning yet decaying landscapes, such as the Greenland ice sheets and the coastal communities of the Marquesas Islands, with the life cycle and consumption patterns of humans. Epic in scope, his work traces the development of the modern world, from early industrialization to the digital age, and places these images with images of humans and their ephemeral comforts and casual consumption. In sections, Akomfrah references the sublime school of painting, which showed humans surrounded by earth's wonders, shrunk by scale and filled with awe. Akomfrah reverses this concept, showing the humans as a silent menace to these landscapes - their mere existence is an active threat to the beauty they observe. Purple does not lecture. Instead, it is a quiet acknowledgement of climate change. Akomfrah creates a space where the viewer cannot extricate themselves from what they are witnessing and must understand their role in the changes to our planet. The score combines earthly sounds such as thunderclaps and ocean waves with deeply spiritual human hymns. The sound comes at the viewer in waves, transforming the static theory of climate change into a tangible physical sensation. The works of John Akomfrah (b.1957, Accra, Ghana) are characterized by their investigations into memory, post- colonialism, temporality and aesthetics and often explore the experiences of migrant diasporas globally. Akomfrah was a founding member of the influential Black Audio Film Collective, which started in London in 1982 alongside the artists David Lawson and Lina Gopaul, who he still collaborates with today. Akomfrah lives and works in London. He has had numerous solo exhibitions including New Art Exchange, Nottingham, UK (2019); BALTIC, Gateshead, UK (2019); ICA Boston, MA, USA (2019); Museu Coleção Berardo, Lisbon, Portugal (2018); Imperial War Museum, London, UK (2018); New Museum, New York, NY, USA (2018); Bildmuseet, Umeå University, Umeå, Sweden (2015, 2018); Nasher Museum at Duke University, Durham, DC, USA (2018); SFMOMA, San Francisco, CA, USA (2018); Museo Nacional Thyssen-Bornemisza, Madrid, Spain (2018); Barbican, London, UK (2017); Whitworth Art Gallery, Manchester, UK (2017); Turner Contemporary, Margate, UK (2016); Nikolaj Kunsthal, Copenhagen, Denmark (2016); THE BASS 2 SPRING 2020 EXHIBITIONS STUK Kunstcentrum, Leuven, Belgium (2016); Eli and Edythe Broad Art Museum, Michigan, USA (2014); Tate Britain, London, UK (2013-14) and a week-long series of screenings at MoMA, New York, USA (2011). He has participated in international group shows throughout the world and has also been featured in many international film festivals, including Sundance Film Festival, Utah, USA (2013 and 2011) and Toronto International Film Festival, Canada (2012). He was awarded the Artes Mundi Prize in 2017. ACKNOWLEDGEMENTS John Akomfrah: Purple is organized by The Bass. Purple was commissioned by the Barbican, London; Bildmuseet, Sweden; TBA21; ICA, Boston; Garage Museum of Contemporary Art, Moscow; and Museu Colecao Bernardo, Lisbon. The Bass is funded by the City of Miami Beach, Cultural Affairs Program and Cultural Arts Council, the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners, and The Bass membership. ABOUT THE BASS The Bass is Miami Beach’s contemporary art museum. Founded in 1964 by the City of Miami Beach, the museum was established after the donation of a private collection by residents John and Johanna Bass and opened in what was formerly the Miami Beach Public Library and Art Center, a 1930s Art Deco building designed by Russell Pancoast. Recognized for organizing the first solo museum exhibitions in the United States of international artists such as Erwin Wurm, The Bass has also presented major exhibitions by influential artists including El Anatsui, Isaac Julien, Eve Sussman and Piotr Uklański. The exhibition program encompasses a wide range of media and artistic points of view, bringing fresh perspectives to the diverse cultural context of Miami Beach. The Bass is a nonprofit, tax-exempt organization accredited by the American Alliance of Museums. For more information, please visit www.thebass.org, or follow The Bass on social media at www.facebook.com/TheBassMoA or Twitter and Instagram via @TheBassMoA. CURRENT & UPCOMING EXHIBITIONS AT THE BASS HAEGUE YANG: In the Cone of Uncertainty November 2, 2019 – April 5, 2020 LARA FAVARETTO: Blind Spot December 1, 2019 – April 19, 2020 MICKALENE THOMAS: Better Nights December 1, 2019 – September 27, 2020 JOHN AKOMFRAH: Purple May 6 – August 23, 2020 SELECTIONS FROM THE COLLECTION May 6 – August 23, 2020 RAFAEL DOMENECH & ERNESTO OROZA: Hialeah Eléctrica – Metavector May 21 – August 23, 2020 MEDIA CONTACTS For U.S. and international inquiries: For local and Florida media inquiries: Elizabeth Stewart Julia Rudo SUTTON Communications Manager, The Bass [email protected] [email protected] +1 212 202 3402 + 1 786 477 6009 For a complete selection of high-res imagery and to access a full press kit, please visit www.thebass.org/presskit. THE BASS 3 SPRING 2020 EXHIBITIONS [Images: John Akomfrah, Purple, 2017. 6 channel HD colour video installation with 15.1 surround sound. Dimensions variable, Duration: 62 minutes. © Smoking Dog Films; Courtesy Lisson Gallery.] .
Load more

Recommended publications
  • Press Release
    PRESS Press Contact Rachel Eggers Associate Director of Public Relations [email protected] RELEASE 206.654.3151 FEBRUARY 24, 2020 JOHN AKOMFRAH: FUTURE HISTORY OPENS AT THE SEATTLE ART MUSEUM MARCH 5, 2020 SAM’s first special exhibition dedicated to video art features three works by celebrated British artist and filmmaker John Akomfrah SEATTLE, WA – The Seattle Art Museum (SAM) presents John Akomfrah: Future History (March 5–May 3, 2020), the museum’s first special exhibition exclusively dedicated to the medium of video art. Transforming SAM’s galleries into immersive theaters, Future History brings together three video works by John Akomfrah, the pioneering contemporary British filmmaker. The three works present a provocative vision of the past, present, and future, exploring issues such as climate change, slavery, colonialism, migration, and technology. Akomfrah’s uniquely personal and poetic visual language seeks to open a dialogue, rather than impose one truth. Future History was curated by Pam McClusky, Curator of African and Oceanic Art at SAM. “This presentation challenges the notion of what an exhibition can be,” says McClusky. “Instead of seeing many artworks, you’re sitting down to experience three that have incredible depth. The title of the exhibition speaks to the artist’s aim: to present crucial moments of history from different perspectives so that not-yet-imagined futures can emerge.” The artist will travel to Seattle for the opening. “In this exhibition, you’ll explore three moments from the last 500 years of history,” says Akomfrah. “My work offers an experience that pushes against this era of small screens and isolation.
    [Show full text]
  • 2012 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS in SPOTLIGHT, PARK CITY at MIDNIGHT, NEXT <=> and NEW FRONTIER
    FOR IMMEDIATE RELEASE Media Contacts: December 1, 2011 Sarah Eaton 310.360.1981 [email protected] Casey De La Rosa 310.360.1981 [email protected] 2012 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN SPOTLIGHT, PARK CITY AT MIDNIGHT, NEXT <=> AND NEW FRONTIER Park City, UT — Sundance Institute announced today the films selected to screen in the 2012 Sundance Film Festival out-of-competition sections Spotlight, Park City at Midnight, NEXT <=> and New Frontier. The Festival takes place from January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival. Trevor Groth, Director of Programming for the Sundance Film Festival, said, “In many ways, the extremes of the Festival’s program are most readily apparent in our out-of-competition sections, which showcase the wildest comedies, the most terrifying horror films and uncompromised visions from singular voices springing up from around the country and the world. We hope audiences experiment with their film selections to an equal degree as these filmmakers have experimented with their storytelling.” SPOTLIGHT Regardless of where these films have played throughout the world, the Spotlight program is a tribute to the cinema we love. Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After moving back to southern Italy with her mother and older sister, 13-year-old Marta struggles to find her place, restlessly testing the boundaries of an unfamiliar city and the catechism of the Catholic church. Cast: Yle Vianello, Salvatore Cantalupo, Anita Caprioli, Renato Carpentiere. Declaration Of War / France (Director: Valérie Donzelli, Screenwriters: Jérémie Elkaïm, Valérie Donzelli) — A young couple embark upon a painful, enlightening journey when they discover that their newborn child is very ill.
    [Show full text]
  • PRESS RELEASE John Akomfrah: Purple the Curve, Barbican Centre 6 October 2017 – 7 January 2018 Media View: Thursday 5 October
    For immediate release: 27/06/2017 PRESS RELEASE John Akomfrah: Purple The Curve, Barbican Centre 6 October 2017 – 7 January 2018 Media view: Thursday 5 October, 10am–1pm Free Admission #JohnAkomfrah Supported using public funding by Arts Council England. Projections by Christie Digital. The exhibition has been commissioned by the Barbican, London and co-commissioned by Bildmuseet Umeå, Sweden, TBA21-Academy, The Institute of Contemporary Art/ Boston and Museu Coleção Berardo, Lisbon. Barbican Art Gallery presents a new commission by British artist and filmmaker John Akomfrah for the Curve. His most ambitious project to date, Purple is an immersive, six-channel video installation which charts the incremental shifts in climate change across the planet and its effects on human communities, biodiversity and the wilderness. As the follow up to Vertigo Sea (2015), Akomfrah’s standout work at the 56th Venice Biennale, Purple forms the second chapter in a planned quartet of films addressing the aesthetics and politics of matter. Symphonic in scale and divided into six interwoven movements, Akomfrah has combined hundreds of hours of archival footage with newly shot film and a hypnotic sound score to produce the video installation. John Akomfrah: Purple opens in the Curve on Friday 6 October 2017. Staged across a variety of disappearing ecological landscapes, from the hinterlands of Alaska to desolate, icy Arctic Greenland and the volcanic Maquesas Islands in the South Pacific, each location prompts the viewer to meditate on the complex relationship between humans and the planet. At a time when, according to the UN, greenhouse gas emissions from human activities are at their highest levels in history, with people experiencing the significant impacts of climate change, including shifting weather patterns, rising sea level, and more extreme weather events, Akomfrah’s Purple brings a multitude of ideas into conversation including mammalian extinctions, the memory of ice, the plastic ocean and global warming.
    [Show full text]
  • White Paper Introduction
    89 seconds Atomized White Paper Introduction........................................................................................... 3 Concept.................................................................................................. 4 Background........................................................................................... 5 About Eve Sussman ..........................................................................5 About Snark.Art .................................................................................6 About Las Meninas ...........................................................................6 About 89 seconds at Alcázar ............................................................7 89 seconds, Atomized.......................................................................... 8 The Work ...........................................................................................8 The Community ................................................................................9 Purchase and Ownership ................................................................11 Initial Sales Drops ......................................................................11 Purchase Methods ....................................................................11 Loan Mechanics ..............................................................................12 Requesting a Loan ....................................................................12 Loaning Out Your Atom(s) .........................................................12
    [Show full text]
  • Driscoll 2021 Resume
    E L L E N D R I S C O L L 80 Union St., Brooklyn, NY 11231 [email protected] www.ellendriscoll.net tel. 617 501 5490 SOLO EXHIBITIONS 2017 “Thicket” Rafius Fane Gallery, Boston, Mass 2016 “Venti Trasversali (Crosswinds)” Museo di Storia Naturale dell’ Accademia dei Fisiocritici, Siena, Italy 2013 “Alluvial; Recent Books and Drawings” Eli Marsh Gallery, Amherst College, 2012 “Core Sample”, College of St. Rose, Albany, NY 2011 “Distant Mirrors” Providence tidal river, RI, co-produced with Waterfire, September-October “Spill” an exhibition of accordian books and drawings, Brooklyn Public Library, Brooklyn, NY 2010 Fastforwardfossil part 3, West Cork Arts Centre, Skibbereen, Ireland 2009 Fastforwardfossil Part 1, Frederieke Taylor Gallery, New York, NY Fastforwardfossil Part 2, SmackMellon, Brooklyn, NY 2007 Hunter Gatherer, Long Island University Humanities Gallery, Brooklyn campus 2005 The Loophole of Retreat – Tremaine Gallery, The Hotchkiss School, Lakeville, CT Filament / Firmament – Cambridge Arts Council, Cambridge, MA 2002 New Drawings – Roger Williams University, School of Architecture, Art and Historic Preservation, Bristol, RI 2001 From Ear to There: Sculptures, Drawings, Books – University of Massachusetts, South Dartmouth, MA TurnScope – collaboration with Nick Tobier, Green Street Gallery, Boston, MA 2000 The Loophole of Retreat – African American Museum, Fresno, CA 1999 The Loophole of Retreat – The Hyde Collection, Glens Falls, NY 1998 Ahab's Wife: Drawings, Models, Sculptures – Snug Harbor Cultural Center, Staten Island,
    [Show full text]
  • New Museum to Open the First Us Survey of John
    TEL +1 212.219.1222 FAX +1 212.431.5326 newmuseum.org PRESS CONTACTS: Paul Jackson, Communications Director Nora Landes, Press Associate FOR IMMEDIATE RELEASE [email protected] March 20, 2018 212.219.1222 x209 Andrea Schwan, Andrea Schwan Inc. 917.371.5023 [email protected] NEW MUSEUM TO OPEN THE FIRST US SURVEY OF JOHN AKOMFRAH AND FIRST NEW YORK SURVEY OF THOMAS BAYRLE IN SUMMER 2018 New York, NY...For its summer 2018 season, the New Museum will present the first US survey of British artist, director, and writer John Akomfrah, and the first New York survey of the German artist Thomas Bayrle, filling the main galleries of the Museum. “John Akomfrah: Signs of Empire” June 20–September 2, 2018 Second Floor The New Museum will present the first American survey exhibition of the work of British artist, film director, and writer John Akomfrah (b. 1957, Accra, Ghana). Since the early 1980s, Akomfrah’s moving image works have offered some of the most rigorous and expansive reflections on the culture of the black diaspora, both in the UK and around the world. Akomfrah’s work initially came to prominence in the early 1980s as part of Black Audio Film Collective, a group of seven artists founded in 1982 in response to the 1981 Brixton riots. The collective produced a number of films notable for their mix of archival and found John Akomfrah, Vertigo Sea, 2015 (still). Three-channel HD video footage, interviews and realist depictions of installation, color, 7.1 sound; 48:30 min contemporary England, and layered sound collages.
    [Show full text]
  • Exhibition Offers Close-Up View of Keith Haring
    Newsletter of the Patrick and Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, Winter 2004, vol. 18, no. 3 EXHIBITION OFFERS CLOSE-UP VIEW OF KEITH HARING CONSTRUCTION FENCE The spirit of internationally known graffiti Among his more notable works are a mural artist Keith Haring will be felt in the Haggerty on the Berlin Wall in 1987 and one erected Museum galleries when On The Fence: on the White House lawn on Easter, 1988 Keith Haring’s Mural For The Haggerty, and later donated to the Children’s Hospital 1983 opens on Thursday, January 27. Haring at the National Medical Center in had a personal connection with the Museum Washington, D.C. His famous Radiant Child when he accepted Dr. Curtis L Carter’s invita- image was broadcast on a giant billboard in tion to come to the Marquette campus in 1983 Times Square in 1982. He also completed to paint a mural on the fence that enclosed the paintings on motor cars, hot air balloons construction site of the Haggerty Museum. and decorative accessories. During his visit to the Marquette campus, The exhibition will open with a lecture by Haring gifted the Museum an ink on foam- Elisabeth Sussman, curator at the Whitney core drawing and his most recent exhibition Museum of American Art and author of Keith catalogue, which he signed. These will also Haring (1997), at 6 p.m. in the Museum, fol- be on view. lowed by a reception from 7 to 8 p.m. Born in Reading, Pennsylvania in 1958, All 24 panels of the construction fence will be Haring graduated from high school in 1976.
    [Show full text]
  • Simon Lee | Eve Sussman No Food, No Money, No Jewels January 15 - February 25, 2016
    FOR IMMEDIATE RELEASE Contact: Locks Gallery T 215-629-1000/F 215-629-3868 [email protected] still from NFNMNJ, “Pig recollects how she met Bear”(Chapter 5), 2015, single channel video Simon Lee | Eve Sussman No Food, No Money, No Jewels January 15 - February 25, 2016 Opening Reception and Artists Talk with Liza Saltzman, Professor of Art History, Bryn Mawr College: Friday, January 15, 2016 5:30–7:30 pm Locks Gallery is pleased to present No Food, No Money, No Jewels, an installation of videos, photographs, and sculptural works, by New York-based artists Simon Lee and Eve Sussman. There will be a reception and artist talk on Friday, January 15, 2016 from 5:30–7:30 pm. Situated in a fictitious factory setting designed by Lee and Sussman, No Food No Money No Jewels, a film you walk through, tells a story of “inveterate power struggles that defy history, time and any sort of happy ending.” The 18-chapter film, which was commissioned in 2014 by the Experimental Media and Performing Arts Center (EMPAC) in Troy, NY, portrays 12 factory workers in a gigantic multi- tiered scaffolding, bailing water and performing “a choreography” of an assembly line. The characters represent archetypes, from the Line Worker to the Master of Industry. They are also animals masterfully disguised as humans. In the film, we meet two factory mechanics, Bear 1 and Bear 2; the boss, Rabbit; the foreman, Owl; the line worker, Pig; two janitors, both Donkeys; a mysterious provocateur, Tiger; and a character simply known as Small. In the lunchroom at the factory, intrigue is rife: Small has disappeared and been replaced by a suspicious character, Tiger.
    [Show full text]
  • John Akomfrah in Conversation with Manuela Ribeiro Sanches 6.30 Pm, 9 November 2018 Hangar – Artistic Research Centre, Lisbon
    John Akomfrah in conversation with Manuela Ribeiro Sanches 6.30 pm, 9 November 2018 Hangar – Artistic Research Centre, Lisbon John Akomfrah will be in conversation with Manuela Ribeiro Sanches, on the occasion of his solo show ‘Purple’ at Museu Coleção Berardo in Lisbon. By looking at both earlier and more recent works, the talk will address Akomfrah’s decade-long aesthetic and ethico-political engagement with histories and memories of slavery, colonialism and anti-colonialism; post- colonial diasporic formations; and the intersections of racism, capitalism and environmental destruction. John Akomfrah (born 1957, Accra, Ghana) lives and works in London. He is a hugely respected artist and filmmaker, whose works are characterised by their investigations into memory, post-colonialism, temporality and aesthetics, and often explore the experience of the African diaspora in Europe and the USA. Akomfrah was a founding member of the influential Black Audio Film Collective, which started in London in 1982, alongside the artists David Lawson and Lina Gopaul, who he still collaborates with today. Their first film, ‘Handsworth Songs’ (1986), explored the events surrounding the 1985 riots in Birmingham and London through a charged combination of archive footage, still photos and newsreel. The film won several international prizes and established a multi-layered visual style that has become a recognisable motif of Akomfrah’s practice. Recent works include the three-screen installation ‘The Unfinished Conversation’ (2012), a moving portrait of the cultural theorist Stuart Hall’s life and work; ‘Peripeteia’ (2012), an imagined drama visualising the lives of individuals included in two 16th-century portraits by Albrecht Dürer; and ‘Mnemosyne’ (2010), which exposes the experience of migrants in the UK, questioning the notion of Britain as a promised land by revealing the realities of economic hardship and casual racism.
    [Show full text]
  • Black Audio Film Collective
    YOUNG BRITISH AND BLACK The Work of San kofa and Black Audio Film Collective COCOFusco Hallwalls 1 Contemporary Arts Center Buffalo, N.Y. "A Black Aiant-Caide?* tai& Wbttehop Sector" different form. tt ts reprinted with permi&sion. ISBN: M36739.15-0 f988 kq Hallvfltlls, Inc. and mspecttwe contributor*. All rights reserved. No portion of be reproduced in any form without written permission from the author and Hallwalls, Inc., except for &i HaIlwalts/Contemporary Arts Center 700 Main Street, 4th Floor Buffalo, NY 14202 (716) 854-5928 This publication has been organized by Steve Gallagher (for Hallwalls) in conjunction with Coco Fusco and Ada Gay Griffin (of Third Wrld Newsreef). It is designed to ac- company a touring film exhibition of the same title curated by Coco Fusco and produc- ed by Ada Cay Griffin. This publication is made possible, in part, with funds from the New York State Council on the Arts and the National Endowment for the Arts. Photo (inside front cover): Frame enlargement from Black Audio Film Collec- tive's Handsworth Songs (1986). Photo (inside back cower): Joseph Charles and Ann! Dorningo in a production still from Sankofa's fission of Remembrance (1986). Between me and the other world there is ever an unasked question: unasked by some through feelings of delicacy; by others through the difficulty of rightly framing it. All, nevertheless, flutter around it. They approach me in a half- hesitant sort of way, eye me curiously or compassionately, and then, instead of saying directly, How does it feel to be a problem? they say, I know an excellent colored man in my town; or, 1 fought at Mechanicsville; or, Do not these Southern outrages make your blood boil? At these I smile, or am uninterested, or reduce the boiling to a simmer, as the occasion may require.
    [Show full text]
  • Michel De Broin Recent Gifts Eve Sussman• Rufus Corporation Omer
    Michel de Broin Recent Gifts Eve Sussman • Rufus Corporation Omer Fast Music Video On Abstraction Education Max and Iris Stern Symposium Printemps du MAC Nocturnes Magazine of the contemporain Musée d’art de Montréal Volume 24, Number 1 — SummerVolume 2013 Patrick Coutu 11 mai au 15 juin 2013 Serge Murphy 22 juin au 24 août 2013 Francine Savard 31 août au 5 octobre 2013 Galerie René Blouin 10, rue King, Montréal H3C 2N9 514.393.9969 www.galeriereneblouin.com HYATT REGENCY MONTRÉAL, AT THE CENTER OF THE ARTS Located in the heart of Quartier des spectacles, infused with artistic influences, Hyatt Regency Montréal is sure to delight all your senses. For a drink or a full course meal, before or after your visit at the museum, discover the modern and refined atmosphere of the SIX Resto Lounge and wine bar. Our menu is as inspiring as our Hy-Wall, a multi-screen visual innovation that will tempt you to return and return again. For more information or any reservation contact us or visit our websites. 1255, rue Jeanne-Mance 514.841.2038 Montréal, Qc, H5B 1E5 sixrestolounge.com 514.841.1234 (6e étage de l’Hôtel) Montreal.hyatt.com editorial | 1 While it may be true that works have real impact only when they are widely shared, it is nonetheless equally true that art is a precious, collective and inalienable asset, and that the Musée therefore has a duty to reflect, through its Collection and its exhibition program, cer- tain criteria in terms of quality. This major responsibility to the public remains fundamental.
    [Show full text]
  • Artpulsemagazine.COM Artpulsemagazine.COM
    INTERNATIONALART CONTEMPORARY ART l FALLPULSE 2011 ARTINTERNATIONAL CONTEMPORARY ART l PULSESUMMER 2011 ARTPULSEMAGAZINE.COM ARTPULSEMAGAZINE.COM ALLORA & CALZADILLA INTERVIEW: BARRY SCHWABSKY EMBEDDED ART PRACTICES RYAN TRECARTIN LIBIA CASTRO & ÓLAFUR ÓLAFSSON ETHICS, AESTHETICS AND POLITICS INTERNET SEMIOTICS DEMATERIALIZATION OF ART ART ART PULSE PULSE VOL 2. NO. 4 NO. VOL 2. VOL 3. NO. 1 NO. VOL 3. BILL VIOLA EVE SUSSMAN SAM TAYLOR-WOOD l l FALL l FALL VIDEO CLIP AND VISUAL ARTS SUMMER 2011 GASTON UGALDE 2011 KAARI UPSON l NEW MEDIA, DISTURBANCES AND REALITY l TIM WHITE-SOBIESKI VS HANS OP DE BEECK WWW.ARTPULSEMAGAZINE.COM WWW.A R TP UL SEMAGAZIN E .CO M 09Cover.indd 1 14/09/11 7:35 PM Jenny Brillhart Material April 8th – May 7th, 2011 Opening Reception: Friday April 8th, 6-9pm ARTINTERNATIONAL CONTEMPORARY ART lPULSE SPRING 2011 THE AURA OF A WEBSITE ARTPULSEMAGAZINE.COM ABSTRACTION: A NEW LANGUAGE GLITCH: A POETRY OF ERROR JULIAN ROSEFELDT CLIFTON CHILDREE EINAT AMIR JJPEET STEVEN RAND & GIJS FRIELING PABLO HELGUERA ART PULSE VOL 2. NO 3 VOL 2. l SPRING 2011 l WWW.ARTPULSEMAGAZINE.COM 151 NW 24 St 305-576-1278 dorschgallery.com Miami, FL 33127 Tues-Sat 12-5 [email protected] 07ArtPulseCovers1&4.indd 1 3/7/11 4:54:56 PM ARTPULSE Media Kit 2013 MISSION STATEMENT ARTPULSE is a magazine that specializes in contemporary art and culture. ARTPULSE gathers a staff of experts and art critics whose contributions offer our readers relevant and up-to-date content. ARTPULSE is an important and invaluable tool for established and emerging galleries to reach national and international markets likewise.
    [Show full text]