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2015 STREET DATES MAY 4 MAY 12 Orders Due April 7 Orders Due April 15 5/4/15 AUDIO & VIDEO RECAP
ISSUE 10 MUSIC • FILM • MERCH axis.wmg.com NEW RELEASE GUIDE 2015 STREET DATES MAY 4 MAY 12 Orders Due April 7 Orders Due April 15 5/4/15 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Minstrel In The Gallery 40th Anniversary Jethro Tull PRH CD 825646157181 157181 18.98 4/07/2015 La Grandé Edition Minstrel In The Gallery 40th Anniversary Jethro Tull PRH CX 825646157204 157204 44.98 4/07/2015 La Grandé Edition (2CD/2DVD) Minstrel In The Gallery 40th Anniversary Jethro Tull PRH A 825646157198 157198 24.98 4/07/2015 La Grandé Edition (180 Gram Vinyl) Plumb Exhale CUR CD 715187941625 79416-C 13.98 4/07/2015 Readers Digest: A Kiss Readers Digest: A Kiss Is Still a Kiss TSV CD 610583516425 31154-D 29.98 4/07/2015 Is Still a Kiss (4CD) Readers Digest: Long Readers Digest: Long Ago and Far Away TSV CD 610583516326 31153-D 29.98 4/07/2015 Ago and Far Away (4CD) Readers Digest: Moon Readers Digest: Moon River (4CD) TSV CD 610583516227 31152-D 29.98 4/07/2015 River Readers Digest: White Readers Digest: White Cliffs of Dover TSV CD 610583516128 31151-D 29.98 4/07/2015 Cliffs of Dover (4CD) Readers Digest: Autumn Readers Digest: Autumn Leaves (4CD) TSV CD 610583505320 30992-D 29.98 4/07/2015 Leaves Readers Digest: Readers Digest: Moonlight In Vermont TSV CD 610583515824 31103-D 29.98 4/07/2015 Moonlight In Vermont (4CD) Readers Digest: Readers Digest: Moonlight Piano (4CD) TSV CD 610583512427 31060-D 29.98 4/07/2015 Moonlight Piano Readers Digest: Mr Readers Digest: Mr Sandman (2CD) TSV CD 610583505221 30989-D 19.98 4/07/2015 Sandman Readers Digest: The Readers Digest: The Piano Men (4CD) TSV CD 610583515923 31102-D 29.98 4/07/2015 Piano Men Readers Digest: Those Readers Digest: Those Sentimental Years TSV CD 071138730220 07302 24.98 4/07/2015 Sentimental Years (3CD) Seals & Crofts Original Album Series (5CD) FLS CD 081227955908 547364 24.95 4/07/2015 Schulz, Robin Prayer ATL CD 825646111374 549656 13.99 4/07/2015 Last Update: 03/23/15 For the latest up to date info on this release visit axis.wmg.com. -
June 2016 FREE
Issue 59 June 2016 FREE SLAP S LA P Ch..ch..ch.ch..changes as a great man once sang. In our unstable times the arts in general are perched precariously on a seemingly permanent precipice and all are consequently likely to suffer. Thus flux is constant and we must be on our guard against unnecessary losses by our support and involvement. I'm compelled to write because of certain venues and people having change forced upon them by the vicissitudes of uncaring big business; indeed even pubs/venues that are flourishing get handicapped by ever greedier landlords for their success. We JUNE2016 are all also only too aware of much mentioned funding cuts to all sorts of arts institutions. So this invective is partly a plea for us to stand even stronger than usual and unite to support venues and artistic endeavours, SLAP MAGAZINE whatever particular area you favour. Unit 3a, Lowesmoor Wharf, As we know festival season is now in full swing and a great Worcester WR1 2RS number of us will be flailing around a field somewhere and Telephone: 01905 26660 acting irresponsibly, but in a perhaps shock survey published [email protected] by UK Festival Awards, 55% of people who go to festivals only go to between 1-5 other gigs per year. For advertising enquiries, please contact: Indeed at this year's Upton Blues Festival the organisers [email protected] intend to stage a campaign with the tagline "You've Been To EDITORIAL Mark Hogan - Editor The Festival - Now Go To A Gig", with the aim of redressing this Kate Cox - Arts editor balance and getting us all (well, over half of us!) off our Stephan Work - Sub Editor collectives BTMs more. -
Ó Caollaí Is Leaving for Dublin Post
August 2015 Boston’s hometown VOL. 26 #8 journal of Irish culture. $1.50 Worldwide at All contents copyright © 2015 Boston Neighborhood News, Inc. bostonirish.com THE BARD OF FENWAY Ó Caollaí is leaving for Dublin post BiR Staff The Irish government has an- nounced two significant staffing changes at its consulate in Bos- ton. Consul General Breandán Ó Caollaí will leave his post this month to return to Dublin to become a counsellor to the corporate services division of the Department of Foreign Affairs and Trade (DFA). Ó Caollaí has Breandán Ó Caollaí served in Boston since August 2013, and was expected to remain in the post for two more years. The promotion places the popular Irish diplomat in a position with responsibility on issues including security. The move comes just after it was announced that vice consul Jillian O’Keeffe is leaving for a new assignment, also in Dublin. At press time, the government had not yet announced the names of their replacements. The Irish Consulate offices are located in Copley Dick Flavin at one of his favorite places: Fenway Park, Boston. Bill Brett photo Square at 535 Boylston Street. It is one of six in the United States staffed by Irish DFA professional staff, and provides a range of key consular services to Irish citizens. The office also is a valuable resource for Irish Dick Flavin struts American business, cultural, and civic groups across New England. In related diplomatic news, former Boston Consul his stuff about the General Michael Lonergan has been promoted to a new position at Ireland’s embassy in Washington. -
Olivia Chaney
OLIVIA CHANEY Classically-trained singer / pianist Olivia Chaney graduated from England’s Royal Academy of Music, before teaching herself guitar and Indian harmonium, delving back to the inspiration behind the British folk revivalists. She has since built a loyal and growing following as a songwriter and interpreter, both in the UK and internationally, through her acclaimed and eclectic live performances and recorded works. Over the past few years, Olivia has collaborated and shared the stage with a diverse range of artists including Robert Plant, Eliza and Martin Carthy, The Decemberists, Shirley Collins, Alasdair Roberts, Kronos Quartet, Zero 7 and The Labèque Sisters. In 2013, she self-released an eponymous EP, that was followed by her critically-acclaimed 2015 Nonesuch debut, The Longest River. This sophomore release, which The Guardian hailed as 'an enchanting and stately creation', was noted in a number of 'Best Of 2015' lists, (Uncut, Mojo, PopMatters, Chicago Reader and more); whilst The Independent featured it in their Top 5 Albums of the Year, calling it 'A landmark release’. Last year Olivia released two collaborative albums: the first - Folk Songs - with fellow Nonesuch artists; Natalie Merchant, Rhiannon Giddens, Sam Amidon and Kronos Quartet; and the second - The Queen of Hearts - by Offa Rex, an album by a new band formed between Olivia and The Decemberists, which was nominated for a Grammy at the 60th Annual Grammy Awards this year in the 'Best Folk Album' category. Olivia also recently finished her second solo album in Manhattan - Shelter - with producer/musician extraordinaire; Thomas Bartlett (Sufjan Stevens, St. Vincent, The National, Florence Welch) which will be released June 15th this year on Nonesuch Records.. -
Her Second Solo Album
“Whether she’s singing old songs or her own, Chaney turns them into rhapsodic, immediate dramas, giving listeners a reason to hang on every phrase and inflection...in her own way, she’s radical” The New York Times 2018 GRAMMY NOMINEE Her second solo album – out June 15 - focuses on new self- composed material by this London-based singer/songwriter, matching the warm purity of her vocals with gracefully-crafted arrangements featuring acoustic and electric guitar, violin, piano, and an array of keyboard sounds from mellotron and organ to Rhodes and harmonium. Produced by Thomas Bartlett – AKA Doveman (Sufjan Stevens including “Mystery of Love,” the Oscar-nominated song from Call Me By Your Name, The National, Glen Hansard, St Vincent). Focus tracks: IOU (Tk 4) s Roman Holiday (Tk 8) CLICK TITLES TO VIEW VIDEOS DO NOT SHARE s Press coverage in 2017 – as lead singer for The Decemberists’ “Offa Rex” project on Nonesuch – included CBS Saturday Morning, PBS Newshour, NPR Weekend Edition, NPR All Songs Considered, World Café, NY Times and USA Today playlist features, and climaxed in a Grammy nomination for Best Folk Album. s Another 2017 collaboration on Nonesuch was with Natalie Merchant, Rhiannon Giddens, Sam Amidon, and Kronos Quartet in folk song arrangements, dubbed “magnificent” by UK’s Songlines, “Chaney delivers with deathless beauty.” s Performance highlights in 2018 included Newport Folk Festival, Travelers’ Rest and Joe’s Pub NYC, plus support for The Decemberists at Town Hall NYC, XPoNential Festival/Phila, Alladin Theater/Portland and Fox Theater/Oakland. s Her 2015 Nonesuch debut “The Longest River” which The Guardian hailed as ‘an enchanting and stately creation’, was noted in a number of Best Of the Year lists - Uncut, Mojo, PopMatters, Chicago Reader and more - while the Los Angeles Times called it “an album which flows with distinctive beauty.” s 2018 Touring: (le) Poisson Rouge NYC June 10th; U.S. -
Greetings at BAM, We Work with Fantastic Artists from All Over the World
Nonesuch Records at BAM NONESUCH RECORDS AT BAM Greetings At BAM, we work with fantastic artists from all over the world. It is no coincidence that time and again, we have presented artists who have found a recording home with Nonesuch. To help celebrate the label’s 50th year, we are showcasing a diverse slate of the imprint’s adventurous creators in 14 different programs—including many alumni, and quite a few who make exciting BAM debuts in the 2014 Next Wave. The range is astonishing. It includes artists who have revolutionized the contemporary classical canon, or have expanded it in ingenious ways. Those based in idioms like jazz, folk, and bluegrass who have honed remarkably distinct voices. International stars reaching passionate new audiences. And rock icons crafting fresh collaborations while reminding us of why they’re so popular to begin with. We salute Nonesuch on this milestone, and thank its president, Bob Hurwitz, for working with BAM to bring you this terrific lineup of intrepid musical artists. Sincerely, Karen Brooks Hopkins Joseph V. Melillo Nonesuch Records at BAM NONESUCH RECORDS AT BAM Greetings BAM started the Next Wave Festival in 1983, a year before I got to Nonesuch. One day, out of the blue, Harvey Lichtenstein, the head of BAM, called my office at ECM Records, where I worked at that time, and insisted that I go that night to see a new show he was producing, The Gospel at Colonus. I dutifully changed my plans that night and saw the show—when Harvey called you had to take it seriously! And he was right—the next morning I called Mo Ostin, the head of our parent company, Warner Bros. -
Opera Cocktail Productions & Theatre Mwldan Present
C O N T E N T S P a g e Press Quotes 3 Press reviews 4 Awards 10 fRoots Press Interview with Andy Morgan 11 Tour Dates 18 Links to press site & social media 19 Brochure Copy 20 Album Information 24 Book Information 25 Press Release 26 Biographies: Catrin Finch 32 Biographies: Seckou Keita 36 Contact Details 41 Supplied by Theatr Mwldan Marketing Department 2 Tel: 01239 623925 E: [email protected] P R E S S Q U O T E S "an intriguing collaboration that really works... Catrin Finch is a celebrated harpist...this is (Seckou Keita's) most satisfying work to date.... the interaction is remarkable...an elegant, gently exquisite set". Robin Denselow, The Guardian **** “a sublime duo of two artists who are masters of their instruments...musicality and architecture at work" Simon Broughton, London Evening Standard ***** “Blissful” Financial Times ***** “Using every trick in the rock manual to dynamic effect...magical” David Hutcheon, MOJO **** 'gorgeous, eloquent, elegant music' Thomas Brooman CBE "something quite different.. a really intriguing collaboration... it works so beautifully together – a beautiful album." Mark Radcliffe, BBC Radio 2 "intricate, ethereal and entrancing, an elaborate pas-de-deux... remarkable" Neil Spencer, Uncut Magazine "heavenly music.. that soars, intricately realised, pretty wonderful" Nigel Williamson, Songlines **** “Some people spend a lot of money on illegal substances in order to attain the kind of mood this music evokes.” fRoots “Old Welsh harp songs, Manding kora staples, Latin dashes, Celtic arias and more -
Brooklyn Academy of Music (BAM) Presents Nonesuch Records At
Brooklyn Academy of Music (BAM) presents Nonesuch Records at BAM: Celebrating a Label without Labels in honor of its 50th anniversary— featuring 12 September engagements as part of the 2014 Next Wave Festival Performers include Alarm Will Sound, Sam Amidon, Laurie Anderson, Devendra Banhart, Olivia Chaney, Sidiki Diabaté, Toumani Diabaté, Rhiannon Giddens, The Philip Glass Ensemble, Iron and Wine, Gilbert Kalish, Kronos Quartet, Natalie Merchant, Brad Mehldau, Stephin Merritt, Youssou N’Dour, Robert Plant and the Sensational Space Shifters, Steve Reich and Musicians, Fred Sherry, Chris Thile, Rokia Traoré, Dawn Upshaw, and Caetano Veloso; including works by John Adams Viacom is the BAM 2014 Music sponsor Brooklyn, NY/May 13, 2014—In honor of the 50th anniversary of influential label Nonesuch Records, BAM presents a wide-ranging series of concerts, from September 9–28. Part of the 2014 Next Wave Festival, these diverse engagements—featuring 23 evenings of music— speak to Nonesuch’s ongoing commitment to outstanding, unique artists in classical music, contemporary music, jazz, traditional American and world music, popular and alternative music, and music theater. The upcoming engagements also underscore the longstanding relationship between Nonesuch artists and BAM—one that has featured legendary productions including Steve Reich’s The Desert Music, John Adams’ Nixon in China, Philip Glass’ Satyagraha, Glass and Robert Wilson’s Einstein on the Beach, Laurie Anderson’s United States: Parts I–IV, and performances by Kronos Quartet, Stephin Merritt, Youssou N’Dour, Emmylou Harris, among others. Tickets for all performances are on sale May 28 (May 21 for Friends of BAM), and can be purchased at BAM.org or by calling BAM Ticket Services at 718.636.4100. -
Sound Heritage Biographies
Sound Heritage Biographies Julian Ball Hartley Library Digitisation Unit, University of Southampton [email protected] Diane Bilbey Acting Curator, Jane Austen’s House Museum Rachel Bingham Rachel Bingham works for the National Trust as an interpretation and programming officer based at Erddig, near Wrexham in Wales. Rachel is particularly interested in crossover between the arts and heritage and has worked on several interdisciplinary projects in performance, music, visual arts and heritage. Rachel studied archaeology and anthropology at Cambridge, where her research focussed on artistic approaches to archaeological landscapes, particularly performance and land art. She has previously worked at Chichester Festival Theatre on an interdisciplinary arts and heritage project before joining the National Trust. With a wonderful collection of unusual musical instruments in the collection at Erddig, she is excited to join the Sound Heritage network to explore ways of bringing to life these collections through music and sound. [email protected] Paul Boucher Paul Boucher is curator and research director of the Montagu Music Collection at Boughton House, Northamptonshire. This remarkably eclectic collection of rare music and dance from as early as the 16th century is being gradually brought back to life by performances of long-neglected works supported by the latest research. His professional musical life began as a boy soprano working with Benjamin Britten and the English Opera Group. He also took the lead role in the first BBC TV broadcast of Menotti’s opera Amahl and the Night Visitors. Later, as a fledgling violinist, his studies took him to the Royal Academy of Music, the Conservatoire de Genève and finally Moscow’s Tchaikovsky Conservatory. -
Deutsche Nationalbibliografie 2017 T 07
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2017 T 07 Stand: 19. Juli 2017 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2017 ISSN 1613-8945 urn:nbn:de:101-201612065612 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
TURNER SIMS Southampton
TURNER SIMS Southampton SPRING SEASON 2019 INSPIRING MUSIC 2 | turnersims.co.uk Box Office 023 8059 5151 turnersims.co.uk Box Office 023 8059 5151 KEVIN APPLEBY WELCOME Like us Follow us @TurnerSims Subscribe Follow us on Instagram Paul McCabe, University of Southampton McCabe, University Paul of Southampton McCabe, University Paul Photo by Photo by Photo 2019 has some interesting anniversaries. 1969 saw winner of the Leeds International Piano Competition There’s music for all the family with the Easter the first moon landing and the Woodstock festival, in September 2018, who gives one of his first solo Bunny Hop, Welsh National Opera returning whilst 1959 – with albums such as Kind of Blue by recitals in the UK with us in April. Ingrid Fliter after 2018’s sell-out concert, and SÓN’s Peter and the Miles Davis and Time Out by Dave Brubeck - has been performs Chopin, and Angela Hewitt presents Wolf, with illustrations from James Mayhew. described as ‘The Year that Changed Jazz’. Spring at Bach’s complete English Suites in the first of two Turner Sims may not offer equivalent defining global recitals (the second comes in Autumn 2019). Responding to defining moments are theDelta Sax moments but does present the opportunity to gain Quartet who re-imagine the music of David Bowie, new perspectives on music from the past and to Heading the jazz programme, power trio Phronesis whilst Tin Men and the Telephone bring their encounter some extraordinary sounds from today. join forces with Southampton Youth Jazz mix of live music and everyday sounds, complete Orchestra for an exciting exploration of the band’s with a downloadable app to ensure full-on audience We celebrate anniversaries with two of the country’s back catalogue. -
2014 Next Wave Festival SEP 2014 Sponsored by Time Warner Inc
2014 Next Wave Festival SEP 2014 Sponsored by Time Warner Inc. Roberto Diago, Aqui Estoy, 2014 Published by: Season Sponsor: Nonesuch Records at BAM NONESUCH RECORDS AT BAM Greetings At BAM, we work with fantastic artists from all over the world. It is no coincidence that time and again, we have presented artists who have found a recording home with Nonesuch. To help celebrate the label’s 50th year, we are showcasing a diverse slate of the imprint’s adventurous creators in 14 different programs—including many alumni, and quite a few who make exciting BAM debuts in the 2014 Next Wave. The range is astonishing. It includes artists who have revolutionized the contemporary classical canon, or have expanded it in ingenious ways. Those based in idioms like jazz, folk, and bluegrass who have honed remarkably distinct voices. International stars reaching passionate new audiences. And rock icons crafting fresh collaborations while reminding us of why they’re so popular to begin with. We salute Nonesuch on this milestone, and thank its president, Bob Hurwitz, for working with BAM to bring you this terrific lineup of intrepid musical artists. Sincerely, Karen Brooks Hopkins Joseph V. Melillo Nonesuch Records at BAM NONESUCH RECORDS AT BAM Greetings BAM started the Next Wave Festival in 1983, a year before I got to Nonesuch. One day, out of the blue, Harvey Lichtenstein, the head of BAM, called my office at ECM Records, where I worked at that time, and insisted that I go that night to see a new show he was producing, The Gospel at Colonus.