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HOT MIKADO MAR 10-11 Shoe Confesions • • Mar
2014 • 2015 SEASON CT3PEOPLE C ON OTHER STAGES BOARD OF DIRECTORS CIRCLE THEATRE CHAIR David G. Luther APR 30 -MAY 28 I and Lev LIAISON, CITY OF DALLAS CULTURAL COMMISSION DALLAS CHILDREN'S THEATRE Lark Montgomery MAR 13 -APR S The Ta le of Peter Rabbit BOARD MEMBERS Jac Alder, Marion L. Brockette, Jr., APR 10- 19 Balloonacy Suzanne Burkhead, Raymond J. Clark, Katherine C. Eberhardt, Laura V. Estrada, Sally Hansen, DALLAS SUMMER MUSICALS Victoria McGrath, David M. May, Margie J. Reese, FEB 24 -MAR 8 Kinky Boots Dana W. Rigg, Elizabeth Rivera, Eileen Rosenblum, MAR 20- APR 5 The King«[I Ph.D., Scott Williams APR 7- 19 The Illusionists HONORARY BOARD MEMBERS Virginia Dykes, Gary W. Grubbs, John & Bonnie Strauss DALLAS THEATER CENTER NORMA YOUNG ARENA STAGE 201 FEB 19 - MAR 29 Medea ADMINISTRATION FEB 20 - MAR 29 The School for Wives EXECUTIVE PRODUCER Jac Alder CANDY BARR'S LAST DANCE APR 2 -MAY 3 Colossal DIRECTOR OF PUBLICATIONS a[COMMUNICATIONS > Aug. 7 - 31 Kimberly Richard EISEMANN CENTER FOR THE e::::: a world premiere comedy by Ronnie Claire Edwards IT MANAGER Nick Rushing PERFORMING ARTS LJ.J CPA Ron King MAR 12 - 15 The Church Basement Ladies in "The Last <:( IN-HOUSE ACCOUNTANT Linda Harris Potluck Supper" U HANDS ON A HARDBODY EXECUTIVE ADMINSTRATIVE ASSISTANT MAR 20 4 Girs 4 Sept. 25 -Oct. 19 Kat Edwards JUBILEE THEATRE HOUSEKEEPING Kevin Spurrier z a musical by Doug Wright, Amanda Green, & Trey Anastasio APR 3 - MAY 3 Don't BotherMe, I Can't Cope - Z PRODUCTION KITCHEN DOG THEATRE TECHNICAL DIRECTOR Dane Tuttle MAR 13 -APR 18 Wilde/Earnest 0 � A CIVIL WAR CHRISTMAS: ASSISTANT TECHNICAL DIRECTOR Sydnee Scott POCKET SANDWICH THEATRE L.. -
Precious Nonsense
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY June 2002 -- Issue 64 When but a maid of fifteen year, Unsought -- unplighted-- Short-petticoated -- and, I fear, Still shorter--sighted My, that sounds ominous! It isn't meant to be, any more than the use of plain return address labels, instead of the usual M GS heading. (I just w ound up with a stack of them, and hated to let them go to waste. We'll probably have another mailing with them: there's still a big stack!) No, it just means that seventeen years ago, when the Midwestern Gilbert and Sullivan Society started, I didn't realize putting together a newsletter could take so long. (It also means that about twelve years of yard work and house repair are catching up with me: thank you, as always, for your patience! And does anyone know any quick and effective way to clean a wooden deck that doesn't require renting a pressure sprayer? I shou ldn't be sorry to learn it!) Let me know if you're interested: I'll be glad to write you a Christmas letter about what all's been going on (a Christmas-in-July letter, maybe). And if you aren't, I don't blame you. But before we go further, have we (or more accurately, The American Concert Band / Detroit Concert Band) got something for you (if you have a record player)! Several months ago, Mary Lou Hornberger of the Concert Band sent the MGS a boxful of LP recordings of their album Through the Years with Sousa, Volume 10 of their series of recordings of all the marches of John Philip Sousa. -
Stompin' on the Savoy? in Madison, Wisconsin in 2015, Gilbert
Stompin’ on the Savoy? In Madison, Wisconsin in 2015, Gilbert & Sullivan’s The Mikado was staged with the look of Japanese anime. The same year, in a Gananoque, Ontario staging of The Pirates of Penzance set in the 1920s, the song “Poor Wand’ring One” segued into “Makin’ Whoopee.” Such nontraditional incarnations of G & S works are hardly isolated incidents. Just as theatre companies have looked for novel concepts for Shakespearean productions, so they’ve sought new approaches for the Savoy operas. Yeomen of the Guard director Sean Graney’s innovative takes for The Hypocrites company in Chicago are among the most striking recent examples, but such experimentation has been going on for a long time. But not always—not in Great Britain, anyway. From 1875 until 1961, the D’Oyly Carte Opera Company maintained a strict monopoly on professional U.K. productions of the operas. Amateurs were obligated to receive permission from D’Oyly Carte for their versions—agreeing to pay the company a royalty and to follow sanctioned scripts and scores to the letter. Things were different in America, where, according to writer Ian Bradley, a cross- dressing rendition of H.M.S. Pinafore appeared as early as 1888. In 1939, two updates of The Mikado, both with African-American casts, were staged in New York City: The Hot Mikado and The Swing Mikado. In the same year, the Labor Stage mounted The Red Mikado. Later years saw The Cool Mikado (a film), The Mod Mikado (set in a topless bar) and The Incommunicado Mikado (a spoof on the Watergate scandal). -
Contemporary Productions of Gilbert & Sullivan's the Pirates of Penzance
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2007 Food For Joyous Laughter: Contemporary Productions Of Gilbert & Sullivan's The Pirates Of Penzance Julia Winstead University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Winstead, Julia, "Food For Joyous Laughter: Contemporary Productions Of Gilbert & Sullivan's The Pirates Of Penzance" (2007). Electronic Theses and Dissertations, 2004-2019. 3414. https://stars.library.ucf.edu/etd/3414 FOOD FOR JOYOUS LAUGHTER: CONTEMPORARY PRODUCTIONS OF GILBERT & SULLIVAN’S THE PIRATES OF PENZANCE. by JULIA COURTNEY WINSTEAD B.A. Murray State University, 2004 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts & Humanities at the University of Central Florida Orlando, Florida Summer Term 2007 ABSTRACT The operetta, The Pirates of Penzance, is a classic work by Gilbert and Sullivan, a work that continues to be produced frequently despite its Victorian setting and operatic style. For many years the standard performance style of all the operettas by Gilbert and Sullivan was upheld by the D‟Oyly Carte Opera Company, who attempted to perform the operettas as they had originally been done. -
20Th Anniversary Celebration
THE AFRICAN AMERICAN ART SONG ALLIANCE CONFERENCE 20th Anniversary Celebration February 9 – 12, 2017 Claire Trevor School of the Arts – Music The University of California, Irvine In collaboration with Christ Our Redeemer AME Church 45 Tesla, Irvine, Rev. Mark E. Whitlock, Jr., Pastor Host Hotel Transportation provided by COR AME Church Radisson Hotel Newport Beach via DMCLS, Inc. a minority-owned VIP transportation co. 4545 MacArthur Boulevard Mathurin Daniel, CEO Newport Beach, CA 92660 37 Rincon Way, Aliso Viejo, CA 92656 The African American Art Song Alliance artsongalliance.org Funding for this conference generously provided by: UCI Office of Inclusive Excellence Spirit Award Program; Christ Our Redeemer AME Church, 45 Tesla, Irvine, Rev. Mark E. Whitlock., Pastor; UCI Illuminations, the Chancellor’s Art & Culture Initiative; Hampsong Foundation; UC Consortium for Black Studies in California; COR Community Development Corporation (CORCDC); Chair’s Endowment, UCI Music Department; UCI African American Studies Department CONFERENCE PARTICIPANTS COMPOSERS SINGERS (cont) H. Leslie Adams, Cleveland, OH Kisma Jordan Hunter, University of Michigan, Flint, MI Judith Baity, Los Angeles, CA Albert R. Lee, University of Nevada, Reno, NV Brittney Elizabeth Boykin, Spelman College, Atlanta, GA Marquita Lister, Morgan State University, Baltimore, MD Maria Thompson Corley, Franklin & Marshall Coll., Lancaster, PA Leberta Lorál, Los Angeles, CA Marquez L.A. Garrett, Florida State University, Tallahassee, FL Jennifer Lindsay, Long Beach, CA Adolphus C. Hailstork, Old Dominion University, Norfolk, VA Oral Moses, Kennesaw State University, Kennesaw, GA Lori Celeste Hicks, Claflin University, Orangeburg, SC Marlaina Owens, Los Angeles, CA Charles Ingram, Los Angeles Southwest College, Los Angeles, CA Miranda Paulos, University of California, Irvine, CA Roy Jennings, New York, NY Willis C. -
HOT MIKADO Education Pack
HOT MIKADO Education Pack Contents Introduction ................................................................................................................3 The Musical: a history ...............................................................................................4 Famous Musicals: A Selective Chronology ........................................................6 Hot Mikado: a history ...............................................................................................8 Kabuki ........................................................................................................................10 Interview with Diego Pitarch ................................................................................13 Interview with Sarah Travis ...................................................................................15 Credits ........................................................................................................................16 This Education Pack was designed & written by Beth Flintoff, with additional material by Matthew Dewsbury and Nick Hobbes . Photographs by Robert Day 2 Introduction This pack has been designed to complement your visit to see Hot Mikado at The Watermill Theatre and on tour. Most of the pack is aimed at drama students and anyone with an interest in the subjects raised by the play. While there are some images, the pack has been deliberately kept simple from a graphic point of view so that most pages can easily be photocopied for use in the classroom. Your feedback is most -
Precious Nonsense
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY January 1993 -- Issue 36 ------------ Best Wishes for the Coming Year from The Midwestern Gilbert and Sullivan Society! Every season has its cheer, Life is lovely all the year! Yes, you're right, S/A Cole fouled up again. The November issue is coming out in January, and we didn't get any holiday cards put together this year, either. (Believe it or not, she really did start working on the November issue as soon as the October one was finished, then ended up spending November fighting mystery stomach trouble. It's better now, thank you, and let's hope we can get the MGS back in the pink as well.) As has been commented in earlier issues, 1992 has been the most annoying year of Sarah Cole's life, she has fallen terribly behind (as some of you waiting for her to cash checks know), but she's juggling as fast as she can. Before too long, things should be in their proper places, and the Nonsense can come out in a far more timely fashion than it has. By the way, S/A Cole's loss is your gain: she hasn't even begun to think about sending out the renewal notices (they'll probably be ready in time for the next issue). In the meantime, there is some old business to wrap up (a report on winners of the last two drawings the MGS has had, and the winners of the Big Quiz), some new business (a synopsis of Foggerty's Fairy), and some other things that happened to be passing. -
Audienc E G Uide
AUDIENCE GUIDE 2017 - 2018 | Our 58th Season 1 2018 | Issue For our production of Hot Mikado, the Hot Mikado takes place in the Cabot Theatre is transformed into a Japanese town of Titipu, where a 1940s Harlem nightclub. Back then, young woman, (Yum-Yum), a you could expect to see top stars of wandering trumpeter, (Nanki-Poo) and the day, like Duke Ellington, Cab the Lord High Executioner, (Ko-Ko) Calloway and the Nicholas Brothers find themselves in a preposterous love with their dazzling tap routines. triangle. To add to the nonsense, Featured in our fictional nightclub is Katisha, the older fianceé of Hot Mikado, a cultural collision Nanki-Poo, is determined to between East and West with hip ‘40s re-capture him with the help of the IN THIS ISSUE American fashion blended with the Mikado. What ensues is a tangled web style and culture of old Japan. of typical Gilbert and Sullivan topsy-turvy confusion that will keep Hot Mikado History Hot Mikado is David H. Bell’s 1986 you wondering what’s next. adaptation of Gilbert and Sullivan’s Harlem classic operetta, which retains the Sullivan's great music is jazzed up in original's daffy plot and incisive 1940s style by arranger Rob Bowman. Synopsis political satire. “I think Skylight On stage, our Titipu Town Band keeps audiences will be thrilled by this the joint jumping with a sizzling score Gilbert and Sullivan updated version of Gilbert and that features jazz, swing, gospel, Glossary Sullivan’s comic masterpiece. It Be-Bop and blues. The action is remains true to their wonderful music nonstop with an energetic cast that and harmonies, but takes a fresh doesn't miss a beat in knockout approach to address some of the jitterbug, swing and foot stomping outdated dialog and stereotyping,” gospel dance routines that raise the said director Austene Van. -
Negass Events G&S Events Recent
The Quintet will be performing with piano NEGASS EVENTS accompaniment in Gordon Hall, 225 Music Mountain Rd, Falls Village, CT. Further NEGASS annual meeting on Sunday, information can be obtained by calling Music June 23 Mountain at (860) 824-7126 or emailing [email protected]. The annual meeting of NEGASS will be held on Sunday, June 23, 2019 at the Park Ave RECENT PRODUCTIONS Congregational Church in Arlington MA beginning at 2 pm. The church is located at 50 Paul Revere Road. Ruddigore began slowly but became quicker and more enjoyable G&S EVENTS By John E. Dreslin, D.M.D. Connecticut’s Troupers Light Opera Company, NYGASP ensemble will foray into now in its 74th season, presented Ruddigore at the Connecticut in June Norwalk Concert Hall the first two Saturdays of April. The principal cast was uniformly first rate. Among the notable standouts was Brett Kroeger as Rose Maybud, looking especially stunning in her wedding gown at the end of act 1. Her wonderful soprano voice and acting ability has won her lead parts for the past five seasons. Opposite her, Robin Oakapple was portrayed by Michael Costantino with a wonderful sense of comic timing. New comer Erick Sanchez-Canahuate had all the “bumptious self-assurance” that the part of Richard Dauntless calls for. He possesses a booming tenor IN THIS ISSUE Do You Have The “Wan’dring Minstrels Quintet.” 1 NEGASS Events a Tale to Tell-O? 1 G&S Events The "Wand’ ring Minstrels Quintet” of the New You are invited to share your 1 Recent Productions York Gilbert and Sullivan Players will be feature article of 750 words or 7 Cast Spotlight performing various G&S selections and audience so on any G&S related topic. -
October 1940) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 10-1-1940 Volume 58, Number 10 (October 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 10 (October 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/256 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. program will help you get this (BeernanJ WafneM FOR YOUNG PIANO BEGINNERS GREATER RESULTS YOU ARE NOW LOSING/ Material The Market’s Most Powerful Piano Teaching KEYBOARD TOWN A PLEASURE PATH NEW! JUST OFF THE PRESS PIANO TALES By Louise Robyn TO THE TECHNIC SERIES "FAMOUS MELODIES" , This book covers a new field THE WAGNESS (FOR THE PRE-SCHOOL CHILD) BOOK ONE in the child's early training, for it supplies a link Free By Josephine Hovey Perry Robyn that coordinates 1 the^dolescenFand By Louise eyes, ears and fingers, and enables the moderately priced. child Thematic containing samples of these numbers. Very actually to read notes fluently within This fascinating study book for the very young- a sur- May be used in conjunction with any first grade prisingly short period. -
This Irreverent 'Mikado'?
THE NEW YORK TIMES, SUNDAY, MAY 2.2, 1983 H 23 ... "Dressing the classics in contemporary clothes is a form of nose-thumbing that, at its infrequent best, is a homage to the past. " (Donal Henahan), MUSIC VIEW DONALHENAHAN Just What Are the Motives for This Irreverent 'Mikado'? 'In the main hall of a school that I once passed through know more of Mr. Sellars's work than I do have compared there stood a lifesize copy of the Discus Thrower, for him favorably with Orson Welles, Mike Nichols, Giorgio ever poised to fling his saucer into the admissions of- Strehier, Sarah Caldwell and, for all I know, Barnum and , fice. With the persistence and ingenuity of youth, stu· Bailey. No one, so far as I know, has compared him with dent provocateurs would periodically find ways to Richard D'Oyly Carte, the font of the Savoyard tradition. drag the crouching Grecian figure into the modem world. , .- Anyone arriving early of a morning might find a football . Clearly, however, Mr. Sellars is a hot property. He Is helmet on the statue's head, or perhaps a colorful sweat· , also a fearsomely ingenious fellow, as his Chicago staging band. Another time, poor old Discobolus would be clutch· did not let one forget for a moment. Without changing the , TOllY Romano ing a slide rule, or Wlaybe wearing ~ athietic supporter. Gilbert text or the Sullivan music much'rnore than they It ,was pure sophomoric humor, but ,even blase seniors have traditionally been altered, even by the D'Oyly Carte Diane Curry as Katisha and Donald Adams as the Mikado, in the Lyric Opera of Chicago . -
Opera Scenes & Arias Trial by Jury
The Cleveland Institute of Music Opera Theater presents Opera Scenes & Arias followed by a complete performance of Gilbert & Sullivan’s Trial By Jury David Bamberger, Director John Simmons, Music Director & Accompanist Alison Garrigan, Costume, Wig & Makeup Designer Paul & Kathleen Zweifel, Supertitles Kulas Hall April 15 & 16, 2011 8:00 p.m. April 17, 2011 3:00 p.m. The CIM Opera Program is supported in part by a generous grant from the John P. Murphy Foundation 2 Scenes *Friday/Sunday +Saturday THE BARTERED BRIDE (1866) Music by Bedřich Smetana (1824-1884) Libretto by Karel Sabina English version by Marion Farquhar “Marie Warns Vašek” Introduced by Margaret Kazan Vašek David Fair * Michael John Talerico + Marie April Martin * Agostina Migoni + MIGNON (1866) Music by Ambroise Thomas (1811-1896) Libretto by Michael Carré and Jules Barbier “Connais-tu le pays” Introduced by Kellie Rumba Mignon Elizabeth Frey * Alicia Bousner + GIUDITTA (1934) Music by Franz Lehár (1870-1948) Libretto by Paul Knepler and Fritz Löhner “Meine Lippen, sie küssen so heiss” Introduced by Jacquelyn Mouritsen Giuditta Jilda Farias The Gypsies Troy Bruchwalski, Armando Contreras, Raymond James Irwin, Adam Matonic (more) 3 COSI FAN TUTTE (1790) Music by Wolfgang Amadeus Mozart (1756-1791) Libretto by Lorenzo da Ponte Trio: “Soave sia il vento” Introduced by Kevin Simmons Fiordiligi Catheryne Shuman * Laura Anne Valles + Dorabella Stacey Van Vossen * Stephanie Kreutz + Don Alfonso Ryan Downey * Andrew G. Manea + FIDELIO (1805) Music by Ludwig van Beethoven (1770-1827)