Hollywood Diversity Report 2019
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Traffic Instructions for Olympic Coverage on the NBC Broadcast Network
February, 2021 NBC Sports has been given your name as our initial contact for the 2020 Summer Olympic Games (being played July 23-August 8, 2021) by our Sales department. The following pages outline our commercial integration procedures. Please forward this information to the appropriate agency contacts. Traffic Instructions for Olympic Coverage on the NBC Broadcast Network **NBCU will require that ALL Olympics Advertisers register and utilize AD-ID for Broadcast AND Cable** NEW AD-ID CLIENTS Register at https://app.ad-id.org/user/register EXISITING AD-ID CLIENTS Contact Ad-ID customer service at [email protected] or 704.501.4410 for assistance with onboarding. ADDITIONAL INFORMATION http://www.ad-id.org/ ASSOCIATED COSTS • Advertiser alpha-numeric prefix FREE • First 600 new codes $30/code • Next 1,400 new codes $5/code • All new codes after $25K threshold No charge Traffic instructions for units airing on the NBC Broadcast Network during the 2020 Summer Olympic Games must be e- mailed to NBC Sports – [email protected] Traffic instructions must include the following: • Agency name/traffic contact/phone # • Air date and event • Client name/AD-ID/product/brand • Title/length of commercial • Revision # (if applicable) *There should be no other instructions on the traffic. All event positioning requests, order of air, etc. should be placed through your Ad Sales contact. In addition, Sales Operations will not be responsible for executing any direction given on traffic regarding these requests. 1 **All Olympic units airing on the NBC broadcast network or any of the NBC cable properties require brand allocations be provided to the Sales Planners/ASRs prior to our traffic instruction deadlines. -
Missing Pieces Report: the 2018 Board Diversity Census of Women
alliance for board diversity Missing Pieces Report: The 2018 Board Diversity Census of Women and Minorities on Fortune 500 Boards Missing Pieces Report: The 2018 Board Diversity Census of Women and Minorities on Fortune 500 Boards About the Alliance for Board Diversity Founded in 2004, the Alliance for Board Diversity (ABD) is a collaboration of four leadership organizations: Catalyst, The Executive Leadership Council (ELC), the Hispanic Association on Corporate Responsibility (HACR), and LEAP (Leadership Education for Asian Pacifics). Diversified Search, an executive search firm, is a founding partner of the alliance and serves as an advisor and facilitator. The ABD’s mission is to increase the representation of women and minorities on corporate boards. More information about ABD is available at www.theabd.org. About Deloitte In the US, Deloitte LLP and Deloitte USA LLP are member firms of DTTL. The subsidiaries of Deloitte LLP provide industry- leading audit & assurance, consulting, tax, and risk and financial advisory services to many of the world’s most admired brands, including more than 85 percent of the Fortune 500 and more than 6,000 private and middle market companies. Our people work across more than 20 industry sectors with one purpose: to deliver measurable, lasting results. We help reinforce public trust in our capital markets, inspire clients to make their most challenging business decisions with confidence, and help lead the way toward a stronger economy and a healthy society. As part of the DTTL network of member firms, we are proud to be associated with the largest global professional services network, serving our clients in the markets that are most important to them. -
Nickelodeon & Viacom Consumer Products and Forbidden Planet Team up for a Turtle-Powered Partnership
NICKELODEON & VIACOM CONSUMER PRODUCTS AND FORBIDDEN PLANET TEAM UP FOR A TURTLE-POWERED PARTNERSHIP Direct to retail agreement sees Teenage Mutant Ninja Turtles homeware and apparel available in store and online. London, Tuesday 26th May, 2015 – Nickelodeon & Viacom Consumer Products and Forbidden Planet (London) Limited have teamed up to bring an exclusive range of Teenage Mutant Ninja Turtles apparel, art and homeware to the entertainment retailer’s UK stores. Turtles fans were given a sneak peek of the product range at MCM Comic Con this weekend and were also treated to an appearance from the Teenage Mutant Ninja Turtles. The new Forbidden Planet range has a retro look and is inspired by the original Teenage Mutant Ninja Turtles series. The Turtles line goes on sale from Saturday 6th June at Forbidden Planet stores across major UK cities, including the megastore on London’s Shaftesbury Avenue. The range is also available online at forbiddenplanet.com and includes t-shirts, aprons, posters and cards as well as Turtles homeware. “We’re excited to partner with Forbidden Planet for the first time on a range that gives a nostalgic nod to the original series,” said Marianne James, VP Consumer Products UK & Ireland & European Retail Sales & Marketing Viacom International Media Networks. “As a family brand it’s fantastic to have a new line of Teenage Mutant Ninja Turtles products which appeals to adult fans in addition to our licenses that cater to our kids’ audience.” Nickelodeon Available in over 13 million homes, Nickelodeon is the place where kids rule and features top shows such as Nickelodeon’s Kids’ Choice Awards, The Haunted Hathaways, The Thundermans, SpongeBob SquarePants and Sam & Cat. -
Missing Pieces Report: the Board Diversity Census of Women And
Missing Pieces Report: The Board Diversity Census of Women and Minorities on Fortune 500 Boards, 6th edition Missing Pieces Report: The Board Diversity Census of Women and Minorities on Fortune 500 Boards, 6th edition About the Alliance for Board Diversity Founded in 2004, the Alliance for Board Diversity (ABD) is a collaboration of four leadership organizations: Catalyst, the Executive Leadership Council (ELC), the Hispanic Association on Corporate Responsibility (HACR), and Leadership Education for Asian Pacifics (LEAP). Diversified Search Group, an executive search firm, is a founding partner of the alliance and serves as an advisor and facilitator. The ABD’s mission is to enhance shareholder value in Fortune 500 companies by promoting inclusion of women and minorities on corporate boards. More information about ABD is available at theabd.org. About Deloitte Deloitte provides industry-leading audit, consulting, tax and advisory services to many of the world’s most admired brands, including nearly 90% of the Fortune 500® and more than 7,000 private companies. Our people come together for the greater good and work across the industry sectors that drive and shape today’s marketplace — delivering measurable and lasting results that help reinforce public trust in our capital markets, inspire clients to see challenges as opportunities to transform and thrive, and help lead the way toward a stronger economy and a healthier society. Deloitte is proud to be part of the largest global professional services network serving our clients in the markets that are most important to them. Now celebrating 175 years of service, our network of member firms spans more than 150 countries and territories. -
Phoenix Channel List
CHANNEL LIST Main 3 TNT 1011 Comet 4 TRU TV 1012 CBS 5 History 1118 Cozi 6 Discovery 1123 Kids 7 TLC 1124 PBS 8 Animal Planet 1125 World 9 Investigation Discovery 1126 Fox 10 Science 1127 Heros 11 MotorTrend TV 1129 NBC 12 CSPAN 1131 Weather 13 CSPAN2 1132 Justice 14 CSPAN3 1133 ABC 15 Viceland 1135 Antenna 16 THE WEATHER CHANNEL 1142 Laff 17 ION 1202 MyNet 45 RFD TV 1203 LOCAL AFFILIATES Movies 46 UPTV 1204 CW 61 Fusion 1205 Stadium 62 Disney 1206 FreeForm 1207 ASPIRE 219 Discovery Family 1208 AMGTV 222 Discovery Life 1209 Boomerang 306 Destination America 1210 CNBC World 509 OWN 1211 Telemundo 519 American Heroes Channel 1212 JUCE 554 A&E 1213 Smile 555 Lifetime 1214 Enlace 556 FYI 1215 INSPIRATION TV 561 Crime & Investigation 1216 CNN International 581 WE TV 1218 ESPN Classic 605 Nat Geo Wild 1224 CNN 1006 Nat Geo 1225 HLN 1007 Cartoon Network 1301 TBS 1008 Disney XD 1303 QVC 1009 Disney JR. 1304 OANN 1010 Game Show Network 1400 AS OF FEB. 2021 602.235.0591 | jabbacom.com | [email protected] CHANNEL LIST AWE 1401 Major League Baseball 1600 HGTV 1402 ESPN 1601 DIY 1403 ESPN 2 1602 FOOD NETWORK 1404 ESPNews 1603 Cooking Channel 1406 ESPNU 1604 Great American Country 1407 SEC Network 1606 TRAVEL CHANNEL 1410 CBS Sports 1607 Beach TV - Atlanta 1412 Game+ 1608 Beach TV - Panama City 1414 Longhorn Network 1609 Beach TV – Myrtle Beach 1416 Fox Sports 1 1613 Beach TV-Destin, Pensacola 1417 Fox Sports 2 1614 Beach TV - Keys 1418 ESPN Deportes 1615 Beach TV- New Orleans 1419 Big Ten Network 1616 AXS 1500 TENNIS CHANNEL 1617 Fuse 1501 MAV TV 1618 FX 1502 HALLMARK 1748 FXX 1503 HALLMARK MOVIES 1749 BRAVO 1505 TCM 1751 CNBC 1508 Lifetime Movies 1752 E! 1510 HD NET MOVIES 1753 Golf Channel 1512 Reelz 1754 MSNBC 1513 Sundance Film 1755 NBCSN 1514 IFC 1756 Oxygen 1516 AMC 1757 Universal Kids 1517 FXM 1758 SyFy 1518 NBC Olympic 1520 USA Network 1521 EWTN 1550 Catholic TV HD 1551 TBN 1552 BBC America 1576 Bloomberg 1577 Fox News 1578 FOX BUSINESS 1579 BBC World 1580 AS OF FEB. -
Film, Photojournalism, and the Public Sphere in Brazil and Argentina, 1955-1980
ABSTRACT Title of Document: MODERNIZATION AND VISUAL ECONOMY: FILM, PHOTOJOURNALISM, AND THE PUBLIC SPHERE IN BRAZIL AND ARGENTINA, 1955-1980 Paula Halperin, Doctor of Philosophy, 2010 Directed By: Professor Barbara Weinstein Department of History University of Maryland, College Park My dissertation explores the relationship among visual culture, nationalism, and modernization in Argentina and Brazil in a period of extreme political instability, marked by an alternation of weak civilian governments and dictatorships. I argue that motion pictures and photojournalism were constitutive elements of a modern public sphere that did not conform to the classic formulation advanced by Jürgen Habermas. Rather than treating the public sphere as progressively degraded by the mass media and cultural industries, I trace how, in postwar Argentina and Brazil, the increased production and circulation of mass media images contributed to active public debate and civic participation. With the progressive internationalization of entertainment markets that began in the 1950s in the modern cities of São Paulo, Rio de Janeiro, and Buenos Aires there was a dramatic growth in the number of film spectators and production, movie theaters and critics, popular magazines and academic journals that focused on film. Through close analysis of images distributed widely in international media circuits I reconstruct and analyze Brazilian and Argentine postwar visual economies from a transnational perspective to understand the constitution of the public sphere and how modernization, Latin American identity, nationhood, and socio-cultural change and conflict were represented and debated in those media. Cinema and the visual after World War II became a worldwide locus of production and circulation of discourses about history, national identity, and social mores, and a space of contention and discussion of modernization. -
Farias, Priscila L. Et Wilke, Regina C. BORDERLINE GRAPHICS AN
BORDERLINE GRAPHICS: AN ANALYSIS OF CINEMA MARGINAL POSTERS REGINA C. WILKE PRISCILA L. FARIAS SENAC-SP / BRAZIL USP & SENAC-SP / BRAZIL [email protected] [email protected] ABSTRACT INTRODUCTION This paper presents a study on Brazilian Cinema The study of Cinema Marginal posters aims to Marginal film posters. It identifies the political and gathering information for a better understanding cultural context of the posters production, and of Brazilian design history. The posters selected considers their graphic, communicative and for this study are those designed for the films meaningful aspects. listed by Puppo (2008), in his catalogue for an In 1968, the Institutional Act #5 (AI-5) comes into exhibition of Cinema Marginal movies. force in Brazil, and, for the next ten years, the Initially, we describe the political and cultural country is haunted by the most violent period of context influencing Cinema Marginal , and military dictatorship. Cinema Marginal has its summarize the concepts that determine its heyday between 1968 and 1973, a period marked language. We then introduce the Brazilian graphic by the military regime (1964-1985). Such films arts environment of the era, and present the portray the spirit of that era in dissimilar ways identified authors of the posters. Finally, based on that alternate between eroticism, horror, an organization of the posters by affinity groups, romance and suspense, often with political we discuss the posters’ relation to the audiovisual messages in subtext. Its main shared language of the films, proposing a reflection on characteristics are the subversion of cinematic the visual, communicative and meaningful aspects language and experimental attitude. -
Telling Stories with Soundtracks: an Empirical Analysis of Music in Film
Telling Stories with Soundtracks: An Empirical Analysis of Music in Film Jon Gillick David Bamman School of Information School of Information University of California, Berkeley University of California, Berkeley [email protected] [email protected] Abstract (Guha et al., 2015; Kociskˇ y` et al., 2017), natural language understanding (Frermann et al., 2017), Soundtracks play an important role in carry- ing the story of a film. In this work, we col- summarization (Gorinski and Lapata, 2015) and lect a corpus of movies and television shows image captioning (Zhu et al., 2015; Rohrbach matched with subtitles and soundtracks and et al., 2015, 2017; Tapaswi et al., 2015), the analyze the relationship between story, song, modalities examined are almost exclusively lim- and audience reception. We look at the con- ited to text and image. In this work, we present tent of a film through the lens of its latent top- a new perspective on multimodal storytelling by ics and at the content of a song through de- focusing on a so-far neglected aspect of narrative: scriptors of its musical attributes. In two ex- the role of music. periments, we find first that individual topics are strongly associated with musical attributes, We focus specifically on the ways in which 1 and second, that musical attributes of sound- soundtracks contribute to films, presenting a first tracks are predictive of film ratings, even after look from a computational modeling perspective controlling for topic and genre. into soundtracks as storytelling devices. By devel- oping models that connect films with musical pa- 1 Introduction rameters of soundtracks, we can gain insight into The medium of film is often taken to be a canon- musical choices both past and future. -
Notes on Numbers 202 1 Edition Dr
Notes on Numbers 202 1 Edition Dr. Thomas L. Constable TITLE The title the Jews used in their Hebrew Old Testament for this book comes from the fifth word in the book in the Hebrew text, bemidbar: "in the wilderness." This is, of course, appropriate since the Israelites spent most of the time covered in the narrative of Numbers in the wilderness. The English title "Numbers" is a translation of the Greek title Arithmoi. The Septuagint translators chose this title because of the two censuses of the Israelites that Moses recorded at the beginning (chs. 1—4) and toward the end (ch. 26) of the book. These "numberings" of the people took place at the beginning and end of the wilderness wanderings and frame the contents of Numbers. DATE AND WRITER Moses wrote Numbers (cf. Num. 1:1; 33:2; Matt. 8:4; 19:7; Luke 24:44; John 1:45; et al.). He apparently wrote it late in his life, across the Jordan from the Promised Land, on the Plains of Moab.1 Moses evidently died close to 1406 B.C., since the Exodus happened about 1446 B.C. (1 Kings 6:1), the Israelites were in the wilderness for 40 years (Num. 32:13), and he died shortly before they entered the Promised Land (Deut. 34:5). There are also a few passages that appear to have been added after Moses' time: 12:3; 21:14-15; and 32:34-42. However, it is impossible to say how much later. 1See the commentaries for fuller discussions of these subjects, e.g., Gordon J. -
Wsispapers.Choike.Org Threats and Opportunities for Cultural Diversity
WSISPapers.Choike.org Threats and Opportunities for Cultural Diversity: WSIS between WTO and UNESCO Gustavo Gómez Document prepared for Instituto del Tercer Mundo (ITeM) July 2005 ITeM gratefully acknowledges the funding support of the International Development Research Centre 2 Table of contents I. Introduction................................................................................................................................... 3 II. Cultural diversity in the WSIS.................................................................................................... 4 From the Geneva Declaration of Principles to Regional Plans of Action ............................................. 4 Context: approach to problems and solutions...................................................................................... 5 The gradual fading away of cultural diversity...................................................................................... 7 Regional Plans of Action................................................................................................................... 9 III. Cultural diversity in the WTO and FTAs............................................................................. 14 Free Trade Agreements: culture as a commodity............................................................................... 14 The situation in the WTO .............................................................................................................. 14 Bilateral and regional agreements.................................................................................................... -
Black and White Conversion
From www.adobe.com/designcenter Product used Adobe Photoshop CS2 Black and White Conversion “One sees differently with color photography than black and white...in short, visualization must be modified by the specific nature of the equipment and materials being used.” –Ansel Adams The original color image. (left) The adjusted black and white conversion. (center) The final color toned black and white image. (right) Seeing in black and white Black and white conversions are radical transformations of images. They’re about reestablishing the tonal founda- tions of an image. That’s quite different than dodging and burning, or lightening and darkening locally, which is a matter of accentuating existing tonal relationships. The Channels palette shows the red, green, and blue components of a color image. Each channel offers a useful black and white interpretation of the color image that you can use to adjust the color. The key concept is for you to use the color channels as black and white layers. 2 Conversion methods There are almost a dozen ways to convert an image from color to black and white; and you can probably find at least one expert to support each way as the best conversion method. The bottom line is that most conversion methods work reasonably well. The method that works best for you depends on your particular workflow and the tools that you’re comfortable with. The following method isn’t necessarily the best and it isn’t the fastest—it generates a larger file—but it offers you the most control and flexibility. Creating layers from channels offers you more control than any other conversion method. -
Solitary Confinement, Public Safety, and Recdivism
University of Michigan Journal of Law Reform Volume 47 2014 Solitary Confinement, Public Safety, and Recdivism Shira E. Gordon University of Michigan Law School Follow this and additional works at: https://repository.law.umich.edu/mjlr Part of the Constitutional Law Commons, Fourteenth Amendment Commons, Law and Psychology Commons, and the Law Enforcement and Corrections Commons Recommended Citation Shira E. Gordon, Solitary Confinement, Public Safety, and Recdivism, 47 U. MICH. J. L. REFORM 495 (2014). Available at: https://repository.law.umich.edu/mjlr/vol47/iss2/6 This Note is brought to you for free and open access by the University of Michigan Journal of Law Reform at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in University of Michigan Journal of Law Reform by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. SOLITARY CONFINEMENT, PUBLIC SAFETY, AND RECIDIVISM Shira E. Gordon* As of 2005, about 80,000 prisoners were housed in solitary confinement in jails and in state and federal prisons in the United States. Prisoners in solitary confine- ment are generally housed in a cell for twenty-two to twenty-four hours a day with little human contact or interaction. The number of prisoners held in solitary con- finement increased 40 percent between 1995 and 2000, in comparison to the growth in the total prison population of 28 percent. Concurrently, the duration of time that prisoners spend in solitary confinement also increased: nationally, most prisoners in solitary confinement spend more than five years there.