DOCSLIB.ORG

AGENDA CULTURAL DE LA SEMANA Del 16 Al 22 De Junio

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
AGENDA CULTURAL DE LA SEMANA Del 16 Al 22 De Junio AGENDA CULTURAL DE LA SEMANA Del 16 al 22 de junio LUNES 16 CICLO DE CINE: “ASTROS DE AYER Y HOY” 5:00 p.m. UN TRANVÍA LLAMADO DESEO (EE.UU, 1951), de Elia Kazán. Con Vivien Leigh, Marlon Brando, Kim Hunter, Karl Malden, Rudy Bond, Nick Dennis, Peg Hillias, Richard Garrick, Ann Dere . Sinopsis Blanche, que pertenece a una rancia pero arruinada familia sureña, es una mujer madura y decadente que vive anclada en el pasado. Ciertas circunstancias la obligan a ir a vivir a Nueva Orleáns con su hermana Stella y su cuñado Stanley, un hombre rudo y violento. A pesar de su actitud remilgada y arrogante, Blanche oculta un escabroso pasado que la ha conducido al desequili brio mental. Su inestable conducta provoca conflictos que alteran la vida de la joven pareja . Lugar: Auditorio del Centro Cultural Ricardo Palma Av. Larco 770, Miraflores INGRESO LIBRE 7:30 p.m. EL HOMBRE QUIETO (EE.UU, 1952), de John Ford. Con John Wayne, Maureen O'Hara, Barry Fitzgerald, Ward Bond, Victor McLaglen, Jack MacGowran, Arthur Shields, Mildred Natwick . Sinopsis Sean Thornton , un boxeador norteamericano, regresa a su Irlanda natal para recuperar su granja y olvidar su pasado. Al llegar se enamora de Mary Kate Danaher, una chica muy temperamental, por por quien deberá luchar contra las costumbres locales, como el pago de la dot e, y, además, contra la oposición del hermano de su prometida. Lugar: Auditorio del Centro Cultural Ricardo Palma Av. Larco 770, Miraflores INGRESO LIBRE VIERNES 20 LITERATOUR, LA RUTA DE MARIO VARGAS LLOSA La Municipalidad de Miraflores invita a la comunidad en general a Literatour, la ruta de Mario Vargas Llosa, un circuito que une diversos puntos representativos del distrito donde el escribidor vivió memorables momentos de su juventud. Rutas de visita: Parque Kennedy, Parque Salazar, Casa Raúl Porras Barrenechea, Avenida José Pardo, Pasaje Champagnat. Horarios: Todos los viernes, 3:00 p.m. Punto de encuentro: Caseta de Turismo del Parque Kennedy Reservas: Los grupos que deseen salidas fuera del horario establecido pueden solicitar reservas al teléfono 617 -7259 o al correo [email protected] . PARTICIPACIÓN LIBRE POESÍA: POESÍA EN EL PARQUE El poeta Eduardo Rada dirige este programa de poesías que se realiza desde hace más de 15 años en el distrito, y el cual permite que poetas amateurs y aficionados ofrezcan recitales abiertos. Hora: 7:00 p.m. Lugar: Anfiteatro Chabuca del Parque Central de Miraflores INGRESO LIBRE MÚSICA: CORO MUNICIPAL Recital a cargo del Coro de la Municipalidad de Miraflores. Hora: 8:00 p.m. Lugar: Anfiteatro Chabuca Granda del Parque Central INGRESO LIBRE TEATRO: LAS CRÍAS TIENEN HAMBRE Comedia agridulce sobre la adultez y las complejas relaciones entre padres e hijos. Con las participaciones de los actores Nani Pease y Tirso Causillas, quienes interpretan a Olga y Pablo, dos personajes carentes por completo de glamour, y cuyas tosquedad y mundanidad los vuelve, precisamente, seres humanos creíbles. *Obra para mayores de 18 años. Contiene lenguaje que puede herir susceptibilidades. Hora: 8:00 p.m. Lugar: Centro Cultural Ricardo Palma Av. Larco 770, Miraflores Entradas: S/.30 y S/.20 SÁBADO 21 MÚSICA: LA ESQUINA MUSICAL Experiencia musical que enseña a los niños a amar la música y los bailes de nuestra tierra de forma natural y espontánea haciendo música para cuatro generaciones. Esta actividad es realizada por la asociación cultural La esquina Musical, conformada por Cajones Casalvi, de Carlos Saldarriaga, la Escuela de Guitarra de Lima, de Enrique Haro y la Escuela de Marinera de Lima, de Felipe Álvarez. Hora: 11:30 a.m. a 12:30 p.m. Lugar: Parque Reducto N°2 Ramón Ribeyro 490 San Antonio, Miraflores INGRESO LIBRE CONFERENCIA: CÁTEDRA DE NEUROCIENCIA Conversatorio y proyección audiovisual sobre las propiedades del cerebro. Con Eduardo Rada. Hora: 11:00 a.m. Lugar: Auditorio del Centro Cultural Ricardo Palma INGRESO LIBRE MÚSICA BAILABLE Difusión de música bailable para el público en general. Hora: 4:00 p.m. a 6:00 p.m. Lugar: Anfiteatro Chabuca Granda Parque Central de Miraflores PARTICIPACIÓN LIBRE STAND UP EN TU PARQUE “LA LOCA DEL PARQUE” Para este mes, los invitamos a ser testigos de la propuesta de “La loca del parque”, un espectáculo de stand up comedy protagonizado por la actriz Fabiola Arteaga, quien vestida en un traje de novia recorrerá los parques del distritos buscando a ‘Arturo’, su novio que la dejó plantada hace más de 10 años en el día de su boda. Bajo esta temática, ‘la loca del parque’ interactuará con los asistentes contando su graciosa experiencia y haciéndolos partícipes de las escenas disparatadas que irán sucediendo en el transcurso de esta trama, y que además, tendrán como fondo música incidental y canciones divertidas. Sábado 21 de junio, 4:00 p.m. Lugar: Parque Villena Rey Entre Cdra. 3 y Cdra.4 de la Av. General Córdova, Miraflores Ingreso libre CIRCO EN TU PARQUE Como tercera función de este programa de espectáculos al aire libre se presenta a “El jaglista”, un espectáculo circense con el artista Jonathan Sajoux, quien ofrecerá distintos números de humor, magia y malabarismo. Sábado 21 de junio, 5:00 p.m. Centro Comunal Santa Cruz Calle Mariano Melgar 247, Miraflores INGRESO LIBRE TEATRO: LAS CRÍAS TIENEN HAMBRE Comedia agridulce sobre la adultez y las complejas relaciones entre padres e hijos. Con las participaciones de los actores Nani Pease y Tirso Causillas, quienes interpretan a Olga y Pablo, dos personajes carentes por completo de glamour, y cuyas tosquedad y mundanidad los vuelve, precisamente, seres humanos creíbles. *Obra para mayores de 18 años. Contiene lenguaje que puede herir susceptibilidades. Hora: 8:00 p.m. Lugar: Centro Cultural Ricardo Palma Av. Larco 770, Miraflores Entradas: S/.30 y S/.20 DOMINGO 22 MUESTRA DE TEATRO Presentación de obras con los alumnos de la Asociación Cultural Diez Talentos. Hora: 11:00 a.m. Lugar: Centro Cultural Ricardo Palma Av. Larco 770, Miraflores Entrada general: S/.10 MÚSICA: POR LOS SENDEROS DE ESPAÑA Espectáculo de danza y música con el elenco de “Arte y Jaleo”, academia de Danzas Españolas, quienes bajo la Dirección General de Roxana Del Castillo, ofrecerán un despliegue de danzas flamencas y españolas. Acompañan en esta presentación la guitarra Flamenca de Adolfo del Morao, la voz de los cantaores Larissa Sánchez Carhuaz, Augusto Gil “El Galleta” y Maria Fe De La Piedra; en la percusión de Felipe Torres. Hora: 5:00 p.m. Lugar: Centro Cultural Ricardo Palma Av. Larco 770, Miraflores Entradas: S/.30 y S/.20 TEATRO: LAS CRÍAS TIENEN HAMBRE Comedia agridulce sobre la adultez y las complejas relaciones entre padres e hijos. Con las participaciones de los actores Nani Pease y Tirso Causillas, quienes interpretan a Olga y Pablo, dos personajes carentes por completo de glamour, y cuyas tosquedad y mundanidad los vuelve, precisamente, seres humanos creíbles. *Obra para mayores de 18 años. Contiene lenguaje que puede herir susceptibilidades. Hora: 8:00 p.m. Lugar: Centro Cultural Ricardo Palma Av. Larco 770, Miraflores Entradas: S/.30 y S/.20 EXPOSICIONES DE ARTE EXPOSICIÓN: NOCTURNOS SELECTOS A través de esta muestra Bustamante comparte una selección de imágenes en las que se grafica el protagonismo de la luz, y los efectos de esta en una ciudad cuya luz natural tiende a esquivar el contraste del color e ignorar la vivacidad de la existencia a lo largo de todo el año. De este modo, “Nocturnos selectos” ofrece una visión nocturna de una Lima que evoluciona en paisaje y en imagen, una mirada a los contrastes cromáticos de la ciudad de calles nuevas y viejas que en esta ocasión han sido capturadas por el fotógrafo tras un trabajo realizo entre el año 2001 y 2013. Hasta el 22 de junio Martes a domingo, de 11:00 a.m. a 10:00 p.m. Lugar: Sala Siete Setenta Av. Larco 770, Miraflores INGRESO LIBRE EXPOSICIÓN: ANOTACIONES, de Gam Klutier Por medio de esta exposición, el artista Gam Klutier, holandés radicado en Perú desde hace varios años, comparte una selección de nueve obras en gran formato en las que se grafica la conexión entre su trabajo artístico y su vida espiritual. Se suman a estos cuadros pictóricos un video del artista en pleno proceso de trabajo junto al pianista Juan José Chuquisengo, con quien mantiene una relación creativa desde hace algunos años, y ha podido consagrar un trabajo dedicado a la meditación y a la música. Hasta el 6 de julio Martes a domingo, de 11:00 a.m. a 10:00 p.m. Lugar: Sala Luis Miró Quesada Garland Av. Larco 400, Miraflores INGRESO LIBRE ACTIVIDADES PERMANENTES MIRAFLORES LEE: Una ciudad que lee, una ciudad que se quiere Iniciativa creada con el fin de descentralizar las colecciones y servicios que ofrece la Biblioteca Municipal Ricardo Palma. Por medio de esta actividad niños, jóvenes y adultos tiene a su disposición una variedad de libros que son brindados en forma de préstamo durante las tardes. HORARIO DEL SERVICIO: Lunes a viernes de 3:00 p.m. a 5:00 p.m. Lugar: Área de juegos del Parque Kennedy y Parque Central de Miraflores PARTICIPACIÓN LIBRE Prensa y Difusión Cultural Gerencia de Cultura y Turismo Telf. 617-7263 .
Load more

Recommended publications
  • The First Critical Assessments of a Streetcar Named Desire: the Streetcar Tryouts and the Reviewers
    FALL 1991 45 The First Critical Assessments of A Streetcar Named Desire: The Streetcar Tryouts and the Reviewers Philip C. Kolin The first review of A Streetcar Named Desire in a New York City paper was not of the Broadway premiere of Williams's play on December 3, 1947, but of the world premiere in New Haven on October 30, 1947. Writing in Variety for November 5, 1947, Bone found Streetcar "a mixture of seduction, sordid revelations and incidental perversion which will be revolting to certain playgoers but devoured with avidity by others. Latter category will predomin­ ate." Continuing his predictions, he asserted that Streetcar was "important theatre" and that it would be one "trolley that should ring up plenty of fares on Broadway" ("Plays Out of Town"). Like Bone, almost everyone else interested in the history of Streetcar has looked forward to the play's reception on Broadway. Yet one of the most important chapters in Streetcar's stage history has been neglected, that is, the play's tryouts before that momentous Broadway debut. Oddly enough, bibliographies of Williams fail to include many of the Streetcar tryout reviews and surveys of the critical reception of the play commence with the pronouncements found in the New York Theatre Critics' Reviews for the week of December 3, 1947. Such neglect is unfortunate. Streetcar was performed more than a full month and in three different cities before it ever arrived on Broadway. Not only was the play new, so was its producer. Making her debut as a producer with Streetcar, Irene Selznick was one of the powerhouses behind the play.
    [Show full text]
  • Parks in Baptist Church Honor Miss Carter Gladiolii and Candelabra with Lighted Er of Tte Bride
    ' I "3* ' ' • VlsVkt '?* ' <r fit** SPS­ S'?' f or SOUTH CAROLINA'S OLDEST NEWSPAPER tl&iwu $2.50 per Year Georgetown, S. C, Thursday January 3, 1952. Vol. 154. No. 44. Exchange Club John T. Stevens Memorial Marker Books Musical Comedy, Brigadoon To Be Unveiled At New Bridge The Georgetown Exchange Club has booked direct from New York The new $1,308,000 crossing at San­ City, the national company of the tee River between Georgetown and Broadway musical comedy smash hit, McClellanville on U. 8. Route iff Brigadoon, for a one performance on will be appropriately dedicated at February 8,1952 at the Winyah High exercises scheduled for noon Thurs­ School Auditorium. day, January 3, when a bronze marker honoring the memory of Former Produced, directed and staged in Highway Commission Chairman John New York City by the Civic Drama T. Stevens of Kershaw will be un­ Guild of New York, the attraction veiled. plays here as part of a coast to coast tour that Includes forty of the forty- The modern crossing, consisting'of eight states. This booking is most modern steel and concrete bridges unusual in that the average musical over the North Santee and South comedy entertains playing nothing Santee Rivers, connected by a long less than one week stands. How­ dredged embankment, was named the ever, the producers of BRIGADOON "John T. Stevens Bridge" by a joint feel that this delightful musical resolution enacted by the 1950 Gen­ should be made available to the eral Assembly. smaller community. And also that Mr. Stevens, leading South Caro­ Georgetown County becomes $388,727.19 richer when O.
    [Show full text]
  • Reel Wars: Cold War, Civil Rights and Hollywood's
    REEL WARS: COLD WAR, CIVIL RIGHTS AND HOLLYWOOD'S CHANGING INTERPRETATION OF THE AMERICAN CIVIL WAR 1945-75 J. Roy Collins M. Phil. 2006 . HESISfc tc o:> COL g REEL WARS: COLD WAR, CIVIL RIGHTS AND HOLLYWOOD'S CHANGING INTERPRETATION OF THE AMERICAN CIVIL WAR 1945-75 J. Roy Collins A thesis submitted in partial fulfilment of the requirements of the University of Greenwich for the degree of Master of Philosophy March 2006 ACKNOWLEDGEMENTS I would like to thank my supervisors, Andrew Dawson, for his patient encouragement and for gently keeping me focused, and Michael Zell, for his very pertinent comments, also the library staff at Greenwich who have always been most helpful. My thanks, too, to my son Dan and my friends May Clarke and Jim Murray for struggling through a rather large first draft and Alan Rose for his help in obtaining many of the films on video. Also, my sister Tessa, for her proof reading, and Jacob Veale for his computer expertise. Finally, my partner Sarah for her continual encouragement and support and my daughters Hannah and Esther, who accepted that 'Dad was doing his thing.' in ABSTRACT This study is an examination of America's evolving sense of racial and national identity in the period from 1945 to the mid 1970s as refracted through Hollywood's representation of the American Civil War - a powerful event in American memory which still resonates today. Civil War films have been the subject of study by film studies specialists and historians but they have concentrated on the early years highlighting the iconic films The Birth of a Nation (1915) and Gone with the Wind (1939).
    [Show full text]
  • The Heralds of the Dawn: a History of the Motion Picture Industry in the State of Florida, 1908-2019
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2019 The Heralds of the Dawn: A History of the Motion Picture Industry in the State of Florida, 1908-2019 David Morton University of Central Florida Part of the Film Production Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Morton, David, "The Heralds of the Dawn: A History of the Motion Picture Industry in the State of Florida, 1908-2019" (2019). Electronic Theses and Dissertations, 2004-2019. 6365. https://stars.library.ucf.edu/etd/6365 “THE HERALDS OF THE DAWN:” A HISTORY OF THE MOTION PICTURE INDUSTRY IN THE STATE OF FLORIDA, 1908-2019 by DAVID D. MORTON B.A. East Stroudsburg University, 2009 M.A. University of Central Florida, 2014 A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of Texts and Technology in the Department of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2019 Major Professor: Scot French © 2019 David Morton ii ABSTRACT Often overlooked in its contribution to cinema history, the State of Florida has the distinction of being among just a handful of regions in the United States to have a continuous connection with the American motion picture industry.
    [Show full text]
  • Teaching Acting Technique and Building a Character Through Cinema
    Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1995 Volume II: Film and Literature Teaching Acting Technique and Building a Character Through Cinema Curriculum Unit 95.02.09 by Carol Penney I. INTRODUCTION This curriculum unit will be directed toward second and third year acting students at The Cooperative Arts and Humanities High School. Two prerequisites for this course are: (1) possession of basic acting skills and experience, and (2) strong commitment both to the individual study of acting and to the concept of theatre as a collaborative art form. Prior formal classwork will have included Shakespeare, Anton Chekhov, Edward Albee, and August Wilson. My students will have a strong background in improvisation, story-telling, and play and character analysis. My main focus will be an emphasis on acting technique and building a character based on what has come to be known as the Stanislavski system. The acting style of most American actors is based on this system (known as American Method Acting). Students of acting need a thorough knowledge of this style of acting since they see it every day on American television and in American movies. The students especially enjoy acting scenes from films. Just this spring, they produced a student-acted, student-directed production that included scenes from COMING TO AMERICA, FRIED GREEN TOMATOES, and THE BREAKFAST CLUB. I plan to teach acting technique and building a character through the practical application of some of the tenets of American Method Acting. This course of study will revolve around the films of Marlon Brando, who is considered to be the quintessential American movie actor.
    [Show full text]
  • Análisis De Los Rasgos Cinematográficos De La Narrativa De Tenessee Williams Y Su Presencia En Las Adaptaciones Filmadas Con Su Obra
    UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA Departamento de Filología Inglesa II (Literatura de los Países de Lengua Inglesa) TESIS DOCTORAL Análisis de los rasgos cinematográficos de la narrativa de Tenessee Williams y su presencia en las adaptaciones filmadas con su obra MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Sonia Barba Martínez Directora Susana Lozano Moreno Madrid, 2016 © Sonia Barba Martínez, 2015 Análisis de los rasgos cinematográficos de la narrativa de Tennessee Williams y su presencia en las adaptaciones filmadas con su obra Universidad Complutense – Madrid – Facultad de Filología Autora: Sonia Barba Martínez UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA Departamento de Filología Inglesa II ANÁLISIS DE LOS RASGOS CINEMATOGRÁFICOS DE LA NARRATIVA DE TENNESSEE WILLIAMS Y SU PRESENCIA EN LAS ADAPTACIONES FILMADAS CON SU OBRA MEMORIA PRESENTADA PARAR OPTAR AL GRADO DE DOCTOR PORO Sonia Barba Martínez Bajo la dirección de la Dra. Susana Lozano Moreno Madrid, 2015 1 Análisis de los rasgos cinematográficos de la narrativa de Tennessee Williams y su presencia en las adaptaciones filmadas con su obra Universidad Complutense – Madrid – Facultad de Filología Autora: Sonia Barba Martínez Sonia Barba Martínez ANÁLISIS DE LOS RASGOS CINEMATOGRÁFICOS DE LA NARRATIVA DE TENNESSEE WILLIAMS Y SU PRESENCIA EN LAS ADAPTACIONES FILMADAS CON SU OBRA Tesis Doctoral perteneciente al Departamento de Filología Inglesa II de la Universidad Complutense de Madrid. Directora: Susana Lozano Moreno Madrid, 2015 2 Análisis de los rasgos cinematográficos de la narrativa de Tennessee Williams y su presencia en las adaptaciones filmadas con su obra Universidad Complutense – Madrid – Facultad de Filología Autora: Sonia Barba Martínez A mis padres.
    [Show full text]
  • Named Desire Tennessee Williams
    A STREET~AR NAMED DESIRE TENNESSEE WILLIAMS JIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII1111111111111111111111111111111111111111111111111111111111.1 •• 1'1 NEW DIRECTIONS BOOK All Rights Reserved, inclurIin, the right of reproduction in whole or in part in any form. CAUTION: Professionals and amateurs are hereby warned that A Streetcar Named Desire, being fully protected under the copy­ right laws of The United States, the British Empire includin, the Dominion of Canada, and all other countries of the Copyright Union, is subject to royalty. All rights, including professional, amateur, motion-picture, recitation, lecturing, public reading, radio and television broadcasting, and the rights of translation into foreign languages, are strictly reserved. Particular emphasis is laid on the question of readings, permission for which must be obtained in writing from the author's agents. All enquiries should be addressed to the author's agents: Liebling-Wood,551 Fifth Avenue, New York City. "It's Only A Paper Moon" copyright 1933 by Harms, Inc. Used by permission. The lines from Hart Crane are reprinted from "Collected Poems of Hart Crane" by permission of Liveright Publishing Corp., N.Y, EIGHTH PRINTING COPYRIGHT 1947 BY TENNESSEE WILLIAMS MANUFACTURED IN THE UNITED STATES OF AMERICA New Directions Books are published by James Laughlin New York Ofjice-333 Sixth Avenue 111.11111.1.111111.1.1'111.11'11111111111111111111111.1111111111111111111111111111111111111111111111'1111111 A Streetcar Named Desire was presented at the Barrymore Theatre in New York on December 3,1947, by Irene Selznick. It was directed by Elia Kazan,with the following cast: Negro Woman Gee Gee James Eunice Hubbell Peg Hillias Stanley Kowalski Marlon Brando Stella Kowalski Kim Hunter Steve Hubbell Rudy Bond Harold Mitchell (Mitch»Karl Malden Mexican Woman Edna Thomas Blanche DuBois Jessica Tandy Pablo Gonzale1> Nick Dennis A Young Collector Vito Christi Nurse Ann Dere Doctor Richard Garrick Scenery and lighting by Jo Meilziner, costumes by Lucinda Ballard.
    [Show full text]
  • 100 YEARS at the PHOENIX Archive of an Oxford Cinema 1913 – 2013
    100 YEARS AT THE PHOENIX Archive of an Oxford Cinema 1913 – 2013 Hiu M Chan Dedicated to the Phoenix and Oxford with love This archive is part of a post-graduate research project and so is work-in-progress. While every effort has been made to weed out errors and inconsistencies – derived from the source material (newspaper microfi che archives) – some will have inevitably slipped through. If you spot any errors and omissions please get in touch via the website http://phoenixcentenary.wordpress.com and we will update the database. The publishers are not responsible for the verifi cation of the entries; that is my remit. Thank you. Hiu M Chan and the Phoenix Centenary Project Published in conjunction with the centenary of the Oxford Phoenix Picture, 57 Walton Street, Oxford OX2 6AE © Hiu M Chan, 2013 All right reserved No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form by any means, electronic or mechanical, without prior written permission of the author. ISBN 978-0-9567405-5-7 Design: Nick Withers Associate Editor: James Harrison Film lists typeset in Helvetica Neue Digitally printed and bound in England by Charlesworth Press, Wakefi eld, Yorkshire A special limited hardback edition was also published exclusively for use in the cinema on the 100th anniversary, 15th March 2013. For further details, research feedback, or to input any updates, corrections or amendments please contact: www.hiuandfi lm.com Oxfordfolio, 100A Cowley Road, Oxford OX4 1JE Preface 15th March 2013 marks the 100th anniversary of the Phoenix Picturehouse Cinema in Oxford.
    [Show full text]