The Ceramic Sequence of Piedras Negras, Guatemala: Type and Varieties 1
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Tik 02:Tik 02
2 The Ceramics of Tikal T. Patrick Culbert More than 40 years of archaeological research at Tikal have pro- duced an enormous quantity of ceramics that have been studied by a variety of investigators (Coggins 1975; Culbert 1963, 1973, 1977, 1979, 1993; Fry 1969, 1979; Fry and Cox 1974; Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). It could be argued that the ceram- ics of Tikal are better known than those from any other Maya site. The contexts represented by the ceramic collections are extremely varied, as are the formation processes to which they were subjected both in Maya times and since the site was abandoned. This chapter will report primarily on the ceramics recovered by the University of Pennsylvania Tikal Project between 1956 and 1970. The information available from this analysis has been significantly clar- ified and expanded by later research, especially that of the Proyecto Nacional Tikal (Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). I will make reference to some of the results of these later stud- ies but will not attempt an overall synthesis—something that must await Copyrighted Material www.sarpress.org 47 T. PATRICK C ULBERT a full-scale conference involving all of those who have worked with Tikal ceramics. Primary goals of my analysis of Tikal ceramics were to develop a ceramic sequence and to provide chronological information for researchers. Although a ceramic sequence was already available from the neighboring site of Uaxactun (R. -
Ancient Maya Afterlife Iconography: Traveling Between Worlds
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Ancient Maya Afterlife Iconography: Traveling Between Worlds Mosley Dianna Wilson University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Wilson, Mosley Dianna, "Ancient Maya Afterlife Iconography: Traveling Between Worlds" (2006). Electronic Theses and Dissertations, 2004-2019. 853. https://stars.library.ucf.edu/etd/853 ANCIENT MAYA AFTERLIFE ICONOGRAPHY: TRAVELING BETWEEN WORLDS by DIANNA WILSON MOSLEY B.A. University of Central Florida, 2000 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Liberal Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Summer Term 2006 i ABSTRACT The ancient Maya afterlife is a rich and voluminous topic. Unfortunately, much of the material currently utilized for interpretations about the ancient Maya comes from publications written after contact by the Spanish or from artifacts with no context, likely looted items. Both sources of information can be problematic and can skew interpretations. Cosmological tales documented after the Spanish invasion show evidence of the religious conversion that was underway. Noncontextual artifacts are often altered in order to make them more marketable. An example of an iconographic theme that is incorporated into the surviving media of the ancient Maya, but that is not mentioned in ethnographically-recorded myths or represented in the iconography from most noncontextual objects, are the “travelers”: a group of gods, humans, and animals who occupy a unique niche in the ancient Maya cosmology. -
Polychrome: Qualitative Palettes with Many Colors
Package ‘Polychrome’ July 16, 2021 Title Qualitative Palettes with Many Colors Version 1.3.1 Date 2021-07-16 Author Kevin R. Coombes, Guy Brock Description Tools for creating, viewing, and assessing qualitative palettes with many (20-30 or more) colors. See Coombes and colleagues (2019) <doi:10.18637/jss.v090.c01>. Maintainer Kevin R. Coombes <[email protected]> Depends R (>= 3.5.0) Imports colorspace, scatterplot3d, methods, graphics, grDevices, stats, utils Suggests RColorBrewer, knitr, rmarkdown, ggplot2 License Apache License (== 2.0) LazyLoad yes LazyData no URL http://oompa.r-forge.r-project.org/ VignetteBuilder knitr NeedsCompilation no Repository CRAN Date/Publication 2021-07-16 15:20:02 UTC R topics documented: alphabet . .2 colorDeficit . .3 colorsafe . .4 createPalette . .5 Dark24 . .6 distances . .7 getLUV . .8 1 2 alphabet glasbey . .9 invertColors . 10 iscc ............................................. 11 isccNames . 12 memberPlot . 13 palette.viewers . 14 palette36 . 16 palettes . 16 sky-colors . 18 sortByHue . 19 Index 21 alphabet A 26-Color Palette Description A palette composed of 26 distinctive colors with names corresponding to letters of the alphabet. Usage data(alphabet) Format A character string of length 26. Details A character vector containing hexadecimal color representations of 26 distinctive colors that are well separated in the CIE L*u*v* color space. Source The color palette was generated using the createPalette function with three seed colors: ebony ("#5A5156"), iron ("#E4E1E3"), and red ("#F6222E"). The colors were then manually assigned names begining with different letters of the English alphabet. See Also createPalette Examples data(alphabet) alphabet colorDeficit 3 colorDeficit Converting Colors to Illustrate Color Deficient Vision Description Function to convert any palette to one that illustrates how it would appear to a person with a color deficit. -
THE GREAT MAYAN ECLIPSE: Yucatán México October 14, 2023
Chac Mool, Chichén Itzá Edzna Pyramid, Campeche THE GREAT MAYAN ECLIPSE: Yucatán México October 14, 2023 October 6-16, 2023 Cancún • Chichén-Itzá • Mérida • Campeche On October 14, 2023, a ‘ring of fire’ Annular Solar Eclipse will rip across the western U.S. and parts of the Yucatán in México as well as Central and South America. Offer your members the opportunity to see a spectacular annular eclipse among the ruins of the mighty Maya civilization. Meet in Cancún before heading off to Chichén Itzá, Ek Balam, Uxmal, Mérida, and Campeche. On Eclipse Day transfer to our viewing site outside Campeche in the vicinity of the Maya Site of Edzná to see this spectacular annular solar eclipse. Here passengers can see a smaller-than-usual moon fit across 95% of the sun to leave a ring of fire. The ring of fire will reign for 4 minutes and 31 seconds while very high in the darkened sky. Highlights • Swim in a cenote or sinkhole formed million years ago from a colossal asteroid impact to the region. • Enjoy a stay at a luxury and historic hacienda. • Investigate the UNESCO Heritage Sites of Chichén Itzá one of the “New 7 Wonders of the World.” • Witness the ring of fire of an Annular clipseE near the Maya ruins. Itinerary 2023 Oct 06: U.S. / Cancún Oct 08: Chichén Itzá Fly to Cancún. Transfer to hotel near the airport. Meet in the Private sunrise tour of Chichén Itzá before it opens to the public. early evening at the reception area for a briefing of tomorrow’s The site contains massive structures including the immense El departure. -
Federal Wage System Glossary of Printing Terms for the 4400 Job Family
Glossary of Printing Terms for the 4400 Job Family TS-45 October 1981 Federal Wage System Glossary of Printing Terms for the 4400 Job Family The terms and definitions contained in this glossary are intended to facilitate the application of published job grading standards to occupations in the Printing Family. The glossary does not represent a comprehensive listing of technical terms and processes common to printing occupations. Additional information may be found in dictionaries, and technical publications such as agency guides, trade magazines, and technical manuals. Aluminum Plate. A thin sheet of aluminum used in lithography for some press plates; image applied photographically; used for both surface-type and deep-etch offset plates. Aperture. A small opening in a plate or sheet. In cameras, the aperture is usually variable in the form of an iris diaphragm and regulates the amount of light which passes through the lens. The working aperture is the diameter of that part of the lens actually used. Asphaltum. A bituminous mixture used as an acid resist or protectant in photomechanics. In lithography, used to make printing image on press plate permanently ink-receptive. Autoscreen (Film). A photographic film embodying the halftone screen; exposed to a continuous-tone image, produces a dot pattern automatically just as if a halftone screen had been used in the camera. Backing-Up. Printing the other side, of a printed sheet. Back Pressure. The squeeze pressure between the blanket (offset) cylinder and the impression cylinder; sometimes called "impression pressure." Base Color. A first color used as a background on which other colors are printed. -
The Rulers of Palenque a Beginner’S Guide
The Rulers of Palenque A Beginner’s Guide By Joel Skidmore With illustrations by Merle Greene Robertson Citation: 2008 The Rulers of Palenque: A Beginner’s Guide. Third edition. Mesoweb: www. mesoweb.com/palenque/resources/rulers/PalenqueRulers-03.pdf. Publication history: The first edition of this work, in html format, was published in 2000. The second was published in 2007, when the revised edition of Martin and Grube’s Chronicle of the Maya Kings and Queens was still in press, and this third conforms to the final publica- tion (Martin and Grube 2008). To check for a more recent edition, see: www.mesoweb.com/palenque/resources/rulers/rulers.html. Copyright notice: All drawings by Merle Greene Robertson unless otherwise noted. Mesoweb Publications The Rulers of Palenque INTRODUCTION The unsung pioneer in the study of Palenque’s dynastic history is Heinrich Berlin, who in three seminal studies (Berlin 1959, 1965, 1968) provided the essential outline of the dynasty and explicitly identified the name glyphs and likely accession dates of the major Early and Late Classic rulers (Stuart 2005:148-149). More prominent and well deserved credit has gone to Linda Schele and Peter Mathews (1974), who summarized the rulers of Palenque’s Late Classic and gave them working names in Ch’ol Mayan (Stuart 2005:149). The present work is partly based on the transcript by Phil Wanyerka of a hieroglyphic workshop presented by Schele and Mathews at the 1993 Maya Meet- ings at Texas (Schele and Mathews 1993). Essential recourse has also been made to the insights and decipherments of David Stuart, who made his first Palenque Round Table presentation in 1978 at the age of twelve (Stuart 1979) and has recently advanced our understanding of Palenque and its rulers immeasurably (Stuart 2005). -
CHRONOLOGY of the RÍO BEC SETTLEMENT and ARCHITECTURE Eric Taladoire, Sara Dzul, Philippe Nondédéo, Mélanie Forné
CHRONOLOGY OF THE RÍO BEC SETTLEMENT AND ARCHITECTURE Eric Taladoire, Sara Dzul, Philippe Nondédéo, Mélanie Forné To cite this version: Eric Taladoire, Sara Dzul, Philippe Nondédéo, Mélanie Forné. CHRONOLOGY OF THE RÍO BEC SETTLEMENT AND ARCHITECTURE. Ancient Mesoamerica, Cambridge University Press (CUP), 2013, 24 (02), pp.353-372. 10.1017/S0956536113000254. hal-01851495 HAL Id: hal-01851495 https://hal.archives-ouvertes.fr/hal-01851495 Submitted on 30 Jul 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Ancient Mesoamerica, 24 (2013), 353–372 Copyright © Cambridge University Press, 2014 doi:10.1017/S0956536113000254 CHRONOLOGY OF THE RÍO BEC SETTLEMENT AND ARCHITECTURE Eric Taladoire,a Sara Dzul,b Philippe Nondédéo,a and Mélanie Fornéc aCNRS-Université de Paris Panthéon-Sorbonne, UMR 8096 Archéologie des Amériques, 21 allée de l’Université, F-92023, Nanterre Cedex, France bCentro Regional INAH, Yucatan, Antigua Carretera a Progreso s/n, km 6.5, prolongación Montejo. Col. Gonzalo Guerrero, C.P. 97310. Mérida, Yucatán cPost-doctoral researcher, Cancuen Project, CEMCA-Antenne Amérique Centrale Ambassade de France 5 Av. 8-59 Zone 14, Guatemala C-A Abstract Chronology is a crucial issue given the specific settlement patterns of the Río Bec region located on the northern fringe of the Maya central lowlands. -
The Terminal Classic Period at Ceibal and in the Maya Lowlands
THE TERMINAL CLASSIC PERIOD AT CEIBAL AND IN THE MAYA LOWLANDS Takeshi Inomata and Daniela Triadan University of Arizona Ceibal is well known for the pioneering investigations conducted by Harvard University in the 1960s (Sabloff 1975; Smith 1982; Tourtellot 1988; Willey 1990). Since then, Ceibal has been considered to be a key site in the study of the Classic Maya collapse (Sabloff 1973a, 1973b; Sabloff and Willey 1967). The results of this project led scholars to hypothesize the following: 1) Ceibal survived substantially longer than other centers through the period of the Maya collapse; and 2) the new styles of monuments and new types of ceramics resulted from foreign invasions, which contributed to the Maya collapse. In 2005 we decided to revisit this important site to re-examine these questions in the light of recent developments in Maya archaeology and epigraphy. The results of the new research help us to shape a more refined understanding of the political process during the Terminal Classic period. The important points that we would like to emphasize in this paper are: 1) Ceibal did not simply survive through this turbulent period, but it also experienced political disruptions like many other centers; 2) this period of political disruptions was followed by a revival of Ceibal; and 3) our data support the more recent view that there were no foreign invasions; instead the residents of Ceibal were reorganizing and expanding their inter-regional networks of interaction. Ceibal is located on the Pasión River, and a comparison with the nearby Petexbatun centers, including Dos Pilas and Aguateca, is suggestive. -
Maya Use and Prevalence of the Atlatl: Projectile Point Classification Function Analysis from Chichen Itza, Tikal, and Caracol
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 Maya Use And Prevalence Of The Atlatl: Projectile Point Classification unctionF Analysis From Chichen Itza, Tikal, And Caracol Andrew J. Ciofalo University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Ciofalo, Andrew J., "Maya Use And Prevalence Of The Atlatl: Projectile Point Classification unctionF Analysis From Chichen Itza, Tikal, And Caracol" (2012). Electronic Theses and Dissertations, 2004-2019. 2111. https://stars.library.ucf.edu/etd/2111 MAYA USE AND PREVALENCE OF THE ATLATL: PROJECTILE POINT CLASSIFICATION FUNCTION ANALYSIS FROM CHICHÉN ITZÁ, TIKAL, AND CARACOL by ANDREW J. CIOFALO B.A. University of Massachusetts, 2007 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Andrew Joseph Ciofalo ii ABSTRACT Multiple scholars have briefly discussed the Maya use of the atlatl. Yet, there has never been a decisive encompassing discussion of prevalence and use of the atlatl in the Maya region with multiple lines of support from iconographic and artifactual analyses. This thesis explores the atlatl at Chichén Itzá, Tikal, and Caracol Maya sites to prove that atlatl prevalence can be interpreted primarily based on projectile point “classification function” analysis with support from iconographic and artifactual remains. -
Installments 1-10
ThePARIJournal A quarterly publication of the Pre-Columbian Art Research Institute Volume XIII, No. IV, Summer 2013 The Further Adventures of Merle1 MERLE GREENE ROBERTSON In This Issue: The Further Adventures of Merle by Merle Greene Robertson PAGES 1-7 • A Late Preclassic Distance Number by Mario Giron-Ábrego PAGES 8-12 Joel Skidmore Editor [email protected] Marc Zender Associate Editor [email protected] Figure 1. On the Usumacinta River on the way to Yaxchilan, 1965. The PARI Journal 202 Edgewood Avenue “No! You can’t go into the unknown wilds birds, all letting each other know where San Francisco, CA 94117 of Alaska!” That statement from my moth- they are. Evening comes early—dark by 415-664-8889 [email protected] er nearly 70 years ago is what changed my four o’clock. Colors are lost in pools of life forever. I went to Mexico instead, at darkness. Now the owls are out lording it Electronic version that time almost as unknown to us in the over the night, lucky when you see one. available at: U.S. as Alaska. And then later came the But we didn’t wait for nightfall to www.mesoweb.com/ pari/journal/1304 jungle, the jungle of the unknown that I pitch our camp. Champas made for our loved, no trails, just follow the gorgeous cooking, champas for my helpers, and a guacamayos in their brilliant red, yellow, ISSN 1531-5398 and blue plumage, who let you know where they are before you see them, by 1 Editor’s note: This memoir—left untitled by their constant mocking “clop, clop, clop.” the author—was completed in 2010, in Merle’s 97th Mahogany trees so tall you wonder if, year. -
Ella Smit ARTH 281 Spring, 2019 the Life-Force of Mayan Ceramics The
Ella Smit ARTH 281 Spring, 2019 The Life-Force of Mayan Ceramics The Maya civilization is a complex society with a host of ritual and aesthetic practices placed at the forefront of all mortal and supernatural relationships. This paper seeks to unpack these complexities and provide a glimpse into the proximate relationship of ceramics and spirituality. Through the research I have compiled on two Maya vessels held at the Williams College Museum of Art (WCMA)–– one bearing the iconography of an anthropomorphic coyote, and the other petals of a flower–– I will place the artistic aesthetics of these pieces in conversation with ritual practice. Ceramics provided a gateway into the realm of the mortal and supernatural, and I hope that, by and large, one is able to understand the awe-inducing influence these ritual practices leveraged on Maya society through these ceramics of the Classic period. The Classic-period Maya civilization was constructed around small to large peer polities predominantly in the Maya Lowlands in Guatemala, El Salvador, Honduras, and Belize.1 The Classic period spanned from 300-1000 AD and is partitioned into three distinct stages of subperiods: Early Classic, Late Classic, and Terminal Classic.2 Polity consolidation began by the Early Classic period (250-500 AD) primarily due to the intensification of a centralized agricultural system and trading economy in the hands of a priestly elite. While new townships and cities were forming rapidly in the Early Classic period, vast amounts of rural and small 1 Antonia Foias, “Maya Civilization of the Classic Period (300-1000AD), The Seeds of Divinity (ARTH 281), Spring, 2019, Williams College. -
Found.1 the Two Best Known Examples Are Copan and Quirigua, and in Each Case Local Stones Were Quarried
VI. TWO UNUSUAL MAYA STELAE John A. Graham and Howel Williams As is generally known, the Maya lowlands comprise a vast province of massive limestone deposits. Since these limestones are usually exposed or only slightly buried, ready material in unlimited abundance was ordinarily available for the cutting of building stone, for reduction to lime for mortar, and for the carving of sculptures and other monuments. At a number of Maya lowland sites quarries have been observed in the sites, or their immediate vicinity, and there has been little reason to suspect the long distance transport of large and heavy stone for monuments as was characteristic of the ancient Olmec civilization in its principal sites of La Venta and San Lorenzo. For the most part it is only on the peripheries of the Maya lowlands that major non-limestone monuments and architectural constructions are found.1 The two best known examples are Copan and Quirigua, and in each case local stones were quarried. At Quirigua in the lower Motagua Valley, separated from the Maya lowlands proper by the Santa Cruz range, ignimbrites, not immediately available but probably transported from no great distance, and local sandstones were employed in monument carving as well as in archi- tecture. At Copan in the foothills of southwestern Honduras, even farther removed from the true Maya lowlands, ignimbrite from the Copan Valley was preferred to the local limestone. At Maya sites within the lowlands proper, non-limestone monuments or architectural constructions are very rare, and the major example is Altar de Sacrificios on the lower Pasion where during the Early Classic period local sandstone supplied the material for both monuments and architecture until after 9.10.0.0.0 (A.D.