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Chinese Bondage in Peru
CHINESE BONDAGE IN PERU Stewart UNIVERSITY OF FLORIDA LIBRARIES COLLEGE LIBRARV DUKE UNIVERSITY PUBLICATIONS CHINESE BONDAGE IN PERU Chinese Bondage IN PERU A History of the Chinese Coolie in Peru, 1849-1874 BY WATT STEWART DURHAM, NORTH CAROLINA DUKE UNIVERSITY PRESS 1951 Copyright, 195 i, by the Duke University Press PRINTED IN THE UNITED STATES OF AMERICA BY THE SEEMAN PRINTERY, INC., DURHAM, N. C. ij To JORGE BASADRE Historian Scholar Friend Digitized by the Internet Archive in 2011 with funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/chinesebondageinOOstew FOREWORD THE CENTURY just passed has witnessed a great movement of the sons of China from their huge country to other portions of the globe. Hundreds of thousands have fanned out southwestward, southward, and southeastward into various parts of the Pacific world. Many thousands have moved eastward to Hawaii and be- yond to the mainland of North and South America. Other thousands have been borne to Panama and to Cuba. The movement was in part forced, or at least semi-forced. This movement was the consequence of, and it like- wise entailed, many problems of a social and economic nature, with added political aspects and implications. It was a movement of human beings which, while it has had superficial notice in various works, has not yet been ade- quately investigated. It is important enough to merit a full historical record, particularly as we are now in an era when international understanding is of such extreme mo- ment. The peoples of the world will better understand one another if the antecedents of present conditions are thoroughly and widely known. -
Movie List Please Dial 0 to Request
Movie List Please dial 0 to request. 200 10 Cloverfield Lane - PG13 38 Cold Pursuit - R 219 13 Hours: The Secret Soldiers of Benghazi - R 46 Colette - R 202 5th Wave, The - PG13 75 Collateral Beauty - PG13 11 A Bad Mom’s Christmas - R 28 Commuter, The-PG13 62 A Christmas Story - PG 16 Concussion - PG13 48 A Dog’s Way Home - PG 83 Crazy Rich Asians - PG13 220 A Star is Born - R 20 Creed - PG13 32 A Walk Among the Tombstones - R 21 Creed 2 - PG13 4 Accountant, The - R 61 Criminal - R 19 Age of Adaline, The - PG13 17 Daddy’s Home - PG13 40 Aladdin - PG 33 Dark Tower, The - PG13 7 Alien:Covenant - R 67 Darkest Hour-PG13 2 All is Lost - PG13 52 Deadpool - R 9 Allied - R 53 Deadpool 2 - R (Uncut) 54 ALPHA - PG13 160 Death of a Nation - PG13 22 American Assassin - R 68 Den of Thieves-R (Unrated) 37 American Heist - R 34 Detroit - R 1 American Made - R 128 Disaster Artist, The - R 51 American Sniper - R 201 Do You Believe - PG13 76 Annihilation - R 94 Dr. Suess’ How the Grinch Stole Christmas - PG 5 Apollo 11 - G 233 Dracula Untold - PG13 23 Arctic - PG13 113 Drop, The - R 36 Assassin’s Creed - PG13 166 Dunkirk - PG13 39 Assignment, The - R 137 Edge of Seventeen, The - R 64 At First Light - NR 88 Elf - PG 110 Avengers:Infinity War - PG13 81 Everest - PG13 49 Batman Vs. Superman:Dawn of Justice - R 222 Everybody Wants Some!! - R 18 Before I Go To Sleep - R 101 Everything, Everything - PG13 59 Best of Me, The - PG13 55 Ex Machina - R 3 Big Short, The - R 26 Exodus Gods and Kings - PG13 50 Billy Lynn’s Long Halftime Walk - R 232 Eye In the Sky - -
Innovation in Disaster Risk Reduction Applyng Global Investigations on La Molina Effects
INNOVATION IN DISASTER RISK REDUCTION APPLYNG GLOBAL INVESTIGATIONS ON LA MOLINA EFFECTS Julio Kuroiwa(1) SUMMARY Disaster Risk Reduction (DRR) globally has mainly been based on reducing the vulnerability of buildings and infrastructures, designing and constructing them more robustly, using, for example, seismic codes of Japan and California, USA, from the 1980s, which have substantially reduced structural damages. However, disaster reduction has lately evolved to disaster risk reduction. By adding risk, it is explicitly including the other risk parameter: hazard. In La Molina, during the Lima 1940, 1966 and 1974 earthquakes, the seismic intensities there were IX MMI while in most of Lima’s built up areas, the intensities were V-VI MMI. The borders of La Molina and Lima areas are separated by only a few hundred meters, but there were large differences in intensity. Those events are named microzonation effects. Inspired in La Molina microzonation effects, from 1966 to 2017, the author carried out field damage survey investigations of 25 important disasters occurred in the Americas, Japan and China, and a few more in Peru of geological and hydrometeorogical origin disasters, including climate change. The two most clear microzonation effects –of the globally investigated disasters– occurred: (1) during the 1985 Michoacan Mexico earthquake, Mw 8.1 USGS, when the peak acceleration was 12cm/s2, at Lazaro Cardenas Port, on stiff soil, close to the seismic epicenter, while in Mexico City (MXC), 350 km from the epicenter, the peak acceleration was 120 cm/s2 on muddy soil at the location of the old Texcoco Lake. The soil amplification was 10 times, in spite of the great distance of MXC from the seismic epicenter. -
Russell County
PRSRT STD U.S. POSTAGE PO Box 80 PAID Jamestown, KY 42629-0080 SOMERSET, KY PERMIT NO. 299 NATIONAL PROGRAMMING COSTS INCREASE FOR 2021, DUO BROADBAND EXPLORING OPTIONS FOR OUR CUSTOMERS Dear Valued TV Subscriber: Unfortunately, even during the current COVID-19 crisis, national television programmers (such as ESPN, TNT, USA, Discovery Channel, Comedy Central and others) along with FOX, NBC, CBS, and ABC TV affiliate stations have once again announced rate increases for 2021 to satellite operators and cable providers like DUO Broadband. Please refer to the inside pages for rates effective February 1, 2021. OUR RATE INCREASES REFLECTS ONLY THE COST INCREASES FROM PROGRAMMERS, BROADCASTERS and OPERATIONS IN ORDER TO PROVIDE SERVICES. We understand your frustration with these annual cost increases, especially during these trying times. We are frustrated as well. That is why we are exploring expanded options that offer you more choice and more affordable plans. In the meantime, DUO Broadband will continue to provide local weather, regional news broadcasts and fan favorite sports programs like the UK Wildcats, U of L Cardinals, and WKU Hilltoppers. We appreciate your business in 2020, and will continue to offer the high-quality programming you demand along with reliable local service that you expect from us to back it up. As always, we are available by phone or in person at the local customer center to discuss how DUO Broadband can best serve you in 2021. Sincerely, DUO Broadband (270) 343-3131 2021 Russell HFC, IPTV & Fiber PRIVACY NOTICE The Federal Cable Communications purpose of offering and rendering cable information that we collect and maintain Policy Act of 1984 contains certain television service and other services to you. -
Zbardhen Prapaskenat Për Arrestimin E Emiliano Shullazit, Ja Përplasjet
Çmimi 20 lekë, Tel: 2382 020 Rr.Sitki Çiço përballë Maternitetit të Ri E-mail: [email protected] Hapen qindra vende të lira pune në administratën publike, ja kushtet dhe kriteret, afatet për E Hënë 18 Prill 2016 aplikim deri më 4 maj Faqe 5 Raporti antikorrupsion, rriten denoncimet për Zbardhen prapaskenat për arrestimin afera me tenderat, në krye mbeten arsimi dhe shëndetësia e Emiliano Shullazit, ja përplasjet mes Zyra antikorrupsion pranë qeverisë, e drejtu- ar nga kryeministri Edi Rama dhe ministri Bledi Çuçi, ka publikuar raportin më të fundit sa i takon numrit të denoncimeve të rasteve të ryshfetit në prokurorisë dhe policisë, ndërhyrje portalin antikorrupsion... Faqe 8 Nis zvarritja e dekriminalizimit, të forta politike kundër ndalimit të tij zyrtarët nuk dinë të plotësojnë Faqe 2-4 formularët e vetëdeklarimit, paqartësi mbi pyetjet dhe informacionet që duhet të japin Dalin të tjerë vështirësi sa i takon procesit të dekriminalizimit. Teksa procesi ka muaj që zvarritet, problemi i ri është vështirësia në plotë- simin e formularit të vetëdeklarimit. Deri më tani, të gjitha institucionet përgjegjëse... Faqe 9 Humbet morali në zgjedhjet Basha përjashton gardën e vjetër, programet e PD për Universitetin e Tiranës, hartohen nga rrethi i Dibra i sugjeron Konit: besnikëve, përgatit terrenin Dil mbro veten publikisht për futjen e të rinjve në lista Lulzim Basha ka përjashtuar ish-ministrat dhe Dom Gjergj Meta: Kërcënimi figurat e vjetra të Partisë Demokratike nga gati çdo aktivitet i tij me natyrë elektorale. Prej disa muajsh i Mynyr Konit, jo kambanë Lulzim Basha ka urdhëruar rrethin e tij të nisin përgatitjet e programeve që do.. -
Tru2way™ Platform for Bidirectional Cable Communication Launches
October 27, 2008 Tru2way™ Platform for Bidirectional Cable Communication Launches Comcast Corporation and Panasonic have announced the first deployment of Tru2way™ bidirectional digital cable technology. Tru2way was developed by CableLabs based on the OpenCable™ specification and is a Java-based open application platform. It is being promoted as a digital CableCARD™ system that enables two- way communication between a digital-cable-ready TV set or other device and a cable operator’s head end to provide viewers with a rich interactive experience. According to a statement from Panasonic, “the technology creates a common software platform that will enable cable companies, consumer electronics companies, content developers, network programmers and others to extend interactivity to the TV set and other kinds of devices.” On October 15, 2008, Comcast activated the technology on its cable systems in Chicago and Denver. Panasonic HDTV sets with tru2way capability were also made available at selected retail outlets in these areas. The new Panasonic 42” and 50” Viera sets have built-in tru2way CableCARD slots enabling consumers to receive the cable electronic program guide and access two-way digital cable programming, like video on demand, pay-per-view, and other services, without a cable operator-supplied set-top box. To see the announcement from Panasonic and Comcast click here. Another announcement, from the Consumer Electronics Association, is available here. The advantage of the bidirectional cable card for consumers is that it removes the need for another set- top device around the TV and potentially reduces the equipment fee cable operators charge to lease their set-top components. -
CBD First National Report
BIOLOGICAL DIVERSITY IN PERU __________________________________________________________ LIMA-PERU NATIONAL REPORT December 1997 TABLE OF CONTENTS EXECUTIVE SUMMARY................................................................................ 6 1 PROPOSED PROGRESS REPORT MATRIX............................................... 20 I INTRODUCTION......................................................................................... 29 II BACKGROUND.......................................................................................... 31 a Status and trends of knowledge, conservation and use of biodiversity. ..................................................................................................... 31 b. Direct (proximal) and indirect (ultimate) threats to biodiversity and its management ......................................................................................... 36 c. The value of diversity in terms of conservation and sustainable use.................................................................................................................... 47 d. Legal & political framework for the conservation and use of biodiversity ...................................................................................................... 51 e. Institutional responsibilities and capacities................................................. 58 III NATIONAL GOALS AND OBJECTIVES ON THE CONSERVATION AND SUSTAINABLE USE OF BIODIVERSITY.............................................................................................. 77 -
O Marketing E O Monstro: Um Estudo Sobre O Marketing De Cloverfield
PRISMA.COM n.º 43 ISSN: 1646 - 3153 O marketing e o monstro: um estudo sobre o marketing de Cloverfield Marketing and the Monster: A Study on Cloverfield Marketing Luciano Augusto Toledo Universidade Presbiteriana Mackenzie. Brasil [email protected] Henrique Barros Universidade Presbiteriana Mackenzie. Brasil [email protected] Lucas Silva Universidade Presbiteriana Mackenzie. Brasil [email protected] Verônica Santos Universidade Presbiteriana Mackenzie. Brasil [email protected] Wilder Pinto Universidade Presbiteriana Mackenzie. Brasil [email protected] Resumo Abstract Para concorrer com grandes produções, os estúdios de To compete with major productions, low-budget Holly- Hollywood com baixo orçamento buscam investir em es- wood studios seek to invest in different strategies to pro- tratégias diferentes para promover suas produções e mote their productions and engage with their target au- engajar seu público-alvo. Dentro dessa proposta os pro- dience. Within this proposal, Cloverfield franchise pro- dutores da franquia Cloverfield desenvolveram, em ducers developed in 2008 a viral marketing-based strat- 2008, uma estratégia baseada em marketing viral. Com egy. By the Collective Subject Speech, the researchers a análise do Discurso do Sujeito Coletivo, os pesquisa- sought out to understand how this strategy was devel- dores se propuseram a entender como foi desenvolvi- oped, how it was implemented, and whether the film's vda a estratégia de marketing, como foi implementada e success was due to the implemented campaign. The re- sults obtained through qualitative analysis show that the PRISMA.COM (43) 2020, p. 170-192 DOI: https://doi.org/10.21747/16463153/43a9 170 PRISMA.COM n.º 43 ISSN: 1646 - 3153 se o sucesso do filme foi graças à campanha implemen- good results achieved by the film are due to the effi- tada. -
When Mobile TV Meets the Internet and Social Networking by Marie-Jo
The Future of Mobile TV: When Mobile TV meets the Internet and Social Networking By Marie-José Montpetit, Natalie Klym, and Emmanuel Blain 1 Introduction Over the last few years, online video services and telco IPTV have rocked the traditional model of television. As content delivery moves to an all-IP platform, connecting old and new providers to a growing array of increasingly personal and multi-purpose devices over fixed and mobile networks, the TV experience has become extremely versatile. Mobile TV is not immune to these upheavals, and is itself a disruptive force. In fact, it will soon make little sense to think of mobile TV as distinct from TV in general. Rather, it will be an integral part of an increasingly rich TV experience. This chapter provides a vision for the future of mobile TV as it evolves from standalone to integrated service. This shift will be examined in context of the more general transformation of television, with a focus on the recent integration of social networking. Our vision will thus build towards community-based approaches that harness the power of individuals, from their technologies to their behaviors. We begin by redefining mobile TV, and then give a brief overview of the key trends related to the television infrastructure and industry landscape. From there, we outline the mobile TV ecosystem of content, connections, and devices in more detail, and then demonstrate the growing importance of service features in this new environment, particularly in terms of integrating mobile and social TV. We would like to point out up front that many of the scenarios described in the paper are fraught with issues related to usability, technical difficulties, business models, and/or legalities. -
2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.Com TABLE of CONTENTS
2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.com TABLE OF CONTENTS ABOUT THIS REPORT 2 FILMING LOCATIONS 3 GEORGIA IN FOCUS 5 CALIFORNIA IN FOCUS 5 FILM PRODUCTION: ECONOMIC IMPACTS 8 6255 W. Sunset Blvd. FILM PRODUCTION: BUDGETS AND SPENDING 10 12th Floor FILM PRODUCTION: JOBS 12 Hollywood, CA 90028 FILM PRODUCTION: VISUAL EFFECTS 14 FILM PRODUCTION: MUSIC SCORING 15 filmla.com FILM INCENTIVE PROGRAMS 16 CONCLUSION 18 @FilmLA STUDY METHODOLOGY 19 FilmLA SOURCES 20 FilmLAinc MOVIES OF 2016: APPENDIX A (TABLE) 21 MOVIES OF 2016: APPENDIX B (MAP) 24 CREDITS: QUESTIONS? CONTACT US! Research Analyst: Adrian McDonald Adrian McDonald Research Analyst (213) 977-8636 Graphic Design: [email protected] Shane Hirschman Photography: Shutterstock Lionsgate© Disney / Marvel© EPK.TV Cover Photograph: Dale Robinette ABOUT THIS REPORT For the last four years, FilmL.A. Research has tracked the movies released theatrically in the U.S. to determine where they were filmed, why they filmed in the locations they did and how much was spent to produce them. We do this to help businesspeople and policymakers, particularly those with investments in California, better understand the state’s place in the competitive business environment that is feature film production. For reasons described later in this report’s methodology section, FilmL.A. adopted a different film project sampling method for 2016. This year, our sample is based on the top 100 feature films at the domestic box office released theatrically within the U.S. during the 2016 calendar -
Local Government in Food Systems Work, Volume 8, Supplement 2
Journal of Agriculture, Food Systems, and Community Development Volume 8, Supplement 2 October 2018 Local Government in Special issue sponsored by Food Systems Work Published by the Thomas A. Lyson Center for Civic Agriculture and Food Systems with the support of: www.FoodSystemsJournal.org ISSN 2152-0801 (online only) and the members of the JAFSCD Shareholder Consortium Journal of Agriculture, Food Systems, and Community Development Published by the Thomas A. Lyson Center for Civic Agriculture and Food Systems, a project of the Center for Transformative Action, and with the support of our institutional sponsors: Lyson Center Leadership Team Cheryl Danley, Food Systems Consultant, Detroit, Michigan Ardyth Harris Gillespie, Nutritional Sciences (Retired), Cornell University (chair) Gilbert W. Gillespie, Development Sociology, Cornell University (Retired)* Scott J. Peters, Development Sociology, Cornell University Ricardo Salvador, Union of Concerned Scientists JAFSCD Advisors Colin R. Anderson, Coventry University (UK) Richard Kiely, Cornell University (USA) Laura Brown, University of Connecticut Extension (USA)* Jane Kolodinsky, University of Vermont (USA)* Craig Chase, Iowa State University (USA) Larry Lev, Oregon State University (USA) Kate Clancy, Food Systems Consultant; Johns Hopkins Joseph McIntyre, Ag Innovations Network (USA)* University; Minnesota Institute for Sustainable Agriculture; and Shawn McKenzie, Johns Hopkins University (USA) Tufts University (USA)† Ken Meter, Crossroads Resource Center (USA)* Nevin Cohen, City University -
Inequality in 900 Popular Films: Gender, Race/Ethnicity, LGBT, & Disability from 2007‐2016
July 2017 INEQUALITY IN POPULAR FILMS MEDIA, DIVERSITY, & SOCIAL CHANGE INITIATIVE USC ANNENBERG MDSCInitiative Facebook.com/MDSCInitiative THE NEEDLE IS NOT MOVING ON SCREEN FOR FEMALES IN FILM Prevalence of female speaking characters across 900 films, in percentages Percentage of 900 films with 32.8 32.8 Balanced Casts 12% 29.9 30.3 31.4 31.4 28.4 29.2 28.1 Ratio of males to females 2.3 : 1 Total number of ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ speaking characters 39,788 LEADING LADIES RARELY DRIVE THE ACTION IN FILM Of the 100 top films in 2016... And of those Leads and Co Leads*... Female actors were from underrepresented racial / ethnic groups Depicted a 3 Female Lead or (identical to 2015) Co Lead 34 Female actors were at least 45 years of age or older 8 (compared to 5 in 2015) 32 films depicted a female lead or co lead in 2015. *Excludes films w/ensemble casts GENDER & FILM GENRE: FUN AND FAST ARE NOT FEMALE ACTION ANDOR ANIMATION COMEDY ADVENTURE 40.8 36 36 30.7 30.8 23.3 23.4 20 20.9 ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ % OF FEMALE SPEAKING % OF FEMALE SPEAKING % OF FEMALE SPEAKING CHARACTERS CHARACTERS CHARACTERS © DR. STACY L. SMITH GRAPHICS: PATRICIA LAPADULA PAGE THE SEXY STEREOTYPE PLAGUES SOME FEMALES IN FILM Top Films of 2016 13-20 yr old 25.9% 25.6% females are just as likely as 21-39 yr old females to be shown in sexy attire 10.7% 9.2% with some nudity, and 5.7% 3.2% MALES referenced as attractive. FEMALES SEXY ATTIRE SOME NUDITY ATTRACTIVE HOLLYWOOD IS STILL SO WHITE WHITE .% percentage of under- represented characters: 29.2% BLACK .% films have NO Black or African American speaking characters HISPANIC .% 25 OTHER % films have NO Latino speaking characters ASIAN .% 54 films have NO Asian speaking *The percentages of Black, Hispanic, Asian, and Other characters characters have not changed since 2007.