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UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT of NEW YORK ------X : in Re: : Chapter 11 : 1 QUIRKY, INC., Et Al
15-12596-mg Doc 172 Filed 11/05/15 Entered 11/05/15 21:45:15 Main Document Pg 1 of 209 UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK ---------------------------------------------------------------- x : In re: : Chapter 11 : 1 QUIRKY, INC., et al. : Case No. 15-12596 (MG) : Debtors. : : (Jointly Administered) : : ---------------------------------------------------------------- x GLOBAL NOTES AND STATEMENT OF LIMITATIONS, METHODOLOGY AND DISCLAIMERS REGARDING DEBTORS' SCHEDULES OF ASSETS AND LIABILITIES AND STATEMENTS OF FINANCIAL AFFAIRS Quirky, Inc. (Case No. 15-12596 (MG)) ("Quirky" or the "Company") and its two domestic subsidiaries (together with Quirky, the "Debtors") submit their Schedules of Assets and Liabilities (the "Schedules") and Statements of Financial Affairs (the "Statements" and, together with the Schedules, the "Schedules and Statements") pursuant to section 521 of the Bankruptcy Code (as defined below) and Rule 1007 of the Federal Rules of Bankruptcy Procedure. On September 22, 2015 (the "Petition Date"), the Debtors commenced their reorganization cases by filing voluntary petitions for relief under chapter 11 of title 11 of the United States Code (the "Bankruptcy Code") with the United States Bankruptcy Court for the Southern District of New York (the "Bankruptcy Court"). Notwithstanding the joint administration of the Debtors’ chapter 11 cases, each of the Debtors has filed its own Schedules and SOFAs. The Debtors are authorized to operate their businesses as debtors-in-possession pursuant to sections -
34827105.Pdf
A Welcome Welcome to the 20th annual SummerWorks Theatre Festival. Toronto’s Indie Theatre and Arts Festival. Over the past three years, SummerWorks has evolved from an indie-theatre festival to an indie-arts festival. I believe that it’s important to continue to explore the necessity and relevance of the theatrical form: how can it contribute, reflect and parallel the world we’re living in? I became interested in what happens to the form when directly paralleled with other forms. Call it a social experi- ment, if you will – a laboratory on relevance and learning. Where do our forms intersect, and how can we use this to our advantage? We’ve been really excited by the results of this evolution, and this year’s Festival continues to build on these principles. Our Theatre line-up is very exciting. The work is strong, diverse, and brave. We also welcome four very impressive shows from outside Ontario in our National Series. See them all if you can. You won’t be disappointed. What are the ingredients that enable certain musicians to fill rooms and create that rare, emotional electricity? There are some obvious answers like: alcohol and rowdy behaviour – but there are also layers to this question that are connected to the visceral nature of the form. This year’s Music Series is the best yet. I hope you’ll take it in. The new Performance Bar brings three different art forms together on the same stage nightly over the course of the Festival. The glue? The National Theatre of the World. -
A Summer Workshop Program for Adults
THEATRE ALBERTA PRESENTS DRA MA WOR KS‘10 A SUMMER WORKSHOP PROGRAM FOR ADULTS ACTIVATING YOUR CENTRE with Glenda Stirling CLASSICAL TO CONTEMPORARY ACTING INTENSIVE with Frank Zotter FIGHTING WITH EXPRESSION with Patrick Howarth LET’S GET TECHNICAL! TACTICS, TIPS, AND TRICKS FOR BACKSTAGE with Jon Price PLAYWRITING—BEYOND TALKING HEADS with Conni Massing FINDING YOUR AUTHENTIC VOICE with Betty Moulton THE JOY OF INSTANT THEATRE with Ron Pederson DIRECTORIAL VISION: COLLABORATION IN ACTION with Ron Jenkins SAFETY FIRST: DEMYSTIFYING BEST PRACTICES FOR THEATRE SAFETY with Graham Frampton SPECIAL FEATURE NACL THEATRE INTENSIVE with Tannis Kowalchuk Theatre Alberta is a Provincial Arts Service Organization (PASO) committed to encouraging the growth of theatre in Alberta. We offer a wide range of programs and services to drama students, professional theatre artists, educators, and enthusiasts, as well as to schools, post-secondary institutions, and community and professional theatres. In addition to Dramaworks, our programming includes: 1. Library: fully circulating with over 15,000 titles including playscripts, musicals, periodicals, and reference Photos: Marc-Julien Objois materials 2. Artstrek: a residential theatre program for teens IntroducIng 3. PlayWorks Ink: a weekend theatre conference, co- presented with Alberta Playwrights’ Network d ramaworks 2010 4. Workshops by Request: for community theatres across the province Celebrating 50 years of quality programming 5. Emerge: an annual audition event for graduating post- “A good question is never answered. It is not a bolt to be tightened into place but a seed secondary actors to be planted and to bear more seed toward the hope of greening the landscape of idea.” 6. -
The Comedy of Errors Or Oscar Wilde’S Brilliant an Ideal Husband
SUPPORT FOR THE 2018 SEASON OF THE STUDIO THEATRE IS GENEROUSLY PROVIDED BY SANDRA & JIM PITBLADO 2 CLASSICLASSIC FILMS OscarWildeCinema.com TM CINEPLEX EVENTS OPERA | DANCE | STAGE | GALLERY | CLASSIC FILMS For more information, visit Cineplex.com/Events @CineplexEvents EVENTS ™/® Cineplex Entertainment LP or used under license. CE_0226_EVCN_CPX_Events_Print_AD_5.375x8.375_v4.indd 1 2018-03-08 7:41 AM THE WILL TO BE FREE We all want to be free. But finding true freedom within our communities, within our families and within ourselves is no easy task. Nor is it easy to reconcile our own freedom with the political, religious and cultural freedoms of others. Happily, the conflict created by our search for freedom makes for great theatre... Shakespeare’s The Tempest, in which I’m delighted to direct Martha Henry, is a play about the yearning to be released from CLASSICCLASSI FILMS imprisonment, as revenge and forgiveness vie OscarWildeCinema.com TM for the upper hand in Prospero’s heart. Erin Shields’s exciting new interpretation of Milton’s Paradise Lost takes an ultra- contemporary look at humanity’s age-old desire for free will – and the consequences of acting on it. I’m very proud that we have the internationally renowned Robert Lepage with us directing Shakespeare’s Coriolanus, a play about early Roman democracy. It is as important to understanding the current state of our democratic institutions as is Shakespeare’s play about the end of the Roman Republic, Julius Caesar. Recent events have underlined the need for the iconic story To Kill a Mockingbird to be told, as a powerful reminder that there can be no freedom without justice.