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From Disney to Disaster: the Disney Corporation’S Involvement in the Creation of Celebrity Trainwrecks
From Disney to Disaster: The Disney Corporation’s Involvement in the Creation of Celebrity Trainwrecks BY Kelsey N. Reese Spring 2021 WMNST 492W: Senior Capstone Seminar Dr. Jill Wood Reese 2 INTRODUCTION The popularized phrase “celebrity trainwreck” has taken off in the last ten years, and the phrase actively evokes specified images (Doyle, 2017). These images usually depict young women hounded by paparazzi cameras that are most likely drunk or high and half naked after a wild night of partying (Doyle, 2017). These girls then become the emblem of celebrity, bad girl femininity (Doyle, 2017; Kiefer, 2016). The trainwreck is always a woman and is usually subject to extra attention in the limelight (Doyle, 2017). Trainwrecks are in demand; almost everything they do becomes front page news, especially if their actions are seen as scandalous, defamatory, or insane. The exponential growth of the internet in the early 2000s created new avenues of interest in celebrity life, including that of social media, gossip blogs, online tabloids, and collections of paparazzi snapshots (Hamad & Taylor, 2015; Mercer, 2013). What resulted was 24/7 media access into the trainwreck’s life and their long line of outrageous, commiserable actions (Doyle, 2017). Kristy Fairclough coined the term trainwreck in 2008 as a way to describe young, wild female celebrities who exemplify the ‘good girl gone bad’ image (Fairclough, 2008; Goodin-Smith, 2014). While the coining of the term is rather recent, the trainwreck image itself is not; in their book titled Trainwreck, Jude Ellison Doyle postulates that the trainwreck classification dates back to feminism’s first wave with Mary Wollstonecraft (Anand, 2018; Doyle, 2017). -
Dash Introduced West at the 2015 BET Honors Anye West Was Given the Visionary Award at the 2015 Issues with the Man
LIFESTYLE37 MONDAY, JANUARY 26, 2015 Music & Movies Guitarist Slash, left, and Richie Sambora perform on stage at the 30th British singer Sarah Brightman gives a press conference at the Gagarin annual TEC Awards during the 2015 National Association of Music Guitarist Slash receives the Les Paul Award. Merchants (NAMM) show at the Anaheim Hilton on Saturday.—AP photos Cosmonauts’ Training Centre in Star City, outside Moscow. Women take the spotlight at NAMM’s She Rock Awards istorically it has not been easy to rally 10 honorees included artists the Bangles, up and hair processors as Caillat sings lyrics of women in the music industry around Colbie Caillat and Mindi Abair, and music-biz self-empowerment. “The whole point was for Hany cause that resembles feminism. professionals Craigie Zildjian and Paula every single one of us to accept and embrace After all, females tend to succeed in male- Salvatore. who we are,” Caillat said. “I’m just learning it dominated fields by being intensely individu- “I never get to hang with the girls,” said myself.” alistic pioneers, Sarah Palin-style. The key to Abair, the Joan Jett of saxophonists, before The professionals honored also spoke of advancement is to bond with the men who jamming with guitarist and She Rocks co-host the importance of confidence and of mentor- run things, and to separate yourself from the Orianthi. “The girls get to hang for a night.” The ing. “I couldn’t picture myself as CEO, maybe pack of “typical girls.” evening’s highlight was a performance by the because that CEO picture has always shown There are few trades more male-dominated Bangles. -
Jermaine Stegall
JERMAINE STEGALL FEATURE FILM THE CHRISTMAS CHRONICLES Chris Columbus, Michael Barnathan, Mark Netflix Radcliffe, prods. *Addt’l Music Clay Kirtis, dir. JUSTICE LEAGUE Debra Snyder, Charles Roven, Jon Berg, Geoff Warner Bros. Pictures Johns, prods. *Synth Programming Zack Snyder, dir. MONO David Brooks, Steven Johnson, prods. Fox Digital Studios Jarrett Lee Conaway, dir. BADGE OF HONOR Agustin, Gianni Capaldi, Patrick Muldoon, Anchor Bay Films Gabriel Napora, Bryan S. Sexton, prods. Agustin, dir. NIGHT OF THE LIVING DEAD: Simon West, Jib Polhemus, Charles Leslie, DARKEST DAWN Gus Malliarodakis, prods. Simon West Productions Zebadiah de Soto, Krisztian Majdik, dirs. JAMESY BOY Scott Mednick, Maria Norman, Steven P. Star Thrower Entertainment Saeta, Galen Walker, Tim White, prods. Trevor White, dir. SMOSH: THE MOVIE Shauna Phelan, Brian Robbins, prods. 20th Century Fox Home Entertainment Alex Winter, dir. *Addt’l Music SCARY MOVIE 5 David Zucker, Pat Proft, prods. Dimension Films Malcolm D. Lee, dir. *Synth Programming BREATHLESS Phillip B. Goldfine, Christine Holder, Mark Anchor Bay Films Holder, Danny Roth, prods. Jesse Baget, dir. ATLAS SHRUGGED II: THE STRIKE John Aglialoro, Jeff Freilich, Harmon Kaslow, 20th Century Fox Home Entertainment prods. *Synth Programming John Putch, dir. ROGUE RIVER Zachery Ty Bryan, Jo Haskin, Kevin Haskin, Lionsgate Adam Targum, prods. Jourdan McClure, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 JERMAINE STEGALL SALUDA AL DIABLO DE MI PARTE Carlos Esteban Orozco, Juan Felipe Orozco, Maya Entertainment Alejandro Ángel Ortega, prods. Juan Felipe Orozco, dir. SCREAM 4 Wes Craven, Iya Labunka, Kevin Williamson, The Weinstein Company prods. *Addt’l Music Wed Craven, dir. ESCAPEE Scott W. -
Florida Memorial University to Inaugurate Dr. Henry Lewis III As Its
University of South Florida Scholar Commons Newspaper collection The Weekly Challenger 2012-02-09 The Weekly Challenger : 2012 : 02 : 09 The Weekly Challenger, et al Follow this and additional works at: https://scholarcommons.usf.edu/challenger Recommended Citation The Weekly Challenger, et al, "The Weekly Challenger : 2012 : 02 : 09" (2012). Newspaper collection. 111. https://scholarcommons.usf.edu/challenger/111 This is brought to you for free and open access by the The Weekly Challenger at Scholar Commons. It has been accepted for inclusion in Newspaper collection by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Presort Std U.S. Postage PAID Permit #2271 St. Petersburg, FL OPINION COMMUNITY ENTERTAINMENT SPORTS Julianne Malveaux on Women in Black History 2 Remembering Mrs. Ophelia Love 4 Remembering Don Cornelius 7 Eli’s Elite, For Sure 8 50¢ We Value Diversity. We Value Education. We Value History. St. Petersburg • Clearwater • Largo • Tarpon Springs • Dunedin • Safety Harbor VOLUME 44 NUMBER 24 FEBRUARY 9 - FEBRUARY 15, 2012 ST. PETERSBURG, FLORIDA John Johnson Honored With Florida Memorial 2012 USPS Black Heritage Stamp University To Inaugurate Dr. Henry Lewis III As Its 12th President BY ZACHARY RINKINS pharmacy and science exciting SPECIAL TO THE to them.” CHALLENGER Lewis started his career at COPPS as an instructor and MIAMI GARDENS - Florida assistant director of clinical Memorial University (FMU), programs in 1974. He was named South Florida’s only historically dean in 1994. During his tenure at black university, is poised to inau- COPPS, he increased the college’s gurate Dr. Henry Lewis III, as its endowment from $1 million to 12th president in a Feb. -
Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000S
SECRET SUPERSTARS AND OTHERWORLDLY WIZARDS: Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000s By © 2017 Christina H. Hodel M.A., New York University, 2008 B.A., California State University, Long Beach, 2006 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Germaine Halegoua, Ph.D. Joshua Miner, Ph.D. Catherine Preston, Ph.D. Ronald Wilson, Ph.D. Alesha Doan, Ph.D. Date Defended: 18 November 2016 The dissertation committee for Christina H. Hodel certifies that this is the approved version of the following dissertation: SECRET SUPERSTARS AND OTHERWORLDLY WIZARDS: Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000s Chair: Germaine Halegoua, Ph.D. Date Approved: 25 January 2017 ii ABSTRACT Conformity messaging and subversive practices potentially harmful to healthy models of feminine identity are critical interpretations of the differential depiction of the hiding and usage of tween girl characters’ extraordinary abilities (e.g., super/magical abilities and celebrity powers) in Disney Channel television sitcoms from 2001-2011. Male counterparts in similar programs aired by the same network openly displayed their extraordinariness and were portrayed as having considerable and usually uncontested agency. These alternative depictions of differential hiding and secrecy in sitcoms are far from speculative; these ideas were synthesized from analyses of sitcom episodes, commentary in magazine articles, and web-based discussions of these series. Content analysis, industrial analysis (including interviews with industry personnel), and critical discourse analysis utilizing the multi-faceted lens of feminist theory throughout is used in this study to demonstrate a unique decade in children’s programming about super powered girls. -
K. Michelle Flaunts Her Versatility at 'More Issues Than Vogue' Album Release Concert in New York City
March 31, 2016 K. Michelle Flaunts Her Versatility at 'More Issues Than Vogue' Album Release Concert in New York City Memphis multi-hyphenate K. Michelle celebrated the release of her third album, More Issues Than Vogue, with a full concert on Tuesday night (March 29) at New York City's Webster Hall. Sporting a black one-piece that would make Wonder Woman jealous, the singer commanded the stage, proving she’s more than a reality TV personality. That’s not to say her set wasn’t loaded with outrageous soundbites. “You may have broken up with him, but you forgot that you also broke up with that dick,” she lamented about no-good lovers in between songs. Before launching into the piano-driven slow jam, she also said, “On my nightstand, I have my dildo, a Bible and my pills -- everything that keeps me calm. That’s where “Nightstand” came from.” She also started the party with the T-Pain assisted jam "Mindful" and threw it back to her 2013 debut with the raunchy "Pay My Bills." The evening carried its more somber moments, as well. At one point, K. Michelle gave her back-up singers the chance to shine, allowing them each to sing a solo as they banded together for an impressive medley that included Adele’s “Hello” and Chaka Khan’s “Ain’t Nobody.” She also noted how she took pride in hand-picking each backup vocalist. She even delivered earlier fan favorites like "Ain't You" off Issues as well as "Maybe I Should Call" off her 2014 effort Anybody Wanna Buy a Heart? The most vulnerable moment of the evening came when K. -
Disney (Movies)
Content list is correct at the time of issue DISNEY (MOVIES) 101 Dalmatians (1996) 101 Dalmatians Ii: Patch's London Adventure 102 Dalmatians 20,000 Leagues Under The Sea Absent-Minded Professor, The Adventures Of Bullwhip Griffin, The Adventures Of Huck Finn, The Adventures Of Ichabod And Mr. Toad, The African Cats African Lion, The Aladdin (1992) Aladdin (2019) Aladdin And The King Of Thieves Alexander And The Terrible, Horrible, No Good, Very Bad Day Alice In Wonderland (1951) Alice In Wonderland (2010) Alice Through The Looking Glass Alley Cats Strike (Disney Channel) Almost Angels America's Heart & Soul Amy Annie (1999) Apple Dumpling Gang Rides Again, The Apple Dumpling Gang, The Aristocats, The Artemis Fowl Atlantis: Milo's Return Atlantis: The Lost Empire Babes In Toyland Bambi Bambi Ii Bears Bears And I, The Beauty And The Beast (1991) Beauty And The Beast (2017) Beauty And The Beast-The Enchanted Christmas Bedknobs And Broomsticks (Not In Luxembourg) Bedtime Stories Belle's Magical World (1998) Benji The Hunted Beverly Hills Chihuahua Beverly Hills Chihuahua 2 Beverly Hills Chihuahua 3: Viva La Fiesta! Big Green, The Big Hero 6 Biscuit Eater, The Black Cauldron, The Content list is correct at the time of issue Black Hole, The (1979) Blackbeard's Ghost Blank Check Bolt Born In China Boy Who Talked To Badgers, The Boys, The: The Sherman Brothers' Story Bride Of Boogedy Brink! (Disney Channel) Brother Bear Brother Bear 2 Buffalo Dreams (Disney Channel) Cadet Kelly (Disney Channel) Can Of Worms (Disney Channel) Candleshoe Casebusters -
2015 DGA Episodic Director Diversity Report (By % of EPISODES DIRECTED by MINORITIES)
2015 DGA Episodic Director Diversity Report (by % of EPISODES DIRECTED BY MINORITIES) Combined # Episodes # Episodes # Episodes Male # Episodes Female Total # of Female + Directed by Male Directed by Directed by Female Title Minority % Caucasian Directed by Caucasian Signatory Company Network Episodes Minority Male Minority % Female Female Minority % % Male Minority % Episodes Caucasian Caucasian Minority 100 Code 3 0 0% 3 100% 0 0% 0 0% 0 0.0% HB Television Development LLC Alpha House 10 0 0% 9 90% 0 0% 1 10% 0 0.0% Picrow, Inc. Amazon Prime Astronaut Wives Club, The 10 0 0% 6 60% 0 0% 4 40% 0 0.0% Produced Bayou, Inc. ABC Baby Daddy 22 0 0% 22 100% 0 0% 0 0% 0 0.0% Prodco, Inc. ABC Family Banshee 10 0 0% 10 100% 0 0% 0 0% 0 0.0% Home Box Office, Inc. Cinemax Benched 11 0 0% 9 82% 0 0% 2 18% 0 0.0% ABC Signature Studios, Inc. USA Network Better Call Saul 10 0 0% 7 70% 0 0% 3 30% 0 0.0% Woodridge Productions, Inc. AMC Big Bang Theory, The 24 0 0% 24 100% 0 0% 0 0% 0 0.0% Warner Bros. Television CBS Big Time in Hollywood, Florida 10 0 0% 10 100% 0 0% 0 0% 0 0.0% Central Productions LLC Comedy Central The Audience Billy & Billie 10 0 0% 10 100% 0 0% 0 0% 0 0.0% B+B Productions, Inc. Network Black Jesus 10 0 0% 10 100% 0 0% 0 0% 0 0.0% Triage Entertainment, LLC Cartoon Network Black Sails 10 0 0% 10 100% 0 0% 0 0% 0 0.0% Starz Pirates Productions, LLC Starz! Boardwalk Empire 8 0 0% 8 100% 0 0% 0 0% 0 0.0% Home Box Office, Inc. -
Front Page.Pmd
Volume 38, Issue 6 February 2010 South Holland, IL TW Celebrates History in Red Carpet Event In this Isssue... News ......PG. 2 By: Morgan Mullen College.......PG. 3 Black History Month is bring our race higher than it is now here and we look back at African and should never settle for less.” Americans that have made a Scholarship Scams........PG. 3 difference in America. To honor this Mr. Ayodeji Ogunnyi’s year, Thornwood High School speech was extremely inspirational. Fashion.......PG. 4 hosted the Black History Month He taught us that “when life gives you lemons, make orange juice”. He got Red Carpet Event. This event was Spotlight.......PG. 5 attended by the entire school and that inspirational statement from the many of the students sported their tragic death of his father. It means formal attire for the Dress to when life throws sad, difficult, or Entertainment........PG. 6 Impress Day. We had the Master seemly unbearable events, you must overcome the situation and strive for and Mistress of Ceremony, Micah Technology .......PG. 7 Davis and Johari Mackey, and many the impossible. “While you strive for great speakers, such as, Mrs. the impossible you will find that you Mahon, South Holland’s Deputy can accomplish so much more than Sports...... PG. 8 Village Administrator, Mrs. you even thought.” Mr. Ogunnyi is Williams, our school’s principal and an example of his speech. Since his Mr. Ayodeji Ogunnyi, a teacher. father’s murder, he has decided that There were also performances by he wants to help other students not Chloe Flowers (Speech Team go down that path of that of his member), Thornwood’s Ethnicity father’s murders. -
Page 01 March 30.Indd
SUNDAY 30 MARCH 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Sabotage: So CAMPUS much blood, • MES Indian School bags championship trophy at so little point Qafco flower show P | 4 P | 8-9 COMMUNITY • Cirque Elioze iD to perform for the first time in Qatar A handful of fed-up residents in one of the world’s noisiest cities, Mumbai, have taken P | 5 on a daunting challenge: persuading Indian BOOKS drivers to stop honking their car horns. • 10 best selling books • A travel through time for saving the future P | 7 HEALTH • Mild head injuries linked to risk of death years later P | 11 TECHNOLOGY • A lightning quick, five-star smartphone ‘HORN NOT OK’ P | 12 Learn Arabic • Learn commonly used Arabic words PLEASE and their meanings P | 13 2 PLUS | SUNDAY 30 MARCH 2014 COVER STORY New gadgets hope to hush Mumbai’s incessant honking handful of fed-up residents in one of the world’s noisiest cities have taken on a daunting challenge: A persuading Indian drivers to stop honking their car horns. Non-stop beeping has become the domi- nant soundtrack to Mumbai as clattering rickshaws, public buses, clapped-out taxis, weaving motorbikes and private cars fight for space on the traffic-clogged roads. Now two separate teams in the city have come up with devices aimed at instilling some peace: one by forcing overzealous horn- users to open their wallets, and another by simply attacking drivers’ consciences. “People blow their horns just for no sake,” said Jayraj Salgaonkar, who with a group of engineers has developed the ‘Oren horn usage meter’ (the name ‘Oren’ derives from local pronunciation of the word ‘horn’). -
PEAK Ink Large Print.Indd
PER FOR M A N C ES 17/18 Premiere! Camille A. Brown & Dancers ink Photo by Rodrigo Vazquez Photo by Rodrigo February 1–4, 2018 Alexander Kasser Theater Dr. Susan A. Cole, President Daniel Gurskis, Dean, College of the Arts Jedediah Wheeler, Executive Director, Arts & Cultural Programming Premiere! Camille A. Brown & Dancers ink Directed and Choreographed by Camille A. Brown in collaboration with the musicians and members of Camille A. Brown & Dancers Music Director Allison Miller Dramaturgs Daniel Banks, Kamilah Forbes, Talvin Wilks Lighting and Scenic Design David L. Arsenault Sound Design Justin Ellington Costume Designer/Stylist Mayte Natalio Costume Supervisor Amy Page Production Manager Lauren Parrish Production Stage Manager Robert McIntyre Dancers Camille A. Brown, Beatrice Capote, Kendra “Vie Boheme” Dennard, Timothy Edwards, Catherine Foster, Juel D. Lane, Maleek Washington* Musicians Allison Miller, Scott Patterson, Monique Brooks Roberts, Wilson R. Torres *Casting subject to change Camille A. Brown & Dancers invite you to join them for a community conversation after the performance. CABD would like to thank Jed Wheeler, Jill Dombrowski, and the administrative and technical staff of Peak Performances at Montclair State University for their hard work, dedication, and support. The lead commissioners for ink are Peak Performances @ Montclair State University, NJ, and the John F. Kennedy Center for the Performing Arts (Washington, DC), with support from LUMBERYARD Contemporary Performing Arts. ink also received co-commissioning support from Arizona State University Gammage. The creation and presentation of ink was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and the Andrew W. -
A Content Analysis of Teen Shows Over Three Decades on Television
SQUAD GOALS: A CONTENT ANALYSIS OF TEEN SHOWS OVER THREE DECADES (1993-2017) Lindsay Thompson & Kelsey Bocharski Department of Psychology, Ithaca ColLege Introduction Examples of Programs Studied Results Results A recent study was conducted that revealed that Character Demographics (see Figure 1) the more people watch television, the more they • There were 629 different dyads in the 91 episodes: expect their lives to comply with what is 247 dyads in the 1990s, 202 in the 2000s, and 180 1990s happening on it (Russell, Russell, Boland, & in the 2010s. Grube, 2014), and they tend to adopt the beliefs • Most of the dyads consisted of two white and attitudes of their favorite characters on characters, although this decreased over time television. The present study represents a California Saved By The (63.2% in the 1990s, 46.5% in the 2000s, and longitudinal content analysis of the portrayals of Dreams Bell: New Class 51.1% in the 2010s). The percent of dyads made teenagers on teen-oriented situation comedies. It up of two people of color increased over time aims to examine the differences in relationships (6.1% in the 1990s, 8.4% in the 2000s, and 10.6% in 30-minute teen-oriented situation comedies in all white dyads all people of color dyads mixed race dyads in the 2010s. the 1990s, 2000s, and 2010s. An initial analysis • The percent of dyads with one white character and showed that many of these teen sitcoms take 2000s Fig. 1. Racial Makeup of Dyads, by Decade. one character of color also increased over time place inside the home with interactions between (30.8% in the 1990s, 45.0% in the 2000s, and the teens and their parents or siblings.