A Content Analysis of Popular Beauty Youtubers' Video Strategies

Total Page:16

File Type:pdf, Size:1020Kb

A Content Analysis of Popular Beauty Youtubers' Video Strategies East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2020 When Beauty is More Than Skin Deep: A Content Analysis of Popular Beauty YouTubers’ Video Strategies Kristen Jones East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Social Media Commons Recommended Citation Jones, Kristen, "When Beauty is More Than Skin Deep: A Content Analysis of Popular Beauty YouTubers’ Video Strategies" (2020). Electronic Theses and Dissertations. Paper 3716. https://dc.etsu.edu/etd/3716 This Thesis - unrestricted is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. When Beauty is More Than Skin Deep: A Content Analysis of Popular Beauty YouTubers’ Video Strategies ________________________ A thesis presented to the faculty of the Department of Media and Communication East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in Brand and Media Strategy ______________________ by Kristen Jones May 2020 _____________________ Dr. Susan E. Waters, Chair Dr. Anthony Chase Mitchell Dr. Mildred Frances Perreault Keywords: YouTube, Beauty Influencer, Mediated Communication, Content Analysis, Parasocial Interaction Theory, Framing Theory ABSTRACT When Beauty is More Than Skin Deep: A Content Analysis of Popular Beauty YouTubers’ Video Strategies by Kristen Jones The beauty community on YouTube is a popular outlet for influencer generated video content. Beauty YouTubers provide their viewers with makeup-related videos from tutorials to the latest trends on the platform. As a result, the influencers have gained high subscriber counts that generate revenue through advertisements and brand partnerships. The influencers create relationships with their subscribers that lead to loyalty in the form of video views and merchandise purchasing. This study provides a content analysis of common characteristics within 10 popular beauty YouTubers’ videos examining the strategies used by the influencers. The top five videos from each beauty YouTuber were selected resulting in a total of 50 videos analyzed. Parasocial Interaction and Framing theories were the theoretical frameworks for this study. The results of this study indicated a series of commonly used characteristics within the most popular videos posted by the top beauty influencers on YouTube. 2 DEDICATION This study is dedicated to my husband, Eli Bare, who walks beside me through any challenge I might face. His love and compassion inspire and motivate me to be a better partner, student, and human being. Eli, thank you for your words of encouragement and never-ending support. Words cannot express my love and appreciation for you. 3 ACKNOWLEDGEMENTS It is with the upmost love and gratitude that I thank Dr. Susan Waters for her guidance throughout this thesis and my entire career at East Tennessee State University. Without her, this thesis would not have been possible. Her words of wisdom extend far beyond academic and I am thankful that she is a part of my life and academic career. The Department of Media and Communication is a better place with Dr. Susan Waters in it. To Dr. Anthony Chase Mitchell and Dr. Mildred Frances Perreault, my committee members, I am grateful for your assistance and recommendations throughout this academic process. Lastly, I would like to acknowledge the Department of Media and Communication for acting as a home away from home these past four years. I appreciate each faculty and staff member within the department that has assisted me along the way. 4 TABLE OF CONTENTS ABSTRACT ............................................................................................................................... 2 DEDICATION ............................................................................................................................ 3 ACKNOWLEDGEMENTS ........................................................................................................ 4 LIST OF TABLES ...................................................................................................................... 7 Chapter 1. Introduction ............................................................................................................ 9 Chapter 2. Literature Review ................................................................................................. 11 Mediated Communication Defined .................................................................................... 11 Social Media as a Mediated Communication ..................................................................... 12 The history of YouTube ................................................................................................ 13 Theoretical Framework ..................................................................................................... 14 Parasocial interaction theory .......................................................................................... 14 Framing theory .............................................................................................................. 17 The Influencers of Social Media ........................................................................................ 19 Micro-influencers .......................................................................................................... 19 Macro-influencers ......................................................................................................... 19 Unfluencers ................................................................................................................... 20 YouTubers .................................................................................................................... 21 The Beauty Community on Social Media .......................................................................... 22 Beauty influencers ......................................................................................................... 22 Brand partners ............................................................................................................... 24 Chapter 3. Method ................................................................................................................. 26 Content Analysis ............................................................................................................... 26 Selection of YouTubers ..................................................................................................... 26 YouTuber Biographies ...................................................................................................... 27 Jeffreestar ...................................................................................................................... 27 Jaclyn Hill ..................................................................................................................... 27 James Charles ................................................................................................................ 27 Laura Lee ...................................................................................................................... 27 Manny MUA ................................................................................................................. 28 Tati................................................................................................................................ 28 5 KathleenLights .............................................................................................................. 28 NikkieTutorials ............................................................................................................. 28 Jackie Aina .................................................................................................................... 29 Casey Holmes ............................................................................................................... 29 Initial Variables ................................................................................................................. 29 Levels of Analysis ............................................................................................................. 30 Video information ......................................................................................................... 31 Messaging technique ..................................................................................................... 32 Design technique ........................................................................................................... 33 Viewer engagement ....................................................................................................... 34 Intercoder Reliability ......................................................................................................... 35 Chapter 4. Results ................................................................................................................. 36 Chapter 5. Discussion ............................................................................................................ 48 Discussion of Findings .....................................................................................................
Recommended publications
  • Frequently Asked Questions
    Frequently Asked Questions What Types of Companies Are on the "Don't Test" List? This list includes companies that make cosmetics, personal-care products, household-cleaning products, and other common household products. All companies that are included on PETA's "don't test" list have signed our statement of assurance verifying that they and their ingredient suppliers don't conduct, commission, pay for, or allow any tests on animals for ingredients, formulations, or finished products anywhere in the world and will not do so in the future. We encourage consumers to support the companies on this list, since we know that they're committed to making products without harming animals. Companies on the "Do Test" list should be shunned until they implement a policy that prohibits animal testing. The "do test" list doesn't include companies that manufacture only products that are required by law to be tested on animals (e.g., pharmaceuticals and garden chemicals). Although PETA is opposed to all animal testing, our focus in those instances is less on the individual companies and more on the regulatory agencies that require animal testing. _________________________________________________________________________________________________________________ Legend V - The company makes or sells strictly vegan products. L - The company has licensed PETA's official cruelty-free bunny logo. F - The company is a PETA Business Friend, and shopping at this company supports an innovative partnership for compassionate companies willing to assist in PETA's groundbreaking work to stop animal abuse and suffering. Companies Whose Products Are Available in Russian Federation L F 100% Pure 510-836-6500 http://www.100percentpure.com L 3INA https://3ina.com/ V L 66°30 https://66-30.com/en/ V L Abyssal Japan Co.
    [Show full text]
  • Cancel Culture: Posthuman Hauntologies in Digital Rhetoric and the Latent Values of Virtual Community Networks
    CANCEL CULTURE: POSTHUMAN HAUNTOLOGIES IN DIGITAL RHETORIC AND THE LATENT VALUES OF VIRTUAL COMMUNITY NETWORKS By Austin Michael Hooks Heather Palmer Rik Hunter Associate Professor of English Associate Professor of English (Chair) (Committee Member) Matthew Guy Associate Professor of English (Committee Member) CANCEL CULTURE: POSTHUMAN HAUNTOLOGIES IN DIGITAL RHETORIC AND THE LATENT VALUES OF VIRTUAL COMMUNITY NETWORKS By Austin Michael Hooks A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements of the Degree of Master of English The University of Tennessee at Chattanooga Chattanooga, Tennessee August 2020 ii Copyright © 2020 By Austin Michael Hooks All Rights Reserved iii ABSTRACT This study explores how modern epideictic practices enact latent community values by analyzing modern call-out culture, a form of public shaming that aims to hold individuals responsible for perceived politically incorrect behavior via social media, and cancel culture, a boycott of such behavior and a variant of call-out culture. As a result, this thesis is mainly concerned with the capacity of words, iterated within the archive of social media, to haunt us— both culturally and informatically. Through hauntology, this study hopes to understand a modern discourse community that is bound by an epideictic framework that specializes in the deconstruction of the individual’s ethos via the constant demonization and incitement of past, current, and possible social media expressions. The primary goal of this study is to understand how these practices function within a capitalistic framework and mirror the performativity of capital by reducing affective human interactions to that of a transaction.
    [Show full text]
  • Q3 Beauty Report: a Deeper Look at Influencer Communities Contents
    Q3 Beauty Report: A Deeper Look at Influencer Communities Contents 04 Part 1: Exploring Influencer Communities 07 Part 2: Top 10 Brands 08 Cosmetics 12 Skincare 16 Haircare 20 Part 3: Spotlights 20 Makeup to ‘Ride or Die’ for 25 MAC 27 Makeup Geek 29 Glamglow 30 Rising Star: Derma E 2 Part 1: Exploring Influencer Communities Introduction Digital content creators—individuals who post, snap, tag, and share much of their lives with followers—are driving conversation and conversion for Beauty brands. But, no one woman (or man) stands alone. Long-term growth is fueled by a diverse network of content creators that make up a brand’s ambassador community. At Tribe Dynamics, we help brands build, scale and measure the Earned Media Value (EMV) of these conversations, quantifying the estimated value of digital word of mouth and its respective engagement levels. The following pages take a deeper look at the unique characteristics of ambassador communities across top-performing Cosmetics, Skincare and Haircare brands to better understand what drives success. We hope you enjoy our insights. Conor Begley Co-Founder & President, Tribe Dynamics 3 Part 1: Exploring Influencer Communities Part 1: Exploring Influencer Communities A community of influencers is not solely defined by how much Earned Media Value (EMV) it produces for a particular brand. Despite earning similar amounts of EMV, two Circle size denotes size of brands may nevertheless receive engagement from influencer communities of varying size, ambassador community engagement levels, and posting frequency. Brands that understand and appreciate these aspects of their influencer community cannot only determine whether their community 500 ambassadors is healthy today, but also determine an appropriate strategy for strengthening their community going forward.
    [Show full text]
  • Exploring Youtuber Considerations on Public Relations-Sponsored
    Expl oring YouTuber Considerations on Public Relations - Sponsored Content on their Channels Annabel Müller Superviso r: Frederic Guerrero - Solé , PhD Academic Year : 2016/17 Department of Communication: Research - oriented postgraduate programmes D epartment of Communication Universitat Pompeu Fabra Declaration 1 This work is composed by me. 2 This work has not been accepted in any of my previous applications for a degree. 3 The work of which this is a record is done by me. 4 All verbatim extra cts have been distinguished by quotation marks and the sources of my information have been specifically acknowledged. Signature: Date: Agreement I agree to Communications, Media & Culture using my dissertation for teaching purposes. I u nderstand my dissertation may also be made available to future students in the library. Signature: Date: Acknowledgements At the beginning of this project, I was quite nervous about it all, the words of one of our Stirling tutors e choing in my mind, warning us that the dissertation period would be one of t he hardest times of our lives. And yet, a lthough there were undoubtedly many stressful and daunting moments during the past few months , overall, I have found it to be a highly rewa rding and enjoyable experience. The challenges I faced during both the research and the writing process have taught me valuable lessons for the future and that alone is something for which I will never regret my decision to embark upon this Master’s journe y. Now on to the people I want to thank for helping me during the process of writing my dissertation.
    [Show full text]
  • Jeffree Star James Charles Receipts
    Jeffree Star James Charles Receipts Incommensurable and cryogenic Rutherford burgles her topspins elflocks serve and remediate dizzily. Ray is unobstructed and sectionalising temperately as superabundant Joao Hinduized unphilosophically and egest plump. Breezy and thrawn Westbrook circling her trammellers ruralizes while Emmy euphemize some paints upstate. Boring, this whole drama seems to have been predicted by a psychic. James Charles says he promoted Sugar Bear Hair because he wanted better tickets to Coachella and he knew Sugar Bear Hair could hook him up. Blaire posted a video discussing how Jeffree claims to have a voice memo on his phone of a victim confessing that James Charles sexually assaulted them. Looking for his receipts she committed a notes app, jeffree star james charles receipts. Jeffree Star posts an apology video. Determine how have reached out for a billionaire, young devin develop a few content creators also badly received a problem is jeffree star james charles receipts that. Kesha when she works with James for a Youtube video. He goes on to share some details about his encounter with men, Halo Beauty. Jeffree uploads his own video. OMFG I HAVE BEEN WONDERING WHY MY TWEET GOT SO MANY LIKES AND RETWEETS SUDDENLY OMFG HAHAHAHAA pic. Some palettes were contaminated with ribbon fibers, San Jose, blaming where they had been manufactured. Unable to copy link! From previous racism, star wanted her dog walker was jeffree star james charles receipts that certain things further escalated at least one. The genre of her articles often hop between verticals. James Charles was not their only intended target.
    [Show full text]
  • Harajuku Fashion and South Korean Cosmetics As Tools of Neoliberal Self-Branding on Social Media
    Performing the Branded Self: Harajuku Fashion and South Korean Cosmetics as Tools of Neoliberal Self-Branding on Social Media Sabrina Greene East Asian Studies, Faculty of Arts McGill University, Montreal April 2019 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts ©Sabrina Greene, 2019 1 Table of Contents Abstract 3 Abrégé 4 Acknowledgements 5 Introduction 6 Chapter 1 - The Local and the Transnational: Local Histories of Neoliberalism and Transnational Transformations of Harajuku Fashion and South Korean Cosmetics 24 Neoliberalism in Japan and South Korea 25 Theorizing Subculture 37 Transnational Movements and Nation Branding: Cool Japan and Hallyu 44 Chapter 2 - The Self: Performing, Commodifying, Managing, Caring 55 Performing Identity: Embodied Practices 56 Consumption as Labor: Taste Work 66 Brand Management 70 Neoliberal Techniques of the Self: Constructing is Knowing is Caring 76 Chapter 3 - Platforms as the Infrastructure of Self-Branding: Interfaces, Intimacy, and Liveness 85 Theories of the Platform 86 YouTube: Egalitarianism and Bias 90 Instagram: Temporalities of Attention 95 Mediated Liveness and Intimacy: The Public Private Self 101 Conclusion 112 Primary Takeaways 118 Ideal Neoliberal Subjecthood 119 Appendix 121 Works Cited 124 2 Abstract Japan’s unique fashion subcultures in Harajuku and South Korea’s robust cosmetics industry are two cultural phenomena that have drawn contrasting international and scholarly attention in the past decade. While Harajuku fashion is associated with the commercialized death of subculture, the thriving transnational market for South Korean cosmetics is celebrated. The purpose of this thesis is to develop a more nuanced understanding of these two cultural phenomena beyond simply the “fall” of Harajuku or the “rise” of South Korean cosmetics by reading them as tools of self-branding on social media, a process which neoliberal capitalism necessitates.
    [Show full text]
  • BATH and BODY MASS Does a Body Good
    BATH AND BODY MASS Does a Body Good Cetaphil Dove NEUTROGENA® Ultra Gentle Soothing Body Wash Body Wash Mousse Hydro Boost Body Gel Cream Olay Vaseline® Clinical Care™ Weleda Shea Butter Foaming Whip Extremely Dry Skin Rescue North America Skin Food Body Wash Healing Moisture Lotion Body Butter BATH AND BODY PRESTIGE Does a Body Good fresh Kopari Beauty Molton Brown Black Tea Age-Delay Coconut Shower Oil Orange & Bergamot Radiant Body Cream Body Oil Moroccanoil philosophy Rodan + Fields Night Body Serum hands of hope ENHANCEMENTS green tea & avocado Active Hydration Body Replenish MEN’S SCENT Male Attraction AXE Gold BOSS Fragrances Christian Dior Parfums Body Spray The Scent Private Accord for Him Sauvage Eau de Parfum Dolce & Gabbana John Varvatos Prada The One Grey JVxNJ Luna Rossa Black YSL Beauty Y Eau de Parfum WOMEN’S SCENT MASS It Makes Scents Avon Bath & Body Works Bath & Body Works Velvet Eau de Parfum In The Stars Fine Fragrance Mist Lovely Dreamer Fine Fragrance Mist Flower Beauty Good Chemistry Wild Spirit Fragrances Pretty Deadly Jasmin Venom Wild Child Perfume Driftwood Eau de Parfum WOMEN’S SCENT PRESTIGE It Makes Scents AERIN Beauty Clinique Dolce & Gabbana Hibiscus Palm Eau de Parfum My Happy Dolce Garden KILIAN Tory Burch YSL Beauty Princess Eau de Parfum Just Like Heaven Black Opium Eau de Parfum Intense NICHE FRAGRANCE It Makes Scents Atelier Cologne Carol’s Daughter Clean Beauty Collective Musc Imperial Monoi Ora Eau de Toilette Avant Garden Galbanum & Rain Dolce & Gabbana Nest Fragrances Tocca Beauty Velvet Incenso Cocoa Woods Eau de Parfum Maya BEAUTY TECH AWARD EyeJust LLC FOREO HiMirror Blue Light Blocking Screen Protector UFO Mini La Roche-Posay P&G Beauty Perfect Corp.
    [Show full text]
  • Beauty Companies Vowed to Step up Diversity and Inclusivity Efforts in the Wake of the Social Justice Movement, Beauty Inc Looks at What Firms Have Done So Far
    ISSUE#42 FEBRUARY 12, 2021 A Publication of WWD Accountability Matters Seven months after beauty companies vowed to step up diversity and inclusivity efforts in the wake of the social justice movement, Beauty Inc looks at what firms have done so far. For more, see pages 7 and 8. PLUS: Esi Eggleston Bracey on the CROWN Coalition and a spotlight on Black gaming influencers. ILLUSTRATION BY CAMILA GRAY THE BUZZ 2 FEBRUARY 12, 2021 Beauty Bulletin By the Numbers: Black- Owned Beauty Businesses On Yelp Data from Yelp shows heightened interest in Black-owned beauty businesses. BY JAMES MANSO THE PUSH TO BUY Black isn’t just hitting beauty products. Black-owned professional beauty businesses such as nail and hair salons, spas and barbershops have seen a lift in searches on Yelp, in spite of challenges to the professional sector caused by the pandemic. Diverse brand According to Yelp, searches for campaigns Black-owned service businesses garner higher skyrocketed 2,400 percent in 2020, engagement and and Black-owned businesses saw conversion, a 232 percent increase in review according to mentions. reports from Eyecue and “We’ve seen our user show MagicLinks. unprecedented interest in Black- owned businesses,” said Tara Lewis, senior vice president of community Report: Beauty Brands Returned to expansion and trends at Yelp. Although momentum has Posting Darker Skin Tones Over Holidays slowed — a statement from Yelp in August 2020 pointed to a 6,520 percent growth in searches for ¬ Data from Eyecue and diversity came from influencer- minimum in racial diversity, our MagicLinks suggests that racially and user-generated content, team has been able to, in most Black-owned businesses during the summer months — the company inclusive influencer campaigns with medium or dark skin tones cases, double that,” said Bryan credits consistent growth to its own perform better, with Black influencers accounting for two-thirds of this Mirabal, MagicLinks’ global creative diversity commitments.
    [Show full text]
  • Frequently Asked Questions
    Frequently Asked Questions Why aren't there more companies on this list? The "availability by country" feature is a new addition to the Beauty Without Bunnies program! We are working as quickly as possible to add companies to the list, so please check back often for updates. In the meantime, please refer to our full list of companies that don't test on animals for all your cruelty-free shopping needs! What types of companies are on the "Don't Test" list? The list includes companies that make cosmetics, personal-care products, household-cleaning products, and other common household products. In the U.S., no law requires that these types of products be tested on animals, and companies can choose not to sell their products in countries such as China, where tests on animals are required for cosmetics and other products. Companies on this list should be supported for their commitment to manufacturing products without harming any animals. The list does not include companies that manufacture only products that are required by law to be tested on animals (e.g., pharmaceuticals and garden chemicals). Although PETA is opposed to all animal testing, our quarrel in those instances is less with the individual companies and more with the regulatory agencies that require animal testing. Nonetheless, it is important to let companies know that it is their responsibility to convince the regulatory agencies that there are better ways to determine product safety. All companies that are included on PETA's cruelty-free list have signed PETA's statement of assurance or submitted a statement verifying that neither they nor their ingredient suppliers conduct, commission, or pay for any tests on animals for ingredients, formulations, or finished products.
    [Show full text]
  • Election Season Ross Resigns, Assumes Old Post
    Focus A Blind Brook High School Student Publication June 2019 Election Season By Lauryn Weintraub ‘20 n May 31, Blind Brook students gathered to listen to speeches Ofrom their classmates and vote for their student government rep- resentatives for the 2019-2020 school year. Students can run for Senate which is in charge of planning school-wide events like Homecoming and Pep Rallies; Congress, which deals with representing students’ issues to the administration, Board of Ed., and PTA; or Class Officers, who plan fundraisers and events for each grade. Every year, there are six open spots for Congress, five for Senate, and four for Class Officers. However, the juniors elect five Class Officers be- cause one more representative is added for senior year. People can first start running in 8th grade in preparation for their freshman year, al- though, the beauty of elections is that new people can be elected each year. For the actual elections, all grades gathered in separate areas of the Photo/Julia Rosenberg school to hear their classmates deliver speeches. Candidates from every Former Superintendent of Schools Dr. Jonathan Ross smiles for a picture at his desk. grade sought to justify why they were running and explained their plans for the upcoming year if they were elected. Everyone running is only allowed to run for one branch of government, and they need to hand in signed petitions prior to the elections to qualify. In addition, Congress Ross Resigns, Assumes Old and Senate students must attend at least one of their 7 a.m. meetings in order to run at elections.
    [Show full text]
  • Friday Essay: Youtube Apologies and Reality TV Revelations - the Rise of the Public Confession
    Close Academic rigour, journalistic flair Beauty YouTuber James Charles recently made numerous apology videos following a public feud. Such videos are now so common they have become the subject of parody. Nina Prommer/EPA/AAP Friday essay: YouTube apologies and reality TV revelations - the rise of the public confession May 24, 2019 6.01am AEST A little over a year ago, former Australian cricket captain Steve Smith made a tearful Author confession and apology to the public, having been banned from cricket for 12 months for ball tampering. Smith’s confession was expected. As Australian captain, he would take responsibility for the indiscretions of the whole team. Kate Douglas Smith’s televised confession and apology, and a later Vodafone advertisement Professor, Flinders University referencing it that leans into a redemption narrative, have paved the way for his atonement and successful return to cricket. Smith recently played for the Australia XI in a game against New Zealand; he and Warner will likely play in the first Ashes in August. We might interpret these confessions cynically, as a public relations exercise. But it is also clear that, in performing these acts, Smith is following particular, expected cultural templates for confession and apology. Gutsy is calling - Steve Smith Though confession has its origins within Judeo-Christian faiths, it has evolved to become one of Western society’s most familiar rituals. We see confessions every day: in literature, on television, and now online. Some are more convincing than others. While confessions on reality TV programs, on certain current affairs shows, and from YouTubers who thrive on controversy are now quite formulaic, new spaces are constantly opening up for confessional narratives.
    [Show full text]
  • 450401 Joonsuh Pyeon Thesis
    Beauty YouTubers’ Career Path as Creative Workers -The mixed methods research of South Korean case- Student Name: Joonsuh Pyeon Student Number: 450401 Supervisor: Mariangela Lavanga Master Cultural Economics and Entrepreneurship Erasmus School of History, Culture and Communication Erasmus University Rotterdam Master Thesis 12, June, 2017 Abstract This research aims to investigate the career paths of South Korean beauty YouTubers. This study regards them as creative workers and it focuses on the trajectory of their career. For this thesis, I adopt the mixed methods of quantitative and qualitative research. Samples, 100 South Korean beauty YouTubers, were selected encompassing beginning, growing, and influential stage. With the samples, several analysis were performed including regression, contents analysis, and in-depth interviews. The results say that educational factor doesn't significantly affect the success of their career. Also, I found that they start the career with various reasons such as sharing pure passion towards makeup, adopting a suitable method to show their knowhow, chasing the trend from blog to vlog and so on. Some of them show multiple job-holdings because the job at the early stage is not enough to sustain livelihood. During the career development, the repeated labour routines are identified. In building up reputation in the market, they get help intermediaries like MCNs. They apply entrepreneurship by using their cultural and social capital to make create new outputs. When they become influential to the market, they launch their signature products developed with big cosmetic brands, showing innovation. These empirical study will add understanding on the career paths of beauty YouTubers and contribute to the studies of creative labour markets and creative workers’ entrepreneurship.
    [Show full text]